A few examples of appraisal values for
STEINBERG

• STEINWAY GRAND PIANOSteinway Model A
  STEINWAY GRAND PIANOSteinway Model A Salon 6'2" grand piano, serial number 97310. Provenance: Dr. Ori Steinberg. NO in-house shipping for this lot. Condition: Overall good condition. Deep scratches. Piano needs to be tuned.
• FEURICH PARLOR GRAND PIANOFeurich 7'7"
  FEURICH PARLOR GRAND PIANOFeurich 7'7" parlor grand piano, serial number 72732. Provenance: Dr. Ori Steinberg. NO in-house shipping for this lot. Condition: Overall good condition. Piano needs to be tuned.
• SAUL STEINBERG "LAS VEGAS" ETCHING,
  SAUL STEINBERG "LAS VEGAS" ETCHING, CA 1995 Saul Steinberg (American, 1914-199) "Las Vegas" etching in colors, signed in pencil lower right, numbered "27/50", circa 1995, housed in a painted giltwood frame. Image: 13.5" H x 11" W; frame: 23.5" x 21" W.
• THREE SHELVES OF MAINLY ART BOOKS AND
  THREE SHELVES OF MAINLY ART BOOKS AND NOVELS Three shelves of mainly art books and novels, including 'Steinberg: The Art of Living'; 'Velazquez: Painter and Courtier'; 'Ferderick R. Weisman Art Foundation Collection';'Eva Hesse' by Lucy Lippard; 'Frank O. Gehry: Guggenheim Museum Bilbao'; 'Robert Rauschenberg: A Retrospective'; 'Le Divorice' and 'L'Affaire' by Diane Johnson, etc.
• WORK ON PAPER, ATTRIBUTED TO SAUL STEINBERG
  WORK ON PAPER, ATTRIBUTED TO SAUL STEINBERG Attributed to Saul Steinberg (American, 1914-1999), Untitled, mixed media on paper, bears signature lower right, sight: 15"h x 10"w, overall (with frame): 19"h x 14"w
• A LABELLED BEN STEINBERG, BROOKLYN,
  A LABELLED BEN STEINBERG, BROOKLYN, FULL SIZE CELLO 50"L; EN SUITE WITH BOW 28"L AND SOFT CASE A labelled Ben Steinberg, Brooklyn, full size cello 50"l; en suite with bow 28"l and soft case
• A LABELLED BEN STEINBERG, BROOKLYN,
  A LABELLED BEN STEINBERG, BROOKLYN, FULL SIZE CELLO 50"L; EN SUITE WITH BOW 28"L AND SOFT CASE A labelled Ben Steinberg, Brooklyn, full size cello 50"l; en suite with bow 28"l and soft case
• FRAMED CHATEAU MOUTON ROTHSCHILD ART
  FRAMED CHATEAU MOUTON ROTHSCHILD ART WINE LABELSFramed wine labels, (twenty) Chateau Mouton Rothschild labels, featuring artists Leonor Fini (1952), Joan Miro (1969), Marc Chagall (1970), Pablo Picasso (1973), John Huston (1982), Saul Steinberg (1983), Yaacov Agam (1984), Paul Delvaux (1985), Bernard Sejourne (1986), Hans Erni (1987), Keith Haring (1988), Georg Baselitz (1989), Francis Bacon (1990), Setsuko (1991), Per Kirkeby (1992), Balthus (1993), Karel Appel (1994), Antoni Tapies (1995), Gu Gan (1996), Niki de Saint Phalle (1997), each label: approx 6"h, 4.25"w, overall: approx 33"h, 31"w, 10.25lbs
• PAIR OF AGATEWARE URNSUnmarked. 8 1/8
  PAIR OF AGATEWARE URNSUnmarked. 8 1/8 x 4 in. diam. Property from the Collection of Gayfryd Steinberg Condition One restored. Each with minor wear and crazing. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ENGLISH GREEN GROUND PORCELAIN PART
  ENGLISH GREEN GROUND PORCELAIN PART DESSERT SERVICEUnmarked. Comprising: Twenty-three plates Four small compotes A pair of compotes A large compote A pair of low compotes The plates 9 in. diam., (30 pcs). Property from the Collection of Gayfryd Steinberg Condition Minor wear, some rubbing to the gilding and a few tiny unpbtrusive nicks. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• RARE DIRECTOIRE BRASS AND ORMOLU-MOUNTED
