A few examples of appraisal values for
STUART

• Stuart Reid (1883-1971)
  Stuart Reid (1883-1971) Australia, pencil drawing, signed upper right, approx 14cm x 21.5cm
• Alexander Charles Stuart
  Alexander Charles Stuart (Pennsylvania, 1831-1898), "Cavalry", oil on artist board, signed lower left "Stuart", 8-1/2 x 14-1/4 in., painted wood frame,
• Stuart Elster, 20th-21st C
  Stuart Elster, 20th-21st C American, large format abstract painting, thickly applied oil on canvas, signed "Stuart Elster" on reverse, 58" x 48", very good condition
• STUART, CRYSTAL AND SILVERPLATE
  STUART, CRYSTAL AND SILVERPLATE EPERGNE England, late 20th century, multiple part form with modern linear cut and polished designs, marked to underside of glass.
• Foster, J.J. The Stuarts, 2
  Foster, J.J. The Stuarts, 2 vols., 1902. No. 143 of 175 of the Edition de Luxe signed by the author. Folio, orig. cloth gilt. Plates. With 7 other volumes (9)/Provenance: Spetchley Park
• J. E. STUART, POSSIBLY JAMES
  J. E. STUART, POSSIBLY JAMES EVERETT STUART(1852-1941), WATERCOLOR WITH FISHING BOATS, SIGNED LOWER RIGHT AND DATED 1879. IN MODERN FRAME AND MAT.
• GILBERT STUART ATTR. "PORTRAIT OF A
  GILBERT STUART ATTR. "PORTRAIT OF A GENTLEMAN" OIL Gilbert Stuart (American, 1755-1828) attributed oil on canvas painting depicting a gentleman wearing a black double-breasted waistcoat, housed in a gilt wooden frame. Image: 23.25" H x 19.25" W; frame: 30" H x 20.75" W x 2" D. Provenance: Property from an estate at 234 E 61st Street.
• Stuart Elster b.1965. Continuous
  Stuart Elster b.1965. Continuous Face. 2005, oil on canvas. 76 h × 57 w in. result: $2,227. estimate: $1,000–1,500. Signed, titled and dated to verso ‘Continuous Face Stuart Elster 2005’.
• ALEXANDER CHARLES STUART
  ALEXANDER CHARLES STUART (PA/SCOTLAND, 1831-1898) Portrait of Royal Navy 76 Gun Three-mast Steam/Sail Ship of the Line, taking part in Channel exercises, flying the white battle ensign, as Flagship of the Fleet, ca. 1885, oil on canvas, signed lower left, in original gilt gesso frame, OS: 27 1/2" x 39 1/2", SS: 17 1/2" x 29 1/2", repaired puncture lower left in water.
• STUART NAUTICAL PAINTINGStuart,
  STUART NAUTICAL PAINTINGStuart, n.d. late 19th century American nautical scene. Oil on academy board (by F. W. DeVoe, New York). Depicts two transitional sail/steam ships at sea, one flying an American flag. Signed "Stuart" lower left. Some surface grunge. Image 17 1/2" x 23 3/4", in the original gilded frame 25 1/4' x 31 1/4" overall. ESTIMATE $1,000-2,000 Condition: Some surface grunge.
• PAINTING, CHARLES STUART Charles
  PAINTING, CHARLES STUART Charles Stuart (British, 1854-1904), Light Grapes and Morning Glory, 1861, oil on canvas, signed and dated lower right, artist label and title affixed stretcher bar verso, canvas: 14.25"h x 18.25"w, overall (with frame): 16"h x 20"w. Provenance: The Estate of David Pleydell-Bouverie, grandson of the 5th Earl of Radnor (Glen Ellen, CA). Note: All proceeds to benefit the Bouverie Preserve of Audubon Canyon Ranch (Glen Ellen, CA).
• Alexander Charles Stuart
  Alexander Charles Stuart (American 1831-1898) oil on board ship portrait signed lower left 14" x 10". ?
