A few examples of appraisal values for
STABIL

• TALL CASE CLOCK BY ROBERT
  TALL CASE CLOCK BY ROBERT GUTHRIE, CARLISLE, PAca. 1800; in a cherry case with line, paterae and fan inlays, broken arch top with three finials and sidelights over the trunk with rectangular door flanked by smooth chamfered and inlaid corners, over the base supported by French feet, eight day time, strike and calendar weight driven movement with painted metal dial with moving moon disc, signed "Guthrie", 19"x 9 1/2"x 95 3/4"; Condition: center finial reduced in height, calendar wheel repainted, vertical split in backboard stabilized
• WALLPAPER COVERED BENTWOOD OVAL
  WALLPAPER COVERED BENTWOOD OVAL BAND BOXca. 18th century; attributed to Lebanon Co., PA, rough froe split poplar bentwood band with metal clip fastened construction and poplar board heads (lid and bottom) that are shoe peg mounted, lid properly fitted with similar clip fastened construction, decorated with compass and impressed with painted accent worked wallpaper covering, the covering to appear as tooled leather but has many similarity to early Frakturwork drawing on paper, origin of these types of boxes is mostly from Lebanon Co., PA, 16 1/2"x 10"x 5 1/2"; Condition: paper covering stabilized with shellac covering that has extensively aged, probably applied pre-1900
• UNCOMMON FORM VIGILANT COW BUTTER
  UNCOMMON FORM VIGILANT COW BUTTER PRINTca. 1870-1890; lathe turned three-part mold box and print with large round turned box, flat chamfer sided print blank and threaded socket mounted handle, carved vigilant cow by fence with detail carved checkered body and angular leaf carved rim band, 5 1/2"d, 6 1/2"h; Condition: extensive bug hole damage, should have professional stabilizing
• FINE TRAMP ART TYPE MINIATURE LINEN
  FINE TRAMP ART TYPE MINIATURE LINEN PRESSca. late 19th-early 20th century; crafted from salvaged crate and cigar boxes featuring fine chip carved geometric stacked trimwork mounted to rough cut wood framing, four-quarter decoration of pyramid stacks on two upper doors and geometric lineal stacks on single drawer base; the cabinet with bracket feet and diamond pyramid stack crest, side of cabinet with lineal pyramid stacks, dark and varnish finish, 16"x 9"x 28 1/4"; Condition: some post hole beetle damage to framework; should probably have been stabilized
• Noel Denholm Davis (1876-1950) -
  Noel Denholm Davis (1876-1950) - News From The Front, signed and dated 1915, inscribed and titled plaque, oil on canvas, 71 x 92cm, gilt softwood and composite rectangular frame Reputedly commissioned by Jesse Boot, 1st Baron Trent (1850-1931), of the eponymous Nottingham pharmacy chain 'Boots the Chemist'. More Information Relined. Some portions cleaned/lightly scrubbed. The centre with a stabilised 2cm l split/hole, which is lost in the overall display of the picture.
• ALEXANDER CALDER (AMERICAN,
  ALEXANDER CALDER (AMERICAN, 1898-1976) "AUTUMN" Lithograph in colors. Printed signature and date to lower right 'Calder '69'. This work is from the edition of an unknown size and published by the Collector's Guild, New York.Artist BioAlexander Calder (American, 1898-1976)Alexander Calder was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "Stabiles", and his monumental public sculptures.
• TWO MOCHAWARE BOWLSShowing the
  TWO MOCHAWARE BOWLSShowing the earthworm pattern, the largest with interlacing decoration (multiple hairlines, repair / stabilization at rim), measuring 4" x 8.75", along with a smaller example showing a continuous pattern, in excellent condition, measuring 2.75" high x 4.5/8" diameter.
• Tall Contemporary Kinetic Modern
  Tall Contemporary Kinetic Modern Sculpture Stabile. Stylized red giraffe form base supports hanging mobile with black disc elements. Not marked. Dimensions: Height: 19 inches, Width: 17 inches, Depth: 5 inches. --- Condition: Light wear.
