A few examples of appraisal values for
STEPPING OUT

• OIL ON CANVAS, "STEPPING OUT",
  OIL ON CANVAS, "STEPPING OUT", WOMAN IN FORMAL DRESS ST...Oil on canvas, "Stepping Out", woman in formal dress stepping out of an antique auto at night, signed J. Deveau (Jacques Deveau 1937) 24" x 20", estate of Malcolm Pray Greenwich CT/ FL Condition: Good condition
• STEVEN SORMAN (AMERICAN, B.
  STEVEN SORMAN (AMERICAN, B. 1948), 'IN STEP, OUT OF STEP IX', INTAGLIO AND LITHOGRAPH ON RIVES, FROM AN EDITION OF 30 OVERALL: 25 1/2 X 11 IN. (64.8 X 27.9 CM.)Steven Sorman (American, b. 1948), 'In Step, Out of Step IX', Intaglio and Lithograph on Rives, From An Edition of 30, Dimensions: Overall: 25 1/2 x 11 in. (64.8 x 27.9 cm.)
• LOUIS ICART (FRENCH, 1890-1950)
  LOUIS ICART (FRENCH, 1890-1950) COLOR ETCHINGDESCRIPTION: A copper plate color etching from 1938, titled "Stepping Out", unsigned as issued. Includes COA from America's Auction Network. Publisher: Georges Guillot, Paris. Framed under glass. CIRCA: 1930s ORIGIN: France DIMENSIONS: H. 11.25" x W. 8.75" Framed H. 28.5" x W. 24.25" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• MARK DASSOULAS (AMERICAN B.
  MARK DASSOULAS (AMERICAN B. 1955), STEPPING DOWN, 2001, OIL ON CONSTRUCTED PANEL, 20-3/8 X 18 INMark Dassoulas (American b. 1955), Stepping Down, 2001, Oil on Constructed Panel,, Dimensions: 20-3/8 x 18 in Provenance: Island Weiss Gallery, New York Note: Proceeds of this work to benefit female Afghan veterans and their families.
• ROY LICHTENSTEIN (AMERICAN
  ROY LICHTENSTEIN (AMERICAN 1923-1997)ROY LICHTENSTEIN (AMERICAN 1923-1997) Stepping Out offset lithograph 129 x 90.5 cm (50 3/4 x 35 5/8 in.) PROVENANCE Phillips, New York, April 7, 2010, part of lot 323 CONDITION N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• PIERSON, Markus, (American, b.
  PIERSON, Markus, (American, b. 1961): ''Steppin' Out'', Carved and Painted Wood Sculpture, 17.5'' in height, signed verso, numbered 52/250 and dated 1988. CONDITION: Several minor abrasions.
• MIKE HOLLERN (UNITED STATES, 20TH
  MIKE HOLLERN (UNITED STATES, 20TH CENTURY) BRONZEMIKE HOLLERN (United States, 20th century) bronze sculpture, "Steppin Out - Pintails." Signed, numbered 8-12. The bronze measures 8.5" x 15" x 6"; mounted to an oak plinth, 10.5" high overall.
• ROBINSON MURRAY ABSTRACT STEPPING
  ROBINSON MURRAY ABSTRACT STEPPING STONES PAINTING Massachusetts,1890-1984Titled "Stepping Stones", modernist composition of brown, orange, and white angular shapes over blue. Murray earned a degree in Studio Art graduating from Harvard University in 1912 to pursue a career in commercial art. He quickly left the commercial art world to enlist in the Army and serve during WWI where he'd become a distinguished soldier while continuing to paint in the field. After the war Murray returned to commercial work until his retirement in 1960 when he turned to focus on modern abstract art. During the period of 1960 to 1980 Murray exhibited at the John F. Kennedy Building, Boston and the Copley Society within Boston City Hall.
• Everett Shinn (American/New Jersey,
  Everett Shinn (American/New Jersey, 1876-1953) "Girl Stepping Out of Floor Tub", oil on canvasboard, 12" x 16", unsigned, retains gallery labels en verso "James Graham & Sons, NY", "High Points Art Council, Inc., High Point, N.C." and "Galleries Maurice Sternberg, Chicago". Framed. Provenance: Estate of the Artist; Graham Gallery, New York; Galleries Maurice Sternberg, Chicago; The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Galleries Maurice Sternberg, Chicago, Illinois, dated August 4, 1987.
