A few examples of appraisal values for
THE ENCAMPMENT

• INDIAN ENCAMPMENTA naïve oil on
  INDIAN ENCAMPMENTA naïve oil on canvas of a native encampment at night with a glowing campfire. 19th century. H: 16"; W: 20.75". Field Collection.
• NICHOLAS COLEMAN,
  NICHOLAS COLEMAN, ENCAMPMENTNicholas Coleman, (b. 1978) Encampment, oil on canvas signed lower right: Nicholas Coleman oil on canvas Dimensions: 11 1/2 x 23 1/4 in. (29.21 x 59.06 cm.), frame: 20 1/2 x 32 1/2 x 2 1/2 in. (52.07 x 82.55 x 6.35 cm.) Provenance: Private Collection, Florida
• Native American river encampment
  Native American river encampment oil on canvas. 22'' H x 26'' W.
• Abou-Chanab 20th Century Desert
  Abou-Chanab 20th Century Desert Encampment Estimate:$1,000-$1,500
• CIVIL WAR PROCLAMATION & G.A.R.
  CIVIL WAR PROCLAMATION & G.A.R. ENCAMPMENT COLLECTION Civil War Proclamation & G.A.R. Encampment Collection
• Late 19th century woodland
  Late 19th century woodland encampment; a seated couple is approached by a figure on horseback, oil on canvas; 27 3/4" x 35 3/4"; unsigned.
• Ralph Albert Blakelock (American
  Ralph Albert Blakelock (American 1878-1947) "Indian Encampment at Dusk" oil on canvas signed lower left 14 in. x 22 in. in a fine period cove-molded carved gessoed and giltwood frame.
• KARL BODMER "ENCAMPMENT OF THE
  KARL BODMER "ENCAMPMENT OF THE PIEKANN" AQUATINTJohann Carl "Karl" Bodmer (Swiss/French, 1809-1893). Aquatint on paper titled "Encampment of the Piekann Indians," depicting the Piegan Blackfoot camp near Fort McKenzie. Further titled in German and French. Engraving by Beyer and Hurlimann. Published in Paris by Arthus Bertrand, in Coblenz by J. Hoelscher, and in London by Ackerman & Co. Provenance: from the collection of an important Minneapolis institution. Sight; height: 15 1/4 in x width: 19 3/4 in. Framed; height: 27 in x width: 30 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• GEORGE WASHINGTON NICHOLSON
  GEORGE WASHINGTON NICHOLSON (AMERICAN, 1832-1912), ENCAMPMENT WITH TRAVELERS Oil on panel, signed and illegibly dated at lower left, presented in a later gilt composition frame with linen liner.
• AFTER JAMES JACQUES JOSEPH TISSOT
  AFTER JAMES JACQUES JOSEPH TISSOT (FRENCH 1836-1902), THE ENCAMPMENT, ETCHING AND DRYPOINT, (PLATE SIGNED) FRAME: 24-1/2 X 26-3/4 INAfter James Jacques Joseph Tissot (French 1836-1902), The Encampment, Etching and Drypoint, (plate signed) Frame: 24-1/2 x 26-3/4 in
• HENRY FRANCOIS FARNY (1847-1916),
  HENRY FRANCOIS FARNY (1847-1916), INDIAN ENCAMPMENT WITH TRAVOIS Fine Art
• (NEW YORK) Official Souvenier. 31st
  (NEW YORK) Official Souvenier. 31st National Encampment G.A.R. Buffalo New York. August 23-28 1897. New York: J.A. Rudolf 1896. 32 pp.
