A few examples of appraisal values for
STOBART

• JOHN STOBART LITHOGRAPH,
  JOHN STOBART LITHOGRAPH, "PHILADELPHIA"John Stobart Lithograph, "Philadelphia", Pencil signed lower right in margin and numbered in margin "489/950". Viewed size: 11 1/2" x 17 1/4"; frame 24" x 28". Very good condition.
• JOHN STOBART LITHOGRAPH, "NEW
  JOHN STOBART LITHOGRAPH, "NEW BEDFORD", PENCIL SIGNEDJohn Stobart Lithograph, "New Bedford", Pencil signed lower right in margin and numbered in margin "763/950". Viewed size: 15 1/2" x 21"; frame 26 1/2" x 30 3/4". Very good condition.
• JOHN STOBART LITHOGRAPH,
  JOHN STOBART LITHOGRAPH, "SACRAMENTO", PENCIL SIGNEDJohn Stobart Lithograph, "Sacramento", Pencil signed lower right in margin and numbered in margin "81/750". Viewed size: 19 1/2" x 31"; frame 36" x 45". Very good condition.
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA/ENGLAND, 1929-2023), "U.S.S. CONSTITUTION"., LITHOGRAPH ON PAPER, 20" X 26" SIGHT. FRAMED 29.5" X 35".JOHN STOBART, Massachusetts/Florida/England, 1929-2023, "U.S.S. Constitution". Signed in pencil lower right "Stobart". Numbered 101/950. Dimensions: Lithograph on paper, 20" x 26" sight. Framed 29.5" x 35".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, B. 1929), "BOSTON FANEUIL HALL FROM THE EAST IN 1829"., LITHOGRAPH, 14.5" X 20.25" SIGHT. FRAMED 24.5" X 29.75".JOHN STOBART, Massachusetts/Florida, b. 1929, "Boston Faneuil Hall From the East in 1829". Artist's proof. Signed and numbered lower right "John Stobart AP 19/750". Dimensions: Lithograph, 14.5" x 20.25" sight. Framed 24.5" x 29.75".
• JOHN STOBART (BRITISH, 1929-2023)
  JOHN STOBART (BRITISH, 1929-2023) "STRAIGHT WHARF, NANTUCKET" Oil on canvas. Signed and dated (lower right). John Stobart (British, 1929-2023) Inspired by tradition, John Stobart serves as our historian and guide to life along the water. To the viewer, it seems as though Stobart stood a century ago along the ports and harbors he recreates for us. We can almost feel the effects of the weather and time of day and we learn about our history and our heritage through wonderfully descriptive narratives that have been compared to stories by Mark Twain and Joseph Conrad. It was as a young art student that Stobart first experienced the work of John Constable and Jean Baptiste-Camille Corot. Constable’s oil sketches motivated Stobart to focus on simplicity and clarity in his work. Corot’s paintings of outdoor subjects and architecture inspired Stobart’s art. In these paintings, Stobart also found a quality of light he had never before seen. The work of these artists deeply affected Stobart and prompted him to define his own artistic style. When he completed his academic studies, Stobart traveled by ship to his father’s new home in South Africa. While aboard the Braemar Castle, he realized that his artistic future lay in a passion for ships and the sea he had discovered at eight years old. He painted The Braemar Castle and quickly sold it to the Union Castle Line which led the way to his paintings being prominent in boardrooms across England and North America. For ten years, Stobart divided his time between England and Canada. Stobart learned that artists had recorded only a few nineteenth century American ports and harbors. Newly inspired, he took a six-month sabbatical to learn about this subject. He later began the body of work that now documents the development of American ports.
• JOHN STOBART (B. 1929): PILOT
  JOHN STOBART (B. 1929): PILOT MEETING PACKET BRIGOil on canvas, 1969, signed 'Stobart' lower right, dated lower left, with label from Kennedy Galleries, NY. 10 1/2 x 14 in., 16 1/4 x 20 in. (frame). Condition Scattered tiny losses along the lower edge. Surface soiling. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• JOHN STOBART (BRITISH, B. 1929),
  JOHN STOBART (BRITISH, B. 1929), HONG KONG Offset lithograph, pencil signed, framed.
