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THIRTEEN ''CRIES OF LONDON''
THIRTEEN ''CRIES OF LONDON'' PRINTS. English late 19th century. Various London street scenes after Francis Wheatley's paintings. 13''h. 10''w. In matching wooden frames. 19.25''h. 14.25''w.
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FOUR REPRODUCTION ENGLISH
FOUR REPRODUCTION ENGLISH ENGRAVINGS, CRIES OF LONDON, SIZE 17X15 INCHESFour Reproduction English Engravings, Cries of London, Size 17x15 inches
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After Thomas Rowlandson/Cries of
After Thomas Rowlandson/Cries of London/five, no 1, 2, 3, 4 and 8/hand coloured etchings, 32.5cm x 26cm
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Lot 3 19th c. ''Cries of London''
Lot 3 19th c. ''Cries of London'' (Painted by F. Wheatly'') prints. Framed and matted. Site 16'' x 12''.
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AFTER FRANCIS WHEATLEY: "THE
AFTER FRANCIS WHEATLEY: "THE CRIES OF LONDON" 13 plates published by Colnaghie London; 14 x 11 1/8 in. (image sight) stipple engravings in colors.
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Set of (11) 19th c. ''Cries Of
Set of (11) 19th c. ''Cries Of London'' prints. Site 10'' x 8''. Reverse painted frames imperfections.
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RARE 'THE CRIES OF LONDON' PLATES
RARE 'THE CRIES OF LONDON' PLATES COLLECTION"The Cries Of London", rare, complete thirteen plates collection, mid 19th century, painted by F. Wheatley R. A., D’après L. Schiavonetti Mezzotint, 13.75" x 10.75" (image size). Plate 1: Two Bunches a penny primrose, two bunches a penny - Un sol mes deux poignéees de primeroses, à un sol. Plate 2: Milk below Maids - Qui veut du lait il est tout chaud. Plate 3: Sweet China oranges, sweet China. - Oranges sucrées, Oranges fines. Plate 4: Do you want any Matches? - Marchand d’Allumettes achète mes bonne Allumettes. D’après A. Cordon. Plate 5: New Mackrel, New Mackrel - Maquereux, Maquereux frais Et Gros. Plate 6: Knives, Scissors and Razors to Grind. - Couteaux, Ciseaux, Rasoirs à repasser. D’après G. Vendramini. Plate 7: Fresh Gathered Peas, Young Hastings. Pois Rames, Pois Nouveaux écorces. D’après G. Vendramini. Plate 8: Round & Sound Five pence a Pound Duke Cherries. - Cerises douces, Cerises à la douce Cerise. D’après A. Cordon. Plate 9: Strawberries, Scarlet Strawberries. - Fraises, fraises, mes belles fraises. D’après G. Vendramini. Plate 10: Old Chairs to Mend - Vieilles chaises à rempailler. D’après G. Vendramini. Plate 11: A New Love Song only ha’penny a piece. - Chanson nouvelles deux sols le livre. D’après A. Cordon. Plate 12: Hot Spice Gingerbread, Smoking hot! - Du Croquet de Pain d’Épices! D’après G. Vendramini. Plate 13: Turnips & Carrots ho. - Carrottes & Navets. D’après T. Gaugain.
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SET OF THIRTEEN CRIES OF LONDON
SET OF THIRTEEN CRIES OF LONDON PRINTS 10" X 13-1/2" (I...Set of Thirteen Cries of London Prints 10" x 13-1/2" (image)
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
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20TH C. SCHOOL: "THE CITY OF LONDON
20TH C. SCHOOL: "THE CITY OF LONDON IN 1964" Collaged newspaper and architectural photographs on a hand-colored lithographic print 15 x 23 in. (image) signed J.A. Anthony.
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SET OF FIVE CRIES OF LONDON
SET OF FIVE CRIES OF LONDON ENGRAVINGS. England early 20th century handcolored restrikes. Nicely framed. 21 1/2''h. 17 1/4''w. Together with a resin plaque of Albrecht Durer's Knight Death and Devil. Unframed 10''h. 8''w.
