A few examples of appraisal values for
SUMMER S END

• SIMON YAVITZ "SUMMERS END" 18K GOLD
  SIMON YAVITZ "SUMMERS END" 18K GOLD BOTANICAL SCULPTURE...DESCRIPTION: A sculpture by Simon Yavitz titled "Summers End" features Red coral mixed with golden berries herald Autumns approach, further comprised of 18k yellow gold inlaid along the trunk with coral and affixed to an agate base, accented with an antique carved Japanese netsuke. Comes with artist book Exhibited by F.J Cooper and box. (This particular piece is featured in the book) Total Weight: 226 Grams CIRCA: 1958 ORIGIN: USA DIMENSIONS: H: 5" W: 4.5" Depth: 3" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• JIM TOUCHTON 'SUMMERS END' 1986 OIL
  JIM TOUCHTON 'SUMMERS END' 1986 OIL ON CANVAS Jim Touchton (American b. 1952), 'Summers End', 1986, oil on canvas, depicting an abstract landscape, initialed to lower right, dated, inscribed and signed en verso, framed. Provenance: From the Estate of Harriette and Bennett Oxman, Atlanta, Georgia. Approximate dimensions: canvas h. 11", w. 14"; frame h. 12.75", w. 15.74"; d. 1.625"
• THOMAS DEDECKER (1951-), A SUMMER'S
  THOMAS DEDECKER (1951-), A SUMMER'S DAY END Fine Art
• JANE WILSON (AMERICAN. 1924-2015)
  JANE WILSON (AMERICAN. 1924-2015) PAINTINGSummer's End. Signed lower right. Verso signed, titled, and dated 1991on the stretcher. Bears the label of Fischbach Gallery, 24 West 54th Street, New York. 30 x 24 in. Good Condition. Framed. Overall Measures 32.75 x 32.75 in.
• MARIA CONSOLI, END OF SUMMER, OIL
  MARIA CONSOLI, END OF SUMMER, OIL ON CANVAS, FRAME: 16 3/4 X 20 1/2 IN. (42.55 X 52.07 CM.)Maria Consoli, End of Summer, Oil on Canvas,, Dimensions: Frame: 16 3/4 x 20 1/2 in. (42.55 x 52.07 cm.)
• Summer landscape oil on canvas.
  Summer landscape oil on canvas. 16'' H x 20'' W.
• CONCRETE GARDEN FIGURE OF
  CONCRETE GARDEN FIGURE OF "SUMMER" 1st half, 20th century; approximately 25 in. H.
• ANGUS J. Colin (Australian
  ANGUS J. Colin (Australian 1907-): ''The End of Summer'' (N.E. Victoria) Oil/Masonite 16'' x 19 7/8'' signed lower right old label affixed verso with title framed 22 1/2'' x 26 1/2''.
• Frank W. Cuprien (1871-1948
  Frank W. Cuprien (1871-1948 Laguna Beach CA) A Summer Day The Mediterranean Coastal Rocks in a Calm Sea
• Summer Landscape by Ernest H.
  Summer Landscape by Ernest H. Barnes Oil on Canvas Ernest H. Barnes (American 1873-1955) signed l.r.; 24.5 x 29.5 in.
• W. SUMMER, ABSTRACT, OIL ON CANVAS,
  W. SUMMER, ABSTRACT, OIL ON CANVAS, FRAMED, 38-1/2 X 30-1/2 INCHESW. Summer, Abstract, Oil on Canvas, Framed, 38-1/2 x 30-1/2 inches
• DIMITRI HRISTOFF, "SUMMER OF ???"
  DIMITRI HRISTOFF, "SUMMER OF ???" O/CSigned LR 30"H x 40 (BEL1066)(JP) Condition: foxing verso
• Summer landscape with a tree
  Summer landscape with a tree lined path, oil on board; 13 1/2" x 17 1/2"; signed Kenneth R. Gregg lower right.
• ALEXANDER RENOIR "SUMMERS DAY"
  ALEXANDER RENOIR "SUMMERS DAY" 2005Alexander Renoir; French (b. 1974) watercolor and pastel on paper " Summers Day" created for artists first gallery opening at Onessimo Fine Art in 05'. Measuring 12" high and 16" wide.