  RARE DIRECTOIRE BRASS AND ORMOLU-MOUNTED MAHOGANY AND EBONIZED SLANT-FRONT STANDING DESKThe hinged slant front opening to a welled interior with a ratchet mechanism, raised on lyre trestles with fluted supports headed by classical masks, joined by a wavy X-formed stretcher, ending on ebonized paw feet. 48 1/2 x 39 1/2 x 23 in. Property from the Collection of Gayfryd Steinberg Condition The top with fading, minor age splits with some old patches and scattered areas of loss to the finish. The backside with fading. Minor repairs to the stretcher and the right side lyre. Evidence of old worming under the top with a small replacement. Wear is consistent with age and use. Structurally sound, very unusual form.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• BLOEMAERT, ABRAHAM AND FREDERIK: OORSPRONKELYK
  BLOEMAERT, ABRAHAM AND FREDERIK: OORSPRONKELYK EN VERMAARD KONSTRYK TEKENBOEK. AMSTERDAM: REINER AND JOSUA OTTENS, 1740.together with Drawings of Michelangelo: 103 Drawings in Facsimile and Abel Desjardins: La Vie et l'Oeuvre de Jean Bologne. The largest 18 1/4 x 13x 1 1/2 in. Ursus Rare Books Ltd., New York. Property from the Collection of Gayfryd Steinberg Condition Bloemaert with wear and scratches to cover and spine, staining and discoloration to first few pages, pages distorted throughout. Drawings of Michelangelo with wear to spine of cover and slip case. Bologne with wear, discoloration, and staining to cover and foxing throughout pages. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• GEORGE MORELAND (1763-1804): A WOODED
  GEORGE MORELAND (1763-1804): A WOODED STREAMSanguine on paper, watermark '1794' over a crest, signed 'G. Moreland' lower right. 7 x 8 1/4 in. (sheet), 14 3/4 x 16 1/2 in. (frame). Sold Christie's, NY, September 10, 1990, Lot 571. Property from the Collection of Gayfryd Steinberg Condition Sheet window mounted. Creasing and remains of old paper and glue at the reverse of the sheet corners.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ITALIAN SCHOOL: HALF-LENGTH FIGURE OF
  ITALIAN SCHOOL: HALF-LENGTH FIGURE OF A YOUNG WOMAN BESIDE A TREEInk and pencil on paper, unsigned. Approximately 5 x 5 in. (sheet), 13 1/4 x 13 1/4 in. (frame). Property from the Collection of Gayfryd Steinberg Condition The sheet backed with the upper right and left corners made-up. A small loss lower right corner. Surface soiling. Partially erased pencil sketch beneath the ink. Full sheet visible. Not examined out of frame.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• A pair of vintage mother-of-pearl scallop
  A pair of vintage mother-of-pearl scallop plates with three silver feet, 9”L. A contemporary glass bowl, signed Steinberg, 9” dia. Condition: good overall CT Transfer Fee $20
• MIXED MEDIA, ATTRIBUTED TO SAUL STEINBERG
  MIXED MEDIA, ATTRIBUTED TO SAUL STEINBERG Attributed to Saul Steinberg (American, 1914-1999), Untitled, mixed media on paper, bears signature lower center right, overall (with frame): 21"h x 16"w
• Saul Steinberg 1914–1999. Main Street.
  Saul Steinberg 1914–1999. Main Street. 1972-73, lithograph in colors on Arches. 22¼ h × 29? w in. result: $1,188. estimate: $1,000–1,500. Signed, dated and numbered to lower edge ‘30/40 Steinberg 1972-73’. This work is number 30 from the edition of 40 published by Universal Limited Art Editions, West Islip, NY.
• Saul Steinberg 1914–1999. Sphynx.
