A few examples of appraisal values for
ST MARY S CHURCH

• English School, 19th c - St
  English School, 19th c - St Mary's Church, Ilkeston, Derbyshire, oil on millboard, 28 x 46.5cm, Catherine Ellen Travis, Naive Artist, 19th c - Figures Before a Country House, mixed media on canvas, 25 x 35.5cm, etc., (3) More Information St Mary's with discoloured varnish, its cavetto frame chipped. Others generally good, some wear.
• A Sharland St Mary Redcliffe Church
  A Sharland St Mary Redcliffe Church St Stephen's Church two signed etchings of Bristol churches 44cm x 28.5cm (17.5" x 10") and another The Gateway of St Augustine's Abbey 59cm x 34cm (23.25" x 13.5")
• Ecclesiastical Mosaic set in Marble
  Ecclesiastical Mosaic set in Marble American early 20th century a stone and glass mosaic of the Christ Child against a cross surrounded by amber marble on a solid slate backing; 44.5 x 28.25 in. Founded in 1827 St. Paul's Episcopal Church was originally located in downtown Albany New York on Lancaster Street. ''Old St. Paul's'' and the ninety surrounding blocks were slated for demolition in the 1950s to make way for a new government project Albany's Empire State Plaza. This piece was removed from the building prior to demolition in the mid-1960s.
• STAINED GLASS WINDOW OF MARY 58
  STAINED GLASS WINDOW OF MARY 58 ½" x 41" Church stained glass window panel depicting a seated figure of Mary, with blue and red border and "Queen of the Angels" written on the panels.
• Ecclesiastical Cast-Stone Garden
  Ecclesiastical Cast-Stone Garden Figure of the Virgin Mary, the surface weathered, the base covered in lichens, one corner chipped, h. 51-1/2", w. 18", d. 15".
• 1891 French stained glass window:
  1891 French stained glass window: figure of Mary or St. Catherine with the sacred heart, full figure standing in curved niche flanked by columns, stained glass with extensive painted detail, lower memorial panel with names dated 1891, Angers, France, total height 97 x 36-1/4 in., one panel unframed, other three in crude wood frames, (four pieces). Several large cracks, scattered small chips, some loss of glass at bottom corners with associated losses, other scattered cracks. The Estate of the Late Milton Stephens, Greenville, South Carolina
• 1832 Schoolgirl Needlework British,
  1832 Schoolgirl Needlework British, red brick center building below four-line verse titled "The Messiah", lower panel with animals and trees, "ANN STILES/FINISHED THIS/WORK/IN HER 12/YEAR 1832" stitched within two cartouches, carnation border, silk on linen, 17 x 13 in. (sight); later wood frame,
• A 19th Century stained glass panel,
  A 19th Century stained glass panel, possibly depicting Mary Queen of Scots, 71cm x 65cm
• NORTHERN EUROPEAN GOTHIC
  NORTHERN EUROPEAN GOTHIC RELIGIOUS ARCHITECTURAL MODEL OF A CHURCH TOWER TITLED "SANCTA MARIA ORA PRO NOBIS"NORTHERN EUROPEAN GOTHIC RELIGIOUS ARCHITECTURAL MODEL OF A CHURCH TOWER TITLED "SANCTA MARIA ORA PRO NOBIS", 19th Century, detailed model of a church tower with Gothic arches, pierced tracery framework for stained glass, the tower surmounted by a cross, with molded kneeling angel in the archway above two floors with steps and vestibule, flanked by similar lower towers, the name translates approximately to "Pray for us sinners" and it is the penultimate phrase in the Catholic "Ave Maria" or "Hail Mary": ora pro nobis pecacatoribus nunc et in hora mortis nostrae - h:32w:11.50d:7.75in.
• Richard Jack, R.A. (British,
  Richard Jack, R.A. (British, 1866-1952) St. Mary's Church, Beverley oil on canvas titled and attributed in pencil (verso) 22 x 30 inches.
• John Fabion (American 1905-1982)
  John Fabion (American 1905-1982) St. Mary's Church Cracow Poland oil on canvas signed Fabion (lower right) 25 x 28 1/2 inches.
