MORT KUNSTLER, STONEWALL JACKSON,MORT KUNSTLER, STONEWALL JACKSON, LIMITEDSigned, limited edition offset lithograph of Stonewall Jackson and Family by Mort Kunstler, published by American Print Gallery. American Civil War theme. Framed to approximately 28" x 28". Brass title plaque. Excellent condition. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
"Stonewall" Jackson signature,"Stonewall" Jackson signature, pre-Civil War clipped autograph, signed in ink "Lexington VA/Decr. 31st 185l [or 1857]/T.J. Jackson/1st Lt. & Bvt. Maj. 1st Arty" (Thomas J. "Stonewall" Jackson, 1824-1863, Confederate, Lieutenant General), 2-11/16 x 3-3/16 in. Excellent condition, minor fading, mounted with picture corners; modern frame with scratches. Private Collection, Charlottesville, Virginia
Pruitt Littleton, New Orleans,Pruitt Littleton, New Orleans, Four-Panel Folding "Stonewall" Screen, in the Louis XVI taste, the facade with a frieze of trompe l'oeil bas-relief winged lions, foliate scrolls and addorsed palmettes surmounting a trompe l'oeil wall of dressed stone, the reverse finished as plain stone slabs, h. 81-1/2".
ANTIQUE STONEWALL JACKSON PRINTAntiqueANTIQUE STONEWALL JACKSON PRINTAntique black and white lithograph of Confederate General Stonewall Jackson by LMD Guillaume, 25 x 20.5 inches, framed 35 x 29 inches. Light stains.
AFTER J.W. KING, STONEWALL JACKSON,AFTER J.W. KING, STONEWALL JACKSON, OIL ON CANVAS After J.W. King (American active circa 1860), American School, Stonewall Jackson (American 1824-1863), oil on canvas, bust length portrait depicting the Confederate States of America general in profile wearing a military uniform, apparently unsigned, framed. Approximate dimensions: Canvas h. 18.125", w. 14.875"; Overall h. 23.5", w. 20.75", d. 1.75"
F JackmanNorth Walesa pairoil onF JackmanNorth Walesa pairoil on canvas 24cm x 29cm (9.5" x 11.5")
A set of six coloured prints ofA set of six coloured prints of London landmarks each 20 x 13 cm together with a lithograph of a Constable painting of the River Stour.
Stella Langdale (1880-1976)/FourStella Langdale (1880-1976)/Four aquatints and four pencil sketches, framed as one, the pencil sketches each depicting Stonehenge, the aquatints including Nocturne and Celtic Design
PRINTS OF ROBERT E. LEE & STONEWALLPRINTS OF ROBERT E. LEE & STONEWALL JACKSON In deep well frames.
Early Stonewall Jackson print.Early Stonewall Jackson print. Marked ''After Photo-From Life Engraved By A.B. Walter Proof'' sight 14'' x 12 1/2''.
STANLEY WINGATE WOODWARDAmericanSTANLEY WINGATE WOODWARDAmerican 1890-1970The Rainbow''. Signed lower left ''Stanley Woodward''. Titled verso.Oil on canvas board 20'' x 24''. Framed.''
DOULTON LAMBETH VOTES FOR WOMENDOULTON LAMBETH VOTES FOR WOMEN INKWELL IN STONEWAREAn old woman standing with her arms tightly crossed and eyes closed. The slogon "Votes for Women" written on her apron. Royal Doulton backstamp.
Dimensions: 3.5"H
Manufacturer: Royal Doulton
Provenance: David Bearman Collection
To view the video for this item, click the link below: Doulton Lambeth Votes For Women Inkwell in Stoneware
Hugh Casson (1910-1999)/The AnniversaryHugh Casson (1910-1999)/The Anniversary Fireworks at Eton College, 4th June 1990/inscribed 'to Martin and Gay with love at Christmas from us both, Hu'/watercolour, 12.5cm x 20cm/Provenance: from the Estates of Lord & Lady Charteris, the watercolour study was for a larger version marking the 550 Anniversary of Eton College that was presented to Her Majesty Queen Elizabeth The Queen Mother by the school during the celebrations of the occasion, see illustration of celebration images
Circle of Rudolf Stone (BritishCircle of Rudolf Stone (British 19th Century)/Steeplechasing/oil on panel, 15cm x 30.5cm
SIX TITLES ON STONEWALL JACKSONSIX TITLES ON STONEWALL JACKSON To include:
Prof. R. L. Dabney, D.D. LIFE AND CAMPAIGNS OF LIEUT.-GEN. THOMAS J. JACKSON, (STONEWALL JACKSON). New York: Blelock & Co., 1866. Hardcover. Half bound leather with marbled paper-covered boards, gilt stamped design and lettering on spine with raised bands, all edges and endpapers marbled. 8vo; [i-iv], v-x, [xi-xii], [1]-742pp. With frontispiece and (11) diagrams.
