A few examples of appraisal values for
THE ARRIVAL

• After F. A. Chapman ''The Arrival
  After F. A. Chapman ''The Arrival of Hendrick Hudson in the Bay of New York September 12 1609'' (Colton Zahm & Roberts New York 1868) chromolithograph 13 1/2 X 17 in. in original frame Estimate $ 150-250
• JOHN WILLIAMSON (AMERICAN 1826 -
  JOHN WILLIAMSON (AMERICAN 1826 - 1885) ARRIVAL AT THE SHORE. Oil on canvas initialed LL Stretcher: 12'' x 20'' Condition: No Specific Condition Recorded - Sold As Is
• Frank Moss Bennett
  Frank Moss Bennett (1874-1952)/The Arrival of the Coach/signed/oil on canvas, 36cm x 52cm
• Louis Icart (French, 1888-1950) Two
  Louis Icart (French, 1888-1950) Two color etchings: Arrival, 1941, edition 144/250, and Departure, each signed lower right in pencil "Louis Icart" with blindstamp, etching and aquatint with hand-coloring, 17-1/2 x 12-1/4 in. (plates), 21 x 15-1/2 in. (pages); matching black-painted frames,
• Mike Gorman after Willem van de
  Mike Gorman after Willem van de Velde (1633-1707)/The Arrival of a Dutch East India Fleet with a States Yacht on the left/oil on canvas over board, 74cm x 92cm
• Henry Alken/The Arrival of the
  Henry Alken/The Arrival of the Coach outside the Hatchetts Hotel, Piccadilly/signed/watercolour, 22cm x 35cm
• GAETANO PREVIATI (Italian
  GAETANO PREVIATI (Italian 1852-1920). ARRIVAL OF THE DIGNITARIES signed lower left. Watercolor - Framed sight: 9 1/2 in. x 15 1/4 in.
• PETER MAX (NY/GERMANY, 1937 - )
  PETER MAX (NY/GERMANY, 1937 - ) "Morning Arrival", limited edition serigraph, 1978, pencil signed and numbered 135/175, in silver and gold cove frame, black mat under UV plexiglass, OS: 30 1/2" x 37 1/2", image size: 19" x 26 1/2".
• MARC CHAGALL (RUSSIAN-FRENCH,
  MARC CHAGALL (RUSSIAN-FRENCH, 1887-1985) COLOR ETCHINGDESCRIPTION: Marc Chagall (Russian-French, 1887-1985) Color Etching. "Arrival of Beth Sheba to Jerusalem" . QUEEN OF SHEBA (S.278), from The Bible Series, 1952, hand colored etching, pencil signed " M. Ch.", pencil numbered "42/100" . Finished in a gilt wood frame. CIRCA:1950's DIMENSIONS: H:27" W:23" (In Frame), H:12.5" W:8.5" (Image size) CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• BJORN WIINBLAD (1918 - 2006):
  BJORN WIINBLAD (1918 - 2006): "ARRIVAL OF LUCILLE"from the play "No-No-Nanette", Arhus Theatre, 1973, mixed media drawing on paper, signed and dated lower right Provenance: with label verso from Bjorn Wiinblad Hus 24 1/2 x 34 1/2 inches paper; 25 3/4 x 35 3/4 inches frame Condition:
• Constantin Guys (1802-1892)/The
  Constantin Guys (1802-1892)/The Departure/watercolour, 18cm x 25cm/Provenance: Henry William Banks Davis, Collection Sale, Chorley's July 2017
• And Color Arrived (Chilean, b.
  And Color Arrived (Chilean, b. 1941) 40 x 30 inches.
• MARC CHAGALL (RUSSIAN-FRENCH
  MARC CHAGALL (RUSSIAN-FRENCH 1887-1985)MARC CHAGALL (RUSSIAN-FRENCH 1887-1985) Arrival of Dionysophanes from Daphnis and Chloe, published by Teriade, Paris, printed by Mourlot, Paris , 1961 lithograph on wove Arches France paper image: 42 x 32.5 cm (16 1/2 x 12 3/4 in.) signed lower right, inscribed with edition number 12/60 lower left (there is also a book edition of 250) PROVENANCE Swann Galleries, New York, March 5, 2009, lot 92 Acquired at the above by the present owner LITERATURE Mourlot 344; Cramer 46 CONDITION Observed in frame, crisp, bright impression with no apparent issues. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• DAVID HOCKNEY POSTER THE ARRIVAL OF
  DAVID HOCKNEY POSTER THE ARRIVAL OF SPRING SIGNEDDavid Hockney (American, b.1937), The Arrival of Spring - 2011, offset lithograph in colors. Signed in graphite lower right. Unframed approx. 19" x 48".
• French School 19th Century The
  French School 19th Century The Departure of a Pilgrim and A Country Dance: Two Estimate:$2,000-$3,000
• Bob Guelich (American/Texas b.
  Bob Guelich (American/Texas b. 1944) "Early Arrival" 1979 bronze signed dated titled and numbered 3/43 on base wood pedestal height 23 in.
