A few examples of appraisal values for
STEUBEN CAT

• STEUBEN CAT FIGURINE 9 ?" x 3 ?" x
  STEUBEN CAT FIGURINE 9 ?" x 3 ?" x 3" Stylized cat with tail wrapped around, frosted eyes, etched underneath "Steuben" in script, designed by Donald Pollard.
• STEUBEN BLACK AND GREEN CUT GLASS
  STEUBEN BLACK AND GREEN CUT GLASS "PAGODA" LAMPDESCRIPTION: Steuben black and green cut glass table lamp in the "Pagoda" pattern. Finished with ornate gilt bronze mounted hardware, double light sockets, and a silk shade. Lead glass Marking on base appears to be "AALS" Reference: #6097, p. 278 Paul V. Gardner. Pictured p. 92 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. Vase pictured in Frederick Carder and His Steuben Glass by Rockwell p. 19 lower left. Priced in 1972 by Hotchkiss $900, Carders Steuben Glass Handbook. As relates to items in the Acid Cut Back or acid etched category, ( or Cameo Etched as it is called in the 1932 Steuben catalog) all being correct descriptive terms, the point is that here we are dealing with an item of low quantitative output. In an article published in the May 1963 issue of HOBBIES it was stated in fact, here, as in no other glass, it can be safely said each item is a rarity unto itself. Rarity in Steuben has to be more finely divided, compartmentalized, if you will. We have rarity of color, of a particular shape, of a combination of colors, of a specific homogeneous glass item, and so on. Usually the acid cutbacks have one portion glossy and one portion acidized. Some are completely acidized. A Guide to Colored Steuben Glass 1903-1933 by Eric E. Ericson, p. 37-39 Provenance: Estate of Mr. and Ms. Alan Shovers Purchased from Ken Drew 12/18/99 CIRCA: Early 1900s DIMENSIONS: (Lamp) H: 28.5" x D: 5.75" (Shade) H: 11" x D: 16" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN ALABASTER GLASS URN FORM
  STEUBEN ALABASTER GLASS URN FORM VASEDESCRIPTION: Steuben alabaster glass urn form vase with applied mirror black handles and rim. Frederick Carder and Boleslav Manikowski, co-designers. Lead glass with applied handles. Reference: Shape 7468, p. 296 Paul V. Gardner. Shown in the 1932 Steuben Catalog as “Vase (urn shaped)” in Alabaster and Black for a retail of $16.00. Pictured in Frederick Carder and Steuben Glass by Thomas P. Dimitroff, Fig.4.9, p. 45 Pictured in Portrait of a Glass Maker, by Paul V. Gardner p.98 Provenance: Estate of Mr. and Ms. Alan Shovers Purchased from the Racine Antique Mall 5/29/93. CIRCA: Early 1900s DIMENSIONS: H: 11.75" x D: 7.25" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN FROSTED FIGURAL GLASS
  STEUBEN FROSTED FIGURAL GLASS FLOWER BLOCKDESCRIPTION: Steuben frosted figural glass insert and clear flower block. Matted kneeling insert figure and Hand pressed lead glass, edges factory ground and polished. Reference: Shape #6495, p. 237 of Paul V. Gardner. Flower Block #3269, p. 237 Paul V. Gardner. Estate of Mr. and Ms. Alan Shovers Shown p. 166 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. Shown at p. 44 of Glass Collectors Digest, Volume XIV, Number 6, April/May 2001 Shown in 1932 Steuben catalog at p. 11. Identified as “Flower Blk. And kneeling figure Color is described as “Crystal block with matted figure”. Retail $8.00. See pictured at Ill. 137, p. 89 of Gardner’s, The Glass of Frederick Carder. In an article entitled Carder Steuben Glass by Robert Mueller. Labeled as acid-etched figural pieces. “Steuben made many articles in pressed glass--ashtrays; Lincoln and Washington Head plaques with metal bases; eagle, pheasant, gazelle, duck, and pigeon figurines (later cut and polished to remove the mold marks);” p. 178, American Art Nouveau Glass by Albert Christian Revi. See also pictured the flower block on p. 179 of American Art Nouveau Glass by Revi. The author notes the flower block was patented in 1921. Form similar to a holder patented for Tiffany Furnaces. “Some of Steuben’s flower blocks were topped by pressed-glass figures--a kneeling girl, an elephant, and a fish are illustrated on one of their catalogs.” On 5/30/02 Jim Barlow reports based on his research at the Rakow Library that the cost of this combination piece is $6.75. Provenance: Acquired 2/1/00 from Magnolia Station of Enis, TX CIRCA: Early 1900s DIMENSIONS: (Flower Block) H: 2.5" x D: 4" (Figure) H: 7" x D: 2.75" CONDITION: Broken flower block. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN FROSTED GLASS
  STEUBEN FROSTED GLASS ELEPHANTDESCRIPTION: Steuben frosted glass elephant with raised trunk standing on round pedestal. Cast lead glass Marked in script “Steuben” Reference: Shape 7231, p. 237 Paul V. Gardner. Shown in 1932 Steuben Catalog p. 21. Shown at 6 2 " Retail $2.50. Shape pictured at p. 158 of Objects of Desire, The Art of Frederick Carder by Alan Shovers. Shown in Frederick Carder and Steuben Glass by Thomas P. Dimitroff at p. 105, Fig. 4.152. Footnotes note “These elephants were used in a variety of ways; flower frogs, luminors and allegedly as hood ornaments for automobiles.” Shown at p. 24 in Frederick Carder and his Steuben Glass 1903-1933 by Rockwell. Further shown in Ivory, at p.14 of A Guide to Colored Steuben Glass 1903-1933(Book II) by Eric E. Ericson. P. 15, AThe Pierce Arrow automobile which was manufactured in Buffalo, New York ordered many, and was offered as an optional extra. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 7/30/2012 from Bob Mueller of Minneapolis, MN. CIRCA: Early 1928 DIMENSIONS: H: 5.25" x D: 5.5" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• EARLY STEUBEN PINCHED IRIDESCENT
