A few examples of appraisal values for
THE DEPARTURE

• Constantin Guys (1802-1892)/The
  Constantin Guys (1802-1892)/The Departure/watercolour, 18cm x 25cm/Provenance: Henry William Banks Davis, Collection Sale, Chorley's July 2017
• AFTER THOMAS BROOKS (BRITISH,
  AFTER THOMAS BROOKS (BRITISH, 1818-1891), THE DEPARTURE / THE RETURN (TWO WORKS) Hand-colored steel engravings, 19th century, engraved by Frederick Stacpoole and Frederick Hunter (respectively), presented in uniform silvertone frames.
• French School 19th Century The
  French School 19th Century The Departure of a Pilgrim and A Country Dance: Two Estimate:$2,000-$3,000
• DOUGLAS VAN HOWD (B. 1935): "THE
  DOUGLAS VAN HOWD (B. 1935): "THE DEPARTURE"patinated and gilt bronze, mounted on a stepped green marble base; signed and numbered 55/75 in casting; 19 1/2 inches wide; 15 inches deep; 20 total inches high Condition:
• 19th c. engraving ''The Depart''
  19th c. engraving ''The Depart'' artist Carle Vernet. Sight 18'' x 21 1/2''.
• After Benjamin West (19th
  After Benjamin West (19th Century) The Departure of Regulus oil on canvas unsigned 36 x 50 inches.
• JáNOS PáSZTOR, BRONZE SCULPTURE,
  JáNOS PáSZTOR, BRONZE SCULPTURE, DATED 1907János Pásztor, 'The Departure', bronze sculpture, signed and dated 1907. Dimensions, 8.25" h x 8.5" w x 9" d. Pásztor was a renowned Hungarian academic sculptor in the first decades of the 20th century.
• PAINTING, BENINI Benini (Italian,
  PAINTING, BENINI Benini (Italian, b. 1941), "The Departure," 1988, acrylic on canvas affixed to panel, signed, dated and titled verso, sight: 20"h x 30"w, overall (with frame): 35.5"h x 25.5"w. Provenance: Estate of Sheila Martin-Stone (Oakdale, California). Ms. Martin-Stone was one of the founders of Triplex Direct Marketing in 1972. The company pioneered the management of computerized mailing lists.
• ANDRE MASSON LE DEPART SURREALIST
  ANDRE MASSON LE DEPART SURREALIST LITHOGRAPH Connecticut, France, Spain,1896-1987Le Depart, 1971, edition 98 of 800.
• FRANCESCO CLEMENTE, THE DEPARTURE
  FRANCESCO CLEMENTE, THE DEPARTURE OF THE ARGONAUT Francesco Clemente (Italian, b. 1952) and Alberto Savinio (Italian, 1891-1952), (2) copies of a 4-page promotional piece for "The Departure of the Argonaut" published by Petersburg Press, 1986, 25.5"h x 19.5"w (folded)
• De Regenouf (20th century)
  De Regenouf (20th century) Departure watercolor signed (lower left) 13 x 23 inches.
• Hippolyte Camille Delpy
  Hippolyte Camille Delpy 1842–1910. Le Départ. 1878, oil on board. 14¾ h × 27 w in. result: $2,080. estimate: $2,000–3,000. Signed and dated to lower left ‘HC Delpy 78’.
• Tito Conti (1842-1924, Italian) oil
  Tito Conti (1842-1924, Italian) oil on canvas titled "The Departure", dated 1877, mounted in an ornate gilt frame. 18.5" x 13.5" ss / 30.5" x 25.25" oa Condition: Relined, discoloration to canvas.
• Etching, Rembrandt van Rijn (Dutch,
  Etching, Rembrandt van Rijn (Dutch, 1606-1669), "The Angel Departing From the Family of Tobias", 1641, second state of four, signed within plate "Rembrandt f. 1641", etching on laid paper, two collection stamps verso, "Kupferstich-Sammlung Der Konigl: Museen" and "Tilgung…", plate 4-1/8 x 6-1/8 in. Trimmed to plate, hinged in two points at top, hinging tape verso two points at left edge. The Gordon Galleries, Detroit, Michigan (label verso).
• Raphael Collin (French,
  Raphael Collin (French, 1850–1916) Le départ (from L'Estampe Moderne), 1899 collotype 13 1/2 x 9 1/4 inches.
• Four aquatints after Turner:
  Four aquatints after Turner: Hawking: The Departure, The Rendezvous, The Fatal Stoop, Disgorging, London, I.W. Laird, 1839, engraved by R.G. Reeve after F.C. Turner (British, active 1810-1846), hand-colored aquatints on wove paper, plates approximately 20-3/8 x 15-7/8 in., pages approximately 30-3/8 x 21-7/8 in., unframed. Pencil inscriptions, stains, some tears, light foxing, creases, toning and fading.
• Ian Hansen (1948-.) Australia,
  Ian Hansen (1948-.) Australia, Morning Departure, oil on board, signed lower right, 29 cm x 44 cm
• Rembrandt etching (Rembrandt
  Rembrandt etching (Rembrandt Harmensz Van Ryn, Dutch, 1606-1669), The Angel Departing from the family of Tobias, (Bartsch 43; Hind. 185), 1641, IV state, signed in plate "Rembrandt f. 1641", etching and drypoint on laid paper, plate 4-1/16 x 6 in., page 4-1/8 x 6-1/8 in.; modern frame. Trimmed into plate at lower right edge, floated with archival tape; frame with abrasions.
