A few examples of appraisal values for
TENDERNESS

• Two Staffordshire style earthenware
  Two Staffordshire style earthenware Tithe Pig groups and another of Tenderness after John Walton, 20th c, 14.5-17.5cm h More Information All in substantially good condition
• MARIA ALQUILAR (1928 - 2014) CAST
  MARIA ALQUILAR (1928 - 2014) CAST IRON SCULPTUREMaria Alquilar (1928 - 2014) "Maria Is The Tenderness Of..." Large Religious Cast Iron Entry Way Sculpture. Inscribed in Spanish along the halo. Signed en verso. Measures 38" H x 18-1/2" W. Condition:
• MARIA ALQUILAR (1928 - 2014) CAST
  MARIA ALQUILAR (1928 - 2014) CAST IRON SCULPTUREMaria Alquilar (1928 - 2014) "Maria Is The Tenderness Of..." Large Religious Cast Iron Entry Way Sculpture. Inscribed in Spanish along the halo. Signed en verso. Measures 38" H x 18-1/2" W. Condition:
• TIFFANY & CO PALOMA PICASSO 925/750
  TIFFANY & CO PALOMA PICASSO 925/750 CROSS NECKLACEThe Tenderness Heart Cross necklace designed by Paloma Picasso for Tiffany & Co. Made of sterling silver and 18K yellow gold, heart cross pendant on 15.75" chain. Signed on the back, Paloma Picasso, Tiffany & Co. 925 750. Details and measurements:, Length: 15.75 IN. Weight: 6.7 G.
• ANTIQUE RUSSIAN ICON OF OUR LADY OF
  ANTIQUE RUSSIAN ICON OF OUR LADY OF SORROW (MADONNA OF SWORDS) 13" x 10 ¼" x 1 ½" Egg tempera on gessoed slightly curved wood panel, icconographically it falls under the category of Eleusa type (Greek "Pity or Tenderness") or Umileniye, depicting in polychrome Our Lady of Sorrow (Madonna of Swords) and Saints.
• LLADRO PORCELAIN FIGURINE GROUPING,
  LLADRO PORCELAIN FIGURINE GROUPING, BIRTH OF JESUS 0100...Glossy porcelain depicting the birth of the Son of God, portrayed with tenderness and beauty. Lladro backstamp. Does not include original box. Artist: Juan Carlos Ferri Herrero Issued: 2003 Dimensions: 11.024"H Manufacturer: Lladro Country of Origin: Spain Condition: : Good
• TENDERNESS 1001527 - LLADRO
  TENDERNESS 1001527 - LLADRO PORCELAIN FIGUREA mother tenderly holds her tiny daughter. No box. Issued: 1987 Dimensions: 8.75"H x 5.5"W Manufacturer: Lladro Country of Origin: Spain
• TENDERNESS 1012094 - LLADRO
  TENDERNESS 1012094 - LLADRO PORCELAIN FIGUREGres finish; Young girl holding puppy. With original box. Lladro backstamp. Artist: Salvador Debon Issued: 1978-2000 Dimensions: 7.75"H x 4.75"W
• TENDERNESS 1001527 - LLADRO
  TENDERNESS 1001527 - LLADRO PORCELAIN FIGURINEGlazed; A mother tenderly holds her tiny daughter. With original box. Lladro backstamp. Artist: Juan Huerta Issued: 1987 Dimensions: 8.75"H x 5.5"W Manufacturer: Lladro Country of Origin: Spain
• TENDERNESS 1001527 - LLADRO
  TENDERNESS 1001527 - LLADRO PORCELAIN FIGURINEA mother tenderly holds her tiny daughter. Comes with original box. Lladro backstamp. Glazed finish. Good condition. Artist: Juan Huerta Issued: 1987 - 2004 Dimensions: 8.75"H x 5.5"W Manufacturer: Lladro Country of Origin: Spain Condition: Good condition.
• TENDERNESS 1012094 - LLADRO
  TENDERNESS 1012094 - LLADRO PORCELAIN FIGURINEGres finish, Lladro backstamp. Artist: Salvador Debon Issued: 1978-2000 Dimensions: 7.75"H x 4.75"W Manufacturer: Lladro Country of Origin: Spain Condition: Good
• TENDERNESS 1012094 - LLADRO
  TENDERNESS 1012094 - LLADRO PORCELAIN FIGURINEGres finish; Lladro backstamp. Original box included. Artist: Salvador Debon Issued: 1978-2000 Dimensions: 7.75"H x 4.75"W Manufacturer: Lladro Country of Origin: Spain Condition: Good.
