- ADOLPHUS' HISTORY OF ENGLAND, (7)
ADOLPHUS' HISTORY OF ENGLAND, (7) VOLS., 1840-45 John Adolphus. The History of England, from the Accession to the Decease of King George the Third. Printed for the Author, published by John Lee, London, fine full leather binding, detailed gold stamping on spine, marbled endpapers and page edges, 9"h x 6"w
- ADOLPHUS KNELL (BRITISH, FL. 1860-1890),
ADOLPHUS KNELL (BRITISH, FL. 1860-1890), MORNING Oil on board, signed lower right, presented in a period gilt composition frame with brass gallery plaque.
- ADOLPHUS KNELL (UNITED KINGDOM,
ADOLPHUS KNELL (UNITED KINGDOM, 1860-1890), EVENING Oil on board, signed at lower right, titled at nameplate, presented in an ornate giltwood frame.
- Adolphus Knell (Act. circa 1860-circa
Adolphus Knell (Act. circa 1860-circa 1890) - Oil painting - View of Broadstairs from Louisa Bay board 5.75ins x 15.5ins signed and dated October 22nd 1884 in gilt frame and glazed
- ADOLPH GOTTLIEB (1903-1974): TWO
ADOLPH GOTTLIEB (1903-1974): TWO BARS Lithograph in colors 29 3/8 x 20 7/8 in. (sheet sight) signed dated '69 and numbered 61/100 Albright-Knox Gallery label on verso.
- Adolph Kronengold (American/Louisiana
Adolph Kronengold (American/Louisiana 1900-1986) "Ursuline Street New Orleans" oil on masonite signed lower right titled and with gallery label en verso 16 in. x 20 in. attractively framed.
- ADOLPH GOTTLIEB, "BLUES ON GREEN",
ADOLPH GOTTLIEB, "BLUES ON GREEN", SCREENPRINT Adolph Gottlieb (American 1903-1974), "Blues On Green", 1971, screenprint depicting a modern abstract of a light blue circle and a black paint drop on a green background, edition 132/150 noted in pencil at lower right, pencil signed and dated at lower left, framed. Approximate dimensions: Sight h. 23. 5", w. 17. 5"; Overall h. 34. 5, w. 27. 25", d. 1. 5".
- Adolph Gottlieb UNTITLED Color
Adolph Gottlieb UNTITLED Color etching and aquatint
Estimate:$1,500-$2,500
- ADOLPH GOTTLIEB (1903-1974): "BLACK
ADOLPH GOTTLIEB (1903-1974): "BLACK SPLASH" Serigraph in colors 31 x 22 5/8 (sight) 31 3/16 x 23 1/16 in. (sheet) signed dated 1967 and numbered 48/75.
- ADOLPH GOTTLIEB (1903-1974): MAGENTA
ADOLPH GOTTLIEB (1903-1974): MAGENTA DISC Serigraph in colors 23 3/4 x 17 3/4 in. (sight) signed dated 1966 and numbered 2/50.
- ADOLPH KRONENGOLD (AMERICAN/NEW
ADOLPH KRONENGOLD (AMERICAN/NEW ORLEANS, 1900)Adolph Kronengold (American/New Orleans, 1900-1986) , "Victor's Café Chartres and Toulouse, New Orleans", 1959, watercolor on paper, signed lower right, handwritten label from previous framing with artist, title and date possibly in artist's hand, 22 1/8 in. x 14 3/4 in., framed
- Adolph Pannash (1866-1952 American)
Adolph Pannash (1866-1952 American) ''Dutch Fishermen'' Oil on Canvas Framed 29''x35''
- ADOLPH LANGHARD (swiss b. 1845)
ADOLPH LANGHARD (swiss b. 1845) THE MUSE Signed and dated 'Ad. Langhard 1885' bottom left, oil on canvas 63 1/2 x 47 1/2 in. (161.3 x 120.7cm) provenance: Sotheby's, New York, New York, November 29, 1999, . Private Collection, Philadelphia, Pennsylvania. ,000-25,000 Oil on canvas lined to a fabric support. Large area of damage with overpaint encompassing most of the torso of the nude figure. Numerous areas of severe solvent abrasion covered with overpaint, mostly confined to dark passages and areas of shadows. Numerous areas of drying cracks and paint wrinkling. Both figures are heavily retouched.
- ADOLPH GOTTLIEB (1903-1974): "BEACON"
ADOLPH GOTTLIEB (1903-1974): "BEACON" Serigraph in colors 29 1/4 x 20 5/8 in. (sheet sight) signed dated 1969 and numbered 74/100. Provenance: Albright-Knox Gallery NY.
- David Adolph Constant Artz Dutch,
David Adolph Constant Artz Dutch, 1870-1951 Ducks and Butterflies
Estimate:$800-$1,200
- AFTER ADOLPH GOTTLEIB. "CRIMSON
AFTER ADOLPH GOTTLEIB. "CRIMSON SPINNING," PRINT Color print, Turner Modern Graphics collection, sight size: 27 1/2 x 22 1/2 in., framed.