• TWO NAUTICAL PRINTS - JOHN
  TWO NAUTICAL PRINTS - JOHN STOBART AND ROBERT BACK The first: John Stobart (British, b. 1929), Faneuil Hall from the East in 1825, offset lithograph, pencil signed and numbered; the second: Robert Back (British, 1922-2004), Washington, D.C. 1874, offset lithograph, pencil signed and numbered; each framed.
• JOHN STOBART (BRITISH, B. 1929),
  JOHN STOBART (BRITISH, B. 1929), CHARLESTON / BOSTON (TWO WORKS) Each an offset lithograph, both pencil signed and numbered, presented in uniform framing.
• JOHN STOBART (BRITISH, B. 1929),
  JOHN STOBART (BRITISH, B. 1929), NANTUCKET / NEW YORK, EAST RIVER ARRIVAL, 1884 (TWO WORKS) Each an offset lithograph in colors, both signed and numbered, framed.
• JOHN STOBART. FIVE UNFRAMED
  JOHN STOBART. FIVE UNFRAMED LITHOGRAPHS "The Statue of Liberty in a Panorama of New York Harbor in 1886," "New York," "Philadelphia," "Georgetown," and "Alexandria," all pencil signed lr, sheet size of largest: 25 1/2 x 38 inches.
• PRINT, JOHN STOBART John Stobart
  PRINT, JOHN STOBART John Stobart (American, b. 1929), "Hartford, A View of the State House from the Connecticut River Waterfont in 1876," offset print of the original painting, pencil signed lower right, edition 424/750, overall (with frame): 31.5"h x 42"w
• John Stobart (British, b. 1929)
  John Stobart (British, b. 1929) \"St. Louis - A View Through the Arches of the Eads Bridge in 1876\", limited edition offset chromoltihograph, sight 22-1/2\" x 28\", pencil numbered lower right: \"651/750\"; pencil signed lower right: \"John Stobart\". Glazed, matted and presented in a distressed and stained oak frame.
• JOHN STOBART LIMITED EDITION
  JOHN STOBART LIMITED EDITION LITHOGRAPH "SUNRISE OVER N...John Stobart (b. 1929) Limited Edition Lithograph "Sunrise Over Nantucket in 1835", Ed. # 443/850, this is 1 of only 85 that are remarqued. Signed in pencil lower right J. Stobart 21 in. x 31.5 in. Overall 30 in. x 40 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• JOHN STOBART LIMITED EDITION
  JOHN STOBART LIMITED EDITION LITHOGRAPH "STRAIGHT WHARF...John Stobart (b. 1929) Limited Edition Lithograph "Straight Wharf Nantucket in 1832" , pencil signed lower right J. Stobart, circa 1985 Ed. # 70/750 16 in. x 24.5 in. Overall 26.5 in. x 34.25 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• JOHN STOBART LIMITED EDITION
  JOHN STOBART LIMITED EDITION LITHOGRAPH "NANTUCKET THE ...John Stobart (b. 1929) Limited Edition Litho "Nantucket the Celebrated Whaling Port in 1835" , pencil signed lower right, published 1974, Ed. #538/650 23 in. x 34 in. Overall 33 in. x 44 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• JOHN STOBART LIMITED EDITION
  JOHN STOBART LIMITED EDITION LITHOGRAPH "NANTUCKET SLEI...John Stobart (b. 1929) Limited Edition Lithograph "Nantucket Sleigh Ride" #142/750 , pencil signed lower right 17 in. x 22 in. Framed 19.5 in. x 24 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• JOHN STOBART LIMITED EDITION
  JOHN STOBART LIMITED EDITION LITHOGRAPH "SAILING DAY, N...John Stobart (English b. 1929) Limited Edition Lithograph "Sailing Day, Nantucket, in 1841", Ed. #143/750, pencil signed lower right John Stobart, linen mat within thin molded gilt frame 23 in. x 33 in. Framed 30.5 in. x 42 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• JOHN STOBART (AMERICAN, 20TH