• "REACHING OUT", FIGURAL PASTEL
  "REACHING OUT", FIGURAL PASTEL COLOR ABSTRACT American school, 20th / 21st century, "Reaching Out", abstract depicting a silhouette of a woman reaching out, mixed media on canvas, apparently unsigned, framed. Approx. h. 48.75", w. 73" (frame), h. 72.25", w. 48" (canvas).
• Stephen Stoller (Indiana, b.1945)
  Stephen Stoller (Indiana, b.1945) oil on board, "Outside Stoller's Window"; 12" x 24"; signed lower left.
• BARBARA FISHER, "ONE STEP, TWO
  BARBARA FISHER, "ONE STEP, TWO STEP", FRAMED, 2000 Barbara Fisher (American, 20th century). "One Step, Two Step" -2000, oil on canvas. Signed, titled and dated verso.
• After Demetre Chiparus (1886-1947),
  After Demetre Chiparus (1886-1947), Footsteps, an Art Deco style figure of a dancer, patinated metal and ivorine, on stepped green onyx base, 42cm high
• ''Moving Out'' This Property for
  ''Moving Out'' This Property for Sale oil on canvas. 24'' H x 36'' W.
• OUTSIDER ART, MAMA JOHNSON,
  OUTSIDER ART, MAMA JOHNSON, UNTITLEDJohnson,Mama, Untitled, marker on styrofoam, 14 x 8
• WERNER PFEIFFER (GERMAN/AMERICAN,
  WERNER PFEIFFER (GERMAN/AMERICAN, B. 1937), "STEPS", 1983, THREE-DIMENSIONAL CONSTRUCTION OF ETCHING, COLLAGE, AND EMBOSSMENT, ED. 2...Werner Pfeiffer (German/American, b. 1937), "Steps", 1983, three-dimensional construction of etching, collage, and embossment, ed. 20/30, many varied colorful shapes gather at the top of what appears to be stairs under a hole-punched arch, many geometric shapes drawn in background, signed lower right, titled and editioned lower left, not examined out of frame, wear consistent with age, frame size: 22 1/2" h. x 22 1/2" w. [Provenance: Surplus artwork from the Hartford Courant's building at 285 Broad Street]
• STEPHEN WHITE (NC), WALKING
  STEPHEN WHITE (NC), WALKING BEFORE A WINDOW Oil on board, signed and dated 1982 at lower left, framed.
• A. AUBREY BODINE."STEPS AND STEPS,"
  A. AUBREY BODINE."STEPS AND STEPS," GELATIN SILVER PRINT (American, 1906-1970). Gelatin silver print, signed "A. Aubrey Bodine" lr, 11 x 14 in., framed.
• Attributed to Jan Baptist Weenix
  Attributed to Jan Baptist Weenix (Dutch 1621-1663) "Cavalier Mounting a Step" black chalk with white highlighting on blue prepared paper unsigned 12 1/4 in. x 7 in. unframed.
• A. LANG: "STEPPING STONES,
  A. LANG: "STEPPING STONES, GLENBARR"circa 1893 watercolor signed lower left 5 x 8 inches sight Condition:
• TWO POCKET WACHES
  TWO POCKET WACHES
• AMERICAN SCHOOL: LEAPING STAG
  AMERICAN SCHOOL: LEAPING STAG Calligraphic pen and ink drawing on paper 21 x 28 1/4 in. (sheet) unsigned.
• OUTSIDER ART, MARY PROCTOR (FL,
  OUTSIDER ART, MARY PROCTOR (FL, B. 1960) THIS LITTLE LIGHT OF MINE Paint on door panel, with applied cut-out of a leaping woman, signed lower right in paint "11 05/ Missionary / Mary Proctor," hard edge.
• OUTSIDER ART, CHRIS CLARK, 16TH
  OUTSIDER ART, CHRIS CLARK, 16TH STREET BAPTIST CHURCH (...Clark, Chris, b. 1958, 16th Street Baptist Church (Birmingham, AL)12"x17"2008, acrylic on plywood, purchased from artist
• After Richard Evett Bishop
  After Richard Evett Bishop (American, 1887-1975) "Coming In", "Above" and "Getting Out", trio of offset lithographs, sight 10" x 6-1/2", each titled lower left and litho-signed lower right "R. E. Bishop". Glazed, matted and presented in ebonized and parcel-gilt frames.
• STEPHEN SHORE (b. 1947): GIVERNY
  STEPHEN SHORE (b. 1947): GIVERNY FALL 1981 (TRELLIS OVER PATH) Cibachrome print 7 1/2 x 9 1/2 in. (sight) signed.