  EARLY STEUBEN PINCHED IRIDESCENT VASEDESCRIPTION: Early period Steuben pinched iridescent glass vase with four prunts. Iridized Lead Glass “Aurene 150" engraved at bottom. Reference: Shape 150, p. 246 Paul V. Gardner. Shown at page 7 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. Similar style (style 136) shown at Fig. 8.55, p. 197 of Frederick Carder and Steuben Glass by Dimitroff. In Gardner’s, The Glass of Frederick Carder, at p. 346 there is an index to Steuben Catalogues from 1904-1912, with a picture in fig. FF at page 353 of the item. “An iridescent glass fully as fine as Tiffany’s was introduced in 1904 by Frederick Carder, an Englishman who became associated with Thomas G. Hawks of Corning, New York. Mr. Carder and Mr. Hawks formed the Steuben Glass Works, now a part of the Corning Glass Company.” “Aurene was first blown and then coated in the desired coloring. In form, it was more classical than Tiffany’s or possibly it should be described as less ‘arty.’ In fact, certain of this ware was modern looking, more in keeping with present-day taste. While Mr. Carder did make some flowered pieces similar to Tiffany’s, he was not so given to elaborate or peculiarly-shaped objects.” “Frederick Carder, like Tiffany, designed all his own glass.” “Mr. Carder’s Aurene although not advertised was handled by salesmen. As a result, it did not become so well know as Favrile. Tiffany’s glass was produced in quantity and therefore turns up more frequently today than the scarcer Aurene.” Pgs. 93-95, Nineteenth-Century Art Glass by Ruth Webb Lee. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 3/24/00 from Michelle Davis LeVar of Spokane, WA CIRCA: 1905 DIMENSIONS: H: 4.5" x D: 3" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN IVORY FLORI-FORM
  STEUBEN IVORY FLORI-FORM CANDLESTICKSDESCRIPTION: Steuben Ivory flori-form three prong candlesticks on mirror black bases. Mold-assisted blown lead glass. Marked: fdl at base. Reference: Shape 7317, p. 170 Paul V. Gardner. Pictured p. 148 of Objects of Desire, The Art of Frederick Carder by Alan Shovers. See pictured Fig. 5.68, p. 135 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. Also, nicely pictured, p. 92 of Frederick Carder: Portrait of a Glassmaker by Paul V. Gardner. Further pictured p. 148 of American Art Glass by John A. Shuman III. The two stem candlestick is shown in the 1932 Steuben Catalogue p. 26, available in either two or three prong. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 1/23/04 at the Miami National Antiques Show from dealer Helen M. Taylor of Kansas City, MO. CIRCA: 1930-1932 DIMENSIONS: H: 11" x D: 6.5" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN IVORY OPTIC RIBBED
  STEUBEN IVORY OPTIC RIBBED VASEDESCRIPTION: Steuben Ivory optic ribbed vase, c. 1932. Optic-ribbed lead glass. Shape #7437, p. 296 Paul V. Gardner Reference: Listed in 1932 Steuben catalog at page 34 in Green Jade Green Ivory Dark Jade Blue Crystal. Shown as 10" for retail of $3.00. “Finish Mousse.” Shape pictured in dark jade blue at p. 146 of Objects of Desire, The Art of Frederick Carder by Alan Shovers. See p. 31-32 in Ericsons, A Guide to Colored Steuben Glass 1903-1933(Vol I). where the author states that uranium was used to achieve the ivory color. Further, the author states that it was uncommon for ivory to be signed with a fleur de’Lis. P. 32 “Ivory is typical of the translucent Steuben produced by Mr. Carder in that it tends to be a bit thicker, thus somewhat heavier, than other items produced at Corning.” Provenance: Estate of Mr. and Ms. Alan Shovers Acquired from dealer Joe Popenoe of San Francisco, CA CIRCA: 1932 DIMENSIONS: H: 10" x D: 6.5" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN MIRROR BLACK
  STEUBEN MIRROR BLACK ELEPHANTDESCRIPTION: Steuben Mirror black elephant. Cast lead glass. Elephant with raised trunk standing on round pedestal with flat bottom. Reference: Shape 7231, p. 237 Paul V. Gardner Shown in 1932 Steuben Catalog p. 21. Shown at 6 2 . Retail $2.50. Shown in Frederick Carder and Steuben Glass by Thomas P. Dimitroff at p. 105, Fig. 4.152. Shown at p. 24 in Frederick Carder and his Steuben Glass 1903-1933 by Rockwell. Further shown, at p.14 of A Guide to Colored Steuben Glass 1903-1933(Book II) by Eric E. Ericson. P. 15, The Pierce Arrow automobile which was manufactured in Buffalo, New York ordered many, and were offered as an optional extra. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 7/22/05 at the Early Summer Auction in Cincinnati, OH CIRCA:1928 DIMENSIONS: H:5.75" L:5" CONDITION: Vintage condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STUBEN IVORY GLASS