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After Francis Wheatley (British,
After Francis Wheatley (British, 1747-1801) "Cries of London" two color engravings after prints by Giovanni Vendramini plate 9-"Scarlet Strawberrys" and plate 12-"Hot Spice Gingerbread" 13 3/4" x 10 3/4"
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Set of ten framed hand-colored
Set of ten framed hand-colored stipple engravings (after) Francis Wheatley British 1747-1801 from the series titled "The Cries of London" published by L. Schiavonetti et al. Image 14"x11" overall20.25"x15.75"
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Two dried flower pictures a
Two dried flower pictures a flower print and a print from the 'Cries of London' series
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English School (20th c.) London
English School (20th c.) London Street Sceneoil on canvas illegible signature lower right an impressionist cityscape in which pedestrians scurry by a bright red telephone booth on a gray late autumn day. A large domed building likely St. Paul's Cathedral dominates the background. Presented in a modern wooden frame.SS 17.75 x 25 in.; DOA 22 x 29 in.Estate of the late Arthur H. Danielson of Raleigh NC
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Group of two vintage decorative
Group of two vintage decorative arts collection, including: Engraving, D'apres Vendramini, ''Cries of London'' after an original painting by Francis Wheatley (1747-1801); Studio Dante di Volteradici Collector Plate, Serene Madonna, with certificate of authenticity; overall good condition, age wear, surface wear; largest L 10" H 13" (Approx.)
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THREE ANTIQUE AERIAL VIEWS OF
THREE ANTIQUE AERIAL VIEWS OF LONDON Each a hand-colored engraving, circa 1750, Thomas Bowles, to include "The South East Prospect of Westminster," "The South West Prospect of London," and "A General View of the City of London, Next to the River Thames," presented in uniform framing.
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Panorama of London and the Thames.,
Panorama of London and the Thames., circa 1846, Illustrated London News, 4to, coloured wood engraved panorama, printed key on separate tipped in leaf, original green cloth board, with decorative cloth design on upper cover with gilt arms of the City of London/see illustration
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1 vol. The Great Chronicle of
1 vol. The Great Chronicle of London. London, 1938. #24/500 printed on hand-made paper at The Sign of The Dolphin. Edited by A.H. Thomas & I.D. Thornley. 4to, orig. full brown morocco, gilt-armorial front cover, gilt-lettered spine, t.e.g., other edges untrimmed, raised bands; spine & edges fading, by Zaehnsdorf. With 10 facsimiles. Internally clean. Guildhall Library MS
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THE AMUSEMENTS OF OLD LONDON BY
THE AMUSEMENTS OF OLD LONDON BY BOULTON, 2 VOLS. Both volumes of 'The Amusements of Old London' by William B. Boulton, published in 1901 by John C. Nimmo, 14 King William Street, Strand, bound in red leather with gilt lettering. 9.25" H x 7.25" W x 1.5" D.
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A set of six coloured prints of
A set of six coloured prints of London landmarks each 20 x 13 cm together with a lithograph of a Constable painting of the River Stour.
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Nutter after Singleton/Coming
Nutter after Singleton/Coming from Market/two coloured engravings and/two others, Cries of London/Provenance: from the Estates of Lord & Lady Charteris
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Two albums and a folder of
Two albums and a folder of postcards and photos including many early 20th. century scenes of London.
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ANTIQUE ENGLISH SCHOOL VIEW OF
ANTIQUE ENGLISH SCHOOL VIEW OF LONDON Ink and watercolor on paper, mounted to support sheet with text beneath image, circa 1800 (Regency Period), retains gallery label to verso, in antique but later period frame.
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MR. DRYDEN, FABLES ANCIENT AND
MR. DRYDEN, FABLES ANCIENT AND MODERN, LONDON 1700Mr. Dryden, Fables Ancient and Modern, London 1700
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Bugle marked ''The
Bugle marked ''The buglet...London''.
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Full Cry (British, 1775-1831) 21
Full Cry
(British, 1775-1831)
21 x 39 inches.