John Esten Cooke. STONEWALL JACKSON: A MILITARY BIOGRAPHY. New York: D. Appleton and Company, 1876. Later edition. Hardcover. Rebound in blue cloth-covered boards, gilt lettering on spine, all edges marbled. 8vo; 587pp. with appendix; publishing advertisements at the end.
Lieut.-Col. G.F.R. Henderson. STONEWALL JACKSON AND THE AMERICAN CIVIL WAR. Two volumes. First edition. London: Longmans, Green, and Co., 1898. Hardcovers. Red cloth-covered boards with gilt lettering on spines. 8vo; [i-vii], viii-xiv, [xv-xviii], [1]-550pp., plus catalogue of work by Longmans, Green, & Co. included at the end; [i-viii], [1]-641pp. with index. Both with portraits, maps, plans.
Henry Alexander White, A.M. Ph.D. AMERICAN CRISIS BIOGRAPHIES: STONEWALL JACKSON. Philadelphia: George W. Jacobs & Company, 1909. First edition. Hardcover. Blue cloth-covered boards, gilt lettering on spine, top edge gilt. 12mo; [1-9], 10-378pp. with index. With frontispiece.
Roy Bird Cook. THE FAMILY AND EARLY LIFE OF STONEWALL JACKSON. Richmond, VA: Old Dominion Press, 1925. Second edition. Hardcover. Maroon cloth-covered boards with gilt lettering on cover and spine. 8vo; [1-9], 10-109pp. with bibliography. With frontispiece and (11) plates.
John W. Wayland. STONEWALL JACKSON'S WAY: ROUTE, METHOD, ACHIEVEMENT. Virginia: The McClure Company, 1940. First edition. Hardcover. Grey illustrated boards with embossed lettering. 4to; [i-vi], vii-xv, [xvi], [1-2], 3-244pp. with index. With numerous maps and illustrations.
A quantity of United Kingdom CivilA quantity of United Kingdom Civil Defence Corps Rescue armbands, an EPNS and slate holy water stoup, two seashells, two Cornish tin bars, etc
ELLIS MARTIN, THE CORNISH RIVIERA,ELLIS MARTIN, THE CORNISH RIVIERA, GREAT WESTERN RAILWAY POSTER circa 1924. Depicting Penzance's St. Michael's Mount. The tidal island, similar to its more famous French cousin, Mt. St. Michele, has a medieval castle and church at its apex.
John Ward
(British, b. 1938)
Vessel,John Ward
(British, b. 1938)
Vessel, c. 1985
glazed stoneware
artists insignia 'JW' to underside
H 9 1/2 x Diameter 9 inches
Property from a Private Collection, Highland Park, Illinois
STIK
(British, b. 1985)
UntitledSTIK
(British, b. 1985)
Untitled (Drawing), 2014
ink on paper
signed STIK (lower center)
3 1/4 x 3 1/4 inches.
GAYLE STOTT LOWRY (NC), STUDY FORGAYLE STOTT LOWRY (NC), STUDY FOR CLEARING AFTER THE STORM Oil on board, signed at lower left, 2008, inscribed on the verso, matted and framed under glass.
A reconstituted stone figure ofA reconstituted stone figure of fighting putti
STANLEY SPORNY (AMERICAN, 1946-2008)StanleySTANLEY SPORNY (AMERICAN, 1946-2008)Stanley Sporny (American, 1946-2008) , "Jesse (Helms) Covers the Queers", 1991-94, oil on linen, signed and dated lower left, signed, titled, dated and artist label with title and date on stretcher, 43 1/4 in. x 70 1/4 in., framed
FANK STELLA (b. 1936): WOLFEBOROFANK STELLA (b. 1936): WOLFEBORO Lithograph screenprint numbered 97/100 signed and dated '74 lower left.