  Saul Steinberg 1914–1999. Sphynx. 1984, etching on BFK Rives. 11? h × 16¾ w in. result: $1,386. estimate: $1,000–2,000. Signed and numbered to lower edge ‘23/50 Steinberg’. This work is number 23 from the edition of 50 printed and published by Gemini G.E.L., Los Angeles. Provenance: Private Collection
• LOT OF SEVEN PORTRAITS BY HERBERT STEINBERG
  LOT OF SEVEN PORTRAITS BY HERBERT STEINBERG (AMERICAN 2...oil on canvas 12 in. h. x 10 in. w., largest
• WILLIAM EASTMAN (AMERICAN, 1881-1950)
  WILLIAM EASTMAN (AMERICAN, 1881-1950) ATMOSPHERIC LANDS...William Eastman (American, 1881-1950) Atmospheric Landscape Watercolor on paper Signed lower right 19 in. h. 23 1/2 in. w., image 30 1/2 in. h. x 34 in. w., matted and framed Born in Cleveland in 1888, William Eastman attended the Cleveland School of Art, graduating in 1912. After which he moved to New York and briefly studied at the Art Students League. The following year he moved back to Cleveland to become an instructor at the Cleveland School of Art, a position he held until his death. He had his first solo exhibition in 1911 at the studio he shared with Walter Heller. Around 1915 Eastman began experimenting with gold and silver-leaf grounds in paintings based on "principles of pure design." He exhibited at the annual May Shows at the Cleveland Museum of Art (1919-1950). On sabbatical from the Cleveland School of Art in 1922, he studied at the Academie Julian in Paris and spent the following year painting in France, Spain, Italy, Norway, Sweden, and Denmark. One of the many trips in Europe he would take throughout his lifetime. He directed the Eastman-Bolton Gallery from 1926-1938, a decorative-design firm that he cofounded. In 1931 he was elected president of the Cleveland Society of Artists. The following year he organized the city's first artist's Curb Market to stimulate sales of local artists' work. During the 1930's and 1940's his paintings appeared in solo exhibtions in Cleveland, Akron, Columbus, and the Addison Gallery of American Art in Andover, Massachussetts. In the summer of 1939 he made the first of many painting trips to the American West and Mexico. Returning from one of these trips in 1950, Eastman died of a heart attack. The Cleveland Institute of Art organized a memorial exhibition of his work the following year. Source: Transformations in Cleveland Art (1796-1946) - Robinson and Steinberg
• WILLIAM EASTMAN (AMERICAN, 1881-1950)
  WILLIAM EASTMAN (AMERICAN, 1881-1950) LANDSCAPE WITH TR...William Eastman (American, 1881-1950) Landscape with Trees Watercolor on paper Signed lower right 22 in. h. x 30 in. w., image 33 in. h. x 40 1/2 in. w., matted and framed Born in Cleveland in 1888, William Eastman attended the Cleveland School of Art, graduating in 1912. After which he moved to New York and briefly studied at the Art Students League. The following year he moved back to Cleveland to become an instructor at the Cleveland School of Art, a position he held until his death. He had his first solo exhibition in 1911 at the studio he shared with Walter Heller. Around 1915 Eastman began experimenting with gold and silver-leaf grounds in paintings based on "principles of pure design." He exhibited at the annual May Shows at the Cleveland Museum of Art (1919-1950). On sabbatical from the Cleveland School of Art in 1922, he studied at the Academie Julian in Paris and spent the following year painting in France, Spain, Italy, Norway, Sweden, and Denmark. One of the many trips in Europe he would take throughout his lifetime. He directed the Eastman-Bolton Gallery from 1926-1938, a decorative-design firm that he cofounded. In 1931 he was elected president of the Cleveland Society of Artists. The following year he organized the city's first artist's Curb Market to stimulate sales of local artists' work. During the 1930's and 1940's his paintings appeared in solo exhibtions in Cleveland, Akron, Columbus, and the Addison Gallery of American Art in Andover, Massachussetts. In the summer of 1939 he made the first of many painting trips to the American West and Mexico. Returning from one of these trips in 1950, Eastman died of a heart attack. The Cleveland Institute of Art organized a memorial exhibition of his work the following year. Source: Transformations in Cleveland Art (1796-1946) - Robinson and Steinberg
