A few examples of appraisal values for
THE AMERICAN EAGLE

• A PAIR OF ENGRAVED CLEAR GLASS
  A PAIR OF ENGRAVED CLEAR GLASS HURRICANE SHADESA pair of engraved clear glass hurricane shades20th centuryEach etched with the American eagle with wings outstretched perched atop a laurel branch.height 12 1/2in (31.5cm); diameter 6in (15cm) Proven
• SCARCE 19TH C. TRANSFERWARE
  SCARCE 19TH C. TRANSFERWARE PLATES OF CANADAEngland circa 1835, both earthenware plates with blue transfer decoration illustrating Montmorency Falls, the lip showing shell designs radiating out to a rim ringed with palmette designs. The reverse of each bearing impressed factory marks for Enoch Wood & Sons of Burslem England, and titled FALL OF MONTMORENCY NEAR QUEBEC, surmounted by the American eagle & shield and motto E PLURIBUS UNUM. Both measuring 9.25" diameter. Ref: An identical example is in the permanent collection of the Gardner Museum in Ontario Canada, object # G13.15.7.
• THE AMERICAN EAGLE(American,
  THE AMERICAN EAGLE(American, early/mid 20th century) The American Eagle Grasping the Great Seal, unsigned, oil on canvas with textured ground, 26-1/2 x 38-1/2 in.; wood frame, 31-3/4 x 43-3/4 in. Provenance: Fred Giampietro, New Haven, Connecticut Condition: original stretchers and canvas, surface dirt layer, yellowed varnish; frame with wear and abrasions
• GROUP OF SIX CASTLEFORD TYPE
  GROUP OF SIX CASTLEFORD TYPE POTTERY TEAWARESComprising: A teapot and cover molded with Neoclassical decoration, impressed '13' A teapot with sliding cover molded with Mythological scenes, impressed '22' A teapot with sliding cover molded with American Eagle and Shield, impressed '36' A teapot stand, unmarked A sugar bowl and cover molded with Mythological scenes, unmarked A hexagonal cream jug, incised '2' The largest 6 1/4 x 11 1/2 x 5 1/2 in. Condition Each with wear consistent with age and use. The Neoclassical teapot with small losses to the flange and the foot. The Mythological teapot with a small firing crack to the flange. The American Eagle teapot is restored in several places and has scattered losses. The teapot stand with a rim chip. The sugar bowl with a shallow star shaped crack to the base and a tiny chip to the rim. The jug with a few scattered nicks and small firing cracks, a restored portion to the rim with a related crack. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• 19TH C. AMERICAN MARKET FAMILLE
  19TH C. AMERICAN MARKET FAMILLE ROSE CACHEPOT. Antique Chinese porcelain famille rose decorated chache-pot made for the American market, decorated with the American eagle on one side and Chinese court scene in the other, applied roped handles, 9”H x 7.25”W x 7.25”D
• FOSTORIA COIN GLASS PUNCH BOWL SET,
  FOSTORIA COIN GLASS PUNCH BOWL SET, FOURTEEN (14)Fostoria coin glass punch bowl set of Bicentennial design with Georgian ladle; glass punch bowl features a removable bowl on a pedestal with alternating frosted glass emblems depicting the liberty bell and the American eagle symbol; measures approximately 11-1/2" tall and 14-1/2" in diameter to opening; in Good overall condition with no noticeable chips or cracks; also includes twelve matching glass cups that measure approximately 3" tall and 4-1/4" wide to handle; all appear to be in Good overall condition with no noticeable chips or cracks; finally includes a silverplate Georgian ladle that measures approximately 13-1/2" long and includes a felt bag; in Good overall condition.
• AMERICAN STERNBOARD CARVED EAGLE
  AMERICAN STERNBOARD CARVED EAGLE PLAQUE, CIRCA 1800American Sternboard Carved Eagle Plaque, circa 1800, finely detailed carving depicting the American eagle with spread wings, looking to the right, original surface Height 17 in. Length 53 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• 104. SILVER EAGLE HEAD CANE -CA.