  JOHN STOBART (AMERICAN, 20TH CENTURY) "EDGARTOWN" PENCI...John Stobart (American, 20th Century) "Edgartown" pencil signed and numbered sight size: 20" x 25" Provenance: The Estate of Diana Atwood Johnson Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• 2 NAUTICAL LITHOGRAPHS, STOBART &
  2 NAUTICAL LITHOGRAPHS, STOBART & BRETT2 Nautical Lithographs, John Stobart, British, b.1929-? , South Street New York, numbered 31/50 blind stamped lower left and Oswald L. Brett, American/Australian, b.1921-2017 The Ship Wavertree Off Cape Horn numbered 71/900, hand signed with personal notation in 1982 framed 32 x 39 and 35 x 43 (ESYK8560/2)(MM)
• JOHN STOBART (1929 - 2023)
  JOHN STOBART (1929 - 2023) LITHOGRAPHJohn Stobart (American, 1929 - 2023) "New York: East River Departure" Lithograph Pencil signed and numbered lower right. Purchased from Vallejo Gallery in California. Sight Size: 14 x 22 in. Overall Framed Size: 24.75 x 32.5 in. Framed behind glass. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• STOBART, John, (English, 1929):
  STOBART, John, (English, 1929): Clipper Ship Dashing Wave, Pencil Drawing, 8'' x 7'', signed lower right and dated 2/17/76 and titled, framed 14.25'' x 13''. CONDITION: Overall even toning.
• 2 LARGE SIGNED LITHOGRAPHS TWO
  2 LARGE SIGNED LITHOGRAPHS TWO LARGE SIGNED LITHOGRAPHS TITLED MOONLIGHT ON THE POTOMAC RIVER BY JOHN STOBART AND GEORGETOWN COLLEGE A VIEW FROM OBSERVATORY HILL 1893 BY ROBERT BACK, EACH SIGNED AND NUMBERED IN PENCIL IN PLATE, MOUNTED IN FRAME; EACH 32"H 40.5"W OVERALL
• GROUP OF FOURTEEN CORGI TOY CLASSIC
  GROUP OF FOURTEEN CORGI TOY CLASSIC DIECAST TRUCKSAll in their original boxes, unused. Comprising: eight Building Britain series examples, one box containing three vehicles, two Eddie Stobart series examples, and two London Brick examples.
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA/ENGLAND, 1929-2023), "MONHEGAN: A VIEW OF THE LANDING FROM THE ISLAND INN"., LIMITED EDITION LITHOGRAPH ON PAPER, 18.5" X 23.5" SIGHT. FRAMED 30" X 35".JOHN STOBART, Massachusetts/Florida/England, 1929-2023, "Monhegan: A View of the Landing from the Island Inn". Signed in pencil lower right "Stobart". Numbered 121/300 lower right. Dimensions: Limited edition lithograph on paper, 18.5" x 23.5" sight. Framed 30" x 35".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, 20TH CENTURY), “NEW YORK”., LITHOGRAPH, 15” X 19” SIGHT. FRAMED 25” X 30”.JOHN STOBART, Massachusetts/Florida, 20th Century, "New York". Signed in pencil lower right "John Stobart". Numbered 124/750. Dimensions: Lithograph, 15" x 19" sight. Framed 25" x 30".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, B. 1929), “PATHWAY TO THE BEACH”., PRINT, 14.5” X 17”. FRAMED 25” X 27”.JOHN STOBART, Massachusetts/Florida, b. 1929, "Pathway to the Beach". Signed in pencil lower right "J Stobart". Numbered 102/300. Dimensions: Print, 14.5" x 17". Framed 25" x 27".