• Stuart Armfield (1916-2000) -
  Stuart Armfield (1916-2000) - Tempura - ''The Spirit of Plymouth'' board 22ins x 30ins signed in modern moulded gilt frame Note : Artist's address and title of the work ''The Storm'' to reverse. An applied label to the frame identifies it as ''The Spirit of Plymouth''.
• Alexander Charles Stuart
  Alexander Charles Stuart (American 1831-1898) oil on board coastal scene signed lower right 10" x 16". ?
• Portrait, attributed to Gilbert
  Portrait, attributed to Gilbert Stuart (Massachusetts, 1755-1828), half portrait of a British soldier, unsigned, oil on canvas, canvas stencil verso "Prepared by Robe-Miller/…London", serial number on stretcher "A6599", 26 x 21 in. Original stretcher, three patches verso, crackle, small hole with paint loss at rose, retouch beside left eye, possibly at bottom, some in background, 1 in. tear bottom middle. Estate of the late Judge John Emery Parks, Honolulu, Hawaii.
• STUART BIGLEY (AMERICAN, 20TH
  STUART BIGLEY (AMERICAN, 20TH CENTURY) 11¼" x 14" "33", 1975. Abstract oil on canvas board, signed, dated, and titled lower right, in wood frame, 14" x 16½" overall.
• STUART ALLAN (AMERICAN, 20TH
  STUART ALLAN (AMERICAN, 20TH CENTURY) 35 ¾" x 63¾" image; 38½" x 66 ½" paper "One World", 1990. Color lithographic poster, linen backed, Production: Allan Cartography, Medroed Oregon, designed by Stuart Allan, cartogrpahy by Karin Kunkel, printed by Pikes Peak Lithographing, Colorado Splrints, CO, unframed.
• STUART ALLAN (AMERICAN, 20TH
  STUART ALLAN (AMERICAN, 20TH CENTURY) 35 ¾" x 63¾" image; 38½" x 66 ½" paper "One World", 1990. Color lithographic poster, linen backed, Production: Allan Cartography, Medroed Oregon, designed by Stuart Allan, cartogrpahy by Karin Kunkel, printed by Pikes Peak Lithographing, Colorado Splrints, CO, unframed.
• AFTER GILBERT STUART (19th
  AFTER GILBERT STUART (19th century). PORTRAIT OF A GENTLEMAN oil on canvas - Framed 24 in. x 20 in.
• GILBERT STUART (MA/RI/UK,
  GILBERT STUART (MA/RI/UK, 1755-1828) Portrait of Alexander William Walker (1780-1863); oil on canvas, unsigned, unframed, relined, 28 1/2" x 24". Handwritten label verso reads: "This portrait relined, and new stretchers furnished by Beers Bros., 110 W. 30, NYC, January 1943. Original stretcher preserved in the home of Mrs. Bartlett Arkell, 15 W 10, NYC, William MacBeth, Junr., by RW McIntyre, Pres. 11 E. 57, NYC." Bartlett Arkell (1862-1946) was one of the founders of the Beech-Nut Packing Company, and for fifty years its president.
• Alexander Charles Stuart
  Alexander Charles Stuart (American 1831-1898) oil on board seascape signed lower left 8" x 6". ?
• FOLLOWER OF STUART, PORTRAIT OF
  FOLLOWER OF STUART, PORTRAIT OF GENTLEMAN, OIL American School, follower of Gilbert Charles Stuart (American 1755-1828), first half 19th century, untitled oil on canvas half length portrait of a seated gentleman, holding a pair of glasses with an open letter in the distance, possible initials to the letter at dark spot visible under ultraviolet light otherwise having no apparent signature, DeVant Crissey, Smyrna, GA, conservation and framing label en verso, framed. Provenance: : From the Private Collection of William R. Collins, JR., Milton, Georgia. Approximate measurements: Canvas h. 36", w. 28"; Overall h. 44", w. 36", d. 3".
