A few examples of appraisal values for
THE DEPOSITION OF CHRIST

• AFTER JACOPO DA PONTE "DEPOSITION
  AFTER JACOPO DA PONTE "DEPOSITION OF CHRIST" OIL After Old Master Jacopo da Ponte Bassano (Italian, 1515-1592) "Deposition of Christ" oil on board panel religious painting, housed in a gilt wood frame. Image: 28.5" H x 23.5" W; frame: 32.5" H x 27.5" W.
• AFTER JACOPO DA PONTE "DEPOSITION
  AFTER JACOPO DA PONTE "DEPOSITION OF CHRIST" OIL After old master Jacopo da Ponte Bassano (Italian, 1515-1592) "Deposition of Christ" oil on board panel religious painting, housed in a gilt wood frame. Image: 28.5" H x 23.5" W; frame: 32.5" H x 27.5" W.
• AUGUSTA OELSCHIG DEPOSITION OF
  AUGUSTA OELSCHIG DEPOSITION OF CHRIST OIL ON BOARD Augusta Oelschig (American, 1918 - 2000), The Deposition of Christ / Descent from the Cross, oil on board, signed lower left, unframed. 10.5" H x 13.5" W.
• 19TH C. RUSSIAN WOODEN ICON - THE
  19TH C. RUSSIAN WOODEN ICON - THE DEPOSITION OF CHRISTEastern Europe, Russia, ca. late 19th to early 20th century CE. A beautiful wooden icon depicting the Deposition of Christ - the moment when Joseph of Arimathea and Nicodemus take Christ down from the cross after his crucifixion - all carefully delineated in in vibrant hues of red, blue, green, tan, white, black, brown, and copper egg tempera on gesso. The 13th Station of the Cross, this classic scene from the Gospels shows the crucifix at the center with Joseph of Arimathea lowering the upper half of Christ's lifeless body as John the Evangelist laments at Christ's feet where Nicodemus is still removing the nails. Mary holds her son's head, kissing his wounds, while Mary Clopas and Mary Magdalene flank the scene. All the figures are draped in billowing robes and don mournful expressions as they gaze at the corpse of their messiah in disbelief. A Cyrillic inscription at the top states the title of the icon. Size: 12.3" W x 15.7" H (31.2 cm x 39.9 cm) Icons were some of the first religious artworks brought to Russia from Byzantium. These sacred pictures reached a high point in the Byzantine era; however, the Russians brought their own style to the art of the icon. Icons were initially created for use in churches and processions. In time they became smaller and were used increasingly within households. To this day they remain an important form of visual culture in Russia's orthodox religious community. Icons (icon means "image" in Greek) are sacred objects within the Eastern Orthodox Christian tradition. Found in homes as well as churches, these painted images depict holy persons and saints as well as illustrate scenes from the Scriptures. Icons are not worshiped but are instead venerated for their ability to focus the power of an individual's prayer to God. As such they are truly "windows into heaven." Provenance: private New Jersey, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #167313 Condition: Repaired from 2 pieces with break line visible and staples on verso. Area of loss to wood on right periphery, as well as loss to gesso and tempera in upper left corner. Chips, nicks, and abrasions throughout, commensurate with age. Otherwise, excellent with nice remaining pigments.
• VENETIAN SCHOOL: DEPOSITION OF
  VENETIAN SCHOOL: DEPOSITION OF CHRIST Oil on canvas relined. Provenance: Property from Salander-O'Reilly Galleries' Collection consigned by the Trustee. 53 x 39 in.
• COCCARO THE DEPOSITION OF CHRIST
  COCCARO THE DEPOSITION OF CHRIST OIL ON CANVAS Coccaro, New York studio school, The Deposition of Christ, oil painting on canvas, depicting the dead Christ in Mary's arms, apparently unsigned. 36" H x 48" W. Provenance: Property from a former Metropolitan Museum Employee.
• ATTRIBUTED TO DEL DUCA: THE
  ATTRIBUTED TO DEL DUCA: THE DEPOSITION Terracotta relief modeled with Christ carried off the cross by four figures three others looking on; approx. 11 1/2 x 8 1/2 x 3 in.
• ATTRIBUTED TO STEFFAN SCHALLER
  ATTRIBUTED TO STEFFAN SCHALLER (AUSTRO-HUNGARIAN, 17TH CENTURY) 33" x 48" Deposition of Christ. Oil on canvas, not signed, script verso with the artist's name and date of 1669, unframed. Provenance: old private collection, Sewickley, PA.
• CRUCIFIXION OF CHRIST MOSAIC.
  CRUCIFIXION OF CHRIST MOSAIC. American, 20th century. Depicts Jesus on the cross flanked by Mary and St. Peter. Loss of glass pieces. Framed, 24"h. 19"w.
• ARCHITECTURALLY SALVAGED STAINED
  ARCHITECTURALLY SALVAGED STAINED GLASS WINDOW DEPICTING THE CRUCIFIXION OF JESUS CHRIST Circa 1960, hand painted multi-color seeded glass with lead solder detailing the dead body of Christ surmounted by a plaque reading INRI (King of the Jews), with the converted Roman soldier and mournful followers.