• WILLIAM EASTMAN (AMERICAN, 1881-1950)
  WILLIAM EASTMAN (AMERICAN, 1881-1950) NORWAY, 1922William Eastman (American, 1881-1950) Norway, 1922 Oil on canvas Signed lower right 18 in. h. x 21 in. w., canvas 24 in. h. x 27 in. w., as framed Born in Cleveland in 1888, William Eastman attended the Cleveland School of Art, graduating in 1912. After which he moved to New York and briefly studied at the Art Students League. The following year he moved back to Cleveland to become an instructor at the Cleveland School of Art, a position he held until his death. He had his first solo exhibition in 1911 at the studio he shared with Walter Heller. Around 1915 Eastman began experimenting with gold and silver-leaf grounds in paintings based on "principles of pure design." He exhibited at the annual May Shows at the Cleveland Museum of Art (1919-1950). On sabbatical from the Cleveland School of Art in 1922, he studied at the Academie Julian in Paris and spent the following year painting in France, Spain, Italy, Norway, Sweden, and Denmark. One of the many trips in Europe he would take throughout his lifetime. He directed the Eastman-Bolton Gallery from 1926-1938, a decorative-design firm that he cofounded. In 1931 he was elected president of the Cleveland Society of Artists. The following year he organized the city's first artist's Curb Market to stimulate sales of local artists' work. During the 1930's and 1940's his paintings appeared in solo exhibtions in Cleveland, Akron, Columbus, and the Addison Gallery of American Art in Andover, Massachussetts. In the summer of 1939 he made the first of many painting trips to the American West and Mexico. Returning from one of these trips in 1950, Eastman died of a heart attack. The Cleveland Institute of Art organized a memorial exhibition of his work the following year. Source: Transformations in Cleveland Art (1796-1946) - Robinson and Steinberg
• SAUL STEINBERG (ROMANIAN/AMERICAN, 1914-1999)
  SAUL STEINBERG (ROMANIAN/AMERICAN, 1914-1999) COLOR LIT...DESCRIPTION: A lithograph in colors by Saul Steinberg, editioned HC (hors commerce), hand signed lower right, "Steinberg" and marked "H.C." Framed under glass. Provenance: Private Collection, Miami, Fl. CIRCA: 20th Century ORIGIN: USA DIMENSIONS: Image H. 21.25" x W. 28" , Overall H. 29" x W. 35" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• 2 CHATEAU MOUTON ROTHSCHILD/BARON PHILIPPE
  2 CHATEAU MOUTON ROTHSCHILD/BARON PHILIPPE WINE LABEL L...1st item: 1982 Chateau Mouton Rothschild/Baron Philippe wine label lithograph, designed by John Huston and signed in the plate "In celebration of my beloved friend Baron Philippe's 60th harvest at Mouton, John Houston". Note: Best known as a film director, but also a boxer, art lover, writer, horse trainer, big-game hunter and actor, John Huston (1906-1987) was a talented painter from an early age. This watercolour for the Mouton Rothschild 1982 label is one of the last pictures he ever painted. 2nd item: 1983 Chateau Mouton Rothschild wine label lithograph, originally painted by Saul Steinberg (1914-1999) and initialed ST in the plate. The Romanian-born American painter and cartoonist moved to New York in 1941 and was a regular contributor to The New Yorker. Steinberg later developed the theme of human solitude: empty beaches where the human figure is a dot in the distance, etc., which inspired his design for 1983 label. Both Late 20th century. (Higher-resolution photos are available at www.caseantiques.com) Condition: Both in excellent condition. 21 7/8"H x 16 7/8"W.
• AFTER SAUL STEINBERG, PERSIAN RUGAfter
  AFTER SAUL STEINBERG, PERSIAN RUGAfter Saul Steinberg (American, 1914-1999) Persian Rug Hand knotted wool 9ft 2in x 6ft 11in (279.5 x 211cm)(br/)Provenance: Property from a Private Collector.
• SAUL STEINBERG, BICENTENNIAL POSTERshrink
  SAUL STEINBERG, BICENTENNIAL POSTERshrink wrapped on board. 42 1/2" high, 28 1/2" wide. Small scratch, loss to plastic lower center.