• JáNOS PáSZTOR, BRONZE SCULPTURE,
  JáNOS PáSZTOR, BRONZE SCULPTURE, DATED 1907János Pásztor, 'The Departure', bronze sculpture, signed and dated 1907. Dimensions, 8.25" h x 8.5" w x 9" d. Pásztor was a renowned Hungarian academic sculptor in the first decades of the 20th century.
• TWO FRENCH PRINTS AFTER FRANCOIS
  TWO FRENCH PRINTS AFTER FRANCOIS BOUCHER. Printed in Paris, 1st half 20th century. Hand colored engravings of shepherd and shepherdess "Le Depart du Courier" and "L'Arrivee du Courier". One has some toning. Framed, 25.75"h. 21.25"w.
• James Guy Evans (English b. 1810;
  James Guy Evans (English b. 1810; active New Orleans 1843-1853) "Arrival of Gen. Z. Taylor & Staff at Balize on the U. S. Steam Ship Monmouth B. T. Willse Commander / November 30th 1847" oil on canvas signed lower right titled and dated lower center and inscribed U.S.Q.M.D. [United States Quartermaster Department] on the steam ship's pennant 29 in. x 36 in. in an attractive gilt frame. Note: This impressive picture documents the return to Louisiana of the hero of the Mexican War of 1846-48 General Zachary Taylor. Some confusion has been engendered by a misunderstanding of the term "Arrival.at Balize"; in fact the lighthouse shown above a fortified wall here represents the Balize a small fort built in 1734 (now submerged) near the site of the present Pilot Town on the Northeast Pass of the Mississippi River delta; The Balize was indeed the subject of a well-known New Orleans watercolor by Benjamin Henry Latrobe (1764-1820) that was copied in oils by his son J. H. B. Latrobe (1803-1891). The Mexican War began after the annexation of Texas in 1845 when Mexico broke off diplomatic relations with the United States and sent forces to attempt to take back the territory. General Taylor was able to successfully defend Texas and defeat Santa Anna's troops at the Battle of Buena Vista turning Taylor into a national hero and solidifying him as the Whig nomination for President in 1848. Taylor and his soldiers having successfully ended the campaign in Mexico sailed on the steamer McKee from Matamoros Mexico to the Brazos Santiago Pass off the coast of Texas where they boarded the Monmouth. From there Taylor was taken across the Gulf of Mexico and up the mouth of the Mississippi River. At the Balize any vessel bound toward New Orleans would have performed a crucial piloting activity; the prominent figure in the bow of the ship is depicted doing just so. Taylor and his staff are shown here on the roof of the stern cabin being greeted by an official delegation from the state of Louisiana. After his arrival in New Orleans Taylor remained at his home near Baton Rouge until he was elected the 12th President of the United States of America. James Guy Evans though born in England came with his wife to the United States via Spain where their first child was born about 1836; two more children were born in Mobile in the later 1830s and two more in Louisiana in the early 1840s. A self-taught artist specializing in marine scenes Evans painted "portraits" of ships usually commissioned by their commanders. For a period after their joint advertisement in the Daily Orleanian in 1850 Evans worked in partnership with the portrait and landscape painter Edward Everard Arnold (1824/6-1866); they proposed a large lithograph of the city as a general view from their studio in the Fauburg Marigny but that scheme was never carried out. A closely similar picture by Evans the Tow Boat Conqueror of New Orleans.Coming Up from the Balize October 29th 1847 was sold in these rooms on 20 November 2010 as Lot 321. References: John Mahé et al. Encyclopaedia of New Orleans Artists Historic New Orleans Collection 1987 p. 129; "Taylor Zachary " Dictionary of American Biography vol. 18 (1936) pp. 349-354; Colonial Dames of America (Mrs. Orville Lay ed.) Alabama Portraits Prior to 1870 Mobile 1969 p. 223; Karen Kingsley Buildings of Louisiana Oxford 2003 p. 150; Jesse J. Poesch et al. Printmaking in New Orleans Jackson and New Orleans 2006 pp. 33 129; Eric Heyl Early American Steamers Vol. 6 Buffalo 1969; William K. Bixby Letters of Zachary Taylor from the Battle-Fields of the Mexican War The Genesee Press Rochester NY 1908 "Letter from Zachary Taylor to Robert Wood 10 December 1848."
• THE WELCOME - IN BEFORE THE
  THE WELCOME - IN BEFORE THE SHOWER Print: 22 x 151/2 in. Framed
• De Regenouf (20th century)
  De Regenouf (20th century) Departure watercolor signed (lower left) 13 x 23 inches.
• THE WELCOME - IN BEFORE THE
  THE WELCOME - IN BEFORE THE SHOWER Print: 22 x 151/2 in. Framed
• OLEG ULITSKIY OIL ON LINENOLEG
  OLEG ULITSKIY OIL ON LINENOLEG ULITSKIY (Washington/Ukraine, b.1965) oil on linen, "La Llegada de la Pescajen," return of the fishing boats, after the painting by Joaquin Sorolla (Spain, 1863-1923). Signed lower right, dated 2017, 12" x 24" (image), 18.5" x 30.5" (gilt wood frame).