• Alexander Charles Stuart
  Alexander Charles Stuart (Pennsylvania, 1831-1898) Sunset, signed lower left "Stuart", oil on artist board, unframed, 11-7/8 x 18-3/8 in.,
• Alexander Charles Stuart
  Alexander Charles Stuart (American 1831-1898) oil on board coastal scene signed lower left 9" x 15". ?
• Alexander Charles Stuart
  Alexander Charles Stuart (Pennsylvania, 1831-1898), "Ship off the Coast", oil on canvas board, signed lower left "Stuart", 9 x 7 in., original 19th century gilt wood and composition frame,
• Alexander Charles Stuart
  Alexander Charles Stuart (American 1831-1898) oil on board coastal scene signed lower left 9" x 5". ?
• Alexander Charles Stuart
  Alexander Charles Stuart (American 1831-1898) oil on board coastal scene signed lower left 10" x 16". ?
• STUART DAVIS (AMERICAN,
  STUART DAVIS (AMERICAN, 1892-1964) GRAPHITE ON PAPERDESCRIPTION: Stuart Davis (American, 1892-1964) Graphite on paper drawing featuring a geometric image. Signed lower right: "Stuart Davis" and dated "1947". With an illegible note. CIRCA: 20th Century. ORIGIN: American DIMENSIONS: H: 15" W: 13" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• Alexander Charles Stuart
  Alexander Charles Stuart (American 1831-1898) oil on board coastal scene signed lower right 8" x 6". ?
• CHARLES STUART (BRITISH, 1854-1904)
  CHARLES STUART (BRITISH, 1854-1904) 18" x 24" image Mountains Scape with River and Boats. Oil on canvas, signed lower right corner, framed in a period frame, overall 26 ½" x 32 ½. Provenance: old private collection, acquired from David's Gallery in 2003 for 2,000.
• Stuart Devlin (1931-2018), a silver
  Stuart Devlin (1931-2018), a silver and silver gilt surprise egg, with textured exterior, the interior with a frog on lily pads with pale purple stone flower, the base numbered 207 and hallmarked for London 1972, 7cm high, in fitted box
• F. T. Stuart (American 1837-1913)
  F. T. Stuart (American 1837-1913) watercolor on paper cottage with clothesline inscription verso signed LL framed behind glass ss: 10 1/2'' h x 13 3/4'' w.
• Alexander Stuart
  Alexander Stuart (Scottish-American, 1831-1898) PA artist, painting "The Rescue", oil on canvas, signed "Stuart", label on reverse from Schoonover Studios, Wilmington DE, 22" x 36", framed 25-1/2" x 39-1/2", good condition, restored, patch in upper left corner, areas of inpainting
• STUART KLIPPER (b. 1941): MOST
  STUART KLIPPER (b. 1941): MOST NORTH #83 Color photograph; 11 1/2 x 38 in. signed titled and dated 1981.
• AFTER GILBERT STUART(American,
  AFTER GILBERT STUART(American, 1755-1828) Portrait of Mrs. Humphrey Devereux, unsigned, oil on canvas, 18-1/4 x 15 in.; silver finished wood frame, 21 x 18 in. Note: Literature: Park, Lawrence, John Hill Morgan, and Royal Cortissoz. Gilbert Stuart; An Illustrated Descriptive List of His Works, New York: W.E. Rudge, 1926, cat. #240, ill. volume III, p. 148. Condition: lined, crackle, areas of retouch and fluorescence with probable vertical repair left side, stretcher marks; frame with wear
• AFTER GILBERT STUART(American,
  AFTER GILBERT STUART(American, 1755-1828) Counsellor John Dunn, unsigned, oil on panel, 24 x 17-1/8 in.; modern silver finished frame, 27 x 20 in. Condition: faint painted line drawing/sketch of a portrait on panel verso, small areas of retouch scattered throughout, panel checking center bottom, stabilized with screw and horizontal strainer at bottom edge; frame with minimal wear