A few examples of appraisal values for
STEVENS 47

• STEVEN SORMAN (b. 1948): BELITTLE
  STEVEN SORMAN (b. 1948): BELITTLE Oil on panel 14 1/2 x 20 3/16 in. dated 1991 Thomson Gallery Minneapolis MN exhibition label on verso.
• STEVENS, Stanford, (American,
  STEVENS, Stanford, (American, 1897-): Middle Eastern Street Scene, Watercolor, sight size 21 1/2'' x 15'', signed, framed, 30 1/2'' x 24''.
• WILLIAM LESTER STEVENS, AMERICAN
  WILLIAM LESTER STEVENS, AMERICAN (1888-1969), POINT PLEASANT, DELAWARE RIVER, CA. 1927-1929, OIL ON CANVAS, 42 X 48 INCHESWILLIAM LESTER STEVENS, American, (1888-1969) Point Pleasant, Delaware River, ca. 1927-1929, oil on canvas signed lower right "W. Lester Stevens" oil on canvas Dimensions: 42 x 48 inches Provenance: A New Jersey estate; Private Collection, Massachusetts. Framed dimensions: 46 7/8 x 53 1/4 x 2 1/2 inches William Lester Stevens was born in Rockport, Massachusetts, a seaside town that had been an established destination for artists. He completed his early formal training with Parker Perkins and then attended the Boston Museum School as a student of Edmund Tarbell, Frank Benson, Philip Hale and William Paxton. In 1917, Stevens joined the Army and was sent to Europe. He painted and sketched while in Europe and when he returned to Rockport found that it had become a destination for artists including Frank Duveneck, Childe Hassam, Leon Kroll and Jonas Lie. Together with his friend, Aldro T. Hibbard, Stevens was instrumental in organizing the Rockport Art Association in 1921 exhibiting the works of fifty area artists.Their shared goal was to make fine art more accessible to a broader audience. Stevens would continue to pursue these goals later in his career by organizing the Conway Festival of the HIlls and the Berkshire Arts Festival. As an established artist, Stevens first taught in Rockport and then from 1925-1926 at Boston University and from 1927-1929 at Princeton. He traveled in the south and had one-man exhibitions in Charlotte and Asheville, North Carolina, where his work was well received. When speaking of Stevens few are aware of his time spent painting in the New Hope, Pennsylvania area from 1927 to 1929. In 1927, he was appointed an instructor of freehand drawing and watercolor at Princeton University. According to his exhibition records, Stevens exhibited two paintings at the Pennsylvania Academy of the Fine Arts with New Hope area subjects, "Winter in New Jersey",1929, and "Lumberville" in 1930. In addition, a painting titled "Lumberville" was exhibited at the National Academy of Design in 1929 and at the Art Institute of Chicago in 1930. During his time at Princeton, Stevens was extremely productive and exhibited extensively. In 1928, Stevens exhibited at the American Watercolor Society and won the William S. Delano Prize. He also exhibited at the National Gallery of Art and the Corcoran Gallery of Art. Despite his rigorous academic schedule, he produced enough paintings during 1928 to send works to the New Haven Paint and Clay Club where Winter in New Jersey won the Mansfield Prize. Also, during this time he had a one man show at the American Association of University Women at the Public Library in Birmingham, Alabama, followed by an exhibition of over thirty oil paintings at the J.B. Speed Museum in Louisville, Kentucky. In 1929, Stevens gave up his teaching position at Princeton and returned to Rockport. In an article written by Charles Movalli for the 'American Artist' he wrote: "Stevens loved to talk about art - and himself. Steve thought he was the only painter in the world, a friend remembers fondly. He used to joke that 'only God and Lester Stevens can make a tree. He never tired of talking about the time his hero, Edward Redfield, the great outdoor painter, saw a Stevens painting in a show and said, "That kid's going to go far." It is likely that Redfield and his paintings of Point Pleasant first inspired Stevens to visit the area." In 1934, the Stevens family left Rockport and moved to Conway, Massachusetts where the artist remodeled an old farmhouse and built a studio facing Mount Monadnock. He painted throughout his entire life and died in Conway in 1969. By 1964 he had won more awards than any other living artist except for Sargent. Tags: American Impressionist, American Impressionism, oil painting, New Hope School, Cape Ann School, Rockport artist, Delaware, Pennsylvania Impressionism Condition: overall good condition; there are two repairs apparent under UV, one about 2 x 3 inches in the left tree, another linear repair lower center, approximately 12 x 1 inch; UV photos available upon request We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
• GEORGE STEVENS (AMERICAN, 1866 -
  GEORGE STEVENS (AMERICAN, 1866 - 1926), STEAMSHIPS IN P...George Stevens (American, 1866 - 1926), steamships in port, oil on canvas, signed lower left "G. Stevens", 24" x 12". Provenance: Estate of James Wadhams Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Stephen Stoller (Indiana, b.1945)
  Stephen Stoller (Indiana, b.1945) oil on board, "Outside Stoller's Window"; 12" x 24"; signed lower left.