  STUBEN IVORY GLASS ELEPHANTDESCRIPTION: Stuben Ivory colored glass elephant. Cast lead glass. Elephant with raised trunk standing on round pedestal with flat bottom. Shape 7231, p. 237 Gardner Shown in 1932 Steuben Catalog p. 21. Shown at 6 2 " Retail $2.50. Pictured at p. 158 of Objects of Desire, The Art of Frederick Carder by Alan Shovers Shown in Frederick Carder and Steuben Glass by Thomas P. Dimitroff at p. 105, Fig. 4.152. Shown at p. 24 in Frederick Carder and his Steuben Glass 1903-1933 by Rockwell. Further shown, at p.14 of A Guide to Colored Steuben Glass 1903-1933(Book II) by Eric E. Ericson. P. 15, The Pierce Arrow automobile which was manufactured in Buffalo, New York ordered many, and were offered as an optional extra. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired from Hess Fine Art of Fl. CIRCA: 1928 DIMENSIONS: H:5.75" L:5" CONDITION: Vintage condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN AMETHYST GLASS
  STEUBEN AMETHYST GLASS ELEPHANTDESCRIPTION: Steuben Amethyst glass elephant. Cast lead glass. Elephant with raised trunk standing on round pedestal with flat bottom. Reference: Shape 7231, p. 237 Paul V. Gardner book. Shown in 1932 Steuben Catalog p. 21. Shape pictured at p. 158 of Objects of Desire, The Art of Frederick Carder by Alan Shovers. Elephant shown in Frederick Carder and Steuben Glass by Thomas P. Dimitroff at p. 105, Fig. 4.152. Footnotes note. These elephants were used in a variety of ways; flower frogs, luminors and allegedly as hood ornaments for automobiles. Elephant shown at p. 24 in Frederick Carder and his Steuben Glass 1903-1933 by Rockwell. Further shown in Ivory, at p.14 of A Guide to Colored Steuben Glass 1903-1933(Book II) by Eric E. Ericson. P. 15, The Pierce Arrow automobile which was manufactured in Buffalo, New York ordered many, and was offered as an optional extra. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 9/15/16 from 94 West Antiques of Coronado, CA Tom Dimitroff CIRCA:1928 DIMENSIONS: H:5.75" L:5" CONDITION: Vintage condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN NEW INTARSIA WARE GLASS
  STEUBEN NEW INTARSIA WARE GLASS VASEDESCRIPTION: Steuben New Intarsia Ware vase, Iridized lead glass with applied leaf and vine decoration (base has appearance of vds with a gold Aurene tinge) Shape #787 Reference: Pictured from an early Steuben catalogue Ill. 119, p. 77 of The Glass of Frederick Carder by Paul V. Gardner. Marked as Shape #788, but factory records show it as #787. Gardner says: Another form of Intarsia, called New Intarsia Ware by Carder, consisted of Gold Aurene vase with trailed decorations on leaves and stems in green, marvered into the Aurene matrix. The employee who lettered the catalog photographs (Ills. 118, 119) probably was responsible for the spelling Intarsea. Carder’s handwritten notation by No. 786 in the pattern books is “New Intarsia Ware.” Since there are only nine numbers allotted to this group (786-794), these pieces were probably made about 1905 or l906. A trio of New Intarsia ware is shown at Fig. 10.90, p. 237 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. In the caption the author notes: The Corning Museum of Glass, Corning, New York Identification of the piece in the center as New Intarsia was made difficult by the fact that the only other pieces of new Intarsia known are the other two in this illustration. A lack of extensive comparative material can complicate attributions. Carder used the term Intarsia to refer to several techniques. The first was in reference to these New Intarsia objects, which in terms of technique are essentially decorated Verre de Soie. He also used the term to describe inlaid-looking decorative borders applied to objects, especially lamp shades (see Fig. 6.24) Finally, he used the term to describe his more widely known layered pieces created by Johnny Jansson (see Figs. 4.80, 5.31, and 8.22). Carder adapted this term from an Italian word meaning “inlaid.” Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 12/12/06 from Beth Shaut of Corning, NY CIRCA: 1905-1908 DIMENSIONS: H: 4.5" W: 6" CONDITION: Vintage condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN COBALT BLUE RIBBED
  STEUBEN COBALT BLUE RIBBED VASEDESCRIPTION: A Steuben dark blue Jade glass vase, features Optic-ribbed lead glass, fleur decoration center of pontil. Shape #7437 Reference: Listed in 1932 Steuben catalog at page 34. Shown as 10" for a retail of $3.00. Pictured at p. 146 of Objects of Desire, The Art of Frederick Carder by Alan Shovers See similar piece, p. 227, fig. 10.48 of Dimitroff's, Frederick Carder and Steuben Glass. See p. 110 in Ericson's, A Guide to Colored Steuben Glass 1903-1933(Vol I). Piece shown in 1932 catalogue at 10", retail $3.00. At p. 24 the author states that for vertically ribbed vases Carder stated he tried using a ribbed mold to capture a desired shape, but the final touches were done by the gaffer. In Revi's, American Art Nouveau Glass at p. 142 the author notes the dark blue color seems to be more difficult to find. Two pages later see similar color picture of vase. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired from collector, Dr. Howard Garber of Baltimore, MD. 12/31/99 CIRCA: 1932 DIMENSIONS: H: 11" W: 6.25" CONDITION: Great Condition: . See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN GLASS GAZELLE PILLAR AND