- ADOLPH GOTTLIEB (1903-1974): UNTITLED
ADOLPH GOTTLIEB (1903-1974): UNTITLED Serigraph in colors 39 x 26 3/4 in. (sight) signed dated 1970 and numbered 5/200.
- ADOLPH GOTTLIEB(New York, 1903-1974)
Untitled,
ADOLPH GOTTLIEB(New York, 1903-1974)
Untitled, 1973, signed lower right "Adolph Gottlieb", acrylic on Japan laid paper, 15 x 19-3/4 in. (38.1 x 48.26 cm.); wood frame, 21-1/4 x 26-1/4 in.
Note : This work is cataloged at the Adolph and Esther Gottlieb Foundation as #7351. It is accompanied by their certificate.
Condition:
hinged in, some handling creases, good color
- Adolph Gottlieb (NY 1903-1973)
Adolph Gottlieb (NY 1903-1973) ''Blues on Greens''silkscreen in three colors pencil signed and dated 1971 in lower left margin numbered 57/150 in lower right margin presented in period silver tone frame.DOA 33.25 x 26.25 in.Scuffs to the frame; small diagonal glass fracture in the upper right corner; not examined out of the frame.
- ADOLPH GOTTLIEB (1903-1974): "WHITE
ADOLPH GOTTLIEB (1903-1974): "WHITE GROUND RED DISC" Serigraph in colors 30 x 22 1/4 in. (sheet sight) signed dated 1966 and numbered 2/50.
- Adolf Arthur Dehn American, 1895-1968
Adolf Arthur Dehn American, 1895-1968 Connecticut Estate, 1947
Estimate:$800-$1,200
- ADOLPH GOTTLIEB AND OTHERS, ETCHING,
ADOLPH GOTTLIEB AND OTHERS, ETCHING, 1933/1974 Adolph Gottlieb, Esther Dick Gottleib, Edgar Levy, Lucille Corcos Levy, David Smith and Dorothy Dehner Smith, "Portraits", the three artist couples each created an etching portrait of another in the group, pencil signed by Dorothy Dehner and Esther Gottlieb, numbered 55/100, loose and unframed, 10"h x 10"w (sheet)
- ADOLPH KRONENGOLD NEW YORK GOUACHE
ADOLPH KRONENGOLD NEW YORK GOUACHE ON PAPER Adolph Kronengold (American, 1900-1986) "General Motors Building" gouache on paper painting depicting a New York cityscape at dusk, showing Columbus Circle, signed to lower right and gallery sticker to verso, housed under glass in a hardwood frame, some scratching and craquelure throughout. Image: 11.5" H x 8.25" W; frame: 20" H x 16.5" W x 0.75" D.
- Adolph Gottlieb (NY 1903-1973)
Adolph Gottlieb (NY 1903-1973) ''Night Glow''color etching on wove paper with watermark signed in pencil along lower margin ''Adolph Gottlieb 1971'' and numbered ''64/65 '' full margins mounted and framed under plexiglass.Paper size 34 5/8 x 26.5 in.; Plate 24 x 17 5/8 in.; DOA 39.5 x 31 in.An etching from this run was purchased by the Smithsonian American Art Museum in 1971.No apparent condition concerns.Collection of Karen Love Jessee NC
- HARRY ROSELAND KNOX'S AD
HARRY ROSELAND KNOX'S AD
- Edward Adam (American 19th c.)
Edward Adam (American 19th c.) oil on canvas portrait of the ship Tuskar signed and dated 1885 in lower right 23" x 34 1/2". ?
- TWELVE DAGUERROTYPE PORTRAITS including
TWELVE DAGUERROTYPE PORTRAITS including 2 of Adna W. Arnold one a father and son 5 of ladies and 4 further gentlemen in gutta percha and paper cases (12) -
- TWELVE DAGUERROTYPE PORTRAITS including
TWELVE DAGUERROTYPE PORTRAITS including 2 of Adna W. Arnold one a father and son 5 of ladies and 4 further gentlemen in gutta percha and paper cases (12) -
- Adolph Kronengold (American/New
Adolph Kronengold (American/New Orleans 1900-1986) "Chartres Street" watercolor on paper signed lower right 22 1/2 in. x 15 in. unframed; together with Nina Ellison Harper (American/New Orleans 20th c.) "Madame John's House Dumaine St." pencil on paper laid down on board pencil-signed and inscribed "for S.A. Good Bye" lower left and titled lower right bearing a "WE Seebold NO" label 9 1/2 in. x 11 1/4 in. matted and framed.
- Adolph Kronengold (American/Louisiana,
Adolph Kronengold (American/Louisiana, 1900-1986) "Cafe Du Monde, French Market, New Orleans", watercolor on paper, sight 14-1/4" x 10-1/2", signed lower right "A. Kronengold". Glazed, matted and framed.
