A few examples of appraisal values for
THE CHAPEL

• CHAPEL OF ST. HELENA, WATERCOLOR
  CHAPEL OF ST. HELENA, WATERCOLOR AND GOUACHE ON PACHAPEL OF ST. HELENA, watercolor and gouache on paper, depicting the ceiling of the Basilica di Santa Croce, Jerusalem, circa late 19th/early 20th century. Unsigned. Opening measures 55" x 30". In a wood frame; 60.5" x 35.5" overall. Includes a booklet about the Basilica of the Holy Cross.
• GUY MARTIN CHAPEL
  GUY MARTIN CHAPEL (AMERICAN/MICHIGAN, 1871-1957)Guy Martin Chapel (American/Michigan, 1871-1957, active New Orleans, 1902), "Still Life with Pipe", 1897, oil on canvas, signed and dated lower right, 2 handwritten labels one with artist and date on stretcher, 11 in. x 14 in., framed. Condition: Overall poor condition. Ext. Frame: 15 1/8 in. x 18 1/8 in. x 1 in.
• Nuneham/Newnham after SandbyA
  Nuneham/Newnham after SandbyA VIEW OF THE RUINS OF THE CHAPPEL AT STANTON-HARCOURTA VIEW OF THE RUINS OF THE KITCHEN AT STANTON-HARCOURTA VIEW OF THE RUINS OF THE KITCHEN AND PART OF THE OFFICE AT STANTON-HARCOURTA VIEW OF THE RUINS OF THE CHAPPEL AT STANTON-HARCOURTa set of four black and white engravings 43cm x 52cm (17" x 20.5")Societati Antiquariorum Londinensi dono dedit Simon Comes de Harcourt Socius AD MDCCLXXXV (1785)
• "THE SISTINE CHAPEL," TWO VOLUME
  "THE SISTINE CHAPEL," TWO VOLUME SET Limited edition 1763/2500, published in commemoration of the Sistine Ceiling restoration, 1991, Alfred A. Knopf publisher, in a clothbound case.
• A print of Wodham chapel Oxford
  A print of Wodham chapel Oxford signed William Nicholson and titled bottom left published November 1905 the Stafford Gallery approx. 35 x 30cm.
• ITALIAN CHRISTIAN ICONOGRAPHIC
  ITALIAN CHRISTIAN ICONOGRAPHIC RELIQUARY SHRINE Italy,19th CenturyPointed roof over twisted balusters surrounding a painted door featuring cherubs and a young woman.
• OSVALDO LEITE (URUGUAYAN, 1943),
  OSVALDO LEITE (URUGUAYAN, 1943), CHAPEL, OIL ON CANVAS, FRAMED, 23 X 26-1/2 INOsvaldo Leite (Uruguayan, 1943), Chapel, Oil on Canvas, Framed, 23 x 26-1/2 in
• Van Day Truex (American 20th
  Van Day Truex (American 20th century) Ruined Chapel St. Saturnin (Vaucluse) ink on paper signed Truex (lower right) 11 3/4 x 14 inches.
• MODERNIST OIL OF A MOUNTAIN CHAPEL,
  MODERNIST OIL OF A MOUNTAIN CHAPEL, PRE-WWIIA lovely modern landscape of a white chapel situated in front of mountains, perhaps Italian school, circa first half 20th century. There is a faint unidentified signature in the bottom right corner, which bears a similarity to the signature of Gerardo Dottori but for the first letter more closely resembling a "P" than a "D." The canvas measures 8" x 10", and is housed in a softwood frame that measures 12 1/4" x 14 1/4". Condition The surface of the paint layer shows skinning, which gives the painting an aged appearance. Observation under blacklight revealed no touch-ups. There is scuffing and wear to the wooden frame.
• FRANZ HERBELOT "PARIS-LA SAINTE
  FRANZ HERBELOT "PARIS-LA SAINTE CHAPELLE" LITHO Franz Herbelot (French, XX) "Paris-La Sainte Chapelle" Mid Century color lithograph depicting a Parisian scene, signed in plate, pencil titled to lower left and numbered "24/252" to lower right, housed in a giltwood frame. Image: 11.5" H x 9" W; frame: 18.25" H x 15.25" W.