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, B. 1929), "MYSTIC SEAPORT THE CHARLES W. MORGAN AT CHUBB’S WHARF BY MOONLIGHT"., LITHOGRAPH ON PAPER, 19.25" X 28.5" SIGHT. FRAMED 31" X 40.5".JOHN STOBART, Massachusetts/Florida, b. 1929, "Mystic Seaport The Charles W. Morgan at Chubb's Wharf by Moonlight". Signed in pencil lower right. Numbered in pencil 3995/6141. Dimensions: Lithograph on paper, 19.25" x 28.5" sight. Framed 31" x 40.5".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, B. 1929), "TIERRA DEL FUEGO: A CENTENNIAL TRIBUTE TO CAPT. JOSHUA SLOCUM"., LITHOGRAPH ON PAPER, 22" X 30" SIGHT. FRAMED 33" X 42".JOHN STOBART, Massachusetts/Florida, b. 1929, "Tierra Del Fuego: A Centennial Tribute To Capt. Joshua Slocum". Signed in pencil lower right. Numbered in pencil 124/650. Dimensions: Lithograph on paper, 22" x 30" sight. Framed 33" x 42".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, B. 1929), "WHALING IN THE ARCTIC: THE 'CHARLES W. MORGAN' IN 1884"., LITHOGRAPH ON PAPER, 22.5" X 33.5". FRAMED 32" X 42".JOHN STOBART, Massachusetts/Florida, b. 1929, "Whaling In The Arctic: The 'Charles W. Morgan' in 1884". Signed in pencil lower right. Numbered 555/750. Dimensions: Lithograph on paper, 22.5" x 33.5". Framed 32" x 42".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, B. 1929), “THE CITY OF HARTFORD ARRIVING FROM NEW YORK AT THE FOOT OF STATE STREET IN 1870”., LITHOGRAPH ON PAPER, 19.5” X 30.5” SIGHT. FRAMED 29.5” X 40.5”.JOHN STOBART, Massachusetts/Florida, b. 1929, "The City of Hartford Arriving from New York at the Foot of State Street in 1870". Signed in pencil lower right "John Stobart". Numbered lower right 798/950. Dimensions: Lithograph on paper, 19.5" x 30.5" sight. Framed 29.5" x 40.5".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, B. 1929), “BOSTON FANEUIL HALL FROM THE EAST 1825”., PRINT, 14.5” X 20” SIGHT. FRAMED 24” X 29.5”.JOHN STOBART, Massachusetts/Florida, b. 1929, "Boston Faneuil Hall from the East 1825". Signed in margin lower left. Numbered 501/750. Dimensions: Print, 14.5" x 20" sight. Framed 24" x 29.5".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, B. 1929), “CAPE TOWN”., LITHOGRAPH, 19.25” X 31.25” SIGHT. FRAMED 33.5” X 43.5”.JOHN STOBART, Massachusetts/Florida, b. 1929, "Cape Town". Signed in pencil. Numbered 383/900. Dimensions: Lithograph, 19.25" x 31.25" sight. Framed 33.5" x 43.5".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, B. 1929), "MARIETTA: THE MAIL LINE PACKET 'COURIER' ARRIVING AT THE WHARFBOAT ON THE OHIO IN 1875"., LITHOGRAPH ON PAPER, 19.5" X 27.5". FRAMED 29" X 36.5".JOHN STOBART, Massachusetts/Florida, b. 1929, "Marietta: The Mail Line Packet 'Courier' Arriving at the Wharfboat on the Ohio in 1875". Signed in pencil lower right. Numbered 484/850. Dimensions: Lithograph on paper, 19.5" x 27.5". Framed 29" x 36.5".
• JOHN STOBART
  JOHN STOBART (MASSACHUSETTS/FLORIDA, B. 1929), “A DOWNEASTER APPROACHING CAPE HORN”., LITHOGRAPH ON PAPER, 24.5” X 28.5” SIGHT. FRAMED 38.75” X 41.75”.JOHN STOBART, Massachusetts/Florida, b. 1929, "A Downeaster Approaching Cape Horn". Signed lower right "John Stobart". Numbered lower right 72/950. Dimensions: Lithograph on paper, 24.5" x 28.5" sight. Framed 38.75" x 41.75".