A few examples of appraisal values for
THE ASSUMPTION

• SPANISH COLONIAL - NATIVE
  SPANISH COLONIAL - NATIVE AMERICAN GILT SILVER RELIGIOUS PENDANTPossibly Bolivian, Peruvian or a Native American Hudsons Bay trade item. 19th Century. Depicting the Assumption of the Blessed Virgin Mary above the Angels. Silver with a gold wash front and back. Rep
• SUSANA D. SCARBOROUGH (CALIF 20TH
  SUSANA D. SCARBOROUGH (CALIF 20TH C), TOMALES CHURCHSusana D. Scarborough (Californian 20th century), Church of the Assumption of Mary, Tomales, CA, oil on canvas, signed lower left, 12" x 9", frame:17 1/2" x 14 1/2". Very good condition.
• RELIGIOUS GILT METAL PLAQUE
  RELIGIOUS GILT METAL PLAQUE ASSUMPTION OF MARYContinental gilt cast metal wall plaque, 20th c., with ribbon crest, oval frame, central scene in relief of the assumption of Mary into heaven, approx 18.25"h, 11.75"w, 6.75lbs
• Pitfalls of Youth propoganda
  Pitfalls of Youth propoganda movie poster, c. 1930, original lithograph on paper, 35-1/4"x27-1/2" sheet, framed 36-1/2"x29-1/4", good condition, fold creases, no visible damage, The poster is professionally framed and we have not inpsected it out of frame, it dose not appear to be laid down on board as there are areas where the paper is rippled as well as the creases appear to be slightly raised, but we cannot guarantee it, bid with the assumption that it may be laid down
• TWO ANTIQUE EASTERN ORTHODOX
  TWO ANTIQUE EASTERN ORTHODOX ICONSTwo Antique Eastern Orthodox Icons, "The Protection of the Mother of God" and "The Dormition of the Mother of God (The Assumption)", temperas and gilt on panel, both inscribed in Cyrillic, 12 1/4 in. x 10 1/2 in. and 13 1/8 in. x 11 1/2 in., unframed. (2 pcs.) Condition: Overall poor condition.
• THREE RUSSIAN PENDANTS,
  THREE RUSSIAN PENDANTS, including, enamel crucifix, 19th century, polychrome, with Christ flanked by Virgin Mary and John the Baptist, while Mary Magdalene kneels at his feet, in a silver mount with partially rubbed Cyrillic mark, ht. 3 3/4; porcelain and enamel oval pendant, 19th century, depicting the assumption of Mary, with Cyrillic inscription on back, .875 silver mounted, ht. 3 1/4; and a orthodox cross pendant with enamel cabochons, ht. 3 in.
• GIERS NASHVILLE ARCHIVE 1 - ALBUM
  GIERS NASHVILLE ARCHIVE 1 - ALBUM OF STEREOVIEW IMAGESAn archive of images of Nashville, circa 1884, all mounted on album pages, most inscribed with identifying captions. Most are stereoview prints. 40 pages containing approximately 150 views (300 images) including Fort Negley and the "Negro Settlement" at Fort Negley, and numerous views of the grounds and Interior of the State Capital Building including corridors, Hall of Representatives, library with images of portraits, flags, and artifacts, and views from the Capitol looking in each direction (note one is a panoramic stereoview), and numerous views of Vanderbilt University, the Great Snow , the City Cemetery, Mt. Olivet Cemetery, National Cemetery, and Mount Calvary Cemetery. Other images include the Cumberland Riverfront, High Street, City Hall, Customs House, Court House, a young black child standing in a field with dilapidated houses behind him, Spring Park, Stevenson Avenue, Park Street, Spruce Street, Cherry Street, College Street, Market Street, Nashville Public Square, Cole Building, Woodland Street Suspension Bridge, the Railroad Bridge, German Lutheran Church, St. Mary's Catholic Cathedral (interior and exterior), St. Ann's Church, Church of the Assumption, St. Peter's Chapel, Elm Street Church, Central Baptist Church, McKendree Church, Trinity Church, Church of the Advent, Jewish Synagogue, the Penitentiary, Gilchrist Hotel, Nashville and Chattanooga Railroad Depot, the "Insane Asylum" including the "Colored Department", Roger Williams University, Hume Fogg School, Howard School, School for the Blind, South Nashville Normal School, Ward Seminary, Price's Seminary, St. Bernard Academy, Montgomery Bell Academy, Fisk University - Jubilee Hall and Livingston Hall, the Wharf (riverfront), Central Tenn. College, French Spring Lick (Sulphur Spring), Tulane Hotel, Belle Meade Plantation, the Surry Jones Gospel Tent, and residences of Captain Ryman, Col. E.W. Cole, Gen. Houston, William Morrow, J. W. Thomas, and William Duncan. Provenance: the estate of Giers descendant Sarah Hunter Hicks Green, formerly of Historic Devon Farm, Nashville, Tennessee. Note: Carl C. Giers immigrated from Germany and arrived in Nashville in 1852. He set up a photo gallery downtown, photographing many Nashville occupants and visitors - including notable Civil War figures during the city's Union Occupation. C.C. Giers passed away in 1877 and the studio was sold, but his son, Otto Giers, only 19 when his father died, took up the trade and continued it as part of the firm Thuss, Kollein and Giers. In 1885, he undertook a series of documentary photographs of Nashville sites (some of which are represented here). Some of these images were published in the 2 vol. series IMAGES OF AMERICA: NASHVILLE FROM THE COLLECTION OF CARL AND OTTO GIERS by James Hoobler. Provenance: the estate of Giers descendant Sarah Hunter Hicks Green, formerly of Historic Devon Farm, Nashville, Tennessee. (Higher-resolution photos are available at www.caseantiques.com) Condition: Some pages have images clipped, but the majority are intact with light discoloration and edge chipping (mostly affecting the rigid album boards). All images are adhesive-mounted to album pages, which have become brittle. 17 pages have come unbound from spine. Leather exterior of album is extremely worn, including the spine.