  STEUBEN GLASS GAZELLE PILLAR AND CRYSTAL PRISMS LUMINOR...DESCRIPTION: Steuben frosted glass gazelle luminor with pillar and crystal prism design. Fumed, pressed colorless lead glass gazelle with luminor Reference: Gazelle Shape #7399, p. 236 Paul V. Gardner. Gazelle pictured at Fig. 4.132, p. 96 of Dimitroff’s, Frederick Carder and Steuben Glass. The author’s footnote states: “Several finishes were available on luminors, architectural elements, and other objects.” Gazelle shown in 1932 Steuben catalogue at p. 28. Gazelle shown in Steuben Glass An American Tradition in Crystal by Mary Jean Madigan (Rev. Ed.) p. 355. Design credits to Sidney Waugh and Frederick Carder. Similar Luminor with clear Gazelle and different surrounding decoration pictured at p. 42 of April/May 2001 issue of Glass Collectors Digest in an article by Bob Mueller. Provenance: Estate of Mr. and Ms. Alan Shovers Sold at James Julia Auction 6/20/08 in Fairfield, ME. CIRCA: Early 1900s DIMENSIONS: (Glass) H: 6.5" x D: 7.5" (Luminor) H: 14.75" x W: 4" x L: 10.5" CONDITION: Chips at base of gazelle. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• RARE STEUBEN CINTRA PAPERWEIGHT
  RARE STEUBEN CINTRA PAPERWEIGHT STYLE COLOGNE BOTTLEDESCRIPTION: Steuben faceted crystal paperweight style cologne bottle with pink to blue shaded controlled Cintra internal decoration and controlled bubbles. c. 1927-31. Factory records call this a tall cologne originally retailed at $37.50. Clear cased, deep cut lead glass with bubbles with clear stopper. Shape # 6687 p. 242 Paul V. Gardner book. Reference: Pictured p. 58 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. Shown on the cover of Vanity Vessels: The Story of the American Perfume Bottle by Gay LeCleire Taylor in a publication produced by the Museum of American Glass at Wheaton Village in Millville, NJ for an exhibit held on April 10 through October 24, 1999. At p. 6 the author states: No two designs better illustrate the new Deco trends than the Cintra cologne bottles made by the Steuben Glass Works (cover:3) and Ruba Rombic. Shown in 1932 Steuben Catalogue at plate V. See, p. 315 in The Glass of Frederick Carder by Paul V. Gardner. Shape in Cluthra shown at Fig. 6.34 p. 147 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. In figure 6.11 p. 140 the author states: Paperweight cologne is the term collectors have applied to these heavy bottles. It was not a term officially used at the time of production. They are also sometimes referred to as Cintra colognes, although many actually have a core of Cluthra glass rather than Cintra. Color combination shown at Plate XVII, A shown in The Glass of Frederick Carder by Paul V. Gardner. The description states: The heavy crystal casing encloses controlled bubbles. Color combination shown in a full page plate in a different shape at p. 54 of Steuben Glass An American Tradition in Crystal by Mary Jean Madigan. Color combination also seen in Paper-Weight bottles in The Fieldstone Porch Presents Creations by Carder of Steuben His American Art Glass. In plate Number 45 of Collector’s Choice Review on a paperweight cologne the author states: Despite his acknowledge disdain for the Art Deco style, Frederick Carder was fully aware of this trend and did indeed produce some forms and decoration in this style (Venetian). Outstanding among them, and in marked contrast to his delicate Venetian-style glass, was a series of massive, boldly cut cologne bottles more sculptural than utilitarian usually referred to today by collectors as Paperweight Colognes (Gardner line drawings 6687, 6707-8, 6712, 6916-7, 6941-2, 6944-45. His inspiration for these pieces was most likely the massive individual pieces created by Maurice Marinot as one of Europe's most outstanding glass makers. Each example of Carders massive colognes made of brilliant colorless lead glass incorporates different colors, ranging from light green to deep brilliant blue often accompanied by irregular bubbly glass like Cintra(as found in some Marinot pieces) or by a controlled pattern of bubbles formed of air traps. Other colored glasses are enclosed with mica flecks and patterns of opaque white cane. All are enhanced by the broad, bold cutting that defines each final form. The massive cologne bottle shown here is expressive of Carders ability to adapt techniques inspired by the work of other artists and glass makers to create a new, distinctive form and type of decoration by imaginatively combining these various elements in an unusual and distinctive manner. These sculptured colognes are outstanding examples of American glass in the Art Deco style. Color combination shown at p. 51 of Steuben Seventy Years of American Glassmaking by Perrot, Gardner, Plaut. At p. 54, The vibrant pinks and blues in the Cintra glass center of this massive cologne bottle are partially veiled by the network of controlled bubbles and enhanced by the depth