• STEPHEN V. RUSSELL (AMERICAN 20TH
  STEPHEN V. RUSSELL (AMERICAN 20TH CENTURY), 'SUMMER SOLSTICE', 1997, OIL ON CANVAS, FRAME 25 1/4 X 19 1/4 IN. (64.1 X 48.9 CM.)Stephen V. Russell (American 20th Century), 'Summer Solstice', 1997, Oil on Canvas,, Dimensions: Frame 25 1/4 x 19 1/4 in. (64.1 x 48.9 cm.)
• FRANK F. ENGLISH (1854-1922) "A
  FRANK F. ENGLISH (1854-1922) "A SUMMER'S DAY"Frank F. English (American, 1854-1922) "A Summer's Day," watercolor painting on paper, signed. Framed, matted and glazed. Size: 12.5'' x 24.5'', 32 x 62 cm (sight); 22.5'' x 34.5'', 57 x 88 cm (frame).
• (American, 20th century) summer
  (American, 20th century) summer landscape with birch trees and hills beyond oil on board unsigned 14 /2" x 22"
• ''Sunny Beach in the Nineties''
  ''Sunny Beach in the Nineties'' figures on a beach in historical dress oil on canvas. 24'' H x 30'' W.
• GRANT MACDONALD, "SUMMERTIME",
  GRANT MACDONALD, "SUMMERTIME", OIL ON CANVAS, 1995 Grant Macdonald (American b. 1944), "Summertime", 1995, oil on canvas, Southwestern landscape scene depicting an adobe house in a flowering garden, signed and dated at lower left with "Summertime"/Oil 18 x 24/Grant Macdonald" and Trailside Americana Galleries label en verso, framed. Provenance: Private Collection of Wayne Hyatt, San Diego, CA; acquired from Trailside Galleries Scottsdale, AZ. Approx. canvas h. 18", w. 24"; Overall h. 25.75", w. 31.75", d. 2.5".
• Mark Kremer (Russian b. 1928)
  Mark Kremer (Russian b. 1928) "Summertime". Oil on masonite signed in the lower right corner inscribed in Cyrillic verso ca. 1971 apprx. 17" x 28-1/2" in a wide gilt frame overall apprx. 22" x 33-1/2".
• AMERICAN SCHOOL COLLAGE,
  AMERICAN SCHOOL COLLAGE, "SOUTHERN SUMMER NIGHT" American School mixed media collage, "Southern Summer Night," executed in pen, ink and paper, signed indistinctly in pencil at lower right, may be Rubino. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Sight approx: h. 8.25", w. 6". Overall: h. 16.25", w. 14". d..75".
• ''Summer Lindsborg Kansas'' Two
  ''Summer Lindsborg Kansas'' Two trees in an atmospheric landscape oil on masonite. 20'' H x 24'' W.
• SUMMER LANDSCAPE(American,
  SUMMER LANDSCAPE(American, 19th/early 20th century) in the Hudson River School style, unsigned, oil on canvas, 22 x 30 in.; fine period carved gilt wood and composition frame, 30-1/2 x 38-1/2 in. Note: partial label stretcher verso: ""Summer....Given to my Grandparents for their wedding 1882"; also "76" painted top stretcher verso Provenance: Private Collection, Atlanta, Georgia Condition: original stretcher bars and tacking edge, surface dirt layer, areas of retouch, especially at upper left corner; frame with wear commensurate with age
• MORITZ VAN EYKEN (19/20TH CENTURY
  MORITZ VAN EYKEN (19/20TH CENTURY GERMAN) ALLEGORY OF SUMMER Signed and dated 1907, oil on canvas164cm x 80cm (64.5in x 31.5in)
• J. EUGENE GARDNER (AMERICAN
  J. EUGENE GARDNER (AMERICAN 1904-1999), SUMMER SUNRISE, EASTERN SHORE, PASTEL ON PAPER, FRAME: 21-1/4 X 27-1/4 INJ. Eugene Gardner (American 1904-1999), Summer Sunrise, Eastern Shore, Pastel on Paper, Frame: 21-1/4 x 27-1/4 in
• SUMMER IN THE VILLAGE BY EVELYN
  SUMMER IN THE VILLAGE BY EVELYN ARBAUGH (AMERICAN 20TH CENTURY). Oil on masonite signed lower right. Impasto modernist landscape in bright colors. Tag on the back. 20 1/2''h. 35 1/2''w. in a frame 22 3/4''h. 39''w.