• (5) VELLUM-BOUND LATIN BOOKS,
  (5) VELLUM-BOUND LATIN BOOKS, 17TH/18TH CENTURY(lot of 5) Velum-bound books written in Latin, 17th/ 18th c., including: (1) D. Justiniani Sacratissmi Principis Institutionum, Sive Elementorum Libri Quatuor, Amsterdam, 1708, illustrated frontpiece, 665 pages; (1) Joh. Doughtei theologi & philologi anglobritanni celeberrimi De calicibus eucharisticus veterum christianorum liber plane singularis, cum Johannis Faes, 1693, retaining fold out illustrations, one regarding the Assumption of Mary; (3vol.) Titi Livii historiarum quod extat ex recensione JF Gronovii, Amsterdam, 1679; largest book: 8"h, 5"w, 2.5"d, 8.75lbs total
• EDWIN HOWLAND BLASHFIELD (NEW
  EDWIN HOWLAND BLASHFIELD (NEW YORK/MASSACHUSETTS, 1848-1936), "CARNEGIE HALL", POSSIBLY AN IMAGE OF THE ASSUMPTION., OIL ON BOARD, 20" X 10". FRAMED 24.5" X 14.5".EDWIN HOWLAND BLASHFIELD, New York/Massachusetts, 1848-1936, "Carnegie Hall", possibly an image of the Assumption. Unsigned. Inscribed verso "E H Blashfield Carnegie Hall". Dimensions: Oil on board, 20" x 10". Framed 24.5" x 14.5".
• FIVE MEZZOTINTSFIVE MEZZOTINTS:
  FIVE MEZZOTINTSFIVE MEZZOTINTS: Edward Hester (U.K., 1843-1903) "Lady Hamilton"; Valentine Green (U.K., 1739-1813) "The Assumption of the Virgin" after Morellio; Elizabeth Gulland (U.K., 1857-1934) children; T. Hamilton Crawford (U.K., born 1860) Mrs. Sheridan after Thomas Gainsborough; Louis Busiere (France, 1880-1960), children. Images measure from 15" x 10.5" to 22.5" x 17.5". In wood frames.