of the crystal casing. Broad panel and facet cuttings on the outer surface create a prismatic illusion which is heightened by a kaleidoscopic play of colors as the piece is viewed from various angles. Very few of these bottles were produced, all differ in form, the color of the Cintra core, the pattern of the included bubbles, and type of surface cutting. This piece is probably unique. In The Complete Cut and Engraved Glass of Corning by Estelle F. Sinclaire and Jane Shadel Spillman 198, the authors state: Cutting-as-shaping distinguishes a group of paper-weight cologne bottles and vases made in the 1920s. Though enclosed color gives them much of their charm, deep channel cuts add a new drama to their shapes. At fig. 549, p. 194 a cut paperweight cologne is shown. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired 9/15/02 from Thomas P. Dimitroff of Corning, NY CIRCA:1927-1931 DIMENSIONS: H:10.5" and 4" in diameter CONDITION: Good condition exterior. Has chip along stem of stopper. Normal signs of age. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN CLUTHRA GREEN GLASS
  STEUBEN CLUTHRA GREEN GLASS "BOOTHBAY" PATTERN VASEDESCRIPTION: Steuben Cluthra green to rose to brown glass "Boothbay" pattern vase Cased acid-etched lead glass. Marked: f-d-l on side next to base. Reference: #7007, p.316 Paul V. Gardner. Shown in 1932 Steuben catalogue. Part of the Carder Steuben collection of the Wichita Art Museum Pictured p. 74 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. Seen in 1932 Steuben Catalog at p. 18. Color described as Green over Brown into Rose Cluthra” Retail $40.00. “One piece in the writer’s collection has black dragons superimposed over blue jade and shows four different levels which indicate that three different resists were applied and a similar number of acid dips. Another is #7007 Boothby showing a design in Brown over Green over Rose Cluthra. A separate treatise needs to be written to do this portion of Carder’s work full justice.” Carder Steuben Glass Handbook and Price Guide by John F. Hotchkiss, p. 33. See coloring in Turn of the Century Glass The Murray Collection of Glass at fig. 60. Boothbay pattern in black over alabaster at fig. 6.25, p. 145, Frederick Carder and Steuben Glass by Dimitroff. Per discussion with west Coast dealer Sol Zwirn the Boothbay pattern is rare. “The second most sought after Steuben item in colored crystal is the ware known by this name. Nineteenth Century European in origin, where undoubtedly Mr. Carder first saw some, it remained for his Steuben Glass Works to perfect it to a magnificent degree of creative effort. “As with items in the Acid Cut Back category, Cluthra was not produced in any great quantity, though most certainly a much greater number were crafted than the former. “Another similarity between Cluthra and the Acid Cutbacks is the size, usually quite large and similarly thick and heavy.” “More often than not a Carder Cluthra will not be signed. If one is signed it will have the Steuben Fleur de Lis acid etched on the base in a random position. As one becomes familiar with signed Steuben, and in particular the Fleur d’Lis, it will be noted that the signature may occur at any portion of the base, from pontil to outer edge, with absolutely no position uniformity.” “The manufacture of Cluthra was carried on at periodic intervals, approximately between 1915 to 1933.” “The chemical additive burst into a gaseous mass of bubbles, which in the finished product resembles miniature fired eggs, ranging from 1/8 inch diameter to as large as one inch in diameter.” A Guide to Colored Steuben Glass 1903-1933(Vol I) by Eric E. Ericson, pp. 45-47. “Now then, let us consider the specific example of Cluthra. Acid Cut Back. Experience, as well as knowledge, points to a solid conclusion that indeed this is a rare item. Figuratively speaking five are known.” P. 131 of Ericson’s Book Two. See a somewhat similar Art Deco vase discussed by Louise Luther in her book, Miller’s Art Glass How to Compare Values. She notes that the raised, flared rim complements the oval, neo-classical form; the spiked border with graduated dots adds to the Art Deco style. The two-color Cluthra of bubbled and mottled glass, shading from yellow into pink-rose, makes this a rare and costly example. Dramatic and collectible, this god-ruby glass was acid-etched with Art Deco elements in the Steuben ‘Cliftwood’ pattern. Heavy and wide, the vase exhibits an elegant graphic impact. Bot its size and decoration increases its collectibility and its market value. The difficult technical processes increase its value. P. 79 The piece featured in the Luther book is 10 inches H, and 14" for the Boothbay piece. Provenance: Estate of Mr. and Ms. Alan Shovers Acquired from Rochdale’s of Orange, CA 4/2/00 CIRCA: Early 1900s DIMENSIONS: H: 14" x D: 10" CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN CLUTHRA GREEN GLASS