• CONTEMPORARY MAINE SERIGRAPH
  CONTEMPORARY MAINE SERIGRAPH "Summer Sky", serigraph, illegibly signed, titled and numbered 14/50 in pencil, housed in a black metal box frame, under glass, OS: 12 1/4" x 18 1/4", image size: 8 1/2" x 15". Fine condition.
• ARIEL MESSECA. SUMMERTIME GIRL,
  ARIEL MESSECA. SUMMERTIME GIRL, ACRYLIC Acrylic on canvas, signed lr, 36 x 24 in., framed.
• OUTDOOR STONE ALLEGORICAL GARDEN
  OUTDOOR STONE ALLEGORICAL GARDEN FIGURE OF SUMMER Possibly Continental, outdoor allegorical stone garden sculpture depicting Summer, holding small sheaves of wheat, apparently unmarked. Approx. h. 57", w. 19", d. 14.25".
• American School 20th century.
  American School 20th century. Neighborhood in Summertime oil on canvas signed illegibly lr dated '81 framed Estimate $ 50-100 No condition report supplied.
• John Clinton Ogilvie
  John Clinton Ogilvie (American/New York, 1838-1900) "Summer's Day", 1878, oil on board, 7-1/2" x 12", signed lower left "Clinton Ogilvie 1878", retains gallery label en verso "Galleries Maurice Sternberg, Chicago, Illinois". Framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Galleries Maurice Sternberg, Chicago, dated June 30, 1980.
• VINTAGE WATERCOLOR VIEW, "SUMMER
  VINTAGE WATERCOLOR VIEW, "SUMMER EVENING IN SCONSET"Vintage Watercolor View, "Summer Evening in Sconset <", unsigned. 6 in. x 10 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• ANDRE GISSON(American, 1921-2003)
  ANDRE GISSON(American, 1921-2003) Summertime by an Inlet, signed lower right "A. Gisson", oil on canvas, 24 x 30 in.; original gilt wood frame, 31-1/4 x 37-1/4 in. Provenance: Private Collection Condition: original stretcher and tacking edge, crackle mostly upper left, stretcher marks, light surface dirt
• Robert Laessig (American 1913-2010)
  Robert Laessig (American 1913-2010) "Anticipation of Summer". Acrylic on hand made paper mounted onto masonite signed in the lower right framed with a gilt frame textile covered inner panel overall apprx. 42" x 47-1/2".
• Will Barnet (American, b. 1911)
  Will Barnet (American, b. 1911) "Summer". Lithograph and silkscreen, with copyright sign, signed and dated 1986 at the lower right, numbered 73/250 in the lower center, with blind stamp and titled at the lower left, the sheet size approx. 35" x 37", hinged to a board and floated in a frame under plexi overall approx. 40" x 41-1/4".
• GORDON STEELE SOCIAL REALIST
  GORDON STEELE SOCIAL REALIST SUMMERTIME PAINTING New York,1906-1961Titled "Summertime" depicting a young African American man seated on a stoop reading the newspaper. As an artist Gordon Steele had a prolific career in Upstate New York and New England that most do not know of. His early career consisted of training through the W.P.A. and exhibitions with the Springfield Art League, Smith Museum, and Wadsworth Athenaeum before getting involved with the Federal Art Project in 1936. From that point Steele worked intermittently as an artist until settling in Syracuse in 1945 after taking a job as the Art Director for John Flack Studios. In Syracuse Steele became heavily involved in the arts evolving his technique and career winning a total of forty-seven accolades and awards. He had exhibited at the Terry Art Institute of Miami, the Butler Institute of American Art, Youngstown, Ohio, the Corcoran Gallery of Washington, the Columbia Biennial in South Carolina, the Audubon, and National Academy amongst other shows. Alongside his exploding art career in 1957 Gordon became a teacher in the School of Art at Syracuse University before landing his first solo show in New York City with Harry Salpeter (1895-1967) and Salpeter Gallery in 1958. The following year Steele was featured in the December, 1959 issue of American Artist highlighting his career with noted praise for rising without fighting Madison Ave crowds. Today Gordon Steele's artwork is held in the permanent collections of Syracuse University, Munson-Williams-Proctor Art Institute, Springfield Museum of Fine Arts, Everson Museum of Fine Arts, and Butler Institute of American Art among others.