• John Doyle (born 1928)/View of
  John Doyle (born 1928)/View of the Chapel, Eton/signed/watercolour and gouache, 28cm x 44cm/Provenance: from the Estates of Lord & Lady Charteris/Note: An 80th birthday present to Lord Charteris together with a book of best wishes from the staff and pupils at Eton
• Peter S Houston/Country House
  Peter S Houston/Country House with Chapel/pencil, 26cm x 33cm/and other pictures
• Thomas Sandby RA (British
  Thomas Sandby RA (British 1721-1798)/A Choir Stall Canopy in St George's Chapel, Windsor, c. 1780-82/pencil and grey washes, 36cm x 17cm/Note: Sandby was Architect of the King's Works from 1777 and Master Carpenter in the Office of Works from 1780 to 1782. This drawing dates from these latter years and relates to the refurbishment carried out in St. George's Chapel under Henry Emelyn. The choir stalls were updated in 1786-91. Four other drawings of details of the stalls are in the Royal Collect
• ENGLISH SCHOOL: CATHEDRAL RUINS
  ENGLISH SCHOOL: CATHEDRAL RUINS Hand-colored aquatint on paper. Provenance: Property from the estate of Gloria Kaplan Manhattan and Purchase NY. 12 1/4 x 17 3/8 in. (sight).
• SCHEIBNER, Vira, (American,
  SCHEIBNER, Vira, (American, 1889-1956): St. Augustine Chapel, Oil/Canvas, 13'' x 15'', signed lower right, artist estate stamp verso, unframed.
• Eton College Chapel/coloured
  Eton College Chapel/coloured print/20.5cm x 26.5cm and six other hunting related prints and engravings
• A French Gothic prie Dieu, the book
  A French Gothic prie Dieu, the book rest with six arches to the frieze and three arches with poppy finials to both the front and back, canted arches to the sides, the kneeler on Gothic block feet united by square stretchers, 91cm high/Provenance: Rous Lench Collection and by descent to the current owner
• MICHAEL ANGELO ROOKER, ENGLISH
  MICHAEL ANGELO ROOKER, ENGLISH ARCHITECTURAL SCENE Michael Angelo Rooker (British, 1743-1801). "The Chapel of St. Petronilla, Bury St. Edmunds, Suffolk" -circa 1796, en grisaille ink wash and watercolor. Inscribed lower right "St. Petronilla, Chapel Bury St. Edmonds". Approx. 18" x 20.75" (frame), 9" x 12" (sheet).
• AFTER PHILIPPE BENOIST PAIR OF
  AFTER PHILIPPE BENOIST PAIR OF LITHOGRAPHS (French 1813-1889) depicting cathedral interiors titled ''La Sainte Chapelle'' and ''La Madeleine.'' Images measure 14'' x 10'' both nicely matted and set in matching wood frames.
• BUCHTERKIRCH, Armin, (1859-1915),
  BUCHTERKIRCH, Armin, (1859-1915), Bermuda/Bahamas): Chapel in The Dunes, Watercolor, 6.5'' x 10'', signed lower right, laid on heavy card. Overall, 8'' x 10.5''. CONDITION: Minor toning.
• 1 vol. Mortimer, Alfred, The
  1 vol. Mortimer, Alfred, The Reverend. S. Mark's Church Philadelphia and Its Lady Chapel. New York, 1909. #36/400. 4to, contemp. full crushed blue morocco, triple gilt-fillet paneled covers, with embossed figural center panels, gilt-lettered & floral spine, inner dentelles gilt, a.e.g., raised bands; joints, corners & bands scuffed, by Zaehnsdorf, 1910. With 128 color, tinted & plain plates. Internally clean.
• GOTHIC REVIVAL PRIE-DIEU PRAYER
  GOTHIC REVIVAL PRIE-DIEU PRAYER KNEELER CABINETFrench Gothic Revival carved oak prie-dieu/ prayer kneeler cabinet, 19th c., having foliate cross crest, over padded toprail and seat in raised pattern upholstery, single cabinet door with carved tracery, opening to upholstered interior with two shelves, rising on stepped base, approx 68"h, 21"w, 29"d **Provenance: An important San Antonio estate**
• Italian school (18th/19th
  Italian school (18th/19th century) ARCHITECTURAL CAPRICCIO WITH CHERUBS oil on canvas framed unsigned H51 1/2'' W62'' Provenance: Tennessee collection.
• VINTAGE PAINTING OF WOMEN AND
  VINTAGE PAINTING OF WOMEN AND CHILDREN OUTSIDE A CHAPEL Oil on canvasboard, mid-20th century, unsigned, with stamp to canvasboard verso, framed.
