A few examples of appraisal values for
TEMPLE OF VESPASIAN

• Small Italian Micro-Mosaic Panel
  Small Italian Micro-Mosaic Panel Depicting the Forum Temples of Vespasian and Titus, Saturn and the Arch of Septimius Severus, Rome, c.1880 the oval scene banded with malachite 3.25 x 5.1 in — 8.3 x 13 cm
• ANTHONY REDMILE (LONDON) MODEL OF
  ANTHONY REDMILE (LONDON) MODEL OF TEMPLE OF VESPASIAN 24 1/4 X 9 X 9 IN. (61.6 X 22.9 X 22.9 CM.)ANTHONY REDMILE (LONDON) MODEL OF TEMPLE OF VESPASIAN, simulated marble composite inscribed 'TEMPLVM', 'ESTIVER', 'VESPASIANI' Dimensions: 24 1/4 x 9 x 9 in. (61.6 x 22.9 x 22.9 cm.)
• ITALIAN YELLOW MARBLE GRAND TOUR
  ITALIAN YELLOW MARBLE GRAND TOUR SOUVENIR MODEL OF THE TEMPLE OF VESPASIAN AND TITUS, 19TH CENTURYItalian Yellow Marble Grand Tour Souvenir Model of the Temple of Vespasian and Titus, 19th century, height: 19 1/2 in., width: 5 in., depth: 5 2/3 in. Provenance: Property of a Beacon Hill Gentleman Condition: Condition: a few minor chips to the columns but overall very good condition
• Decorative bronze and stone
  Decorative bronze and stone composite model of a Roman temple; the "cella" containing a statue surrounded by a round colonnade of Corinthian capitals. 14"H. Good condition.
• A Rare and Important Three-Piece
  A Rare and Important Three-Piece Grand Tour Garniture early 19th c. unusually fine and large meticulously cut in giallo di Siena marble on very good nero belgio marble plinths representing the Ruins of the Temple of the Heavenly Twins Castor and Pollux; the Temple of Vespian inscribed "[R]estitver"; and the Column of Phocas the base extensively engraved with an inscription discovered in 1813 height 18 3/4 in. 18 1/2 in. and 21 3/4 in. Note: The three Antique monuments represented in this superb group are the most prominent surviving elements at the west end of the Roman Forum. The Temple of Castor and Pollux was an early Imperial construction particularly noted for the splendid intricacy of its Corinthian capitals; the corner elements represent the temple that was dedicated to Vespasian and Titus in the later first century; and the Column originally dedicated to Diocletian at the end of the second century was reconfigured in AD 608 as a memorial to the Byzantine emperor Phocas whose brief reign (he died in 610) is remembered chiefly for his donation of the Pantheon in Rome to Pope Boniface IV. The memorial column surmounted by its dazzling gilded figure was the last monument dedicated in the Roman Forum.
• AFTER TEMPESTA "TITUS VESPASIAN"
  AFTER TEMPESTA "TITUS VESPASIAN" OIL ON CANVAS After Antonio Tempesta (Italian, 1555-1630) Classical oil on canvas portrait painting depicting Roman Emperor Vespasian (9-79 CE) wearing a helmet with a red feather and mounted on a horse, gilt text reading "TITVS VESPASIANVS AVG 10" above and a landscape in the background, late 18th or early 19th century, housed in a gilt and gessoed wood frame. Image: 35.5" H x 28.5" W; frame: 38.5" H x 31" W.
• Collection of Seven French
  Collection of Seven French Architectural Engravings, of ancient Roman subjects such as the temples of Antonius, Faustinus, Septimus, Severus and Vesta, the Pantheon and the Coliseum. Presented in a black-edged antiqued ivory mats within narrow matte ebonized reeded wood frames and glazed (seven pieces).