  STEUBEN CLUTHRA GREEN GLASS "HUNTING" PATTERN VASEDESCRIPTION: Steuben Cluthra green to rose to brown glass "Hunting" pattern vase. Cased acid-etched lead glass. Reference: Shape 7007, p.316 Paul V. Gardner. Shown in 1932 Steuben catalogue. Part of the Carder Steuben collection of the Wichita Art Museum Pictured p. 74 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. Seen in 1932 Steuben Catalog at p. 18. Color described as Green over Brown into Rose Cluthra" Retail $40.00. "One piece in the writer's collection has black dragons superimposed over blue jade and shows four different levels which indicate that three different resists were applied and a similar number of acid dips. Another is #7007 Boothby showing a design in Brown over Green over Rose Cluthra. A separate treatise needs to be written to do this portion of Carder's work full justice." Carder Steuben Glass Handbook and Price Guide by John F. Hotchkiss, p. 33. See coloring in Turn of the Century Glass The Murray Collection of Glass at fig. 60. Boothbay pattern in black over alabaster at fig. 6.25, p. 145, Frederick Carder and Steuben Glass by Dimitroff. Per discussion with west Coast dealer Sol Zwirn the Boothbay pattern is rare. "The second most sought after Steuben item in colored crystal is the ware known by this name. Nineteenth Century European in origin, where undoubtedly Mr. Carder first saw some, it remained for his Steuben Glass Works to perfect it to a magnificent degree of creative effort. "As with items in the Acid Cut Back category, Cluthra was not produced in any great quantity, though most certainly a much greater number were crafted than the former. "Another similarity between Cluthra and the Acid Cutbacks is the size, usually quite large and similarly thick and heavy." "More often than not a Carder Cluthra will not be signed. If one is signed it will have the Steuben Fleur de Lis acid etched on the base in a random position. As one becomes familiar with signed Steuben, and in particular the Fleur d'Lis, it will be noted that the signature may occur at any portion of the base, from pontil to outer edge, with absolutely no position uniformity." "The manufacture of Cluthra was carried on at periodic intervals, approximately between 1915 to 1933." "The chemical additive burst into a gaseous mass of bubbles, which in the finished product resembles miniature fired eggs, ranging from 1/8 inch diameter to as large as one inch in diameter." A Guide to Colored Steuben Glass 1903-1933(Vol I) by Eric E. Ericson, pp. 45-47. "Now then, let us consider the specific example of Cluthra. Acid Cut Back. Experience, as well as knowledge, points to a solid conclusion that indeed this is a rare item. Figuratively speaking five are known." P. 131 of Ericson's Book Two. See a somewhat similar Art Deco vase discussed by Louise Luther in her book, Miller's Art Glass How to Compare Values. She notes that the raised, flared rim complements the oval, neo-classical form; the spiked border with graduated dots adds to the Art Deco style. The two-color Cluthra of bubbled and mottled glass, shading from yellow into pink-rose, makes this a rare and costly example. Dramatic and collectible, this god-ruby glass was acid-etched with Art Deco elements in the Steuben "Cliftwood" pattern. Heavy and wide, the vase exhibits an elegant graphic impact. Bot its size and decoration increases its collectibility and its market value. The difficult technical processes increase its value. P. 79 The piece featured in the Luther book is 10 inches H, and 14" for the Boothbay piece. CIRCA: 1920s-1932 ORIGIN: USA DIMENSIONS: D: 9.75" H: 13.25" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN WISTERIA GLASS
  STEUBEN WISTERIA GLASS ELEPHANTDESCRIPTION: Steuben Wisteria glass elephant with footed mold assisted flower frog. Cast lead glass. Elephant with raised trunk standing on round pedestal with flat bottom. Reference: Shape 7231, p. 237 Paul V. Gardner book. Shown in 1932 Steuben Catalog p. 21. Shape pictured at p. 158 of Objects of Desire, The Art of Frederick Carder by Alan Shovers. Elephant shown in Frederick Carder and Steuben Glass by Thomas P. Dimitroff at p. 105, Fig. 4.152. Footnotes note. These elephants were used in a variety of ways; flower frogs, luminors and allegedly as hood ornaments for automobiles. Elephant shown at p. 24 in Frederick Carder and his Steuben Glass 1903-1933 by Rockwell. Further shown in Ivory, at p.14 of A Guide to Colored Steuben Glass 1903-1933(Book II) by Eric E. Ericson. P. 15, The Pierce Arrow automobile which was manufactured in Buffalo, New York ordered many, and was offered as an optional extra. CIRCA: 1928. ORIGIN: USA DIMENSIONS: L: 5.25” W: 2" H: 5.75". Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• RARE STEUBEN CINTRA PAPERWEIGHT