• GENE MAKO 20TH CENTURY "LEAVING THE
  GENE MAKO 20TH CENTURY "LEAVING THE ENCAMPMENT" WATERCOLOR, 16 X 19"Gene Mako 20th Century "Leaving the Encampment" Watercolor, 16 x 19"
• HAND COLORED LITHOGRAPH TITLED
  HAND COLORED LITHOGRAPH TITLED “ENCAMPMENT OF THE2ND DIVISION OF M. V. M. ON WINTER ISLAND, CAMP BANKS". DATED AUG. 25, 26, 27 1858. ENDICOTT AND CO. LITHOGRAPHERS, NY, AFTER A DRAWING BY BACHELDER. DEPICTS CAVALRY AND INFANTRY EXERCISES, WITH PEOPLE AND ARTIST ON A HILL OVERLOOKING THE CAMP. SHOWS LIGHT FOXING, AND TANNING TO THE MAT AREA. OTHERWISE GOOD CONDITION, HAS NOT BEEN REMOVED FROM THE FRAME. SIGHT SIZE 22 1/2" X 33", OVERALL WITH FRAME 24 1/2" X 35".
• Ralph Blakelock (1847-1919)
  Ralph Blakelock (1847-1919) Indian Encampmentoil on canvas (lined) signed at lower right ''R A Blakelock '' depicting figures and teepees by the water presented in a later gilt composition frame.SS 23.5 x 29.5 in.; DOA 28.25 x 34 in.Private Collection NC
• KARL BODMER PRINT, ENCAMPMENT OF
  KARL BODMER PRINT, ENCAMPMENT OF THE TRAVELERSHand colored aquatint engraving by Karl Bodmer. Vig XXVI From Travels In the Interior of North America in the Years 1832 to 1834; gilt frame. This is one of two aquatint images where the artist, (Karl Bodmer) is pictured with his sponsor/traveling companion, Prince Maximilian. Blind Stamp in lower center. Artist: Karl Bodmer Issued: c. 2011 Dimensions: 22"W x 20"H Country of Origin: England
• GILBERT GAUL O/C, INDIAN
  GILBERT GAUL O/C, INDIAN ENCAMPMENTGilbert Gaul (New York/Tennessee/New Jersey, 1855-1919) oil on canvas painting titled "Indian Camp" depicting the silhouette of a lone figure and two Native American teepees in the dim light of the setting sun. Signed "Gaul" lower left. Cumberland Art Conservation, Nashville, TN label, en verso. Later giltwood frame with beaded rabbet edge. Sight - 17 1/2" H x 23 1/2" W. Framed - 23 1/2" H x 29 3/8" W. Late 19th century. Biography (courtesy The Johnson Collection): New Jersey born artist Gilbert Gaul studied art with Lemuel E. Wilmarth at the school of the National Academy of Design from 1872 to 1876, and privately with the noted genre painter, J. G. Brown. He continued his training at the Art Students League during 1875 and 1876. Gaul first exhibited his work at the National Academy in 1877. In 1881, he inherited a farm in Van Buren County, Tennessee, from his mother_s family, and lived there four years to fulfill terms of the bequest. In 1885, he returned to New York though he also continued to spend time at the farm in Tennessee. Gaul gained acclaim for his illustration art and portrayals of Civil War scenes. He became a regular exhibitor at the National Academy annuals between 1877 and 1902; in 1882, he was accorded the status of full academician--the youngest artist to attain the honor. He exhibited at the 1889 Paris Exposition; the 1893 World Columbian Exposition in Chicago; and the 1902 Pan-American Exposition in Buffalo, where he was awarded medals. In 1876 Gaul made his first trip to the American West, an area for which he developed a particular affinity. He made numerous western trips in subsequent years, photographing and rendering scenes of Native Americans and the frontier, which he would later work up into paintings in his studios in New York or Tennessee. In 1890, he worked for the United States census on reservations in North Dakota. He also visited Mexico, the West Indies, Panama, and Nicaragua. An account of his travels was published in Century Magazine in 1892. In 1904, he returned to Tennessee and settled in Nashville. The decreasing interest in Civil War subjects resulted in financial hardship for Gaul. He gave private art lessons, and taught at the Watkins Institute, Nashville, and at Cumberland Female College, in McMinnville. He also spent time in Charleston, South Carolina. By 1910, he had moved to Ridgefield, New Jersey, where he continued to paint and live out his remaining years. Provenance: The living estate of Dr. and Mrs. Benjamin H. Caldwell, Nashville, TN. (Higher-resolution photos are available at www.caseantiques.com) Condition: Lined, with overall surface craquelure and several spots of inpainting. Left side of canvas is not completely covered by rabbet edge. Cumberland Art Conservation label records treatment in June/July 2003, with details listed on label (refer to photo). Blacklight reveals scattered craquelure infill painting, along with a 3" line of inpaint near left edge and a 3" H-shaped area of inpaint to center, 1 1/2" p-shaped area of inpaint to center of right side. Small area of tiny paint flakes in a line at upper edge.