• Modernist Kinetic Stabile Sculpture
  Modernist Kinetic Stabile Sculpture . Tall black triangle supports red metal mobile with red discs. Dimensions: Height: 34 inches, Width: 17 inches, Depth: 3 inches. --- Condition: Very Good Condition. Light wear.
• 18K WHITE GOLD BLUE SAPPHIRE
  18K WHITE GOLD BLUE SAPPHIRE EARRINGS 18K white gold earrings, featuring two round brilliant cut blue sapphires weighing a total of approx. 2.50 carats, worn through pierced earlobes with posts and stabilizer friction backs, marked: "18K 750", Measuring approx. 3/4" across widest point, 7.7 dwt.
• TWO TURKOMAN BAG FACES (CHUVAL)
  TWO TURKOMAN BAG FACES (CHUVAL) OR RUGS Wool and goat hair, 19th c., the first mainly red with bands of decorative motifs including stars, S-hooks, diamonds, and flowers, in very dark blue, ivory, and golden yellow (3 ft. 3 in. x 5 ft. 4) (low pile, hole with repair, later but old binding to bottom edge, wear to selvages and corners); the second with chocolate brown field decorated with large elaborately decorated gul motifs, with border of hexagons and diamonds, in black, red, and ivory colors (3 ft. 6 in. x 5 ft. 8 in.) (extensive wear, areas of exposed foundation, loss, later stabilizing stitches added to top and bottom edges).
• MARTIN LOGAN SURROUND SOUND
  MARTIN LOGAN SURROUND SOUND SYSTEM A five channel surround system to include a pair of Martin Logan ElectroMotion ESL electrostatic loudspeaker featuring a full-sized 34-inch tall curvilinear XStat™ electrostatic transducer, an 8-inch high-excursion woofer internally mounted, push-style speaker terminals and curved inserts for ease of connecting, the rubber end caps on the terminal are also removable for the use of banana plugs instead of bare wire. Supplied with sturdy, 3/8-16 ETC™ spikes, which can be used to fine tune vertical wave launch, enhance stability on thick carpets, and create tighter coupling between speaker and floor to provide a tighter and detailed bass performance. Each spike is conveniently covered by removable rubber end caps if you prefer not to use spikes. The center channel is a Martin Logan Motion8 with a 1" Folded Motion tweeter and two four inch woofers. Voice-matched with MartinLogan ESL speakers and finished in piano black. Rear speakers are Martin Logan Motion 15 speakers with 1" Folded Motion tweeters and 5.25" woofers in a piano black finish.
• TWO SOUMAK SADDLEBAGS The first
  TWO SOUMAK SADDLEBAGS The first Shahsevan, with soumak faces, with tree of life and star motifs in red, blue, black, and white wool, within multiple borders, band of pile-weave to bottom edge of each bag, edges in goat hair, backed with red and blue striped flat weave, with fringes (wear and loss, fraying, stabilizing stitches added) (18 x 35 in. unfolded); The second a Jaf saddlebag with soumak faces, each face featuring a lattice of hooked motifs within horizontal diamonds, with geometric borders, strip of pile weave to lower edge of each bag, backed with dark brown and blue flat weave, edged with goat hair, laced with red and yellow cording (fading, loss and fraying, hole to corners, old repair attempts) (19.25 x 32.5 in. unfolded).
• PAIR OF REGENCY GREY PAINTED
  PAIR OF REGENCY GREY PAINTED MAHOGANY AND COMPOSITION FOOTSTOOLS WITH BRASS FEETOne retains remnant of paper label. One has two feet from a later period. 10 x 14 x 16 1/2 in. Note: The design for these stools directly related to a pattern for a 'Grecian footstool' published in R. Ackerman's Repository of Arts of 1826 , pl. 58. Ackerman praises this type of stool for its comfort and stability (see P. Agius, ed., Ackerman's Regency Furniture and Interiors , London, 1984, p. 88). Condition Both missing areas of carving and molding. Some carving is plaster not wood. Minor staining and areas of over-painting. Sound frames, will need to be re-upholstered. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• NEW YORK OR NEW ENGLAND PAINTED
  NEW YORK OR NEW ENGLAND PAINTED WAINSCOT ARMCHAIRNew York or New England painted white pine William and Mary wainscot armchair, early 18th c. NO in-house shipping for this lot. Condition: 41 3/4" h., 24 7/8" w., 29" d., seat - ~15 1/4" d. Frame and seat are white pine. As found condition. General wear, scratches, dirt, torn upholstery. Pegs added to rear of stiles at crest. Upholstery tack holes to seat frame. Repaired breaks to front legs and blowout to side stretcher. Holes drilled in feet where wire was run across for stability. Arms, legs, and stretchers are hardwood, possibly birch.