  RARE STEUBEN CINTRA PAPERWEIGHT STYLE COLOGNE BOTTLEDESCRIPTION: Steuben faceted crystal paperweight style cologne bottle with pink to blue shaded controlled Cintra internal decoration and controlled bubbles. c. 1927-31. Factory records call this a tall cologne originally retailed at $37.50. Clear cased, deep cut lead glass with bubbles with clear stopper. Shape 6687 p. 242 Paul V. Gardner book. Provenance: Purchased From Joan Miller in 1998 Reference: Pictured p. 58 of Objects of Desire: The Art of Frederick Carder by Alan Shovers. Shown on the cover of Vanity Vessels: The Story of the American Perfume Bottle by Gay LeCleire Taylor in a publication produced by the Museum of American Glass at Wheaton Village in Millville, NJ for an exhibit held on April 10 through October 24, 1999. At p. 6 the author states: No two designs better illustrate the new Deco trends than the Cintra cologne bottles made by the Steuben Glass Works (cover:3) and Ruba Rombic. Shown in 1932 Steuben Catalogue at plate V. See, p. 315 in The Glass of Frederick Carder by Paul V. Gardner. Shape in Cluthra Shown on Fig. 6.34 p. 147 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. In figure 6.11 p. 140 the author states: Paperweight cologne is the term collectors have applied to these heavy bottles. It was not a term officially used at the time of production. They are also sometimes referred to as Cintra colognes, although many actually have a core of Cluthra glass rather than Cintra. Color combination Shown on Plate XVII, A shown in The Glass of Frederick Carder by Paul V. Gardner. The description states: The heavy crystal casing encloses controlled bubbles. Color combination shown in a full page plate in a different shape at p. 54 of Steuben Glass An American Tradition in Crystal by Mary Jean Madigan. Color combination also seen in Paper-Weight bottles in The Fieldstone Porch Presents Creations by Carder of Steuben His American Art Glass. In plate Number 45 of Collector's Choice Review on a paperweight cologne the author states: Despite his acknowledge disdain for the Art Deco style, Frederick Carder was fully aware of this trend and did indeed produce some forms and decoration in this style (Venetian). Outstanding among them, and in marked contrast to his delicate Venetian-style glass, was a series of massive, boldly cut cologne bottles more sculptural than utilitarian usually referred to today by collectors as Paperweight Colognes (Gardner line drawings 6687, 6707-8, 6712, 6916-7, 6941-2, 6944-45. His inspiration for these pieces was most likely the massive individual pieces created by Maurice Marinot as one of Europe's most outstanding glass makers. Each example of Carders massive colognes made of brilliant colorless lead glass incorporates different colors, ranging from light green to deep brilliant blue often accompanied by irregular bubbly glass like Cintra(as found in some Marinot pieces) or by a controlled pattern of bubbles formed of air traps. Other colored glasses are enclosed with mica flecks and patterns of opaque white cane. All are enhanced by the broad, bold cutting that defines each final form. The massive cologne bottle shown here is expressive of Carders ability to adapt techniques inspired by the work of other artists and glass makers to create a new, distinctive form and type of decoration by imaginatively combining these various elements in an unusual and distinctive manner. These sculptured colognes are outstanding examples of American glass in the Art Deco style. Color combination Shown on p. 51 of Steuben Seventy Years of American Glassmaking by Perrot, Gardner, Plaut. At p. 54, The vibrant pinks and blues in the Cintra glass center of this massive cologne bottle are partially veiled by the network of controlled bubbles and enhanced by the depth of the crystal casing. Broad panel and facet cuttings on the outer surface create a prismatic illusion which is heightened by a kaleidoscopic play of colors as the piece is viewed from various angles. Very few of these bottles were produced, all differ in form, the color of the Cintra core, the pattern of the included bubbles, and type of surface cutting. This piece is probably unique. In The Complete Cut and Engraved Glass of Corning by Estelle F. Sinclaire and Jane Shadel Spillman 198, the authors state: Cutting-as-shaping distinguishes a group of paper-weight cologne bottles and vases made in the 1920s. Though enclosed color gives them much of their charm, deep channel cuts add a new drama to their shapes. At fig. 549, p. 194 a cut paperweight cologne is shown. CIRCA: 1927-1931 ORIGIN: USA DIMENSIONS: L: 3.5” W: 3.75" H: 10.75". Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Tip of stopper has light shaving.. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• STEUBEN CATHEDRAL OBELISK BY GEORGE
  STEUBEN CATHEDRAL OBELISK BY GEORGE THOMPSONSteuben etched clear glass obelisk titled "Cathedral" designed by George Louis Thompson (American, 1913-1981), triangular prism form suggesting a spire, engraved with saint figures and ecclesiastical style architectural details. Fitted within a fitted wooden stand. Etched "Steuben" to underside. Includes original red-velvet lined, fitted box. 15 7/8" H x 2 7/8" W x 1 1/2" D. Overall with stand. 16 1/8" H x 6" W x 3 34" D. Box: 5 3/4" H x 8 5/8" W x 19 5/8" D. Designed circa 1954. Copies of institution's accession paperwork for this item dating from the 1980s are available to the winning bidder. Property of a Tennessee Religious Institution. Condition: Chip to top back edge measuring 5/8" x 1/4"; chip to lower left corner measuring 1/4" x 1/4". Box with scattered surface wear; latch no longer functional.
