A few examples of appraisal values for
SYDNEY

• A JOURNAL OF A VOYAGE TO THE
  A JOURNAL OF A VOYAGE TO THE SOUTH SEAS, 1773A Journal of a Voyage to the South Seas, 1773PARKINSON, Sydney (1745-1771). A Journal of a Voyage to the South Seas, in his Majesty's Ship, The Endeavour. Edited by Stanfield Parkinson. London: Stanfi
• A PAIR OF GEORGE IV GOTHICK
  A PAIR OF GEORGE IV GOTHICK ARMCHAIRSA pair of George IV Gothick parcel gilt ebonized armchairscirca 1825Each back rail stamped TH.height 35 1/2in (90cm): width 22in (56cm); depth 19in (48cm) Provenance:Sold Christie's Sydney, 9
• Brian Charles Baigent (1929-2000)
  Brian Charles Baigent (1929-2000) Australia, calm waters, Sydney harbour, oil on board, signed lower left, 23.5 cm x 34 cm
• Emanuele Cavalli, Blanchi, oil on
  Emanuele Cavalli, Blanchi, oil on board, signed upper right, paint lifting in places see pictures, Ex David Jones Art Gallery Sydney, approx 31cm x 58cm More Information Paint lifting in places see pictures
• Joseph Ambrose Frost (1953-.)
  Joseph Ambrose Frost (1953-.) Australia, Sydney Harbour, oil on board, signed dated lower right 85, approx 13.5cm x 24cm
• Joseph Ambrose Frost (1953-.)
  Joseph Ambrose Frost (1953-.) Australia, Sydney Harbour, oil on board, signed lower right, approx 15cm x 24cm
• Rare Australian Evan Jones mantle
  Rare Australian Evan Jones mantle clock surmounted with aboriginal figure throwing boomerang, marked to dial Evan Jones Sydney. Movement number 1304. Case of square shape, with applied brass decoration. Has key, Running at time of inspection. approx 28cm H x 13cm W x 10cm D More Information Evan Jones was one of the great Australian silversmiths. Of his early life it appears not much is known, but he was likely to have arrived in Sydney from England at an early age. He served his apprenticeship under another of Australia's finest silversmiths, Christian Ludwig Quist in the 1860's, on completion of his apprenticeship, Jones took over the premises of Quist's workshop at 15, Hunter Street, Sydney. His output was prolilic and he opened up several branches in Sydney during the 1880's, with the principal workshop being located in Erskine Street in the 1890's. Perhaps one of his more well-known pieces is the gold crown made for King George of Tonga. Evan Jones died in 1917, below is his obituary that was published in the Sydney Daily Telegraph of the 11th May 1917: Alderman Evan Jones, a prominent figure in the municipal life of Sydney died at his home, Bingley, Wudgong Street, Mosman, yesterday morning after a protracted illness. Alderman Jones reached the allotted span on August 31st last year. He arrived in Australia from England whilst a lad and was educated at the Fort Street School. At the age of twelve, he went to work with Messrs. Hardy Brothers, Jewellers, Hunter Street in the city and later was employed by the firm of Hogarth & Erichsen. At the age of fourteen he was apprenticed to Mr. C.L. Quist from whom he received his training in the jewellery trade. Many valuable trophies remain as monuments to Alderman Jones' skill as a jeweller, among them being a silver mounted waddy which belongs to King Thakambau of Fiji on which, on the surrender of Fiji to the British Crown, was handed over with the kingdom and is now in the Tower of London. Alderman Jones first entered municipal life in 1882 as a representative of Denison. In 1866 he was appointed one of the Commissioners for The Colonial and Indian Exhibition held in London and a year later was appointed to a similar position in connection with the Adelaide Jubilee International Exhibition. In 1893 he was Commissioner at the Chicago Fair for Australia...he was also president of the Manufacturing Jewellers Association. In all he sat on the City Council for almost 23 years and several times might have occupied the mayoral chair had he accepted the advice of friends and council to contest the position. It was owing to his exertions that we have a Rotunda in Hyde Park which has been such a distinct benefit to the instrumentalists. He leaves a Widow and six children.