• American pictorial and verse
  American pictorial and verse sampler, central red brick church over "St. Johns Church built 1828/Consecrated October 1839", eight line religious verse, signed "Elizabeth Spencers Work Aged 17 years 1840", two pairs of angels with flowerpots, roses, large birds, other animals, strawberry vine border, silk on linen, 25 x 25-1/2 in. (sight); mahogany veneer frame, probably original. Losses to linen and silk, especially at border, fading, foxing, sampler has been conserved and mounted to muslin backing; veneer loss to one corner of frame.
• AMERICAN FOLK ART CHURCH. First
  AMERICAN FOLK ART CHURCH. First quarter-20th century. Well done wooden church with original paint. Details include painted brickwork, lattice work windows, cross shaped levers in the steeple, "St. Mary's" name plaque over the door and a fence around the base board. Steeple is removable. Some lattice pieces missing, some wear and paint flaking. 25.5"h. 16" x 16".
• Detailed tin model of a church with
  Detailed tin model of a church with stained glass windows and louvered shutters. Provenance: The Collection of Margaret Schiffer. ?
• Watercolor of St. Andrew style of a
  Watercolor of St. Andrew style of a stained glass window in Withernwick Parish Church East Yorkshire signed approx. 60'' x 18''.
• RUSSIAN ICON OF MARY AND SAINTS 18"
  RUSSIAN ICON OF MARY AND SAINTS 18" x 14 ?" Tempera on gessoed wood panel, Mary holding a scroll, city monastery in the background speaking to a Jesus Christ in the clouds, upper border with Jesus, Mary, St. John the Baptist flanked by Archangel Gabriel and Archangel Michael, border surrounded by saints.
• ST. JOSEPH'S CHURCH MODEL. Early
  ST. JOSEPH'S CHURCH MODEL. Early 20th century. Well detailed hand made model after St. Joseph's Catholic Church in Lancaster, Pennsylvania. Wood with original paint (including yellow), gothic arched windows, colored glass, tin strapped door and inlaid front step. Removable roof and steeple. minor wear. 26"h. 17.5"w. 7.5"d.
• Spanish Colonial Santos Mary and
  Spanish Colonial Santos Mary and the Christ Child, carved wood with gessoed and lacquered surface, Mary supported by cloud and crescent moon above three figures in a boat in turbulent waters, possibly Our Lady, Star of the Sea, Mary with glass eyes, mounted on hexagonal wood base, 21-5/8 in.,
• JOSEPH HAYES (1869-1916) FOR ST.
  JOSEPH HAYES (1869-1916) FOR ST. PETER'S CHURCH, MORNINGSIDE FIGURE OF SAINT JOHN, CIRCA 1907 plaster maquette, later mounted on a carved oak plinthfigure 111cm high, including plinth 139cm highProvenance: St. Peters Church, MorningsideNote: Regarded as amongst Sir Robert Lorimer’s most innovative architectural designs, St Peter’s, Morningside was built in two stages from 1906-7, with the nave completed from 1928-9. The church was designed by Lorimer in an Italianate style and includes stained glass by Morris and Gertrude A. Meredith Williams, Nina Millar Davidson, and Pierre Fourmaintraux, metalwork by Thomas Haddon and a fine Arts & Crafts lead font by G. P Bankart. On the exterior are carved stone sculptures by Joseph Hayes including The Crucifixion with Our Lady and St. John of around 1907. The current lot is the maquette for the figure of St. John. A polychrome carved wood sculpture in the apse of around 1908 uses the same figure. Joseph Hayes worked on several projects with Lorimer from around 1900, including the management of the carving for the Thistle Chapel in St. Giles’ Cathedral, Edinburgh, built from 1909-1911.