• JOHN L. STEVENS, O/C CHILDREN/DOG &
  JOHN L. STEVENS, O/C CHILDREN/DOG & DONKEY20th century, signed lower left, copyright stamp verso. Frame size: 36" high, 46" wide.
• Will Henry Stevens
  Will Henry Stevens (American/Louisiana, 1881-1949) "Fisherman in a Pirogue and Cabins Along the Edge of the Bayou", pastel drawing, sight 13" x 16-1/2", signed lower right "Stevens". Glazed, matted and framed.
• STEVEN SORMAN (AMERICAN, B.
  STEVEN SORMAN (AMERICAN, B. 1948), 'IN STEP, OUT OF STEP IX', INTAGLIO AND LITHOGRAPH ON RIVES, FROM AN EDITION OF 30 OVERALL: 25 1/2 X 11 IN. (64.8 X 27.9 CM.)Steven Sorman (American, b. 1948), 'In Step, Out of Step IX', Intaglio and Lithograph on Rives, From An Edition of 30, Dimensions: Overall: 25 1/2 x 11 in. (64.8 x 27.9 cm.)
• ALFRED STEVENS (british
  ALFRED STEVENS (british 1817-1875) FIGURE STUDY Conte crayon on paper Sight: 12 1/4 x 9 3/8 in. provenance: Thomas Agnew & Sons, Ltd., London, United Kingdom. From the collection of Philip Rieff and Alison Douglas Knox Good condition
• WILLIAM LESTER STEVENS (AMERICAN,
  WILLIAM LESTER STEVENS (AMERICAN, 1888 - 1969) WOODLAND...William Lester Stevens (American, 1888 - 1969) woodlands oil on board signed lower left: William Lester Stevens 11 1/2" x 13 1/4" Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• BRADLEY STEVENS, AMERICAN 1954-,
  BRADLEY STEVENS, AMERICAN 1954-, WASHINGTON HARBOUR WITH THE KENNEDY CENTER IN THE BACKGROUND, OIL ON LINEN, 64 X 52 IN. (162.56 X 132.08 CM.), FRAME: 66 3/4 X 54 1/2 IN. (169.55 X 138.43 CM.)BRADLEY STEVENS, AMERICAN, 1954- WASHINGTON HARBOUR WITH THE KENNEDY CENTER IN THE BACKGROUND, Oil on linen Lower left signed: B. Stevens; verso signed, titled, measured and dated: Bradley Stevens / "Washington Harbour" / 64" x 52" / oil on linen / 2008 © From the artist's website: "Bradley Stevens was born in Pittsburgh, Pennsylvania in 1954 and raised in Westport, Connecticut. In 1972, he attended George Washington University in Washington, D.C., where he earned a Bachelor of Fine Arts in 1976, and a Masters of Fine Arts in 1979. In addition to his formal art education, Stevens spent five years copying over three hundred Old Master paintings at the National Gallery of Art. In 1982, he was invited to teach drawing and anatomy at his alma mater; in 1988, he began teaching drawing and portrait painting at Georgetown University as well. He remained a faculty member of both institutions until the year 2000. He was honored by the National Parks Service for three consecutive years as one of the Top 100 Artists in the Arts for the Parks Competition and he has received the prestigious Steven L. Aschenbrenner Collector's Award for his painting Approaching Rapids of the Grand Canyon. Stevens is represented by galleries in Washington D.C., New York, Boston and Seattle. His paintings are sought by private collectors throughout the country." — bradleystevens.com Oil on linen Dimensions: 64 x 52 in. (162.56 x 132.08 cm.), Frame: 66 3/4 x 54 1/2 in. (169.55 x 138.43 cm.) Provenance: Private Collection Washington DC
• WILLIAM LESTER STEVENS,
  WILLIAM LESTER STEVENS, (AMERICAN, 1888-1969), COASTAL VIEW, OIL ON CANVAS, 24 X 30 IN., FRAME: 28 X 33 IN.WILLIAM LESTER STEVENS, (American, 1888-1969) Coastal View, oil on canvas signed W. Lester Stevens, l.r. 24 x 30 in., frame: 28 x 33 in. Provenance: The Estate of a Boston Gentleman. Condition: Condition: "As-is" - several tears, canvas loose on stretcher.