• BRANCH, Joann, (American, 20th C.):
  BRANCH, Joann, (American, 20th C.): ''Arrival to the New Frontier'', Bronze, depicts a woman looking out to the horizon, 16'' h, incised signature, numbered 2 of 35, affixed to polished walnut plinth, the approximate height of the sculpture is 12'', placed on a rotating stand.
• AFTER THOMAS BROOKS (BRITISH,
  AFTER THOMAS BROOKS (BRITISH, 1818-1891), THE DEPARTURE / THE RETURN (TWO WORKS) Hand-colored steel engravings, 19th century, engraved by Frederick Stacpoole and Frederick Hunter (respectively), presented in uniform silvertone frames.
• John Hill (1770-1850) after P.J. de
  John Hill (1770-1850) after P.J. de Loutherbourg - Coloured aquatint - ''Margate with the Arrival of the Hoy'' 13.5ins x 20ins published October 1st 1808 by I. & W. Macgavin No. 197 New Bond Street London in moulded frame and glazed and Joseph C. Stadler (fl. late 18th/early 19th Century) - Aquatint - ''Panoramic View of Rochester and Chatham'' 12ins x 20.5ins published June 1st 1795 by J. & J. Boydell Shakespeare Gallery Pall Mall and No. 90 Cheapside in moulded and gilt frame
• Four aquatints after Turner:
  Four aquatints after Turner: Hawking: The Departure, The Rendezvous, The Fatal Stoop, Disgorging, London, I.W. Laird, 1839, engraved by R.G. Reeve after F.C. Turner (British, active 1810-1846), hand-colored aquatints on wove paper, plates approximately 20-3/8 x 15-7/8 in., pages approximately 30-3/8 x 21-7/8 in., unframed. Pencil inscriptions, stains, some tears, light foxing, creases, toning and fading.
• Allen Blagden (American, b. 1938)
  Allen Blagden (American, b. 1938) First Arrivals watercolor signed Allen Blagden (lower right) 36 x 24 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• A MOULINSART "TINTIN" FIGURINE,
  A MOULINSART "TINTIN" FIGURINE, "ILS ARRIVENT", 2017A Moulinsart "Tintin" figurine, "Ils arrivent", 2017 Edition 1861 of unknown size Marked to underside of base with Tintin logo The polychrome resin ensemble depicting Tintin with a suitcase and his dog Snowy (Milou) on metal base, made by Herge/Moulinsart for the "Classics of Tintin" collection Dimensions: With base: 8.325" H x 6.25" x 7" D Provenance: Private Collection, California
• Italian School (20th Century)
  Italian School (20th Century) "Ship Approaching the Harbor", oil on canvas, 24" x 18". Presented in a parcel-gilt burlwood frame.
• MATTHEW DUBOURG. TWO LONDON
  MATTHEW DUBOURG. TWO LONDON THEMED ENGRAVINGS The Queen Returning from the House of Lords and "Arrival at Brandenburg House of the Watermen," sight size of each: 12 1/2 x 16 in., both framed.
• ALLAN DOUGLAS DAVIDSON (BRITISH
  ALLAN DOUGLAS DAVIDSON (BRITISH 1873-1932) THE NEW ARRIVAL Signed, oil on canvas76cm x 127cm (30in x 50in)Provenance:Private Collection, Stirlingshire, Scotland
• Dutch School (Late 19th/Early
  Dutch School (Late 19th/Early 20th Century) "Sailboats Arriving at Harbor", oil on panel, 20" x 16", signed lower left "Moffat, Lindsee". Presented in a gilt and gesso frame.
• 19th c. engraving ''The Depart''
  19th c. engraving ''The Depart'' artist Carle Vernet. Sight 18'' x 21 1/2''.
• PAINTING, BENINI Benini (Italian,
  PAINTING, BENINI Benini (Italian, b. 1941), "The Departure," 1988, acrylic on canvas affixed to panel, signed, dated and titled verso, sight: 20"h x 30"w, overall (with frame): 35.5"h x 25.5"w. Provenance: Estate of Sheila Martin-Stone (Oakdale, California). Ms. Martin-Stone was one of the founders of Triplex Direct Marketing in 1972. The company pioneered the management of computerized mailing lists.
• MANNER OF MICHELE FELICE CORNE.
  MANNER OF MICHELE FELICE CORNE. Landing at Plymouth. Oil on canvas laid to board. Inscriptions to bottom of board read "Landing of our forefathers at Plymouth, December 22, 1620". Verso reads "F.C. HUNT". From a Norwalk, CT estate. Dimensions: 21" h x 23" w. Condition: Craquelure. Minor scuffs and scratches. Dark Varnish difficult to determine earlier restoration.