• Henry Thomas Schafer painting
  Henry Thomas Schafer painting (British, 1854-1915), Our Lady's Cathedral of Antwerp and square with statue of Peter Paul Rubens, signed lower right "Henry T. Schafer 1887", oil on canvas, 34 x 44 in.; 20th century gilt wood and composition French style frame. Grime, lined, restretched on old stretcher, retouch throughout sky and some in spire, approximately 25 percent of surface affected; frame with abrasions. Collection of the Late William Edward Rudolph, Atlanta, Georgia
• 5 pieces. Original Photographs -
  5 pieces. Original Photographs - 19th-Century Views - English, Colonial & French: "St. Mary-Le-Bow, Cheapside." London Stereoscopic and Photographic Co., ca. 1867. Albumen print, 11 z 7 1/4 inches (279 x 184 mm). Rich tones. * Bedford, Francis. "Christ Church Gateway, Canterbury." (London): F. Frith, [ca. 1850s]. Albumen print, 8 x 6 1/2 inches (203 x 165 mm), orig. printed mount. Minor spotting to mount. * Dixon, Henry. "Queen's Head Inn Yard, Southwark." London, 1881. Carbon print, 7 x 9 inches (178 x 228 mm), on original printed mount. Rich tones. * Cattle & wagons in & near stream, Australia, ca. 1880. Albumen print, 9 x 10 3/4 inches (228 x 273 mm). * "Fountaine de la Grosse horlogers." Ca. 1880s. Albumen print, 10 x 7 3/4 inches (254 x 196 mm), old mount. Dated in ink, "August 25, [18]89," at bottom of image.
• MARY IRELAND (1891-C.1980)
  MARY IRELAND (1891-C.1980) ‘BRETON PEASANT GIRL AT ST. SERVAN’, DATED 1934, ALTERED 1950 appliqué fabric mosaic panel, mixed fabrics and painted silk, with applied signature lower left MARY IRELAND, artist’s inscriptions verso FABRIC MOSAIC PANEL BY MARY IRELAND/ FROM STUDY 1934 (FABRIC ALTERED 1950), original frame35cm x 29.5cm
• JACQUELIN C. ALEXANDER, AMERICAN
  JACQUELIN C. ALEXANDER, AMERICAN 20TH/21ST CENTURY, ST. MARY'S CHURCH, FAIRFAX STATION, VIRGINIA, 1980, LITHOGRAPH, SIGHT: 16 X 12 1/4 IN. (40.64 X 31.12 CM.), FRAME: 24 1/4 X 20 3/4 IN. (61.60 X 52.71 CM.)JACQUELIN C. ALEXANDER, AMERICAN, 20TH/21ST CENTURY ST. MARY'S CHURCH, FAIRFAX STATION, VIRGINIA, 1980, Lithograph Lower center signed and dated in plate: Jacqueline C. Alexander / '80 / ©; lower center numbered and signed in graphite: 94/500 Jacquelin C. Alexander; lower center titled: ST. MARY'S CHURCH / Fairfax Station, Virginia Lithograph Dimensions: Sight: 16 x 12 1/4 in. (40.64 x 31.12 cm.), Frame: 24 1/4 x 20 3/4 in. (61.60 x 52.71 cm.) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
• A 17th Century carved and
  A 17th Century carved and polychrome figure of Mary Magdalene, kneeling with outstretched arms, her eyes cast towards heaven, her flowing robes with parcel gilt decoration, 41cm high
• An Antique Yellow Gold and
  An Antique Yellow Gold and Polychrome Enamel St. Mary Pendant containing an oval ceramic plaque with a painting of the Madonna on the front and the message ''St. Mary Mother of God Pray For Us'' in Hungarian on the reverse within a textured gold border. 4.80 dwts.
• French Burgundian Gothic 15th C.
  French Burgundian Gothic 15th C. The Virgin Mary Plaster 40'' high weathered surface section at base detached approximately 4'' h. x 4'' w. x 2'' d. [Property of the Wadsworth Atheneum Museum of Art sold to benefit the acquisition funds] (Prospective purchaser please plan to supply your own adequate moving assistance and appropriate vehicle for this object. Thank you.)
• ARCHITECTURALLY SALVAGED STAINED
  ARCHITECTURALLY SALVAGED STAINED GLASS WINDOW DEPICTING JESUS HEALING MARY MAGDALENE Circa 1960, multi-color seeded glass with lead solder, painted details with a town in the background (likely Nazareth) and flowers in the foreground, unframed.