• 2PC FRANKLIN MINT FIGURINES,
  2PC FRANKLIN MINT FIGURINES, CHERISHED LOVE AND TENDERN...Two glazed porcelain figurines by artist Poul Ipsen. Cherished Love is modelled as two rabbits, mother and kit; 6.75"H. Tenderness is modelled as two horses, mother and foal; 4.75"H. Slight chip and restoration to foal's leg. Issued: 1985-1989 Manufacturer: Franklin Mint Country of Origin: Japan Condition: Good.
• TENDERNESS 1012094 - LLADRO
  TENDERNESS 1012094 - LLADRO PORCELAIN FIGURINEGres finish; Lladro backstamp. A young girl cradling a puppy in her arms. Includes original box: 10.75"L x 5.5"W x 5"H. Artist: Salvador Deb�n Issued: 1978-2000 Dimensions: 7.75"H x 4.75"W Manufacturer: Lladro Country of Origin: Spain Condition: Age related wear.
• FLORENCE GIUSEPPE ARMANI
  FLORENCE GIUSEPPE ARMANI FIGURINE, TENDERNESS 7545FIn matte finish. Features couple in a loving embrace. Florence Giuseppe Armani impressed and regular backstamps. Comes with original box. Approximate dimensions of box: 9.5"L x 4.25"W x 4"H. #FlorenceGiuseppeArmani Issued: 2006 Dimensions: 6.75" H Manufacturer: Florence Giuseppe Armani Country of Origin: Italy Condition: Good.
• TENDERNESS 1012094 - LLADRO
  TENDERNESS 1012094 - LLADRO PORCELAIN FIGURINEGres finish; Lladro backstamp. Artist: Salvador Debon Issued: 1978 - 2000 Dimensions: 7.75"H x 4.75"W Manufacturer: Lladro Country of Origin: Spain Condition: Age related wear.
• BIRTH OF JESUS 1006994 - LLADRO
  BIRTH OF JESUS 1006994 - LLADRO PORCELAIN FIGURINEGlossy finish depicting the birth of the Son of God, portrayed with tenderness and beauty. Lladro backstamp. Artist: Juan Carlos Ferri Herrero Issued: 2003 Dimensions: 11"H x 8.75"W Manufacturer: Lladro Country of Origin: Spain Condition: Age related wear.
• BIRTH OF JESUS 1006994 - LLADRO
  BIRTH OF JESUS 1006994 - LLADRO PORCELAIN FIGURINEGlossy finish depicting the birth of the Son of God, portrayed with tenderness and beauty. Lladro backstamp. Artist: Juan Carlos Ferri Herrero Issued: 2003 Dimensions: 11"H x 8.75"W Manufacturer: Lladro Country of Origin: Spain Condition: Age related wear.
• 2PC PONTESA PORCELAIN PLATES,
  2PC PONTESA PORCELAIN PLATES, TENDERNESS COMMEMORATIVESpecial Edition. Depicts mother with two children in a meadow. Awarded to Avon Representatives in January of 1974. Pontesa and Avon backstamps. One plate comes with hanging metal attachment. Issued: 1974 Dimensions: 9.25"Dia. Manufacturer: Pontesa Ironstone Condition: Age related wear.
• TENDERNESS 1001527 - LLADRO
  TENDERNESS 1001527 - LLADRO PORCELAIN FIGURINEGlossy finish; Lladro backstamp. Artist: Juan Huerta Issued: 1987 - 2004 Dimensions: 8.75"H x 5.5"W Manufacturer: Lladro Country of Origin: Spain Condition: Age related wear
• FLORENCE GIUSEPPE ARMANI
  FLORENCE GIUSEPPE ARMANI FIGURINE, TENDERNESSFeatures a lady holding a puppy in arms; standing on a squared wooden base. G. Armani golden plate on wooden base. Giuseppe Armani backstamp. Artist: Giuseppe Armani Dimensions: 4"L x 4"W x 9.25"H Issued: 1988 Manufacturer: Florence Sculture d'Arte Country of Origin: Italy Condition: Age related wear.