• A D.R. Dimes dining table with
  A D.R. Dimes dining table with branded mark on underside of rectangular hand planed pine top with breadboard ends, supported by turned maple legs with button feet, with cross and medial stretchers for stability. A classic New England 18th C. style farm table, ready to serve your family for generations to come! 30”H x 84”L x 39”W x 23.75” to bottom of apron Condition: good overall, expected abrasions on legs and top CT Transfer Fee $40
• Two black on black Southwest
  Two black on black Southwest Indigenous ceramic vessels, including: a geometric wedding vase signed Lidia Pena 7.75”H x 6”dia. on unattached ceramic ring stabilize, and a large black on black repeating pattern ceramic vase signed Consalae Quazada 9.5”H x 10.5”dia.. Condition: both very good CT Transfer Fee $20
• A collection of diminutive signed
  A collection of diminutive signed Indigenous pottery, including: Acoma P. Iuie, Lourdes Lopez, Elua Mendoza, and Deonte To Villa. Tallest vessel 3”H Condition: all very good, two with unattached foot rings for stabilization CT Transfer Fee $20
• A 19th C. Federal tester bed with
  A 19th C. Federal tester bed with canopy, four turned and stained maple posts with a shaped headboard. No mattress or boxspring 80”H x 77”L x 56”W overall Condition: fitted with cross cables for stability, average wear and signs of use CT Transfer Fee $50
• JUDY STABILE (B. 1948):
  JUDY STABILE (B. 1948): EXTRAPOLATIONS NO. 3Judy Stabile, (B> 1948) Extrapolations No. 3, reverse painted glass 1981; signed, dated, and titled to verso reverse painted glass Dimensions: 42 3/4 x 33 1/4 in. (108.6 x 84.5 cm.) Condition:
• HERVE WAHLEN (B. 1957):
  HERVE WAHLEN (B. 1957): STABILITEHammered copper with gold leaf, 1996, signed and dated at bottom. 9 in x 11 in x 9 in Condition In very good condition. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• TWO FAMILLE ROSE EQUESTRIAN FIGURES
  TWO FAMILLE ROSE EQUESTRIAN FIGURES OF WANG ZHAOJUN QING DYNASTY, QIANLONG PERIOD, 1736-1795 ??? ??????????????each finely moulded with the lady wearing an elaborate headdress and colourful costume, playing a string instrument pipa on a piebald horse, all upon a rectangular base(2)heights: 22.1cm and 22.4cmProvenance: Private collection, London; acquired from Galerie Nicolas Fournery, Paris, one with a circular label from the gallery and hand-written number 'D311' on the underbelly of the horseNote: Wang Zhaojun, also known as Wang Qiang, was known asone of the Four Beauties ofancient China.She was sent by the Han dynasty Emperor Yuan to marry the Xiongnu nomad chieftain Huhanyein an attempt to promote peace and stability between the two courts. The present figures depict an occurrence in Wang's journey north across the steppe, when the beauty of her voice caused a flock of geese to forget to flap their wings and fall to the ground; hence she is also known as 'falling wild goose'. Her image, holding a pipa whilst riding on a horse (see image 1) similar to the present examples, was depicted on a woodblock print book Li Chao Ming Yuan Shi Ci ?????? published in the thirty-eighth year of Qianlong reign, corresponding to 1773AD. A closely comparable example of similar design and colour palette was sold at the Guest & Gray Gallery, London, Ref: Y913.