• ARCHITECTURALLY SALVAGED STAINED
  ARCHITECTURALLY SALVAGED STAINED GLASS WINDOW OF THE HOLY FAMILY Circa 1960, this biblical scene depicting Mary, Joseph, and the newborn Jesus, showcasing the town of Bethlehem in the background with the bright shining star overhead, multi-color border surround with an antiqued painted finish, lead solder, unframed.
• RUSSIAN PAINTED AND GILT MONASTIC
  RUSSIAN PAINTED AND GILT MONASTIC ICON OF MARYThird-quarter 19th Century. Inscribed and dated in the lower right margin, 1874. The central image of Mary presenting a scroll to Jesus seated upon a cloud above, a monastery to her right, the border with multiple Saints. Measuring 12 by 10 in. (Cond: minor inpainting to areas of the border) Provenance: From a South Florida Private Collection.
• A 17th Century limewood figure of
  A 17th Century limewood figure of Mary Magdalene, standing at prayer, the base with canted corners, 108cm high/Provenance: Rous Lench Collection and by descent to the current owner
• MASTON, R. Thomas, (American,
  MASTON, R. Thomas, (American, 19/20th C.): ''Christmas Eve at Old St Patrick's Church'', Oil/Canvasboard, 48'' x 36'', signed lower right, The Rochester Memorial Art Gallery Finger Lakes Exhibition affixed verso, encased in Newcomb Macklin gilt carved framed, 53.5'' x 41.5''. St Patrick's was located on Lake Avenue in Rochester, New York, right next to the world-famous Eastman Kodak headquarters. St. Patrick's was Rochester's first Catholic church, founded more than a decade before the city of Rochester was established. St. Patrick's also was the area's first cathedral and served that role for decades before Eastman Kodak Co. bought the property to expand its ever-growing industrial empire. As the center of what became the Catholic Diocese of Rochester, four bishops were consecrated at St. Patrick's. Even after the cathedral was demolished, St. Patrick's lived on until 1979 as a church in the shadows of Kodak's iconic corporate headquarters building. (Democrat and Chronicle).
• MASTON, R. Thomas, (American,
  MASTON, R. Thomas, (American, 19/20th C.): ''Christmas Eve at Old St Patrick's Church'', Oil/Canvasboard, 48'' x 36'', signed lower right, The Rochester Memorial Art Gallery Finger Lakes Exhibition affixed verso, encased in Newcomb Macklin gilt carved framed, 53.5'' x 41.5''. St Patrick's was located on Lake Avenue in Rochester, New York, right next to the world-famous Eastman Kodak headquarters. St. Patrick's was Rochester's first Catholic church, founded more than a decade before the city of Rochester was established. St. Patrick's also was the area's first cathedral and served that role for decades before Eastman Kodak Co. bought the property to expand its ever-growing industrial empire. As the center of what became the Catholic Diocese of Rochester, four bishops were consecrated at St. Patrick's. Even after the cathedral was demolished, St. Patrick's lived on until 1979 as a church in the shadows of Kodak's iconic corporate headquarters building. (Democrat and Chronicle).
• SPANISH COLONIAL SCHOOL, NICHO
  SPANISH COLONIAL SCHOOL, NICHO VIRGIN MARY 18th/19th c., possibly Mexican or American Southwest, polychrome painted carved wood, the decorated shelf with post and rails, containing a seated Mary in bright pink robes, 14"h x 8"w x 6"d
• SPANISH COLONIAL SCHOOL, NICHO
  SPANISH COLONIAL SCHOOL, NICHO VIRGIN MARY 18th/19th c., possibly Mexican or American Southwest, polychrome painted carved wood, the decorated shelf with post and rails, containing a seated Mary in bright pink robes, 14"h x 8"w x 6"d
• A papier-m?ch? and shell three-part
  A papier-m?ch? and shell three-part table screen painted a church in moonlight 71cm (28") high
• Two Russian icons: saint outside
  Two Russian icons: saint outside with Basilica in background, God represented in a cloud, late 19th/early 20th century, 7 x 6-1/4 in.; Mary and the infant Jesus flanked by two saints, old Russian label and batten verso, 19th century, 7-1/8 x 5-7/8 in., both oil on panels with Cyrillic inscriptions, unframed. Both with crackle, abrasions, edge loss, warping.