• Antique engraving, The Australian
  Antique engraving, The Australian International Exhibition Building Sydney 1879, approx 25cm x 37cm
• Peter Jefferson White (Working
  Peter Jefferson White (Working 1980s-90s) Australia, watercolour, Sydney harbour
• Print of first edition of Sydney
  Print of first edition of Sydney Morning Herald front page dated April 18, 1831, known back then as the Sydney Herald – framed approx 54cm W by 78cm H
• Books - Adrian Feint Flower
  Books - Adrian Feint Flower Paintings Ure Smith Pty Limited Sydney edited by Sidney Ure Smith introduction by Tatlock Miller, signed by Adrian Feint limited to 1500 copies 1948 , Sir Lionel Lindsay Etchings and Drypoints Ure Smith miniature series 2 - first Edition 1949 - Hard cover Norman Lindsay Age of Consent, approx 34cm H x 27cm W and smaller (3)
• Cornelius Fur Coats Sydney mink fur
  Cornelius Fur Coats Sydney mink fur coat 3/4 length, unknown size
• Mr Robert Sydney OHN KYWE FURS,
  Mr Robert Sydney OHN KYWE FURS, artic fox fur jacket, unknown size
• Antique collapsible top hat
  Antique collapsible top hat retailed by Farmers Sydney in later canvas card box
• Silver plate presentation gravy
  Silver plate presentation gravy boat, Sydney Sheep Show 1965?, Grand Champion Southdown Ram MRS A. Hordern, with tray, gravy boat approx 19cm H x 17cm W. (2) Provenance: Directly from the Hordern Family
• The personal pocket Bible of Samuel
  The personal pocket Bible of Samuel Marsden, written in the front pages "Samuel Marsden's Windsor New South Wales, Dec 1 of 1827". Later written Harriet Marsden's Windsor New South Wales March 29th 1835. The Gift of her Father SM? The bible was printed in 1808.Samuel Marsden (1796-1854) came to Australia in 1821 on The Westmorland with his wife and daughter Harriet who was born on the Ship. Samuel's brother Thomas married Jane Catherine a Daughter of Rev Marsden, both Samuel and Thomas Marsden where cousins of the Rev Samuel Marsden.Harriet married Anthony Hordern of the retail firm Anthony Hordern Sydney, with this lot are photo's of both Harriet and Anthony, Harriet Died in Italy aged 52 (1820-1872) and Anthony died Sydney aged 56 (1819-1876), approx 14cm H x 8cm W. Provenance: Directly from the Hordern Family
• Frank C. King, portrait of Mrs.
  Frank C. King, portrait of Mrs. Viola Sydney Hordern, oil on canvas, signed lower left. Mrs. Viola Hordern inscription verso painted by Frank C King for Speaight Ltd 157 New Bond St London.Viola died 14 February 1929 from pneumonia in the UK. Wife of Mr. Anthony Hordern, of Sydney. She was, before her marriage, Miss Violet Sydney Bingham.Mrs. Hordern was the wife of Mr. Anthony Hordern, who is a brother of Sir Samuel Hordern. She was formerly Miss Viola Bingham, a daughter of the late Colonel Bingham, of Melbourne, and at one time of the Indian Army. She leaves three children, one son and two daughters, who are in London with their father. She was for a time interested in racing, and entered horses at Randwick, and was particularly successful at the picnic races. She was also a prominent exhibitor of cattle at the Royal Sydney Show. Mrs. Hordern, whose home was "Retford Hall," Darling Point, was very handsome, and was very popular in society. With Mr. Hordern, she frequently lent "Retford Hall" for entertainments for various charities, and was a keen supporter of the Women's Hospital, Crown-street. A personal friend of the Hon. Mrs. Pitt Rivers, she was frequently at Admiralty House when Lord Forster was Governor-General of Australia, approx 67cm x 49cm. Provenance: Directly from the Hordern Family
• Historic Australian tree section
  Historic Australian tree section marker, from the first settlement of Sydney cove, carved JM 88. Closer view of the two (8's) carved to give the appearance or hand irons/shackles, Ex Kurnell Museum. Purchased in the early 1970s Auction of the contents Kurnell Museum, approx 38cm x 29cm
• Rare pair of antique 19th century
  Rare pair of antique 19th century child's leather boots, and gloves, along with early Rockdale Sydney Shoeing Forge cards
• SET OF 12 ENGLISH OYSTER FORKS IN
  SET OF 12 ENGLISH OYSTER FORKS IN FITTED CASESet of 12 English oyster forks. Sheffield silver plate with mother-of-pearl handles. Maker: Charles James Allen and Sydney Darwin. Forks appx 4 1/2". In original fitted case.