• SIGNED STEUBEN CATSigned Steuben
  SIGNED STEUBEN CATSigned Steuben cat, 3" x 4" Condition: Condition: reports for specific items are available by calling Dave Pritchard at 1-740-503-8216 or emailing dave.pritchard@e-merge.com
• LARGE CRYSTAL STEUBEN
  LARGE CRYSTAL STEUBEN CATERPILLARLarge Crystal Steuben Caterpillar, signed Steuben on bottom, height 6 3/4 inches, length 11 inches. Provenance: Property from a private New York collection sold to benefit charitable foundations. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• STEUBEN & BACCARAT CRYSTAL ANIMAL
  STEUBEN & BACCARAT CRYSTAL ANIMAL FIGURINES, 3PC Steuben (American) and Baccarat (French), late 20th century. Group of three colorless leaded glass animal figurines comprising: a Steuben cat (Donald Pollard (American, 1924-1994) designer, introduced 1960, shape 8102); Steuben bear on ball (Lloyd D. Atkins (American, 1922-2002) designer, introduced 1974, shape 8293); and a Baccarat Egyptian dog (shape 764425). All signed, the Baccarat signature likely under one of the felt pads. Approx. h. 8.75" (cat).
• GROUPING OF STEUBEN CRYSTAL
  GROUPING OF STEUBEN CRYSTAL ANIMALSGrouping of Steuben crystal animals. American, Mid 20th Century. These include an emblematic eagle, an American Eagle (#8304 in the Steuben catalog), and a owl paperweight with large frosted eyes. All etched "Steuben" underside bases. Chip to American Eagle's left wing, small scuffs underside bases of owl and eagle. Measurement of American eagle: 6" H x 3" L x 4" D
• THREE CRYSTAL CAT FIGURINES
  THREE CRYSTAL CAT FIGURINES INCLD. STEUBEN Three crystal cat figurines, comprising a Lalique seated 'Heggie' long haired cat and a reclining 'Heggie 'cat both in frosted crystal, marked Lalique France; together with a Steuben seated cat in clear crystal, marked Steuben. Provenance: From the Private Collection of Joel A. Katz, Atlanta, Georgia. Steuben cat approx. h. 4.5".
• COLLECTION OF STEUBEN CATALOGS,
  COLLECTION OF STEUBEN CATALOGS, BOOKS AND PAMPHLETS Including Steuben Glass, an American Tradition in Crystal hard back by Mary Jean Madigan; a hardback booklet on the exhibition of the "Carrousel of the Sea" sculpture; Steuben Glass, A Monograph hard back by James S. Plaut; Five Masterworks by Steuben Glass, hard back; The Unicorn and the Maiden exhibition hard back booklet; A Short History of Glass Engraving hard back booklet by Paul N. Perrot; three volumes of The Art of Steuben; (8) Steuben Glass Christmas catalogs from years 1970-1977; (16) Steuben Glass yearly catalogs ranging from 1978-2003; and other pamphlets.
• Collection of colorless glass to
  Collection of colorless glass to include a Baccarat stork a Lalique flower and a Steuben caterpillar. ?
• Steuben Snifter Plus Steuben
  Steuben Snifter Plus Steuben Books American a Steuben glass brandy snifter signed Steuben on base; ht. 6.5 in. Plus a collection of twelve Steuben catalogs dating from the 1960s and 1970s and the book Steuben Glass: An American Tradition in Crystal by Mary Jean Madgigan New York: Harry Abrams 1981.
• Steuben Caterpillar, Pear American,
  Steuben Caterpillar, Pear American, 20th century: both marked "Steuben", caterpillar, 11 in.; pear, 3-1/2 in.,