• Louis Icart (French, 1888-1950) Two
  Louis Icart (French, 1888-1950) Two color etchings: Arrival, 1941, edition 144/250, and Departure, each signed lower right in pencil "Louis Icart" with blindstamp, etching and aquatint with hand-coloring, 17-1/2 x 12-1/4 in. (plates), 21 x 15-1/2 in. (pages); matching black-painted frames,
• WASHINGTON'S DEPARTURE FROM MOUNT
  WASHINGTON'S DEPARTURE FROM MOUNT VERNON 1784, PRINT(American, 19th century) circa 1840-1860, Fischer, Carpenter & Gusthal, publisher, active c.1850, hand colored lithograph, image 17-3/8 ? 23-1/4 in.; lemon gilt wood frame, 24 x 29-5/8 in. Provenance: Private North Carolina Collection Condition: some toning, stain at right, not examined out of frame; frame with wear commensurate with age
• JEAN FRANCIOS MILLET Le Depart Pour
  JEAN FRANCIOS MILLET Le Depart Pour le Travail The Departure for Work. Etching Framed Under Glass. Dimensions: H: 15.5 inches: W: 13 inches: Frame Height: 26.5 inches: Frame Width: 22.5 inches ---
• OLD MASTER OOP - Biblical Scene
  OLD MASTER OOP - Biblical Scene of Departure in the Desert by Abraham Rademaker (Dutch 1675-1735) signed verso 'Rademaker Pinxt.' unframed cleats on back 32 3/4'' x 53'' retouched horizontal shrinkage crack one third way up cleaned scuffs to right
• THE PARTING BY JOHN WARD DUNSMORE
  THE PARTING BY JOHN WARD DUNSMORE (MICHIGAN/MASSACHUSETTS 1856-1945). Oil on canvas unsigned. Night time image of departing soldier. 14''h. 10 1/2''w. in a frame 22''h. 18 3/4''w.
• John Stobart 20th C. limited
  John Stobart 20th C. limited edition lithographs. Morning Departure 114/500, pencil signed lower right J. Stobart. Image 11" x 17" Overall 19" x 25" Ships in harbor, numbered 243/750, pencil signed lower right, J. Stobart. Image 14" x 22" Overall 22.5" x 30" The Rediscovery of Americas Maritime Heritage, by John Stobart and Robert P. Davis. Condition: lithos are good however not examined out of frame, book has significant wear to the jacket CT Transfer Fee $20
• Six miniature paintings entitled:
  Six miniature paintings entitled: "Le Depart pour les Champs", "Conversation", "Le Serment d'Armour", "Le Verrou", "Le Galant Barber", and Mother and Child . 2 1/4" Dia.
• Ian Hansen (1948-.) Australia,
  Ian Hansen (1948-.) Australia, Afternoon Departure, oil on board, signed lower right, approx 29.5cm x 37cm
• WILLIAM JOSEPH SHAYER (BRITISH
  WILLIAM JOSEPH SHAYER (BRITISH 1811-1892) DEPARTURE OF THE STAGECOACH Signed and dated '75, oil on board, with four further images on the same board, and a companion, a pair, similar(2)each 30cm x 30cm (12in x 12in)
• AFTER JOHN JONES (BRITISH,
  AFTER JOHN JONES (BRITISH, 1745–1797), BLACK MONDAY, OR THE DEPARTURE FOR SCHOOL AND DULCE DOMUM, OR THE RETURN FROM SCHOOL (TWO WORKS) Each a mezzotint in colors, engraved by W. R. Bigg, in uniform matting and framing.
• Oil on panel painting 19th c. of
  Oil on panel painting 19th c. of a farewell to a sea captain returning to his ship. 19.75"x14.75"
• Louis Icart (French 1888-1950)
  Louis Icart (French 1888-1950) SAD DEPARTURE including etching original copperplate and colored etching all in same frame signed & numbered: lower margins in pencil 209 overall sight size: H19'' W27'' Provenance: N. Isen: Purveyors of Fine Art Philadelphia PA. From the Lawrence Castle Collection Blythewood SC.
• ROGER DESOUTTER (ENGLAND, B. 1923),
  ROGER DESOUTTER (ENGLAND, B. 1923), "THE 'QUEEN MARGARET' PREPARING FOR DEPARTURE"., OIL ON CANVAS, 24" X 36". FRAMED 29" X 41".ROGER DESOUTTER, England, b. 1923, "The 'Queen Margaret' Preparing for Departure". Signed lower right "Roger Desoutter". Titled on label verso. Dimensions: Oil on canvas, 24" x 36". Framed 29" x 41". Provenance: The Collection of the late George Makris.
• Mike Gorman after Willem van de
  Mike Gorman after Willem van de Velde (1633-1707)/The Arrival of a Dutch East India Fleet with a States Yacht on the left/oil on canvas over board, 74cm x 92cm
• THEY'RE OFF! BY JAMES THURBER
  THEY'RE OFF! BY JAMES THURBER (COLUMBUS OHIO 1894-1961). Pen and ink on paper signed lower right. Hurried family with luggage and pet dog. Alternate title or Let's Go! Minor foxing and light stain. In a frame 9''h. 12''w. Not glued or taped down watermark in paper ''Styles & Cash New York''
• MONEDERO Manuel (Spanish 1929-):
  MONEDERO Manuel (Spanish 1929-): ''Departure'' Oil/Canvas 18'' x 16'' signed lower left thin edge wood frame 18 1/2'' x 16 3/4''.
• JOHN WILLIAMSON (AMERICAN 1826 -
  JOHN WILLIAMSON (AMERICAN 1826 - 1885) ARRIVAL AT THE SHORE. Oil on canvas initialed LL Stretcher: 12'' x 20'' Condition: No Specific Condition Recorded - Sold As Is
• RUSSIAN SCHOOL: FAREWELL TO THE
  RUSSIAN SCHOOL: FAREWELL TO THE DEPARTING SOLDIER Oil on canvas relined 13 3/4 x 11 3/4 in. signed and dated lower right.