• GROUP OF THIRTEEN FRAMED PIECES TO INCLUDE
  GROUP OF THIRTEEN FRAMED PIECES TO INCLUDE THREE HARRIS...Group of thirteen framed pieces to include three Harris B. Steinberg watercolors, "Delinquent Tax Return", sight size 10 1/2" x 7", "Held over in Albany", "J.P. Says Ok" along with a group of nine comic sketch prints, Bill Clinton signed letter. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• AFT GERARD DAVID ADORATION OF MAGI LARGE
  AFT GERARD DAVID ADORATION OF MAGI LARGE O/C 1555Damianus van der Goude , 16th c., (workshop of Frans Floris), "Adoration of the Magi" after Gerard David, Netherlandish, large oil on canvas (previously transferred from panel). This version is extremely close in size to David's earlier version in the National Gallery of London, but differs in small details. NOTE: Our specialist has identified the painting as the sole work recorded by the artist, an archer serving under Philip of Spain, Lord of the Netherlands, reigning as Philip II of Spain in 1556. LITERATURE: The Fifteenth Century Netherlandish Schools (National Gallery Catalogues) November 24, 1998 by National Gallery, Lorne Campbell (Author), page 145, Figure 7 66 x 74 inches, unframed From the personal collection of Laura Sconocchia Fisher Steinberg, ex-spouse of the late financier Saul Steinberg. Formerly in the Augusta Family Collection, thence by descent to Cristina Augusta (LSTE1000)(TC) Condition: Relined with new stretchers; a few old well repaired tears visible from the front; under blacklight, overpainting, reglazing, and inpainting, notably to the figure of Balthazar, the figures of the Virgin and Christ with minor inpainting. A vertical line and a horizontal line more visible under blacklight, possibly from having been folded in the past or old stretcher marks.Old rabbet rubbing evident across the bottom and edges.Small scattered and minor losses to the painting surfaces, typical craquelure.
• SAUL STEINBERG "JUKEBOX" LITHOGRAPH
  SAUL STEINBERG "JUKEBOX" LITHOGRAPH Saul Steinberg (American, 1914-1999) "Jukebox" lithograph, signed to lower right and numbered 46/75 to lower left, unframed. 23.5" H x 29.75" W.
• DERRIERE LE MIROIR, (91) ISSUES, 1947-1965
  DERRIERE LE MIROIR, (91) ISSUES, 1947-1965 Featuring Calder, Steinberg, Palazuelo, Chillida, Ellsworth Kelly, Matisse, Braque, Giacometti, Chagall, Arp, and many more, enclosed in 5 red cloth folders with slipcases, and 3 printed folders with ties, see "Notes" for full list, issues appear complete with all lithographs, however, not all have been checked page by page, 15.75"h x 12"w (slipcases)
• Nathaniel P. Steinberg (American, 1893-1976)
  Nathaniel P. Steinberg (American, 1893-1976) March Thaw Chicago, 1950 etching signed, titled and numbered Ed. 100 in pencil 10 3/4 x 13 3/4 inches.
• HARRIS B. STEINBERG (NEW YORK, D. 1969),
  HARRIS B. STEINBERG (NEW YORK, D. 1969), THREE LAWYER-THEMED CARICATURE DRAWINGS:, WATERCOLORS ON PAPER, 11.5" X 7.25" SIGHT. FRAMED 19" X 14".HARRIS B. STEINBERG, New York, d. 1969, Three lawyer-themed caricature drawings: "Delinquent Tax Return", "Held Over in Albany", and "J.P. Says OK". All signed. One with label for "The Association of the Bar of New York". Dimensions: Watercolors on paper, 11.5" x 7.25" sight. Framed 19" x 14". Provenance: Harris B. Steinberg was a noted attorney and art collector. His collection was sold at Parke-Bernet Galleries in 1970.
• HARRIS B. STEINBERG (AMERICAN, 1912-1969),
  HARRIS B. STEINBERG (AMERICAN, 1912-1969), THE LEGAL MIND AND THE HACKERS The first a collage work with gouache, retaining an exhibition label for The Association of the Bar of the City of New York to verso, framed (Frame dimensions 17 1/2 x 15 3/8 in.); the second an autographed copy of a self-published collection of golfing cartoons, 1956.