• TENDERNESS 1012094 - LLADRO
  TENDERNESS 1012094 - LLADRO PORCELAIN FIGURINEGirl in apron holding a rabbit. Gres finish. Lladro backstamp. Artist: Salvador Debon Issued: 1078-2000 Dimensions: 5"L x 4"W x 8.25"H Manufacturer: Lladro Country of Origin: Spain Condition: Age related wear.
• RUSSIAN ICON OF MULTIPLE SAINTS &
  RUSSIAN ICON OF MULTIPLE SAINTS & GUARDIAN ANGELRussian icon of multiple saints and a guardian angel, showing a gathering of saints flanking a guardian angel and worshipping an icon of Our Lady of Tenderness, supported by angels and flanked by pairs of saints bearing scrolls. Tempera and gilt on panel. Areas of paint lifting, small edge losses. 11 3/4" high, 9" wide. Condition: Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition.
• ALEXANDER SAMOKHVALOV (RUSSIAN
  ALEXANDER SAMOKHVALOV (RUSSIAN 1894-1971)ALEXANDER SAMOKHVALOV (RUSSIAN 1894-1971) Girl in an Interior , 1940 oil on canvas 96.5 x 67.5 cm (38 x 26 1/2 in.) titled, dated and inscribed with a confirmation of authorship on the verso by Maria Samokhvalova, the artist`s daughter, in 1993 PROVENANCE Property of a former United States Senator, who acquired the painting in Moscow circa 1993 LOT NOTES Alexander Samokhvalov is regarded as one of the founders and brightest representatives of the Leningrad school of painting. The present lot, Girl in an Interior reflects the pre-war life of the Leningrad intelligentsia , and is a continuation of the series of Samokhvalov’s works dedicated to young Russian women – builders of new life. This composition was created in 1940 – three-year after the artist’s famous Girl in a Football Shirt was awarded the gold medal at the International Art Fair in Paris, (which also included Pablo Picasso’s Guernica). The tenderness, refinement, and intimacy of this portrait is a rare work by a master of Soviet Socialist Realism and heir apparent to Petrov-Vodkin.
• A RUSSIAN ICON OF THE VIRGIN OF
  A RUSSIAN ICON OF THE VIRGIN OF TENDERNESS [ELEUSA] OF ...A RUSSIAN ICON OF THE VIRGIN OF TENDERNESS [ELEUSA] OF KORSUN (CHERSONESUS), LATE 19TH CENTURY depicting the Virgin and the Child Christ nestled against her cheek, egg tempera, gold leaf, and gesso on wood panel, the gold ground finely pierced with scrolling foliate motifs; overall dimensions: 44.3 x 38 cm (17 1/2 x 15 in.) CONDITION Scattered losses, most notably to the right center edge and left center edge. Overall craquelure visible to the naked eye. Splintering in the wood on the Virgin's neck. Rubbing to the perimeter and corners. Inspection under UV shows less than 5% of retouching, most notably to the right center edge floral border, the Virgins neck and Christ's forehead. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• 19TH C. MEXICAN TIN RETABLOS REFUGE
  19TH C. MEXICAN TIN RETABLOS REFUGE OF SINNERS, CHRISTLatin America, Mexico, Spanish Colonial Period, ca. 19th century CE. This is a finely painted pair of Spanish Colonial style retablos on heavy gauge tin depicting religious scenes of saints and Christ. The larger is of the Virgin Mary and Christ Child, a composition that is often referred to as N.S. Refugio de Pecadores (Our Lady, Refuge of Sinners); the Virgin wears a golden crown and supports a crowned Christ Child whose nude body is covered by a transparent robe. She wears a dark blue cape that is initialed with her ciphers. Christ rests his right hand on her right arm and grips her right thumb with his left hand. The touching scene is framed by a wreath of red roses as they float upon heavenly clouds. The other retablo depicts St. Joseph in a green robe and a yellow cloak as he holds the Christ Child, who is draped in red. The Child leans on Joseph's shoulder, and both their heads are surrounded by golden beams of light or a hallo. Size (Mary retablo): 14" L x 10" W (35.6 cm x 25.4 cm); (Saint