  104. SILVER EAGLE HEAD CANE -CA. 1910 -SUBSTANTIAL, FIG...104. Silver Eagle Head Cane -Ca. 1910 -Substantial, figural eagle head handle modeled with striking stylized, features including a longer beak and thunder like decoration in clean lines which all hint to a developing Art Deco taste. Stepped partridge shaft and a metal ferrule. Praised by age and careful use, this cane is authenticated German with the struck national silver Reichsmark of a “Crescent Moon & Crown” representing the entire German state in conjunction with an “800” decimal silver standard marks. -Many silver handles of this type were done by Tiffany & Co. NY and are known under the name “Tiffany Nast Eagle”. The American eagle was a popular motif in the 19th century States especially during periods of high patriotic zeal. However, this walking cane may not have been meant to be patriotic, as for sailors the eagle held a different symbolic importance. As even the oldest birds continually renew their feathers, they were believed to be symbolic of eternal life and eternal love. -H. 4 ¼” x 2 ¾”, O.L. 34 ¼” -$600-800
• CHRIS CALLE (B. 1961) "WOOD
  CHRIS CALLE (B. 1961) "WOOD CARVINGS"Chris Calle (American, B. 1961) "Wood Carvings of the American Eagle" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day of Issue Maximum Card for the U.S. 23c Flag Pre-sorted First Class Coil stamp issue of September 27, 1991. Throughout the history of the United States, many images have come to symbolize the ideals of the nation. But since the nation's history began, the American flag and the Bald Eagle have been held in reverence as the very essence of the nation. America's first national flag was raised on a hill near Boston on January 4, 1776, by the troops of General George Washington. It was named the Grand Union Flag, and bore thirteen red and blue stripes. It also displayed the crosses of St. Andrew and St. George -- symbols of America's British heritage. It was only after the Declaration of Independence was signed that Americans chose a flag of their own. Through the years, the design of the flag retained many of its original symbols while abandoning others. In 1818, the American flag was officially returned to its original thirteen stripes, with but a single star to be added upon the field of blue for each new state. The Bald Eagle, too, is symbolic of the mighty, peaceloving nation. For example, on June 20, 1782, the infant American government adopted The Great Seal of the United States. An image of the nation's independence and equality, the Seal bears the figure of an Eagle, chosen to grace the Seal for its self-reliance and proud bearing. Image Size: 11.25 x 22.75 in. Overall Size: 22 x 29.25 in. Unframed. (B11489) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• TYPES OF U.S. SILVER EAGLE
  TYPES OF U.S. SILVER EAGLE COINSFive slabbed versions of the American Eagle silver dollar, including a 2013 reverse proof, a 2013 proof, an enhanced 2013 BU, a 2015 regular issue eagle (graded ANACS MS-69) and an Early Release Ultra Cameo PF-70. shipping info This item can be shipped in-house.
• NEWELL CONVERS (NC) WYETH, AMERICAN
  NEWELL CONVERS (NC) WYETH, AMERICAN (1882-1945), N.C. WYETH AND HIS GRANDSON, EXHIBITION POSTER, 23 1/2"H X 19 1/4"W, 25 1/4"H X 21 1/4"W (FRAME)Newell Convers (NC) Wyeth, American, (1882-1945) N.C. Wyeth and His Grandson, exhibition poster Signed lower right by Jamie Wyeth. A Legacy, Terra Museum of American Art, Chicago. Biography from the Archives of askART: The following is from The New York Times online edition, 1/25/2001: N.C. Wyeth (1882-1945), America's greatest illustrator as well as an accomplished easel painter, dedicated his career to depicting American subjects in a fresh, energetic manner uninfluenced by European art - "true, solid American subjects - nothing foreign about them," as he put it in 1903. Reflecting times in which unconditional loyalty to country was taken for granted and the American flag was a sacred symbol of freedom, N.C. executed works that encapsulated those very American qualities. As television anchorman Tom Brokaw points out in his catalogue essay, the patriarch of the Wyeth clan "was a man of the first half of the century, roughly from Theodore Roosevelt to Franklin Delano Roosevelt, when Americans seemed to be framed in red, white and blue bunting and the background music was "Yankee Doodle Dandy" or Kate Smith singing "God Bless America". N.C.'s lifelong veneration for America's historical traditions, growing out of his New England heritage and strengthened by his Chadds Ford residency in the history-rich Brandywine Valley, manifested itself in idealized, heroic images of such larger-than-life personalities as Paul Revere, George Washington, Nathan Hale, Thomas Jefferson, John Paul Jones and Abraham Lincoln. He painted stalwart views of Stonewall Jackson and Ulysses S. Grant and action-packed renditions of Civil War combat, suggesting valor and patriotism on both sides. Commissioned by the government during World War I to create recruiting and propaganda posters, Wyeth had an output that ranged from images of brave doughboys helping their wounded