• GRAND TOUR SIENNA MARBLE MODELGrand
  GRAND TOUR SIENNA MARBLE MODELGrand Tour Sienna Marble Model of the Temple of Vespasian, black slate base, h. 11 in., w. 5 in., d. 5 in
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALIAN, 1720-1778)Giovanni Battista Piranesi Italian, 1720-1778 Veduta del Tempio di Giove Tonante (View of the temple of Jupiter Tonans), 1756 Etching The temple to the left of the scene, multiple figures gathered at the base of the columns, the title below. Matted behind glass and framed. Piranesi considered the Temple of Jupiter Tonans one of the most splendid examples of ancient Roman architecture. Situated at the foot of the Capitoline Hill, the ancient building stands right at the "roots" of the Roman Forum. In fact, in the previous veduta of this site, positions the Temple, which stands at the foot of the Capitoline hill and thus at the “roots” of the Roman Forum, in both its visual design and textual key. The first iteration of the Temple of Jupiter Tonans was erected in 26 BCE by Octavian Augustus and dedicated in 22 BCE to celebrate his escape from being struck by lightning whilst on campaign in Cantabria. Plate: 15 1/2 x 23 1/4 in. (39.4 x 59.1 cm.), frame: 25 3/4 x 33 3/4 in. (65.4 x 85.7 cm.) Ex Iowa Wesleyan University collection Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• ITALIAN-CRETIAN SCHOOL
  ITALIAN-CRETIAN SCHOOL (16th-17th century) "THE TRIUMPH OF TITUS AND VESPASIAN" Inscribed 'Invia te duce nulla est via', oil on canvas 31 11/16 x 43 11/16 in. provenance: Private Collection, Philadelphia, Pennsylvania. ,000-6,000 Condition Summary: This painting is generally in good condition both structurally and aesthetically. It has at least one campaign of previous restoration, is wax resin lined onto canvas and attached to a 20th century stretcher. The image is in good condition having been sensitively restored with small areas of very careful, fine inpainting throughout mostly to restore small losses image detail. There is a large area of retouching in the central cloud at the top of the painting.
• ENGRAVING - 'Veduta della porta e
  ENGRAVING - 'Veduta della porta e peristilio del Tempio di Vesta detto volgarm. Della Sibilla in Tivoli' an architectural study by Piranesi 'Regia Calcogia di Roma' imprint lr in caption in black painted oak frame matted and glazed 26 3/4'' x 18 3/4''
• AFTER GIOVANNI BATTISTA PIRANESI,
  AFTER GIOVANNI BATTISTA PIRANESI, TEMPLE OF JANUS (TEMPIO DI GIANO), FROM THE SERIES 'ANTICHITA ROMANA' ETCHING WITH BLIND STAMP L.R., FRAME: 27 1/2 X 36 1/2 IN. (69.85 X 92.71 CM.)After Giovanni Battista Piranesi, Temple of Janus (Tempio di Giano), from the series 'Antichita Romana' Etching with blind stamp l.r.,, Dimensions: Frame: 27 1/2 x 36 1/2 in. (69.85 x 92.71 cm.)
• Giovanni Battista Piranesi (Italian
  Giovanni Battista Piranesi (Italian 1720-1778) Avanzi del Tempio detto di Appollo nella Villa Adriana vicino a Tivoli (from Vedute di Roma) etching 18 x 23 1/2 inches.
• German Hand-Colored Lithograph,
  German Hand-Colored Lithograph, "Vesta-Temple (in Tivoli)", image 8-1/2" x 6", titled lower center. Glazed, French matted and presented in a carved butlwood frame.
• Giovanni Battista Piranesi (Italian
  Giovanni Battista Piranesi (Italian 1720-1778) "Veduta della porta e peristilio del Tempio di Vesta detto volgarm. della Sibilla in Tivoli". Engraving on paper matted and framed in an antique Hitchcock pattern frame with corner blocks under glass overall 35" x 28-1/2".
• Giovanni Battista Piranesi (Italian
  Giovanni Battista Piranesi (Italian 1720-1778) Tempio antico volgarmente detto della salute... (from Vedute di Roma) etching 16 x 22 inches.
• GIOVANNI BATTISTA PIRANESI (ROME)
  GIOVANNI BATTISTA PIRANESI (ROME) 1720-1778. TEMPLE OF THE SYBIL, TIVOLI. ETCHING AND ENGRAVING, 1761. HIND 61, I/V. FROM THE SERIES...Giovanni Battista Piranesi (Rome) 1720-1778. Temple of the Sybil, Tivoli. Etching and engraving, 1761. Hind 61, i/V. From the series Veduti di Roma. With the address of the artist along the lower margin. Printed in black ink on sturdy cream, contemporary laid paper with complete margins. 419 x 638 mm. (16 1/2 x 25 1/8 in.)