Deborah Jones (1921-2012)/SteepDeborah Jones (1921-2012)/Steep St, Bristol/oil on board, 16cm x 11cm/Provenance: The Estate of Anthony J Beeson
MEMOIRS OF STONEWALL JACKSON (1895,MEMOIRS OF STONEWALL JACKSON (1895, 1ST EDITION)Memoirs of "Stonewall" Jackson by His Widow Mary Anna Jackson
1895, 1st edition
Pub. Prentice Press, Courier-Journal Job Printing Co. (Louisville, KY)
Green cloth cover with gilt embossing, illustrated throughout with portraits, architecture, and scenes. Octavo, measuring 10 1/4" x 7 3/4" x 2".
Condition
Good condition, noting rubbing to the gilt decoration on the spine and cover, and a loosened front hinge.
Harry Sticks (1867-1938) - WatercolourHarry Sticks (1867-1938) - Watercolour - ''A Crossing Place at St. Johns Chapel Weardale'' 9.5ins x 8.5ins signed in ebonised frame and glazed
Leslie Duxbury (1921-2001)/StreetLeslie Duxbury (1921-2001)/Street Protest Outside the Midland Bank/black crayon sketch, 51cm x 38cm/unframed
A fragment of 17th Century stainedA fragment of 17th Century stained glass, head of a bearded figure, from Eton College Chapel, bombed Founders Day 1940, 29cm x 18cm/Provenance: from the Estates of Lord & Lady Charteris
PURPORTED FRAGMENT OF JAMES BOSWELL'SPURPORTED FRAGMENT OF JAMES BOSWELL'S SASH WORN AT SHAKESPEARE JUBILEE 2 x 2 in.
MARIAN WILLIAMS STEELE (1912-2001,MARIAN WILLIAMS STEELE (1912-2001, NJ, MA, CA)oil painting on canvas depicting a sunny street scene with flower cart in the foreground. Titled "The Gay Cariole", 1973. Signed lower left. Sight size 16" x 20", overall with carved wood frame 24 1/2" x 28 1/2". Has old Arvest Galleries (Newbury Street, Boston) label. Very good original condition.
Arthur W Gay/DAFFODILS IN A JUG/SignedArthur W Gay/DAFFODILS IN A JUG/Signed and dated 1949/watercolour 51cm x 40cm (20" x 15.75")
A pair of sandstone staddle stonesA pair of sandstone staddle stones with domed tops approximately 19ins diameter x 27ins high (slightly damaged and weathered) and a terracotta rhubarb forcer by Santy & Sons Nottingham with cover for same 14ins diameter x 19ins high (chipped especially to cover)
E. G. HESTER AFTER J. STURGESSE. G. HESTER AFTER J. STURGESS PUNCHESTOWN CONYNGHAM CUP 1872 - THE STONE WALL Acquatint: 19 1/2 x 32 in. (sight) Framed; dedicated to the most noble The Marquis of Drogheda
John Steeple (1823-87) watercolourJohn Steeple (1823-87) watercolour Dunkeld inscribed verso 11 x 16.5in. Estimate ?200-300 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?280
§ ALFRED WALLIS (BRITISH 1855-1942)
PLYMOUTH§ ALFRED WALLIS (BRITISH 1855-1942)
PLYMOUTH signed in pencil (upper left), oil and chalk on card26.5cm x 35.5cm (10.5in x 14in)Provenance: In Barns-Graham's notes about her collection she states she was given three oils by Alfred Wallis by Mary Buchanan, Ben Nicholson and Sven Berlin. In the exhibition catalogue for Alfred Wallis (Arts Council of Great Britain, 1968) it states this painting is ex collection ‘Mrs George Buchanan’.Literature:Published with title 'Portsmouth and the Victory' Nicholson, Ben (1950), (Bournemouth Arts Club Presents a Retrospective Exhibition of) Paintings by Alfred Wallis, Sydenham & Co. Ltd, Bournemouth, cat. no. 17.The Arts Council of Great Britain, Alfred Wallis, Percy Lund, Humpries & Co Ltd, London and Bradford, 1968 cat. no. 39.The three paintings in this collection by Alfred Wallis were gifted to Barns-Graham by individual friends: Mary Buchanan, Sven Berlin, and Ben Nicholson. Wallis died in 1942 two years after Willie settled in St Ives. There was time however for her to become acquainted with him, and to act as a sort of ambassador for those who wished to meet the self-taught painter (he could be crotchety). She admired, as did Ben Nicholson and other painters before her, the simplicity and directness of his imagemaking. There was a freedom, a lack of formality, that the Moderns strived for. To Wallis, painting was a physical event: perspective and relative scale was irrelevant as he storyboarded his memories. It is difficult today, when his work commands so much attention, to imagine the ease with which one could acquire his work, and also give it away. Mary Buchanan and her husband, the novelist George Buchanan were among those friends the newly arrived Barns-Graham made through the auspices of her Edinburgh College of Art fellow painter Margaret Mellis, and her new husband the art critic and painter, Adrian Stokes. The latter was the catalyst for the move to Cornwall of Barbara Hepworth, her husband Ben Nicholson and the Russian sculptor Naum Gabo with his wife, Miriam. The Stokes’ Carbis Bay home, Little Parc Owles, was a magnet for all new arrivals, and those visiting from London and elsewhere. Despite the house being full of senior Modernist figures, Barns-Graham never forgot her first encounter with the group of Wallis paintings Stokes owned. Always a note-taker, she recorded the oddly shaped bits of cardboard he painted on, and his particular colours: black boats, green and white seas, and grey houses. Some very early St Ives paintings of sheds by Willie owe something to Wallis, the flattening of perspective and his palette.Essay by Lynne Green, author of W. Barns-Graham: a studio life, and Trustee of the Wilhelmina Barns-Graham Trust.