mates, in "WWI Poster" (1918), to dramatic paintings of terrified Huns surrendering to gun-toting American infantrymen in Kamerad! (1919). Along with other Americans, N.C. was horrified by stories of atrocities committed by the German Army. He responded with vivid, impassioned images, such as "The Abdication of Attila" (1917), done for Life magazine, that suggested that Kaiser Wilhelm had outstripped the infamous Attila the Hun as the epitome of "supreme evil" and the "arch-tyrant" of history. Pondering an offer from the War Department to become an official artist at the Western Front, Wyeth remarked, "I wouldn't mind a crack at a Boche or two, and would be tickled to death if I could disembowel their divine leader...." Responding with equal patriotic fervor to the challenge of World War II, Wyeth underscored the determination of Uncle Sam and our citizen army in Amateurs at War: The American Soldier in Action (1943) and the heroism of GIs in the Pacific in Marines Landing on the Beach (1944). He recognized the contributions of farmers to the Allied effort in Soldiers of the Soil (1942), an illustration for a Brown and Bigelow calendar, and in another calendar work, Our Emblem (1944), reflected the symbolism of the American eagle protecting a tranquil New England hamlet. Wyeth's colorful Buy War Bonds (1942), featuring an assertive Uncle Sam clutching Old Glory and urging on planes overhead and infantrymen on the ground, helped the Treasury Department sell a lot of bonds to back the war effort. One poster sold $200,000 worth of bonds, while another took in $1 million, according to Wyeth biographer David Michaelis. In a tempera-on-panel, The War Letter (1941) he depicted his parents on the bucolic grounds of their home in Needham, Mass. As his mother reads a letter from the morning mail and a newspaper describing overseas developments lies next to her, his father looks on. It is a poignant vignette reflecting keen home front concern about unfolding wartime events. To N.C. Wyeth, the choice between good and evil, freedom and tyranny in both World Wars was clear. His characteristically bold, forceful images, imbued with old-fashioned patriotism, helped spur an embattled America on to victory in both conflicts. exhibition poster Dimensions: 23 1/2"H x 19 1/4"W, 25 1/4"H x 21 1/4"W (frame)
• FRAMED SILK LAFAYETTE RIBBON FROM
  FRAMED SILK LAFAYETTE RIBBON FROM HIS RETURN TO AMERICA IN 1824-25 Steel Engraved black on buff silk printed lapel ribbon of the American Eagle having an upper riband marked "The Nation's Guest", the oval bust portrait having a lower placard with Lafayette's name, surrounded by furled flags and military regalia. In black and gold stick frame, under a sky-blue mat, OS: 15" x 7", SS: 9 1/4" x 2 1/4", very good condition, folded, retains luster.
• DEPARTMENT OF STATE BLACK BALLPOINT
  DEPARTMENT OF STATE BLACK BALLPOINT PEN LENGTH: 5 1/2 IN. (13.97 CM.)DEPARTMENT OF STATE BLACK BALLPOINT PEN, black resin and gold bands, engraved with the Department of State and the American Eagle Dimensions: Length: 5 1/2 in. (13.97 cm.) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
• TIFFANY & CO. PORCELAIN DISH TO
  TIFFANY & CO. PORCELAIN DISH TO CELEBRATE PRESIDENT RONALD REAGAN'S 80TH BIRTHDAY, 1991 HEIGHT: 2 1/4 IN. (5.72 CM.) X DIAMETER: 3 3/4 IN. (9.53 CM.)TIFFANY & CO. PORCELAIN DISH TO CELEBRATE PRESIDENT RONALD REAGAN'S 80TH BIRTHDAY, 1991, designed exclusively for the Ronald Reagan Presidential Library, the lid with the American Eagle, the body of the dish in red, white and blue, in gilt stating 'In Celebration of the 80th Birthday of President Reagan,' the underside marked 'Designed By Tiffany & Co. Exclusively For The Ronald Reagan Presidential Library 1991' Dimensions: Height: 2 1/4 in. (5.72 cm.) x Diameter: 3 3/4 in. (9.53 cm.) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
• JAPANESE SILKWORK EMBROIDERED
  JAPANESE SILKWORK EMBROIDERED PICTURE OF AN AMERICAN EAGLE, FLAG AND SHIELD, LATE 19TH CENTURYJAPANESE SILKWORK EMBROIDERED PICTURE OF AN AMERICAN EAGLE, FLAG AND SHIELD, LATE 19TH CENTURY, circa 1890 large American Eagle and stars and stripes silkwork picture with gold threads and padded satin stitch, featuring the American Eagle above the U.S. flag and riband inscribed "E Pluribus Unum", with cocked U.S. flag shield at center, h: 18 3/4 x w: 25 3/4 in. (sight), h: 23 x w: 30 in. (framed)
• FIVE RAY HARM LIMITED EDITION
  FIVE RAY HARM LIMITED EDITION CHROMOLITHOGRAPHS, INCLUDING THE AMERICAN EAGLE AND MOUNTAIN LION, UNFRAMEDFive Ray Harm Limited Edition Chromolithographs, including The American Eagle and Mountain Lion, Unframed
• IVES THE NATIONAL GAME OF THE
  IVES THE NATIONAL GAME OF THE AMERICAN EAGLEW. & S. B. Ives The National Game of the American Eagle , ca. 1844, early hand colored fold-out game board with pocket for implements, teetotum, three counters, and original instruction sheet, board open - 17" x 14 1/4". Provenance: Siegel Collection, Noel Barrett Auctions, June 1992, lot 477. Provenance: The Collection of Bud & Judy Newman. Condition: Small areas of tape reinforcement near edges of hinge tape, overall excellent condition.