• STEPHEN SHORE (b. 1947): GIVERNY
  STEPHEN SHORE (b. 1947): GIVERNY FALL 1981 Cibachrome print 7 3/4 x 9 1/2 in.
• STEPHEN SHORE (b. 1947): HANGING
  STEPHEN SHORE (b. 1947): HANGING OUT (YANKEES SPRING TRAINING 1978) Cibachrome print 7 3/4 x 9 1/2 in. (sight) signed and dated '78 and 3/12/78.
• Bound edition of ''Outing''
  Bound edition of ''Outing'' magazine. October 1885 - March 1886. Features cycling road trips Thomas Stevens Around the world entries etc. Loose hard covers no spine otherwise fair cond.
• Jeanloup Sieff. A photo print of
  Jeanloup Sieff. A photo print of a girl on a staircase. 25 x 37 cm.
• MALCOLM MCKESSON, INK DRAWING
  MALCOLM MCKESSON, INK DRAWING Malcolm McKesson (American, 1909-1999), "Walking Outfit", red and black ink on envelope, signed verso, framed under glass, 9.25"h x 4"w (envelope), 17.5"h x 11"w (frame)
• STEPHEN SHORE (b. 1947): IN THE
  STEPHEN SHORE (b. 1947): IN THE BLEACHERS (YANKEES SPRING TRAINING 1978) Cibachrome print 7 3/4 x 9 1/2 in. (sight) signed and dated 2/28/78.
• PHILIP SHELTON SEARS, (AMERICAN,
  PHILIP SHELTON SEARS, (AMERICAN, 1867-1953), STEPPING STONES, 1923, BRONZE WITH GREEN PATINA, HEIGHT: 44 IN.PHILIP SHELTON SEARS (American, 1867-1953) Stepping Stones 1923, bronze with green patina inscribed P.S. Sears 192[?] below front foot; stamped Gorham Co. Founders / O F P K at rear of base height: 44 in.; wingspan: 40 in.; base: 23 x 9 x 2 in. 1923, bronze with green patina Dimensions: height: 44 in.; wingspan: 40 in.; base: 23 x 9 x 2 in. Provenance: Provenance: By descent within a Massachusetts family. Massachusetts sculptor Philip Shelton Sears did not begin his artistic career until he was in his late thirties: after graduating from Harvard College in 1889 and Harvard Law School in 1892, he practiced law for twenty five years before serving in World War I, at which point he developed his interest in the arts. Upon the conclusion of the war, Sears left the legal profession and studied at the School of the Museum of Fine Arts under Charles Grafly, and then received further instruction from Daniel Chester French. Over the next several decades, Sears exhibited his sculptures at the Boston Art Club, the Museum of Fine Arts, Boston, and the Guild of Boston Artists and received several public commissions, including the World War I memorial in Manchester-by-the-Sea, Massachusetts, which still stands today. In Stepping Stones, the athletic youth's taught muscles and outstretched arms recall the forms of classical sculpture, while his pursed lips and furrowed brow give the work a more modern feel. The bronze, which was created for a private garden in Hamilton, Massachusetts in 1923, is considered one of Sears's finest works, and the Gorham Company included a 13 7/8 in. reduction of the work in their influential publication Famous Small Bronzes: A Representative Exhibition Selected from the Works of Noted Contemporary Sculptors. Condition: Overall uneven patina and uneven surface; triangular shaped area (approx. 1 in x 1/2 in.) of scratching/rubbing on left shoulder blade; right back of forearm (betwen elbow and wrist) with scratched/rubbed area (approx. 1 x 1/2 in.); embedded surface dirt, partuclarly along edges of base.
• JADE FON (1911-1983),
  JADE FON (1911-1983), “FOOTSTEPS," CIRCA 1950Jade Fon, (1911-1983) "Footsteps," circa 1950, Watercolor on paper Signed lower right: Jade Fon A.W.S.; titled on a gallery label affixed to the frame's backing paper Watercolor on paper Dimensions: 10.5" H x 13" W Provenance: The Phillip H. Greene Collection Adamson-Duvannes Galleries, Los Angeles, CA
• RICHARD EVETT BISHOP. "GETTING
  RICHARD EVETT BISHOP. "GETTING OUT," ETCHING Etching, signed lr, sight size: 9 1/2 x 14 1/2 in., framed.
• PRINT, ERNIE BARNES Ernie Barnes
  PRINT, ERNIE BARNES Ernie Barnes (American, 1938-2009), "High Stepping," 2003, photo-offset lithograph, signed and titled lower margin, edition 69/100, overall (with frame): 14.75"h x 12.75"w