• REV. SYDNEY SMITH, HANDWRITTEN
  REV. SYDNEY SMITH, HANDWRITTEN LETTER WITH SIGNATURERev. Sydney Smith (1771-1845), Distinguished English Clergyman, Wit and Essayist, Handwritten letter with signature / autograph dated April 25 1835. Image included.
• Vintage Sydney Laurence Cache
  Vintage Sydney Laurence Cache Tinted Print Framed 13''x11''
• Box 30pc Silent Movie Star Photos &
  Box 30pc Silent Movie Star Photos & Postcards with Envelopes - Gilbert Roland, John Gilbert, Sydney Chaplin, etc.
• Vintage shop steps, stencil
  Vintage shop steps, stencil marker mark for C Kennett Ladder Co Ltd Sydney
• Vintage Tooth and Co Limited
  Vintage Tooth and Co Limited glass soda bottle Sydney Australia, approx 30cm H
• Decorative Dobles of New York,
  Decorative Dobles of New York, hat box, along with a Herriette Lamotte of Sydney card hat box, with three vintage ladies hats, approx 29cm H x 31cm Dia and shorter
• David Jones card hat box, along
  David Jones card hat box, along with a Sylvia Gain of Sydney ladies hat, approx 15cm H x 31cm Dia (2)
• Antique French empire style chamber
  Antique French empire style chamber stick, with crest of the Union Club of Sydney, approx 17cm Dia
• Claredon Davis Parker, Berry's Bay,
  Claredon Davis Parker, Berry's Bay, watercolour, signed lower right, Note Sydney Harbour Bridge Construction in the left side back ground, approx 19 cm x 27.5 cm
• Frederic Bates (1918-2009)
  Frederic Bates (1918-2009) Australia -Central Station Sydney, Platform 22- Late night traveller, oil on canvas, approx 75 cm x 100 cm
• Sydney Foley (1916-2001) - Venice
  Sydney Foley (1916-2001) - Venice at Sunset, signed, oil on board, 20.5 x 46.5cm More Information Good condition
• Sydney Foley (1916-2001) - The
  Sydney Foley (1916-2001) - The River Thames at Sunset, London, with Chelsea Bridge and Battersea Power Station in the background, signed, oil on board, 35 x 45cm More Information Good condition, the board with some further paint spots.
• SYDNEY JANIS YARD (1855-1909),
  SYDNEY JANIS YARD (1855-1909), GRAZING COWS NEAR A GROVE, WATERCOLOR ON PAPER, SIGHT: 10.5" H X 13.75" WSydney Janis Yard, (1855-1909) Grazing cows near a grove, Watercolor on paper Signed lower right: Sydney J. Yard Watercolor on paper Dimensions: Sight: 10.5" H x 13.75" W Provenance: The Estate of Dr. Amy Conger
• WORKS OF ART REFERENCE BOOK
  WORKS OF ART REFERENCE BOOK COLLECTION ??????????????????????????????????????????????Including: Chinese works of art, cloisonne enamel, archaic bronze, furniture, Buddhist art, Scholar's pieces etc, in total 36 publications.Including but not limited to:Berliner, Nancy Zeng. Beyond the Screen: Chinese Furniture of the 16th and 17th Centuries. Boston: Museum of Fine Arts, 1996.Brinker, Helmut, and Lutz, Albert. Chinese Cloisonné: The Pierre Uldry Collection. London: Bamboo Publishing, 1989.Chou, Ju-His. Circles of Reflection: The Carter Collection of Chinese Bronze Mirrors. Cleveland: Cleveland Museum of Art Bookstore, 2000.Clifford, Derek. Chinese Carved Lacquer. London: Bamboo Publishing, 1992.Deydier, Christian. Ancient Chinese Bronze Vessels, Gilt Bronzes and Early Ceramics. 