• 18TH C. AMERICAN SAILOR-MADE LADY'S
  18TH C. AMERICAN SAILOR-MADE LADY'S CORSET BUSK Carved in limewood, with many geometric hex patterns, initialed 'JFM' with heart at bottom, having a portrait of his ship and the American Eagle above. 12 1/2" long, 1 1/2" wide, blank back. Top section of upper loop missing at top.
• SCRIMSHAW, NORTH AMERICA, 20TH C.
  SCRIMSHAW, NORTH AMERICA, 20TH C. Small tooth depicting the American Eagle with Shield, signed "Sandy". 3" x 1 1/2".
• 1789 NORTH AMERICAN CALENDAR
  1789 NORTH AMERICAN CALENDAR RHODE ISLAND ALMANAC Rhode Island,1789Printed by Bennett Wheeler featuring the American Eagle on the cover and astrological projections on the first page.
• Chinese export cup and saucer, 18th
  Chinese export cup and saucer, 18th c., decorated with the American eagle and George Washington's initials Cup = 2"h x 3.5"dia (minor chip) Condition: Saucer has been repaired
• CAST IRON AMERICAN EAGLE RELIEF-
  CAST IRON AMERICAN EAGLE RELIEF- originally part of a fireback or stove. Showing the earliest version of the American eagle symbol circa 1805. 11 1/2'' x 14''. Heavily patinated surface. From the Marvin Sadik Collection.
• A Fine Framed Needlework "The
  A Fine Framed Needlework "The American Shield" c. 1876 depicting the American eagle amid stars and stripes shield and flags olive branches and arrows thirteen stars above and ribbon with "E Pluribus Unum" below height 28 in. width 31 1/2 in. depth 1 1/2 in.
• JAPANESE SILK METALLIC THREAD AND
  JAPANESE SILK METALLIC THREAD AND FABRIC EMBROIDERED PANEL MADE FOR THE AMERICAN MARKET Depicting the American eagle with glass eye flag shield and banner. Provenance: Property from a Private Collector. 25 1/2 x 31 1/4 in. 31 1/2 x 37 1/2 in. (frame).
• JAPANESE SILK METALLIC THREAD AND
  JAPANESE SILK METALLIC THREAD AND FABRIC EMBROIDERED PANEL MADE FOR THE AMERICAN MARKET ''In memory of my cruise in the Philippine Islands '' depicting the American eagle with glass eye flags shield and banner. Provenance: Property from a Private Collector. 26 1/2 x 20 in. 32 x 25 1/2 in. (frame).
• JAPANESE SILK METALLIC THREAD AND
  JAPANESE SILK METALLIC THREAD AND FABRIC EMBROIDERED PANEL FOR THE AMERICAN MARKET Depicting the American eagle flag shield and banner. Provenance: Property from a Private Collector. Purchased at The Old Print Shop New York. 17 1/2 x 19 1/2 in. 21 1/4 x 23 1/4 in. (frame).
• AMERICAN GILT-DECORATED GLASS
  AMERICAN GILT-DECORATED GLASS VASE Of flattened ovoid form the front with the American eagle shield and motto ''E Pluribus Unum '' beneath sun rays and stars the reverse with anthemion and other foliage. Provenance: Property from a Private Collector. 7 7/8 x 7 1/2 x 2 1/2 in.