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Wyld's New Map of London. 1863
Wyld's New Map of London. 1863 Wyld's New Map of London 1863.? London: James Wyld 1863.? 4 x 6 in. closed 37.75 x 21.75 open.? Hand-colored.? Condition: Cover worn at edges front cover separated at spine.? Light toning and soiling of map mostly in margins and along folds.
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19th Century Engraving of London "A
19th Century Engraving of London "A Prospect of the City of London" by John Kip, published by John Smith, London, circa 1820, large-scale panoramic view with additional title La Ville de Londres. Prospectus Londinensis in cartouche at top and location key at bottom, two joined sheets, hand-coloring and gum arabic, engraving on laid paper, 19-1/8 x 46-1/8 in. (plate); modern painted wood and composition frame,
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CRUCHLEY'S EVIRONS OF LONDON 1823
CRUCHLEY'S EVIRONS OF LONDON 1823 ENGRAVED, HAND COLORED MAP 24"H X 24"WCruchley's Evirons of London 1823 engraved, hand colored map, "extending 15-18 miles round St. Paul's on a Scale of Three Quarters of an Inch to a Mile, On which is carefully delineated all the Main & Cross Roads, Foot paths, & Gentlemen's Seats, Parks, Inns. Divisions and Sub-divisions of the Counties in the Hundreds, EC, EC, EC. Constructed & Improved from a minute investigation. from Actual Survey. Engraved and Published July 17, 1823 by G. F. Cruchley Mapseller, London Dimensions: 24"H x 24"W
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Early 19th C. English School oil on
Early 19th C. English School oil on canvas The Great Fire of London 12 x 16in. Estimate ?200-300 Oil on canvas thought to have been re-lined 50 years or more ago canvas still tight though rather dark and dirty slight stretcher marks showing notably on the left and right sides no sign of any signature overall good condition and should clean to good effect one retouch to hole noted just below the front of the boat on the right hand side no labels or inscriptions verso. In an old gilt gesso frame with some losses. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?600
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6 vols. London: Brayley, Edward
6 vols. London: Brayley, Edward Wedlake. Londiniana; or, Reminiscences of The British Metropolis. London: Hurst, Chance, 1829. First edition. 4 vols. Sm. 8vo, old bds., orig.? paper spine labels; some edge wear, joints occasionally tender. With 103 plates (incl. fold. plates), views, maps., facs. Scattered light foxing. Late 19th-Century owner's ink signature at head of title page. Untrimmed. * Herbert, William. The History of The Twelve Great Livery Companies of London. London, 1837, 1836. 2 vols. 8vo, 19th-Century 3/4 brown calf & cloth, gilt-ruled spine, morocco spine labels, raised bands, marbled edges; scuffed, joints rubbed, by Morrell. Fold. table, text illus. Internally clean. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
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A Cary's ''New and Accurate Plan of
A Cary's ''New and Accurate Plan of London and Westminster the Borough of Southwark and Parts Adjacent'' with hand coloured sections laid on to linen with keys to public buildings churches and streets 32ins x 49ins in marbled slip case with printed label
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Cruikshank (G) Sunday in London,
Cruikshank (G) Sunday in London, 1833, 8vo, half calf gilt
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WENCESLAUS HOLLAR, BIRD'S-EYE
WENCESLAUS HOLLAR, BIRD'S-EYE VIEW OF LONDON, 1647 Wencelaus Hollar (Czech, 1607-1677) Long Bird's-Eye View of London from Bankside etchings in five pages bound in a portfolio dated 1647, likely 18th century. 22" H x 17.75" W.
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Henry Clay silhouette David Wooster
Henry Clay silhouette David Wooster print and a pair of Cries of London prints all in eglomise frames Estimate $ 200-400 No condition report supplied.
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19th century British School
19th century British School painting, inscribed verso "The Old Tower, Canonbury Islington Bill & Charlotte under a tree picking Mulberries/Eliza going up steps", oil on fiber board, unframed, 13-3/8 x 16-1/4 in. Draw crackle, flaking, abrasions, chipping at edges, darkening from either linseed oil or pigments.