- ADOLPH GOTTLIEB (AMERICAN, 1903-1974)Adolph
ADOLPH GOTTLIEB (AMERICAN, 1903-1974)Adolph Gottlieb
American, 1903-1974
Figure Eight , 1967
Silkscreen, signed and dated lower left, edition 61/75
Gestural forms in black on a field of grey, framed.
Adolph Gottlieb was a prominent American painter and member of the first generation of Abstract Expressionists. Characterized by an idiosyncratic use of abstraction that utilized pictographs and mythological symbols, his works achieved an emotional intensity through both color and line. “Today when our aspirations have been reduced to a desperate attempt to escape from evil, and times are out of joint, our obsessive, subterranean and pictographic images are the expression of the neurosis which is our reality,” he once reflected. “To my mind certain so-called abstraction is not abstraction at all. On the contrary, it is the realism of our time.”
Sight: 17 5/8 x 23 1/2 in. (44.8 x 59.7 cm.), frame: 19 x 24 3/4 in. (48.3 x 62.9 cm.)
Ex Iowa Wesleyan University collection;
Gift of Mr. Sanford Robertson
Condition:
Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
- ADAMS, ANSEL (1902-1984) Young
ADAMS, ANSEL (1902-1984) Young Oaks, Winter,
Estimate:$1,000-$1,500
- ADOLPHUS KNELL (MANNER OF), MARITIME
ADOLPHUS KNELL (MANNER OF), MARITIME OIL ON CANVAS Manner of William Adolphus Knell (British 1805-1875), Three-masted square rigger and fishing vessels, no signature observed, 10"h x 12.25"w (sight), 13.5"h x 16"w (frame)
- COATEE IDENTIFIED TO JULIUS ADOLPHUS
COATEE IDENTIFIED TO JULIUS ADOLPHUS DE LAGNEL United StatesC. 1847-49Blue superfine broadcloth body with three small eyelets on each shoulder for epaulets, with scarlet superfine broadcloth piping around the collar, cuff flaps, and pocket flaps, gold metallic loops on the collar, cuffs, and pocket flaps, with Horstmann Sons & Drucker New York-marked eagle "A" buttons, collar is lined with scarlet superfine broadcloth, upper body is lined with glazed scarlet serge, a red Morocco leather reinforcement/belt sewn in at the waist, and the skirts are lined with scarlet superfine broadcloth with two inset pockets, the skirts have false turnbacks with embroidered bombs, and one epaulet with silver bullion fringe and embroidered with foliate designs. Note: Julius Adolphus De Lagnel was born on July 24, 1827, in Newark, New Jersey. His father of the same name had been an army ordnance officer who died in 1841. Julius, along with his brother Johnston, moved to Alexandria, Virginia at some point after the passing of their father. In 1847, Julius was commissioned into the United States Army as a second lieutenant in the regular artillery without having attended any military schools or West Point. On January 29, 1849, he was promoted to first lieutenant and was in Captain Luther?s Company of the 2nd U.S. Artillery serving faithfully until the outbreak of the Civil War. On May 17, 1861, Julius resigned his commission in the U.S. Army and joined the Confederate service as a captain of regular artillery. During the Battle of Rich Mountain on July 11, 1861, he manned an artillery piece when he was wounded and soon captured. Imprisoned in New York for a time, he was exchanged for Union General James Ricketts on December 13, 1861. In 1862, he was given a promotion to brigadier general but turned it down for unknown reasons. He then served as a major in the 20th Virginia Artillery Battalion along with his brother until he was promoted to lieutenant colonel and assigned as second in command of the Confederate Ordnance Service under Brigadier General Josiah Gorgas, inspecting Confederate arsenals, a position which he held until the end of the war. He was paroled in Greensborough, North Carolina on April 26, 1865. After the war, he worked for the Pacific Steamship Service and in 1903 he sold his mansion on Prince Street in Alexandria to be used as a home for veterans. The United Daughters of the Confederacy own it today and run it as a museum. Julius died on June 3, 1912, at the age of 84. His coatee was passed down by a descendant until it was donated to a museum in 1962 along with his brother Johnston?s Confederate officers uniform.
- ADOLPH GOTTLIEB (1903-1974): MAN
ADOLPH GOTTLIEB (1903-1974): MAN WITH FISHAdolph Gottlieb, 1903-1974 Man With Fish, watercolor on paper 1949; signed lower right; signed again and inscribed to verso "Adolph Gottlieb 130 State St. Brooklyn, N.Y." watercolor on paper Dimensions: 18 1/2 x 23 1/2 in. (47 x 59.7 cm.), Frame: 31 x 37 in. (78.7 x 94 cm.) Provenance: Kootz Gallery New York; Manny Silverman Gallery, Los Angeles; M Knoedler and Co., New York; B.C. Holland, Chicago (labels verso); Important Estate, Big Canyon, Newport Beach, California Condition: Framed floating under acrylic.
- Adolph Gottlieb (American 1903-1974)
Adolph Gottlieb (American 1903-1974) Night Glow 1971 etching edition 35/65 signed Adolph Gottlieb (lower left) 34 1/2 x 26 3/4 inches.