• FRIEDRICH MECKSEPER, GERMANY (B. 1936),
  FRIEDRICH MECKSEPER, GERMANY (B. 1936), UNTITLED, COLOR LITHOGRAPH, 18 1/2"H X 23 1/2"W (SIGHT)Friedrich Meckseper, Germany, (b. 1936) untitled, color lithograph signed bottom middle From AskArt: The German painter, designer, drawer, and draftsman Friedrich Meckseper was born in 1936 in Bremen, Germany. He spent his childhood in Stuttgart and did an apprenticeship as a mechanic at Robert Bosch GmbH from 1952 until 1955. In the year he started at Bosch, he began his course of studies, first at the State Academy for Visual Arts in Stuttgart under Professor Karl Rössing. He continued his studies at the College for Visual Arts in Berlin from 1957 until 1959 under Professor Wolf Hoffmann. Meckseper's first engravings were completed during this time. In 1963, he received the German Rome Prize from Villa Massimo; in 1965, he received a culture circle stipend from the Association of German Industry; in 1970, he was honored with the prize of the 7th Biennial Exhibition of Prints in Tokyo. He was influenced in his artistic works by Anton Heyoer, Bosch, Leonardo, Saul Steinberg, and Hamaguchi, among others. He created oilprints, engravings, collages, and objects which produce a mysterious tension in the observer. The minimalistic arrangement of objects in his works was supported by his technical precision, and the gears and springs one finds in his works belie his interest in technology. Moreover in 1972, he designed and built a steamboat, and he crossed the Alps many times in a hot air balloon. He was a guest professor at the comprehensive college in Wuppertal in 1977 and 1978 and took over the engraving class from 1977 until 1979. Meckseper was honored at the 6th Norwegian International Print Biennale in Fredrikstad in 1982 and received the prize of the First and Second International Kochi Triennial Exibition of Prints in Japan in 1990 and 1993. From 1961 until 1984, Meckseper lived and worked in the artist colony of Worpswede. He then moved to Berlin, where he still lives and works. color lithograph Dimensions: 18 1/2"H x 23 1/2"W (sight)
• RICHARD LINDNER, GERMAN, AMERICAN (1901-1978),
  RICHARD LINDNER, GERMAN, AMERICAN (1901-1978), GREEN HAIRED LADY, 1971, SCREENPRINT, 41" X 29 1/4", 41" X 32" (FRAME)Richard Lindner, German, American, (1901-1978) Green Haired Lady, 1971, screenprint Signed lower right, numbered 31/100 dated (1971) lower left. screenprint Dimensions: 41" x 29 1/4", 41" x 32" (frame) Provenance: Richard Lindner (November 11, 1901 – April 16, 1978) was a German-American painter. Richard Lindner was born in Hamburg, Germany. His mother Mina Lindner was American and born in New York as daughter of German parents. In 1905 the family moved to Nuremberg, where Lindner's mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School), now the Academy of Fine Arts Nuremberg. From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 Lindner moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained in Munich until 1933, when he was forced to flee to Paris. Once in Paris, Lindner became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when World War II broke out in 1939 and later served in the French Army. In 1941, Lindner moved to the United States and worked in New York City as an illustrator of books and magazines. There he made contact with New York artists and German emigrants such as Albert Einstein, Marlene Dietrich, and Saul Steinberg. In 1948, Lindner became an American citizen. In 1952, Lindner started teaching at the Pratt Institute, Brooklyn. In 1957 Lindner received the William and Norma Copley Foundation-Award. In 1965, he became Guest Professor at the Hochschule für bildende Künste in Hamburg, Germany. His paintings at this time used the sexual symbolism of advertising and investigated definitions of gender roles in the media. In 1967, Lindner moved to Yale University School of Art and Architecture, New Haven. Richard Lindner died in 1978. He was buried at Westchester Hills Cemetery in Hastings-on-Hudson, New York.
• SAUL STEINBERG, NEW YORK / ITALY (1914
  SAUL STEINBERG, NEW YORK / ITALY (1914 - 1999), GUILD HALL MUSEUM EAST HAMPTON, NY, 1969, LITHOGRAPH, 30"H X 40"WSaul Steinberg, New York / Italy, (1914 - 1999) Guild Hall Museum East Hampton, NY, 1969, lithograph Signed and dated in the poster. lithograph Dimensions: 30"H x 40"W