Joseph): 9.35" L x 6.5" W (23.7 cm x 16.5 cm) The cult of Joseph originated during the time of Luther when the Catholic Church was seeking out new heroes to meet the needs of the Counter Reformation. Prior to this time, Joseph was somewhat ignored. The Carmelite Order, under the direction of St. Theresa, rejuvenated the image of St. Joseph. Instead of being portrayed as an elderly man who watched over Mary, he grew to be depicted as a virile man in the prime of his life, full of youth and strength, yet portrayed as a gentle man of tenderness as we see in this example. In 1719, a Jesuit missionary brought a version of a painting originally created for an altar formerly at Frascati, Italy, in the style of Guido or Salvator Rosa, to the city of Zacatecas in Mexico. The painting inspired the locals to adopt N.S., Refugio de Pecadores as their patron, and the composition of this retablo was modeled upon that painting's composition. Renditions of the original Italian painting were among the most favored in retablo art. Icons like these were placed above household altars to venerate the saints. The translation of the word retablo literally means "behind the altar." Provenance: ex-Dr. David Harner collection, Arkansas, USA, 1950s-1960s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. b>PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship b>PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #161365 Condition: The Joseph retablo has losses and flaking to painted pigments and details of the child and Joseph's body are faint and indiscernible. Both retablos have surface abrasions, chipping, and fading to pigments. Finer details are not discernable. Joseph's face is clear enough to discern the saint's expression, but Christ is faint. Stable fissure along lover edge of Joseph retablo, and corners are pierced for suspension, with a cord through the top. Tearing and folding to Virgin Mary's retablo, and losses to pigments. Surface abrasions and fading to pigments. Finer details are not discernable. Corners are pierced for suspension and has a cord through the top. Nice patina on both.
• 18TH C. INDIAN ORISSA STONE
  18TH C. INDIAN ORISSA STONE FIGURE HINDU GOD KRISHNASouth Asia, India, Odisha (Orissa) Province, ca. 18th to 19th century CE. An elegant figure of the Hindu god Krishna depicted as a young man, skillfully hand-sculpted from black stone and burnished to a lustrous sheen. Wearing only a langot, the graceful figure presents a slender body with a narrow waist and sloped shoulders as he lifts both arms to his right side as though playing the flute. His legs are posed in a position suggestive of dancing with his right leg stepping before his left. Gazing forth from elongated eyes, the tranquil deity displays a jovial visage with a pointed nose and a gentle smile. A petite bun caps his head, balancing just above his naturalistically rendered ears. Size: 4.6" W x 9.3" H (11.7 cm x 23.6 cm); 11.2" H (28.4 cm) on included custom stand. Krishna is one of the major deities of Hinduism, an avatar of Vishnu, god of compassion, tenderness, and love. The story of the young Krishna playing his flute comes from the Bhagavata Purana. In this epic, Krishna plays the flute to preserve dharma while defeating demons. This particular story has inspired countless theatre and dance performances in India. Interestingly, this was also the first Purana to be translated into a European language - a French translation appeared in 1788 - and introduced Hinduism to the Western world. Provenance: ex-Coup de Foudre, Santa Fe, New Mexico, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #170111 Condition: Losses to proper left hand, right forearm, ankles, and feet. Right arm and head reattached with break lines visible. A few minor nicks to surface. Otherwise, excellent with nice preservation of detail.