• A Steuben Glass American Eagle
  A Steuben Glass American Eagle Ornamental Designed by Donald Pollard in 1975 the American Eagle #8304 measures apprx. 6"H engraved with "Steuben" on the underside.
• A Milk Glass Covered Dish and a
  A Milk Glass Covered Dish and a Clear Glass Covered Dish First a matte finish clear glass pedestal dish with figural cover of a dove both pieces marked with the Lenox Imperial mark ca. 1972-1981 apprx. 7-1/2"H x 8"W x 5-1/2"D. Second is a milk glass covered dish with the dish cast as a nest with the words "The American Hen" the lid cast in the form of the American Eagle protecting three eggs; "Porto Rica" "Cuba" and "Philippines". Underneath reads "Pat. Applied For" measures apprx. 3-3/4"H x 6-1/8"W x 3-1/2"D.
• George Washington & American
  George Washington & American Eagle Tooth. Description This is a very patriotic tooth with excellent quality scrimshaw overall. The American Eagle holding the banner reading "Live and let live" is a very popular theme seen in maritime art from the late 18th century through the 19th century. George Washington, the father ...
• Collection of thirteen Centennial
  Collection of thirteen Centennial mottoes late 19th century Consisting of five with Liberty Bell, four with the American eagle, one with crossed flags, one with a medallion of George Washington and crossed flags, one with a female figure symbolizing the Union and one with sketches of buildings at the Centennial, Presidents Washington and Lincoln and an eagle perched on a shield flanked by crossed flags, all with patriotic verse (13). Largest H: 17 in. W: 21 1/4 in. PROVENANCE: From the Stanley and Rose Rich Collection, Fairfield, CT. ,200 Ten with some staining, five of which the staining is moderate to severe. Wear to frames, one with broken corner.
• Pair of Chinese Export Porcelain
  Pair of Chinese Export Porcelain Salad Bowls, first half 20th century, made for the American market, each of squared outline with indented corners, decorated in famille rose enamels, one with decoration of the American eagle with the national motto on a banner held in its beak and clutching a sheaf of arrows and an olive branch in its talons, the other decorated with two badges, one with an armored arm holding a sword aloft, the other with a clothed arm holding up a cup, both bowls with exterior floral decoration and a border of stars on a blue field, both with a central interior floral spray and stylized fleur-de-lis border, h. 4", dia. 10".
• Two French Historical Bronze
  Two French Historical Bronze Medals, the first by Rene Gregoire (1871-1945), 1917, commemorating the entrance of the United States into World War I, the obverse with a bust of Woodrow Wilson (1856-1924) between the torch of Liberty and fasces of Right, above the American eagle and surrounded by stars, with the legend "Wilson", the obverse an allegorical scene of America meeting Britannia and Marianne before the seas of war, with the legend "La Droite est plus precieux que la paix...Nous nous battons pour la liberte" ("Right is more precious than peace...We are fighting for freedom."), dia. 69 mm; the other by Louis-Oscar Roty (1846-1911), 1880, a subscription medal for the financiers of the first failed attempt to create the Panama Canal, the obverse an allegorical scene of Peace introducing the Atlantic and Pacific, the reverse with legend "Canal de Panama Compagnie Universelle du Canal Interoceanique . 7, 8, et 9 Decembre 1880/a Ses Souscripteurs la Banque Pariesienne", dia. 35 mm, both touchmarked on the edge with the "cornucopia" medal mark in use from 1880.
• Two French Historical Bronze
  Two French Historical Bronze Medals, the first by Rene Gregoire (1871-1945), 1917, commemorating the entrance of the United States into World War I, the obverse with a bust of Woodrow Wilson (1856-1924) between the torch of Liberty and fasces of Right, above the American eagle and surrounded by stars, with the legend "Wilson", the obverse an allegorical scene of America meeting Britannia and Marianne before the seas of war, with the legend "La Droite est plus precieux que la paix...Nous nous battons pour la liberte" ("Right is more precious than peace...We are fighting for freedom."), dia. 69 mm; the other by Louis-Oscar Roty (1846-1911), 1880, a subscription medal for the financiers of the first failed attempt to create the Panama Canal, the obverse an allegorical scene of Peace introducing the Atlantic and Pacific, the reverse with legend "Canal de Panama Compagnie Universelle du Canal Interoceanique . 7, 8, et 9 Decembre 1880/a Ses Souscripteurs la Banque Pariesienne", dia. 35 mm, both touchmarked on the edge with the "cornucopia" medal mark in use from 1880.