• STEPHEN PENTAK (AMERICAN, B.
  STEPHEN PENTAK (AMERICAN, B. 1951) 18" x 80" Untitled SVII, 1988. Mixed media on panel, signed and dated on the reverse. Provenance: from the art collection of an international corporation.
• WILLIAM LESTER
  WILLIAM LESTER STEVENS(Massachusetts, 1888-1969) The Church Steeple, signedÿ lower right "W. Lester Stevens NA", inscribed with title stretcher verso, oil on canvas, 28 x 24 in.; 31-1/4 x 27-1/4 in., Provenance: From the Estate of the Late Jim VanStory, Weaverville, North Carolina Condition: wax and linen lined, surface dirt layer, small surface anomaly canvas verso middle; frame with wear and abrasions
• JACQUIE STEVENS (1949-2021,
  JACQUIE STEVENS (1949-2021, WINNEBAGO)Jacquie Stevens (1949-2021, Winnebago), Two gourd-form pottery vessels, 1987 Each signed: Jacquie Stevens; one dated: '87 Each ceramic jar with black fire clouding and accented with hide, shell, and bone 2 pieces Dimensions: Larger: 18" H x 19" Dia.; smaller: 10" H x 14.5" Dia. Provenance: The Estate of Oscar and Barbara Leidenfrost
• STEPHEN HANSEN (AMERICAN, B.
  STEPHEN HANSEN (AMERICAN, B. 1950) 51" x 40" "Dive Bomber", 1988. Papier mache and mixed media, signed and dated on light rail.
• STEVE CURRIE (B. 1954), STEG, 1987,
  STEVE CURRIE (B. 1954), STEG, 1987, BASSWOOD, DYE WAX, LEAD, AND METAL LATH, 39" H X 64" W X 13" DSteve Currie, (b. 1954) Steg, 1987, Basswood, dye wax, lead, and metal lath Basswood, dye wax, lead, and metal lath Dimensions: 39" H x 64" W x 13" D
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 1/2 x 9 1/2 in. (sight) signed.
• WILLIAM LESTER STEVENS (MA,
  WILLIAM LESTER STEVENS (MA, 1888-1969), HARBOR VIEW Watercolor, signed at lower right, matted and framed.
• STEVEN J. YAZZIE (AMERICAN, B.
  STEVEN J. YAZZIE (AMERICAN, B. 1970) 36" x 48" "Production at it's Standstill", 1997. Oil on masonite, signed, titled, and dated verso.