• JOHN ELWOOD BUNDY(American,
  JOHN ELWOOD BUNDY(American, 1853-1933) Fall Scene, signed lower right "J.E. Bundy", oil on canvas, 24 x 19 in.; gilt wood frame, 31-1/2 x 26-1/2 in. Provenance: Private Collection, Colorado Springs, Colorado Condition: Beva lined, stabilized crackle, areas of retouch: frame with gold paint, wear and separation at corners
• AMERICAN FOLK PORTRAIT OF A SEA
  AMERICAN FOLK PORTRAIT OF A SEA CAPTAIN(American, early 19th century) Sea Captain in a Handsome Waistcoat, unsigned, oil on canvas, 30 x 25-1/4 in.; reproduction gilt wood frame, 38-1/4 x 33-1/2 in. Provenance: Janet and John Marquesee, New York, NY Condition: wax lined, retouch, canvas bubbling in places, evidence of small repair, stabilized crackle; frame with wear and abrasions
• ATTRIBUTED TO SHELDON PECK, PAIR OF
  ATTRIBUTED TO SHELDON PECK, PAIR OF TWINS(American, 1797-1868) Pair of Folk Portraits; Fraternal Twins, unsigned, each oil on canvas, each 17 x 14 in.; matching period carved and paint decorated folk art frames, 20-3/4 x 17-1/2 in. Provenance: Private Collection, Felicity, Ohio; Bernard Barenholtz, Marlboro, New Hampshire; Sotheby's, New York, Important Americana , January 28-31, 1987, sale 5551, lots 1104 through 1110; Christie's, New York, Important American Furniture and Folk Art , January 20, 2012, sale 2533, lot 198, sold for $15,000; Property from the John B. Schorsch Collection Condition: wax lined, replaced stretchers, stabilized crackle, areas of retouch, boy with surface scratch to varnish at right side: frame with attractive patina, wear commensurate with age, abrasions, cracks to corner blocks
• WILLIAM PIERCE STUBBS(American,
  WILLIAM PIERCE STUBBS(American, 1842-1909) The Three Masted Schooner Samuel H. Hawes, circa 1880, signed lower right "W.P. Stubbs.", oil on canvas, 24 x 36 in.; carved gilt wood frame, 31 x 43 in. Provenance: Deaccessioned by the Valentine Museum, Richmond, VA, 2022 Condition: wax lined, stabilized crackle, stretcher marks, areas of retouch; frame with wear and abrasions
• PAULINE PALMER(American, 1867-1938)
  PAULINE PALMER(American, 1867-1938) The Gossips, signed lower left "Pauline Palmer", oil on canvas, 20-1/4 x 24 in.; fine carved gilt wood frame, 27-1/4 x 31-1/4 in. Provenance: The Laura Davidson Sears Gallery of Fine Art, Elgin Academy, Elgin, Illinois Condition: Beva lined, stabilized crackle, probable surface dirt layer; frame with wear Conserved by Barry Bauman, River Forest, Illinois, 2008, per attached card verso.