• AFTER ENGRAVING BY MARCANTONIO
  AFTER ENGRAVING BY MARCANTONIO RAIMONDI (ITALIAN 1480-1...After Engraving by Marcantonio Raimondi Italian (1480-1534) 16th century or later "Deposition" (Christ's descent from the cross) Featuring four disciples lowering Christs body down to the three Mary's Some conservation work, in painting, board is bowed Size 15" x 11" Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale. Our online buyers premium is 28%.
• AFTER ADRIAN VAN DER WERFF
  AFTER ADRIAN VAN DER WERFF (DUTCH, 1659-1722), THE ENTOMBMENT OF CHRIST Oil on canvas (lined), 19th century or earlier, unsigned, presented in a gilt frame.
• LARGE RELIEF OF THE RESURRECTED
  LARGE RELIEF OF THE RESURRECTED CHRISTLARGE RELIEF OF THE RESURRECTED CHRIST, standing above a cloud, composed of various marbles - h:62w:24d:6in.
• CORPUS CHRISTI- NORTHERN EUROPEAN
  CORPUS CHRISTI- NORTHERN EUROPEAN 15th-16th Century or earlier. Dramatically stylized depiction of Christ crucified in gilt silver. H. with stand 5 3/4''. From the Marvin Sadik Collection.
• CONTINENTAL PARTIAL GILT ENAMELED
  CONTINENTAL PARTIAL GILT ENAMELED SILVER HOLY WEEK PROCESSIONAL PLAQUE OF 'THE DEPOSITION FROM THE CROSS' 16TH-17TH CENTURYContinental Partial Gilt Enameled Silver Holy Week Processional Plaque of 'The Deposition from the Cross', 16th-17th Century Unmarked; the back with applied floral chased S-scroll handle beneath engraved ME. 4-1/2 x 3-1/2 in (11.4 x 8.9 cm) Weight: 6.6 ozProperty from the Mary E. Weinmann Trust
• CIRCLE OF PILON: "THE DEAD
  CIRCLE OF PILON: "THE DEAD CHRIST" Terracotta modeled with parted long hair and head falling to right arms at sides and draped parizonium; 10 1/2 x 31 1/2 x 10 1/4 in.
• EUROPEAN SCHOOL: CHRIST DEPOSED Oil
  EUROPEAN SCHOOL: CHRIST DEPOSED Oil on canvas 21 1/2 x 15 in. bearing signature G. Rouault lower right.
• An ivory relief in Gothic style, in
  An ivory relief in Gothic style, in three registers, showing the Descent from the Cross, the Mocking and Entombment of Christ, 25.5cm/see illustration
• Dutch School (18th century) The
  Dutch School (18th century) The Entombment of Christ oil on canvas 17 x 23 inches.
• AUBUSSON BIBLICAL SUBJECT TAPESTRY,
  AUBUSSON BIBLICAL SUBJECT TAPESTRY, CHRIST BROUGHT BEFORE HEROD LATE 17TH/ EARLY 18TH CENTURY from a Passion of Christ series, depicting Christ standing and gesturing before Herod who is seated on a throne, attended by a soldier and three other figures260cm x 308cmProvenance: Property from an East Lothian Country House
• CHRISTO (b. 1935): WRAPPED ROMAN
  CHRISTO (b. 1935): WRAPPED ROMAN SCULPTURES Project for Die Glyptothek Munchen 1991; mixed media color collotype and silkscreen with collage on fabric. Provenance: Property from the collection of Jan Cowles. 39 1/4 x 27 1/2 in. 40 x 28 in. (frame).
• EARLY CAST BRONZE CORPUS CHRISTI
  EARLY CAST BRONZE CORPUS CHRISTI - 15th Century or earlier. Cast and engraved figure of the crucified Christ-now separated from the original cross mount. Evidence of much wear in the softened details. Back of figure retains original black paint. H. 6 1/2
• A MODERN PHOTOGRAPH OF CHRIST ON
  A MODERN PHOTOGRAPH OF CHRIST ON THE CROSS, VENEZUELAN Gelatin silver print mounted to board, signed "Vibos Valis" at lower right.
• TWO OLD MASTER PAINTINGS
  TWO OLD MASTER PAINTINGS DEPICTING SCENES FROM THE LIFE OF CHRIST Oil on canvas laid on panel, 18th century, the first depicts the flagellation of Christ, the second depicts the crowning of thorns, each presented in very fine 19th century gilt composition frames.
• CONTINENTAL CARVED POLYCHROME
  CONTINENTAL CARVED POLYCHROME HALF-LENGTH FIGURE OF CHRIST AT THE PILLAR Wearing crown of thorns and a rope-tied red girdle and crossed hands tied. Provenance: Property from Salander-O'Reilly Galleries' Collection consigned by the Trustee. 18 1/2 x 9 1/2 x 5 1/2 in.
• CONTINENTAL CARVED POLYCHROME
  CONTINENTAL CARVED POLYCHROME FIGURE OF CORPUS CHRISTUS The head gazing right crosssed feet and wearing a perizonium tied to his waist. Provenance: Property from Salander-O'Reilly Galleries' Collection consigned by the Trustee. 4 ft. 2 1/2 in. x 12 in.