• BERNARD JOSEPH STEFFEN (1907 -
  BERNARD JOSEPH STEFFEN (1907 - 1980): "DAWN CONFAB"color screenprint; pencil-signed lower right; titled in pencil lower center; 9 1/2 x 12 1/4 inches sight; 14 1/2 x 17 1/4 inches frame Condition:
• WILLIAM LESTER STEVENS,
  WILLIAM LESTER STEVENS, (AMERICAN, 1888-1969), SEASIDE VIEW, OIL ON CANVAS BOARD, 14 X 16 IN., FRAME: 16 1/2 X 20 1/2 IN.WILLIAM LESTER STEVENS, (American, 1888-1969) Seaside View, oil on canvas board signed W. Lester Stevens NA, l.r. 14 x 16 in., frame: 16 1/2 x 20 1/2 in. Provenance: The Estate of Dr. Edward Sleeper, Boston, Massachusetts. Condition:
• STEVE FERGUSON (B. 1946) "B-47E
  STEVE FERGUSON (B. 1946) "B-47E STRATOJET"Steve Ferguson (American, B. 1946) "B-47E Stratojet" Signed lower left. Original Acrylic painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 32c Stratojet Classic Collection Series stamp issued July 19, 1997. Powered by six engines, the world's first swept-wing jet bomber, the B-47 Stratojet, made its debut in 1947. The plane boasted a top speed of over 550 mph -- faster than most fighters of that time. Compared to the B-29 bomber, which required a 10-man crew, the Stratojet needed only a pilot, co-pilot and bombardier/navigator. On September 1, 1953, the USAF carried out the first in-flight refueling of one jet by another, using a tanker derived from a B-47 to refuel another B-47. By 1956, 2,032 Stratojets had been delivered to the USAF. Of these, 1,373 were manufactured by Boeing, the other 659 by Douglas and Lockheed. The venerable bombers served America faithfully for 20 years. Image Size: 16.5 x 14 in. Overall Size: 20 x 15 in. Unframed. (B14202) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 1/2 x 9 1/2 in. (sight) signed.
• Alfred George Stevens (British
  Alfred George Stevens (British 1817-1875)/Study of a Seated Nude/red chalk, 20.5cm x 28cm
• CHUCH STEVENS EIGHT
  CHUCH STEVENS EIGHT PHOTOGRAPHSCHUCH STEVENS (California, 20/21st century) eight photographs, nudes: "Galena"; "Perfect View"; "Blindfold"; "Joy"; and others untitled. Each signed on the matting. Images measure from 8.75" x 6" to 17.5" x 12.75". Each framed.
• STEPHEN SHORE (b. 1947): GIVERNY
  STEPHEN SHORE (b. 1947): GIVERNY (POND REFLECTION) Cibachrome print 7 1/2 x 9 3/8 in. (sight) signed.
• STEEVES Bill. Oil on Canvas of a
  STEEVES Bill. Oil on Canvas of a Riverbank.Signed lower left. Bill Steeves American 20th C. From a storage warehouse. Dimensions: 22'' high x 28'' wide. Condition: Surface grime; slight cracking in paint; minor losses to middle right.
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 3/4 x 9 1/2 in. (sight) signed.
• STEPHEN SHORE (b. 1947): GIVERNY
  STEPHEN SHORE (b. 1947): GIVERNY FALL 1981 Cibachrome print 7 3/4 x 9 1/2 in.
• William Lester Stevens
  William Lester Stevens Massachusetts (1888-1969) STEEPLES THROUGH DAPPLED SUNLIGHT oil on canvas framed signed: lower right W. Lester Stevens H38'' W34'' Provenance: Columbia South Carolina private collection. Condition: Very good original condition. UV examination is clean. However it is in need of cleaning (it has surface dirt and varnish age discoloration.) Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• PORTRAIT OF ALEXANDER HODGDON
  PORTRAIT OF ALEXANDER HODGDON STEVENS (1789 - 1869), OI...Portrait of Alexander Hodgdon Stevens (1789 - 1869), oil on canvas adhered to board, 19th century. 38" x 30". Catalog Note: Stevens was a Founding Fellow and President of The New York Academy of Medicine in 1851. Provenance: New York Academy of Medicine Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• WILLIAM LESTER STEVENS (MA,
  WILLIAM LESTER STEVENS (MA, 1888-1969) Rockport Harbor in Fog, oil on board, signed lower left, in modern gilt molded and pressed frame with linen liner, OS: 26 3/4" x 32 3/4", SS: 17" x 23", liner stained, painting is good.
• WILLIAM LESTER STEVENS (AMERICAN,
  WILLIAM LESTER STEVENS (AMERICAN, 1888 - 1969), BOATYAR...William Lester Stevens (American, 1888 - 1969), Boatyard, watercolor on paper, signed lower left "W. Lester Stevens N.A.", sight size 14" x 20". Provenance: Estate of James Wadhams Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 3/8 x 9 1/4 in. (sight) signed.
• STEPHEN HANSEN (AMERICAN, B.
  STEPHEN HANSEN (AMERICAN, B. 1950) 27" x 48" "See No Evil...", 1990. Ceramic, signed, dated, and numbered 6 / 20 to bottom right corner.