ALFRED WALLIS (BRITISH 1855-1942)
ST.ALFRED WALLIS (BRITISH 1855-1942)
ST. IVES BAY pencil and oil on board7.5cm x 30.1cm (3in x 11.9in)Provenance:In Barns-Graham's notes about her collection she states she was given three oils by Alfred Wallis by Mary Buchanan, Ben Nicholson and Sven Berlin.This Wallis was given to Wilhelmina Barns-Graham by Sven Berlin for research she did on the Wallis family, presumably for his book on Wallis.Exhibited: 1950: Bournemouth, Bournemouth Arts Club, Alfred Wallis and Christopher Wood, 12 Aug to 2 Sep 1950, no. 56;1959: St Ives, 36 Fore Street (Penwith Gallery?), Alfred Wallis Exhibition, 1-6 June 1959, cat. no. 26;1968: London, The Arts Council of Great Britain, Alfred Wallis, Tate Gallery 30 May to 30 June 1968, York City Art Gallery 6 to 28 July;1968, Aberdeen Art Gallery 3 to 25 August, Abbot Hall Art Gallery 31 Aug to 22 Sep 1968, cat. no. 16;1983: St Ives, Penwith Gallery, Alfred Wallis, 3 September to 1 October 1983, cat. no. 6.Published References: Nicholson, Ben (1950), (Bournemouth Arts Club Presents a Retrospective Exhibition of) Paintings by Alfred Wallis, Sydenham & Co. Ltd, Bournemouth, cat no. 56The Arts Council of Great Britain (1968), Alfred Wallis, Percy Lund, Humpries & Co Ltd, London and Bradford, cat no 16.The three paintings in this collection by Alfred Wallis were gifted to Barns-Graham by individual friends: Mary Buchanan, Sven Berlin, and Ben Nicholson. Wallis died in 1942 two years after Willie settled in St Ives. There was time however for her to become acquainted with him, and to act as a sort of ambassador for those who wished to meet the self-taught painter (he could be crotchety). She admired, as did Ben Nicholson and other painters before her, the simplicity and directness of his imagemaking. There was a freedom, a lack of formality, that the Moderns strived for. To Wallis, painting was a physical event: perspective and relative scale was irrelevant as he storyboarded his memories. It is difficult today, when his work commands so much attention, to imagine the ease with which one could acquire his work, and also give it away. Mary Buchanan and her husband, the novelist George Buchanan were among those friends the newly arrived Barns-Graham made through the auspices of her Edinburgh College of Art fellow painter Margaret Mellis, and her new husband the art critic and painter, Adrian Stokes. The latter was the catalyst for the move to Cornwall of Barbara Hepworth, her husband Ben Nicholson and the Russian sculptor Naum Gabo with his wife, Miriam. The Stokes’ Carbis Bay home, Little Parc Owles, was a magnet for all new arrivals, and those visiting from London and elsewhere. Despite the house being full of senior Modernist figures, Barns-Graham never forgot her first encounter with the group of Wallis paintings Stokes owned. Always a note-taker, she recorded the oddly shaped bits of cardboard he painted on, and his particular colours: black boats, green and white seas, and grey houses. Some very early St Ives paintings of sheds by Willie owe something to Wallis, the flattening of perspective and his palette.Essay by Lynne Green, author of W. Barns-Graham: a studio life, and Trustee of the Wilhelmina Barns-Graham Trust.