• AMERICAN FEDERAL UPHOLSTERED
  AMERICAN FEDERAL UPHOLSTERED MAHOGANY EASY CHAIR WITH R...possibly Mid Atlantic, circa 1790-1810, with later elements, serpentine crest rail, incurvate shaped arms, red wool upholstery, square legs and stretcher, together with a custom matching reproduction chair made by Mark Minor in Salida, Colorado (who performed the conservation treatment on the Federal period chair); 39-1/2 x 28-1/2 x 24 in. Provenance: Period chair purchased through Clark Pearce, Essex, Massachusetts, for $5,500; Estate of Steven Murphy, Fort Collins, Colorado Condition: Federal period chair is structurally sound with extensive restoration (see attached treatment report and extant photos by Mark Minor), birch plywood panels added to seat rail and frame to stabilize frame for upholstery, upholstery not removed for further examination, upholstery with minor discolorations, legs and stretcher with scattered abrasions and surface wear; reproduction chair in generally good condition with minor surface wear from use, upholstery in good condition with minor abrasion on rear side
• ENGLISH DELFTWARE BLUE AND WHITE
  ENGLISH DELFTWARE BLUE AND WHITE LOBED DISHprobably Brislington, circa 1680-90, painted with a bird perched amidst flowering branches within a wide gadroon molded rim, diameter 11-5/8 in. Provenance: Garry Atkins, London; Property from the Collection of Dudley and Constance Godfrey Note: Literature: Garry Atkins, An Exhibition of English Pottery, March 1996, no. 6 Condition: three stabilized hairline cracks to the rim, one extending to center, discoloration, chipping and loss to glaze primarily to rim, pinholes, firing anomalies, accretion, glaze voids, accession number to bae
• JACOB EICHHOLTZ, OIL ON PANEL
  JACOB EICHHOLTZ, OIL ON PANEL PROFILE PORTRAITJacob Eichholtz (American 1776-1842) , oil on panel profile portrait of a gentleman, 9" x 7". Provenance: Pennsylvania educational institution. Condition: Wooden grid affixed to verso for stability.
• LA II AND PAUL KOSTABILA II
  LA II AND PAUL KOSTABILA II (Angel Ortiz) (American/New York, b. 1967) and Paul Kostabi (American/California, b. 1962), "Ludlow", 2021, giclee print, pencil-signed by both artists and numbered "50/50" lower margin, 19 1/2 in. x 16 1/4 in., unframed.
• LA II AND PAUL KOSTABILA II
  LA II AND PAUL KOSTABILA II (Angel Ortiz) (American/New York, b. 1967) and Paul Kostabi (American/California, b. 1962), "Orchard", 2021, giclee print, pencil-signed by both artists and numbered "42/50" lower margin, 19 3/4 in. x 16 1/2 in., unframed.
• ISLAMIC MEDICAL MANUSCRIPT
  ISLAMIC MEDICAL MANUSCRIPT ILLUSTRATION Islamic manuscript illustration, single sheet, worked in gouache on paper, based off of Avicenna reducing and stabilizing a spinal column injury, with inscriptions in Arabic. Sheet: 8.25" H x 11.75" W; frame: 14" H x 17.75" W x 0.75" D.
• ABRAHAM PETHER ATTRIB. "VIEW OF THE
  ABRAHAM PETHER ATTRIB. "VIEW OF THE FIRE" OIL Attributed to Abraham Pether (British, 1756-1812) oil on canvas depicting figures gazing out to a building aflame under the moonlit sky, the frame reverse with handwritten label: "Attributed to Abraham Pether 1756 - 1818 / compare with "Old Drury Lane Theatre on Fire" 2/24/1809 / on view Guildhall London." Image: 18.5" H x 23.25" W; frame: 25.5" H x 29.75" W x 1.5" D. Condition update (as of December 8, 2020): Painting was recently brought to conservator for restoration including minor inpainting in upper right quadrant, stabilization to prevent further flaking, and a light cleaning.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOThomas Hart Benton (Missouri, 1889-1975)Plowing It Under (1934)The lithograph from an edition of 250 prints published by Associated American Artists is signed by the artist in pencil below the image lower right, Fath #8.Benton's comments in Fath read: 'Drawing made in South Carolina in 1934 - showing Tugwell's program in operation.' Under the Agricultural Adjustment Administration during the Great Depression, recently planted spring crops were once ploughed under in an attempt to stabilize prices.Image size 8 x 13.25, sheet measures 11.5 x 16, the frame is 18.5 x 23.25 inches.Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, puncture, repair or stain beyond a very, very pale outline approximately 1-inch wide around the image from a previous mat .
• LARGE TRIBAL ZULU GEOMETRIC PATTERN
  LARGE TRIBAL ZULU GEOMETRIC PATTERN CLAY BEER POTLarge Zulu clay beer pot, South Africa, the vessel having raised geometric pattern, old wire stabilization to hairline at one side, resting on a wood base, pot only: approx 12"h, 16"w, approx 13.25lbs