1986.Dye, Daniel Sheets. Chinese Lattice Designs. New York: Dover Publications, 1974.Eskenazi. Chinese Lacquer From The Jean-Pierre Dubosc Collection And Others. London: Eskenazi, 1992.Fang, Jing Pei. Treasures Of The Chinese Scholar. New York: Weatherhill Inc., 1997.FitzGerald, C. P. Barbarian Beds: the origin of the chair in China. London: The Cresset Press, 1965.Gyllensvärd, Bo. Chinese Gold, Silver and Porcelain: The Kempe Collection. New York: The Asia Society, 1971.Hu, Shih-Chang. Chinese Lacquer. Edinburgh: National Museums of Scotland Publishing, 2001.Jenyns, Soame, and Watson, William. Chinese Art: Gold, Silver, Later Bronzes, Cloisonne, Cantonese Enamel, Lacquer, Furniture, Wood (Chinese Art). Oxford: Phaidon Press Ltd, 1981.Jenyns, Soame. Chinese Art: Textiles, Glass and Painting on Glass, Carvings in Ivory and Rhinoceros Horn, Carving in Hardstones, Snuff Bottles, Inkcakes and Ink Stones (Chinese Art). Oxford: Phaidon Press Ltd, 1981.Kates, George N. Chinese Household Furniture. New York: Dover Publications, 1962.Kerr, Rose. Later Chinese Bronzes. London: Bamboo Publishing, 1990.Krahl, Regina and Morgan, Brian. From Innovation to Conformity: Chinese Lacquer from the 13th to 16th Centuries. London: Bluett & Sons, 1989.Moss, Paul. Educated Palates: an exhibition at 63 East 82nd Street New York. London: Sydney L. Moss Ltd., 1987.Moss, Paul. The Literati Mode: Chinese Scholar Paintings, Calligraphy and Desk Objects. Hong Kong: Andamans East International Ltd., 1986.Moss, Paul. The Second Bronze Age: Later Chinese Metalwork. London: Sydney L. Moss Ltd., 1991.Mowry, Robert D., and Brown, Claudia. Worlds Within Worlds: The Richard Rosenblum Collection of Chinese Scholars' Rocks. Cambridge: Harvard University Art Museums, 1997.Page, J. and Page, S. The Woven Mystery: Old Tibetan Rugs. Bangkok: Craftsman Press, 1990.Pratapaditya, Pal et al. Art of the Himalayas: Treasures from Nepal and Tibet. New York: Hudson Hills, 1992.Rawson, Jessica (Ed.). Treasures from Shanghai: ancient Chinese bronzes and jades. London: British Museum Press, 2009.Rawson, Jessica. Chinese Bronzes: Art and Ritual. London: British Museum Press, 1987.Rawson, Jessica. The Ornament on Chinese Silver of the T'ang Dynasty, A.D.618-906. London: British Museum Press, 1982.Sir Garner, Harry. Chinese and Japanese Cloisonné Enamels. London: Faber & Faber, 1970.Spink. Lacquer From The Collection of Derek Clifford. London: Spink, 1999.The British Museum. Chinese and Associated Lacquer from the Garner Collection. London: British Museum, 1973.The furniture of the Ch'ing dynasty: the art pieces with utility purposes. Taipei: Chun Kuei-miao, 1989.Thurman, Robert A. F., and Weldon, David. Sacred Symbols: The Ritual Art of Tibet. New York: Sotheby's, 1999.Vainker, Shelagh. Chinese Silk: A Cultural History. London: British Museum Press, 2004.Watt, James C. Y. and Barbara Brennan Ford. East Asian Lacquer: The Florence and Herbert Irving Collection. New York: Metropolitan Museum of Art, 1991.Watt, James C. Y. and Knight, Michael. Chinese Jades from the Collection of the Seattle Art Museum. Seattle: Seattle Art Museum, 1989.Watt, James C. Y.. The Sumptuous Basket: Chinese Lacquer with Basketry Panels. New York: China House Gallery, 1985.?????????????????????????????1996.Li, Jiufang. Metal-bodied Enamel Ware (??????). Hong Kong: The Commercial Press, 2001. (qty)Please note this lot will be offered with no reserve. ???????