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALIAN, 1720-1778) The columns of Hera Temple in Paestum, 1778, from the series "Differentes vues de quelques Rested de trois grand Edifices...", Pl. IV, etching on laid paper, signed Cav. Piranesi F. in the plate.
• (2) ITALIAN GRAND TOUR BRONZE
  (2) ITALIAN GRAND TOUR BRONZE RUIN MODELS 19th c., cast light patinated bronze on Siena marble bases, depicting Temple of Castor and Pollux and the temple of Vespasian from the Roman Forum, unmarked, each 9.5"h
• 19TH CENTURY ITALIAN MICROMOSAIC OF
  19TH CENTURY ITALIAN MICROMOSAIC OF ROMAN FORUM Italian, 19th century, probably Vatican workshop, unsigned, round plaque, view of the Roman forum with the Temple of Vespasian and Titus and the Column of Phocas, black marble surround with applied blue band in a giltwood frame.
• Giuseppe Vasi (Italian 1710-1782)
  Giuseppe Vasi (Italian 1710-1782) two fine engravings of St. Peter's Basilica and the Vatican; "Il Prospetto principale del Tempio e Piazza di S. Pietro" and "L'Interno della Basilica Vaticana..." 1774 & 1775 engravings center folds watermark of double-circle in fleur-de-lis sheets 30 1/2 in. x 41 1/2 in.
• GIOVANNI PIRANESI TEMPLE OF SYBIL
  GIOVANNI PIRANESI TEMPLE OF SYBIL ETCHING Italy,1720-1778Depicts a large structure surrounded by people with text beneath the image. Piranesi was well known for his etchings of famous locations in Italy.
• *An Italian Micromosaic Table C.
  *An Italian Micromosaic Table C. Roccheggiani Roma 19th century the circular top centered by the Doves of Pliny surrounded by eight panels depicting the Pantheon St. Peter's Square the Temple of Vesta the Arch of Janus Quadrifrons St. Angel Castle and the Bridge the Campidoglio the Colosseum and the Arch of Titus within a malachite and Greek key border. Diameter 29 1/2 inches.
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALY, 1720-1778), "VEDUTA DEL SITO, OV'ERA L'ANTICO FORO ROMANO" ,1756, TITLE TRANSLATES TO "A CORNER O.Giovanni Battista Piranesi (Italy, 1720-1778), "Veduta del Sito, ov'era l'antico Foro Romano" ,1756, title translates to "A corner of the Forum Romanum, with the temple of Castor and Polluz in the foreground..", depicts 18th C. cityscape with Corinthan column ruins at center left, matted and framed behind glass, center crease /joint from facing pages, waving of paper, sold as found, plate size 15" h. x 23 1/4" w.
• FINE MICROMOSAIC PLAQUE OF THE
  FINE MICROMOSAIC PLAQUE OF THE ROMAN FORUMFine Micromosaic Plaque of the Roman Forum, 19th century depicting the Temple of Saturn and the Arch of Septimius Severus, with the Chiesa dei Santi Luca e Martina in the distance; inset in a brass frame, in fitted leather case; 4 1/4 in. x 2 5/8 in. Condition:
• A Neoclassical Style Gilt Bronze
  A Neoclassical Style Gilt Bronze Mounted Malachite Veneered Model of a Temple Late 19th/Early 20th Century Height 17 3/4 x diameter 14 inches.
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALY, 1720-1778) ETCHGIOVANNI BATTISTA PIRANESI (Italy, 1720-1778) etching, "Tempio detto volgarm.te di Giano. A. Arco detto degl'Argentieri..." (The so-called Temple of Janus. A. Arch of the Argentari), from Vendute di Roma (Views of Rome). Image measures 18.5" x 27.75". In a wood frame; 30" x 38" overall.