• RUSSIAN ICON, CHRIST'S DESCENT INTO
  RUSSIAN ICON, CHRIST'S DESCENT INTO HELL 19th c., gilt and polychrome painted wood panel, the center panel depicting Christ's Descent into Hell and Resurrection, framed in panels representing the feasts, the four Evangelists depicted in the corners, with Cyrillic inscriptions, Parke-Bernet sticker verso, 12"h x 10.5"w
• Russian brass icons: Crucifixion of
  Russian brass icons: Crucifixion of Christ, ca. 18th Century, and also "Sedmitsa" the full deesis range, iconography at top part depicting God Savaof (6 1/4"H).
• Pair of Religious Reverse Glass
  Pair of Religious Reverse Glass PaintingsEnglish early 19th century consisting of two hand-colored engravings ''Christ Scourged'' and ''The Burial of Christ.'' Both are presented in gilt wooden frames.SS 14 x 9.75 in.; DOA 15.75 x 11.5 in.Chips to the frames; scuffs along the left margins of the art.Estate of the late Arthur H. Danielson of Raleigh NC
• ITALIAN CARVED POLYCHROME CORPUS
  ITALIAN CARVED POLYCHROME CORPUS CHRISTUS With head falling to right and crossed feet a perizonium tied to His waist. Provenance: Property from Salander-O'Reilly Galleries' Collection consigned by the Trustee. 23 1/2 x 19 1/2 x 4 in.
• 19th Century - Oil painting -
  19th Century - Oil painting - ''Jesus Falls the Second Time with His Cross'' on tooled gilt ground metal panel 32.25ins x 21.75ins in heavy oak frame of Gothic design
• An Unsigned Eglomise Painting
  An Unsigned Eglomise Painting Depicting a narrative of St. Christopher carrying the Christ Child. Oval reverse painting on glass apprx. 12-3/4" x 9-3/4" framed in a carved rococo style frame overall apprx. 24" x 15". The hermit stands on the river bank to the right in front of a monestary. St. Christopher became the patron saint of travelers in this legend.
• THE LAMENTATION OF CHRIST,
  THE LAMENTATION OF CHRIST, DELACROIX C. 1852-63Featured in this lot is an Original "The Lamentation Of Christ, A Study In Progress" attributed to Eugène Delacroix, circa 1852-1863; Provenance: Henry Sjaardema collection Big Sky, Montana. Delacroix, considered the greatest painter of the Romantic period, is probably best known for his painting “Liberty Leading the People.” He is far less known and appreciated as an important painter of religious subjects, yet with 120 pictures and over 220 drawings depicting traditional subjects, like The Pietà or Christ on the Cross, initiate the style of modern religious art. Although Delacroix (1798-1863) has been characterized as a radical and an unbeliever who found religion irrational, these pictures challenge claims that Delacroix’s religious subjects were few in number, mere commissions remote from his personal interests. Delacroix’s religious paintings were informed in general terms by the Romantic penchant for introspection that defined the aesthetic experience as a sign of the spiritual. In 1847, 1848, and again in 1857, Delacroix painted variations of The Lamentation. Delacroix’s early work is in marked contrast to his later versions which were created in a variety of media from the 1840s through the 1850s. The later pictures demonstrate a transformation from the solitary, strong, heroic figure to a more austere and vulnerable personality, posed in a stark and haunting vision of suffering as described in the Gospel of Mark. Delacroix continued to paint until the end of his life, but in his last years, perhaps as a result of personal reflection, he increasingly focused on Christian-themed works. This oil painting features the central figures of the Virgin Mary, arms outstretched, standing over the white-robed lifeless body of Christ being borne by three men. Next to Mary is a young boy, three adults are in the forefront right side while one man in the forefront left side is holding a torch in front of what appears to be the entrance to a cave. In the above left background, a cross is visible on a hill, three figures kneeling over a dead body. This painting was made over two strips of horizontal canvas. Appears unsigned but is titled and dated on an accompanying metal plaque. The painting has an ornate gold gilt wood frame. Craquelure observed, scuffing, and spotting observed on the reverse of the canvas. Visible art measures 92"L x 66.5"W with the frame measuring 97.5"L x 72.5"W x 2.5"D.*
• Carved Wood Christos Mortuus The
  Carved Wood Christos Mortuus The figure of Jesus on a draped base measures approx. 16" x 6-1/4" x 4-1/2"H. At one time painted overall, the figure now has only residues of the original finish, and has been patinated over time.
• Anglo-German Stained and Enameled
  Anglo-German Stained and Enameled Glass Window of Christ, fourth quarter 19th century, in the 16th-century style, the large, rectangular window depicting the Saviour in the benediction of sunrise and surrounded by two apostles and Mary Magdalene, sight h. 33", w. 26", presented in a later natural pine stand with trestle feet, h. 88-1/2", w. 31-1/2", d. 30".
• After Albrecht Durer (German
  After Albrecht Durer (German 1471-1528) "Christus" engraving on paper unknown edition sheet 5 in. x 4 in. matted and framed.