• CERAMIC REFERENCE BOOK COLLECTION
  CERAMIC REFERENCE BOOK COLLECTION ??????????????????????????????????????????Including: early pottery, Chinese Ming and Qing dynasty ceramics, museum and private collection, in total 44 publications.Asahi Shimbun Cultural Planning Department (Ed.). Newly Discovered Southern Song Ceramics: A Thirteenth-Century "Time Capsule". Tokyo: Asahi Shimbun Publishing Company, 1998.Ayers, John. The Seligman Collection of Oriental Art: Chinese and Korean Pottery and Porcelain. London: The Arts Council of Great Britain, 1964.Chen, Quanfang. Yaozhou Kiln. Shaanxi: Shaanxi Travel & Tourism Press, 1992.Chinese Ceramics: Leeds Art Gallery and Temple Newsam House. Leeds: Beck & Partridge Ltd, 1966.D'Argence, Rene Yvon Lefebvre. The Hans Popper Collection of Oriental Art. Japan: Kodansha International Ltd, 1973.Duan, Qing Bo. Ancient Chinese Pottery. Wuhan: Hubei Fine Arts Publishing House, 2001.Gerald, Reitlinger. Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger. Oxford: The Ashmolean Museum, 1981.Gompertz, G. St. G. M. Chinese Celadon Wares. London: Faber & Faber, 1958.Houli, Yang, and Fan, Fengmei. Dated Qingbai Wares of the Song and Yuan Dynasties. Hong Kong: Ching Leng Foundation, 1998.Hughes-Stanton, P. and Kerr, Rose. Kiln sites of ancient China: An exhibition lent by the People's Republic of China, 1981.Illustrated Catalogue of Celadon Wares in The Percival David Foundation of Chinese Art. London: School of Oriental and African Studies, 1997Joseph, Adrian Malcolm (Ed.). Chinese Pottery Burial Objects of the Sui and Tang Dynasties. London: Hugh M. Moss Ltd., 1970.Kerr, Rose. Song Dynasty Ceramics (Victoria & Albert Museum - Far Eastern Series). London: V&A Publications, 2004.Kotz, Suzanne (Ed.). Imperial Taste: Chinese Ceramics from the Percival David Foundation. San Francisco: Chronicle Books, 1989.Krahl, Regina. Yuegutang: Eine Berliner Sammlung Chinesischer Keramik / A Collection Of Chinese Ceramics In Berlin. Berlin: G + H Verlag, 2000.Lau, Aileen (Ed.). Spirit of Han: Ceramics for the After-life. Singapore: Sun Tree Publishing, 1991.Laurence, Desmond Roger. Chinese Porcelain: 25 years of unscholarly collecting. London: D.R. Lawrence, 2003.Laurence, S.J.. Chinese Pottery and Porcelain: From Prehistory to the Present. London: British Museum Press, 1991.Li, Hui Bing. Porcelain of the Song Dynasty (vol 1). Shanghai: Shanghai Science and Technology Press, 2002.Li, Hui Bing. Porcelain of the Song Dynasty (vol 2). Shanghai: Shanghai Science and Technology Press, 2002.Lu, Yaw, Feng, Xianming, and Tregar, Mary. Song Ceramics: With an Illustrated Catalogue of the Exhibition Organized by the Southeast Asian Ceramic Society and Held at the National Museum, Singapore in May-June 1983. Singapore: Southeast Asian Ceramic Society, 1983.M.H. de Young Memorial Museum. Avery Brundage Collection: Chinese Ceramics. San Francisco: de Young Museum Society, 1967.McElney, Brian Shane. Museum of East Asian Art: Chinese Ceramics v. 1: Inaugural Exhibition. Bath: Museum of East Asian Art, 1993.Medley, Margaret (Ed.). Decorative Techniques and Styles in Asian Ceramics: Colloquies on Art & Archaeology in Asia No.8. London: School of Oriental and African Studies, 1978.Medley, Margaret. Yuan Porcelain and Stoneware. London: Faber & Faber, 1974.Mino, Yutaka and Tsiang¸ Katherine. Ice and Green Clouds: Traditions of Chinese Celadon. Indianapolis: Indiana University Press, 1986.Mowry, Robert D., Farrell, Eugene, and Rousmaniere, Nicole Coolidge. Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black Glazed Ceramics, 400-1400. Cambridge: Harvard University Art Museums, 1996.Pierson, Stacey (Ed.). Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties. London: Percival David Foundation of Chinese Art, 2011.Pierson, Stacey (Ed.). Song Ceramics: Art History, Archaeology and Technology: Colloquies on Art & Archaeology in Asia No. 22. London: Percival David Foundation of Chinese Art, 2004Pierson, Stacey (Ed.). The Museum of East Asian Art Journal. Bath: Museum of East Asian Art, 1995.Pope, John Alexander. Fourteenth-Century Blue and White: A Group of Chinese Porcelains in the Topkapi Sarayi Muzesi, Istanbul. Washington: Freer Gallery of Art Occasional Papers, 1952.Scott, Rosemary E. (Ed.). The Tectus Collection: Tectussamlingen, Centraltryckeriet AB Boras. 1991.Sullivan, Michael. Chinese Ceramics, Bronzes and Jades in the Collection of Sir Alan and Lady Barlow. London: Faber and Faber Limited, 1963.Sydney L. Moss Ltd.. Chinese Monochromes From the P.J. Donnelly Collection. London: Sydney L. Moss Ltd., 1974.The Burrell Collection: Chinese Stonewares and Porcelains. Glasgow: Glasgow Art Gallery, 1950s.The Museum of Oriental Ceramics, Osaka. Song Ceramics. Tokyo: Asahi Shimbun Publishing Company, 1999.The Vancouver Society for Asian Art Presents The Talking Jars. 1971Tregear, Mary. Early Chinese Green Wares: in the collection of the Ashmolean Museum. Oxford: Oriental Art, 1967.Tregear, Mary. Guide to the Chinese Ceramics in the Department of Eastern Art Ashmolean Museum. Walsall: Finaprint Ltd, 1966.Tung, Wu. Earth Transformed: Chinese Ceramics In The Museum Of Fine Arts, Boston. Boston: Museum of Fine Arts, 2001.Watson, William. Pre-Tang Ceramics of China: Chinese Pottery from 4000 BC to 600 AD. London: Faber & Faber, 1991.Watson, William. Tang and Liao Ceramics. New York: Rizzoli International Publications Ltd., 1984.Wirgin, Jan. Sung Ceramic Designs. 1970.Wood, Nigel. Chinese Glazes. Philadelphia: University of Pennsylvania Press, 1999.(qty)Please note this lot will be offered with no reserve. ???????
• BLUE-GLAZED 'JUN' DISH SONG DYNASTY
  BLUE-GLAZED 'JUN' DISH SONG DYNASTY ? ????????sturdily potted with shallow rounded sides rising from a short foot to a wide everted rim, covered overall in a milky lavender-blue glaze thinning to a mushroom tone at the mouth rim, save for the foot revealing the buff-orange body and five evenly-spaced spur marks(1)17.8cm diameterProvenance: Sydney L. Moss Ltd., 1 October 1968, with an original receipt; Previously in the collection of Mr and Mrs Brodie Lodge.Exhibited: Sung Dynasty Wares: Chün and Brown Glazes, Oriental Ceramic Society, 1952, catalogue no. 71, pg. 10, with a copy of the catalogue.Dr. Kenneth P. Lawley's inventory number: Cer.38.Note: A slightly larger Jun ware dish is in the Museum of Fine Arts, Boston, note the different treatments on the foot rim and spur marks, accession no. 50.1310; Another similar but smaller dish is in the Victoria and Albert Museum, museum no. FE.167-1974, illustrated in Rose Kerr, 2004, Song Dynasty Ceramics, London: V&A Publications, pl. 23. Also compare to several examples in the market, one from the Pilkington Collection, sold at Sotheby's Hong Kong, 05 April 2016, lot 13; other two of the Song-Jin dynasty, sold at Sotheby's London, 11 May 2016, lot 24 and Christie's London, 14 May 2019, lot 207.Please note this lot will be offered with no reserve. ???????