• THOMAS KINKADE. "THE MOUNTAIN
  THOMAS KINKADE. "THE MOUNTAIN CHAPEL," GICLEE Paint enhanced giclee on canvas, ed. 125/1190, hand signed ll, 29 x 23 in., framed.
• Charleston Renaissance School (20th
  Charleston Renaissance School (20th century) "Calhoun St. 2nd Presbyterian Church", inscribed verso "This is for Charlie Bracket/Norman[?]", pastel on paper, 11-7/8 x 15-1/2 in.; original wood cushion molding frame,
• MONUMENTAL GOTHIC PAINTED CHURCH
  MONUMENTAL GOTHIC PAINTED CHURCH SHUTTER probably late 19th century with serpentine Gothic arch over sloped slats painted light gray - h:92 w:36.50 d:6 in.
• 1 vol. Mortimer, Alfred, The
  1 vol. Mortimer, Alfred, The Reverend. S. Mark's Church Philadelphia and Its Lady Chapel. New York, 1909. 1/400, out-of-series copy. 4to, contemp. full crushed blue morocco, triple gilt-fillet paneled covers, with embossed figural center panels, gilt-lettered & floral spine, inner dentelles gilt, a.e.g., raised bands; occasionally scuffed, joints & edges occasionally rubbed, by Zaehnsdorf, 1910. With 128 color, tinted & plain plates. Internally clean.
• ELLIOT DAINGERFIELD (AMERICAN,
  ELLIOT DAINGERFIELD (AMERICAN, 1859-1932), PREPARATORY SKETCH FOR MURAL, CHAPEL OF THE CHURCH OF ST. MARY THE VIRGIN, NEW YORK CITY Pencil on paper, circa 1902, appears unsigned, with identifying inscription in unknown hand to frame, matted and framed.
• WATERCOLOR TRIPTYCH - Views of
  WATERCOLOR TRIPTYCH - Views of Monks in Cloister and Woman Praying all in contiguous Romanesque architecture each signed 'Schram' and dated 1900 in remnants of gilt frame liner under glass 18'' x 12'' flanked by 18'' x 10'' boards images are in good con
• ÉGLISE DE NOTRE DAME DE LORETTA, LA
  ÉGLISE DE NOTRE DAME DE LORETTA, LA MADELEINE, LA SAINTE-CHAPELLE AND SAINT-ÉTIENNE-DU-MONT: FOUR WORKS, EACH A HAND-COLORED AQUATINT EACH FRAMED: 19 X 13-1/2 IN (48.3 X 34.3 CM)Église de Notre Dame De Loretta, La Madeleine, La Sainte-Chapelle and Saint-Étienne-du-Mont: Four Works, Each A Hand-Colored Aquatint, Dimensions: Each framed: 19 x 13-1/2 in (48.3 x 34.3 cm)
• LOUIS ORR (AMERICAN, 1879-1961),
  LOUIS ORR (AMERICAN, 1879-1961), CHRIST EPISCOPAL CHURCH - THE CLOISTER, RALEIGH, NORTH CAROLINA Etching, pencil signed and titled, from Orr's series of North Carolina landmarks completed between 1939-1952, matted and framed.
• Detailed tin model of a church with
  Detailed tin model of a church with stained glass windows and louvered shutters. Provenance: The Collection of Margaret Schiffer. ?
• ITALIAN SCHOOL: CHRIST AT CALVARY
  ITALIAN SCHOOL: CHRIST AT CALVARY Ink and wash on paper matted. 5 x 9 1/4 in. (sight).
• 19th c. guoche ''Chichester
  19th c. guoche ''Chichester Cathedral'' attr. to Lancelot Brown (United Kingdom 1715-1783). Sight 7'' x 11''
• MC DANTON "ST JOHN'S CHAPEL"
  MC DANTON "ST JOHN'S CHAPEL" LANDSCAPE O/C French School, early 20th century, "St John's Chapel" in Orgeval, oil on canvas depicting an intersection of streets with a church at center, signed "MC Danton" at lower right, framed. Provenance: Acquired from Frances Aronson Fine Art in Atlanta, Georgia; the Private Collection of Jim McArthur, Cumming, Georgia. Approx. canvas h. 25.75", w. 36"; overall h. 32", w. 42.5", d. 1.75".