• LARGE ITALIAN ARCHITECTURAL
  LARGE ITALIAN ARCHITECTURAL ENGRAVING OF TEMPLE OF THE ROMAN EMPEROR NERO, 19TH CENTURY, 11 1/4" X 36 1/4", HAS CENTERFOLD, LIGHT WAVINESS TO PAPER, MATTED AND FRAMED BEHIND GLASS, OVERALL MEASURES 18 1/2" X 43 1/4"Large Italian Architectural Engraving of Temple of the Roman Emperor Nero, 19th Century, 11 1/4" x 36 1/4", has centerfold, light waviness to paper, matted and framed behind glass, Overall measures 18 1/2" x 43 1/4"
• Gianni gouache, temple ruins at
  Gianni gouache, temple ruins at Paestum (temple of Hera/Poseidon), signed lower left "Y. Gianni", early 20th century, gouache on paper, 5 x 12-7/8 in.; original carved and gilt wood Florentine frame. Minor foxing upper right; frame with abrasions and minor repairs.
• 2 pieces. Etchings. Piranesi,
  2 pieces. Etchings. Piranesi, Giovanni Battista. [Vedute di Roma]: "Veduta del Tempio Ottangolare di Minerva Medica" [The so-called Temple of Minerva Medica]. [Paris], [1800-1807]. First Paris edition. 18 1/2 x 28 inches (470 x 711 mm), narrow margins. Mounted on heavy paper sheet. Moderately toned & foxed. Hind 74, II. * "Veduta dell Arco di Benevento" [The Arch of Beneventum]. [Paris], [1800-1807]. First Paris edition. 18 7/8 x 28 1/4 inches (479 x 717 mm), narrow margins. Mounted on heavy paper sheet. Light foxing, moderate toning. Hind 135, II.
• AFTER GIOVANNI BATTISTA PIRANESI
  AFTER GIOVANNI BATTISTA PIRANESI (ITALY, 1720-1778AFTER GIOVANNI BATTISTA PIRANESI (Italy, 1720-1778) etching, "Veduta del Tempio di Cibele a Piazza della Bocca della Verita," street scene with a focus on the architecture of the Temple of Cybele. Image measures 16" x 23.5". In a wood frame; 26.5" x 34" overall.
• Two Shadowboxed Plaster
  Two Shadowboxed Plaster Silhouette Portraits, one a large plaster silhouette portrait of the Emperor Vespasian Augustus after the Antique, third quarter 19th century, presented in a later antiqued giltwood shadowbox with a black velvet liner, h. 10-1/4", w. 9-1/4", and the other a shadowbox with two oval plaster silhouette relief portrait of ancient philosophers, also third quarter 19th century, presented on a midnight-blue velvet backplate within an oblong carved giltwood and plaster shadowbox, fourth quarter 19th century, h. 6-1/2", w. 10-1/2".
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALIAN, 1720-1778)Giovanni Battista Piranesi Italian, 1720-1778 Veduta del Tempio di Cibele a Piazza della Bocca della Verità (View of the Temple of Cybele in the Piazza of the Bocca della Verità) Etching From Vedute di Roma. A view of the so-called Temple of Vesta, then called the Temple of Cybele, in the Piazza della Bocca della Verità. The temple is now thought to be the Temple of Hercules Victor, or Hercules Olivarius. Matted behind glass and framed. Plate: 15 3/4 x 23 1/2 in. (40 x 59.7 cm.), frame: 24 1/2 x 32 3/4 in. (62.2 x 83.2 cm.) Ex Iowa Wesleyan University collection Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• Giovanni Battista Piranesi (Italian
  Giovanni Battista Piranesi (Italian 1720-1778) "Veduta dell' Anfiteatru Flavio Detto il Coloseo". Engraving with text in the margin below matted and framed in a gilt frame under glass overall 28-1/2" x 38-1/4".
• ROMAN TERRACOTTA OIL LAMP W/ TEMPLE
  ROMAN TERRACOTTA OIL LAMP W/ TEMPLE FACADE Caesarea, 400-600 CE, 4", chipped spout, handle gone.
• GIOVANNI BATTISTA PIRANESI
  GIOVANNI BATTISTA PIRANESI (ITALY, 1720-1778) "Altra veduta del Tempio della Sibilla in Tivolli" ("Another View of the Temple of the Sibyl, Tivoli"), ca 1761, copperplate etching on wove paper, in museum quality silver box frame, floated within mat under UV plexiglass, OS: 34" x 25 1/2", impression: 24 1/2" x 17 1/4", light bends and ripples to margins, loss lower left corner of sheet avoids image.