• SCHOOL OF GUIDO RENI, ITALIAN
  SCHOOL OF GUIDO RENI, ITALIAN 1575-1642, THE ASSUMPTION OF THE VIRGIN, PEN AND BROWN INK WITH GREY WASH ON LAID PAPER WITH A PARTIAL WATERMARK, SHEET: 7 X 6 IN. (17.8 X 15.2 CM.), FRAME: 10 3/4 X 9 1/4 IN. (27.3 X 23.5 CSCHOOL OF GUIDO RENI, ITALIAN, 1575-1642 THE ASSUMPTION OF THE VIRGIN, Pen and brown ink with grey wash on laid paper with a partial watermark Upper right inscribed in Hebrew: Yhwh; inscribed on mount: upper right: Teresa!; lower left: Assumption; lower right: Guido Reni 1575-1642 Ec. Ital.; This study relates to the upper section of Reni's Assumption of Mary in the church of Saint Ambrose (Chiesa del Gesu) in Genoa. Pen and brown ink with grey wash on laid paper with a partial watermark Dimensions: Sheet: 7 x 6 in. (17.8 x 15.2 cm.), Frame: 10 3/4 x 9 1/4 in. (27.3 x 23.5 cm.) Provenance: Drouot 13 June, 2013; Pennsylvania Collection
• FLORENTINE SCHOOL , 17TH/18TH
  FLORENTINE SCHOOL , 17TH/18TH CENTURY, THE ASSUMPTION OF THE VIRGIN, PEN AND INK ON LAID PAPER WITH FLEUR-DE-LIS WATERMARK, SHEET: 9 1/8 X 6.3 IN. (23.2 X 16.1 CM.), FRAME: 14 5/8 X 11 1/2 IN. (37.1 X 29.2 CM.)FLORENTINE SCHOOL, 17TH/18TH CENTURY THE ASSUMPTION OF THE VIRGIN, Pen and ink on laid paper with fleur-de-lis watermark Verso: Head of Christ in black chalk; inscribed on mat: Antonio Gabbiani Pen and ink on laid paper with fleur-de-lis watermark Dimensions: Sheet: 9 1/8 x 6.3 in. (23.2 x 16.1 cm.), Frame: 14 5/8 x 11 1/2 in. (37.1 x 29.2 cm.) Provenance: Aguttes, October 13, 2009; Pennsylvania Collection
• MANNER OF PAOLO DE MATTEIS
  MANNER OF PAOLO DE MATTEIS (ITALIAN, 1662)Manner of Paolo De Matteis (Italian, 1662-1728) , "The Assumption" and "The Annunciation", 2 oils on canvas, both unsigned, "Haynes Fine Art, Worcestershire" label with artist en verso, each 53 in. x 29 in., framed alike. (2 pcs.)
• MEXICAN RETABLO. Original paint
  MEXICAN RETABLO. Original paint on tin with location and date "Guanajuato, 1932". Family with candles and Mary of the Assumption with dedication below. Wear. 8"h. 10.5"w.
• 17th Century Bolognese School/The
  17th Century Bolognese School/The Assumption of the Virgin/oil on canvas, 168cm x 120cm
• MADONNA OF THE ASSUMPTION,
  MADONNA OF THE ASSUMPTION, PORTUGUESE, TERRACOTTA Madonna of the Assumption, a terracotta figure, 20th C, Portuguese, depicting the Virgin with her arms crossed over her chest, her figure balanced upon the crescent moon supported by clouds and angels, the interior siged "Fac. Portugal" 18.75" H (overall).
• 17TH C. KIEV SCHOOL WOOD ICON
  17TH C. KIEV SCHOOL WOOD ICON Eastern Orthodox Icon of The Assumption of the Virgin Mary, surrounded by scenes from her life, polychrome with gilding, 12 1/2" x 10 1/4". Some wear.
• Five Gilt and Painted Wood
  Five Gilt and Painted Wood Triptychs 19th/20th Century comprising one hand-painted example depicting the Assumption with an inscription on verso referencing Archbishop John Purcell, a printed example after Hans Memling, and three other printed triptychs. Height of tallest 17 3/8 x width 9 3/8 x depth 3 3/8 inches (closed). Property from the Collection of the Sisters of Charity, Mount Saint Joseph, Ohio
• SCHOOL OF MAARTEN DE VOS: THE
  SCHOOL OF MAARTEN DE VOS: THE ASSUMPTION OF THE VIRGIN Ink on paper signed and dated 1599 lower right. Provenance: Herbert E. Feist NY 1973; Ex Collection N. Lainier Earl of Arundel Van Frankenstein. 15 1/2 x 9 3/8 in. (sight sheet) 25 x 18 3/4 x 1 3/4 in. (frame).
• An 18th Century needlework
  An 18th Century needlework picture The Assumption of the Blessed Virgin Mary with two accompanying saints within clouds 30.5cm x 24cm (12" x 9.5")
• Melvin Miller American 1937-2007
  Melvin Miller American 1937-2007 Basilica of the Assumption Baltimore oil on canvas signed and dated ''M. Miller 1976'' ll 9 x 12 in. framed Estimate $ 400-600 Paintings have not been examined by blacklight.
• Large Spanish Colonial Oil
  Large Spanish Colonial Oil Painting, first quarter 19th century, depicting "The Assumption of the Virgin of The Sacred Heart" surmounting a vignette of the infant "Christ, Salvator Mundi", flanked by a seraph and St. Joseph, presented in a period carved, bright blue-painted and parcel-gilt wooden frame in the rococo taste, h. 27-1/4", w. 24".
• Russian Polychromed and Parcel-Gilt
  Russian Polychromed and Parcel-Gilt Wooden Ikon of "Scenes from the Life of the Virgin and the Youthful Christ", third quarter 19th century, arranged as twelve separate vignettes framing a larger central scene of the Assumption of the Virgin, h. 12-1/4", w. 10-3/8".