• COLLEEN MADAMOMBE STONE SCULPTURE
  COLLEEN MADAMOMBE STONE SCULPTURE OF WOMAN WITH BASKETColleen Madamombe (Zimbabwe, 1964-2009). Woman with Basket. Stone sculpture, n.d. Signed on lower left side of verso. An endearing stone sculpture by celebrated second-generation Shona artist Colleen Madamombe presenting a character common to her work: a round-faced female dressed in a billowing, layered dress while holding a basket. Madamombe's work explores themes of womanhood, girlhood, pregnancy, motherhood, and the authority of the tribal matriarch. Interested in not only the emotional and spiritual side of woman's life but also the basic physical appearance and movement particular to females, Madamombe often depicts women at work, harvesting, carrying water or children, and giving birth. She portrays these aspects of womanhood with poetic clarity, revealing emotions such as pride, authority, energy, endeavor, sadness, tenderness, and humor. As is typical of her work, this sculpture is also a play in surface and texture: her smooth, polished face and hands are juxtaposed with the rough-hewn surfaces of her clothing and hair. Size: 9.5" W x 13" H (24.1 cm x 33 cm) Madamombe's female figures quickly became a symbol of womanhood in Zimbabwe and were adopted by the Zimbabwean International Film Festival as the trophy award for all winning women entrants. She also won the award "Best Female Artist of Zimbabwe" three times. As is evident in her subject matter, Madamombe had strong feelings concerning the changing role of women in Zimbabwean society. Though opportunities for women were and are still developing, she felt they were losing their positions of traditional respect and that it remained difficult for women to pursue a career in the arts, predominantly because of an inherent lack of self-confidence as well as the idea of following one's own ambitions and pursuing a career remains foreign to many Zimbabwean women. Madamombe explained: "A lot of women are artists and just don't realize it - making pots and other things for the home, and not for sale." Provenance: private Burbank, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179189 Condition: A few minor nicks to face and hands, but otherwise intact and excellent with nice preservation of surface texture and form. Signed "Colleen" on lower left side of verso.
• A Staffordshire pearlware figure
  A Staffordshire pearlware figure 'Mate' and another of 'Tenderness', titled to bases, the first 21cm high/Provenance: The Estate of Anthony J Beeson
• LLADRO PORCELAIN GIRL FIGURES, 2
  LLADRO PORCELAIN GIRL FIGURES, 2 Lladro porcelain "Tenderness" & "Happy Birthday" figures, made in Spain, with original boxes, marked. 8" H x 3" W.
• RUSSIAN, MOSCOW, 1795, MAKER'S MARK
  RUSSIAN, MOSCOW, 1795, MAKER'S MARK HH, ASSAY MAKER'S MARK ANDREI TITOV (ACTIVE 1786-1798), ICON OF MOTHER OF TENDERNESS, 17 3/4 X 15 1/4 IN. (45.1 X 38.7 CM.)RUSSIAN, MOSCOW, 1795, MAKER'S MARK HH,, ASSAY MAKER'S MARK ANDREI TITOV (active 1786-1798) ICON OF MOTHER OF TENDERNESS, The two figures rendered traditionally, the metal gold leaf oklad imitating the painted composition beneath with cutout halo, adorned with river pearls and semi-precious stones Dimensions: 17 3/4 x 15 1/4 in. (45.1 x 38.7 cm.)
• AFTER PAINTINGS BY J. WHEATLEY, A
  AFTER PAINTINGS BY J. WHEATLEY, A FAMILY DINNER AND TENDERNESS PERSUADING RELUCTANCE, TWO COLOR ENGRAVINGS, FRAME OF EACH: 21 X 17 1/4 IN. (53.3 X 43.8 CM.)After Paintings by J. Wheatley, A Family Dinner and Tenderness Persuading Reluctance, Two Color Engravings,, Dimensions: Frame of each: 21 x 17 1/4 in. (53.3 x 43.8 cm.)
• BILL MACK 'TENDERNESS' BONDED
  BILL MACK 'TENDERNESS' BONDED BRONZE SCULPTUREBill Mack, American (1932-). Bonded bronze sculpture of mother and child, signed upper left and titled 'Tenderness', numbered #17/50. Measures 29.25"H x 22"W, framed 38" x 30.5".
• Seven Pieces of Staffordshire
  Seven Pieces of Staffordshire Porcelain 19TH CENTURY comprising a figural group "Tenderness", a figural spill vase, a pair of figures holding cat and dog, two toby jugs and a teapot. Height of tallest 10 1/2 inches.
• HELEN DURANT, "AFFECTION" TWO
  HELEN DURANT, "AFFECTION" TWO WOLVES A/C Helen Durant (American / Georgia b. 1947), "Affection", depicting tenderness between two wolves, acrylic and charcoal on canvas, pencil signed lower right, framed. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Approx. h. 35.125", w. 86.5" (canvas covered backing board), h.31.25", w. 83.5" (fabric on foam board).
• Staffordshire figure titled
  Staffordshire figure titled "Tenderness" depicting a male and female figure decorating sheep with flowers, circa 1825, marked Walton. 7"h x 5.75"