• HEINIE HARTWIG, MT.
  HEINIE HARTWIG, MT. ENCAMPMENTHeinie Hartwig, (b. 1937) Mt. Encampment, oil on panel signed lower right: HEiNiE HARTWiG © inscribed verso: MT ENCAMPMENT / 6X12 oil on panel Dimensions: 6 x 12 in. (15.24 x 30.48 cm.), frame: 15 1/2 x 21 1/2 x 1 1/2 in. (39.37 x 54.61 x 3.81 cm.) Provenance: Private Collection, Oklahoma
• THOMAS DEDECKER (1951- ), NORTH
  THOMAS DEDECKER (1951- ), NORTH COUNTRY ENCAMPMENT Title: Thomas deDecker (1951- ), North Country Encampment Medium: oil on canvas Dimensions: 30 1/8 x 24 Framed dimension: 39 x 33 x 2 3/4
• MICHAEL B. COLEMAN. INDIAN
  MICHAEL B. COLEMAN. INDIAN ENCAMPMENT, GOUACHE (American, b. 1946). Gouache on paper, signed "Michael Coleman" lr, personalized inscription on verso, sight size: 6 1/4 x 10 in., framed.
• Painting gouache Indian
  Painting gouache Indian encampment signed and dated ''Paul Surber 1979''. Site 20'' x 33''. (Paul Surber California 1942...).
• Civil War Camp Scene Oil on
  Civil War Camp Scene Oil on Canvas 19th century oil on board depicting a Union camp signed Phillips? l.l. and housed in period stenciled frame; 13.5 x 21 in.The log dwellings depicted here are typical of the semi-permanent winter shelters made troops of both sides. The pine trees visible in the distance suggest the painting was made in the Eastern Theater possibly Virginia. Condition: Board is slightly warped.
• Mark Ogle ''Prairie Encampment''
  Mark Ogle ''Prairie Encampment'' Gouache on Paper Framed 21''x33'' - Some Damage -
• ATTRIBUTED TO RALPH ALBERT
  ATTRIBUTED TO RALPH ALBERT BLAKELOCK (NEW YORK/CALIFORNIA, 1847-1919), "INDIAN ENCAMPMENT AT SUNDOWN"., OIL ON CANVAS, 15" X 28.25". FRAMED 21.5" X 36".ATTRIBUTED TO RALPH ALBERT BLAKELOCK, New York/California, 1847-1919, "Indian Encampment at Sundown". Unsigned. Dimensions: Oil on canvas, 15" x 28.25". Framed 21.5" x 36".
• Alden Sampson (American, 1853-?)
  Alden Sampson (American, 1853-?) River Encampment Scene with Teepee signed A. Sampson lower right 21 1/2 x 35 1/2 inches
• ''Arab Horsemen at Rest'' wooded
  ''Arab Horsemen at Rest'' wooded encampment with Arabian horsemen oil on canvas laid to canvas. 21'' H x 30'' W.
• EUSTACE PAUL ZIEGLER (1881-1969),
  EUSTACE PAUL ZIEGLER (1881-1969), “ESKIMO ENCAMPMENT IN FRONT OF DENALI (MT. MCKINLEY)," OIL ON CANVAS LAID TO CANVAS, 9.25" H X 12.25" WEustace Paul Ziegler, (1881-1969) "Eskimo Encampment in Front of Denali (Mt. McKinley)", Oil on canvas laid to canvas Signed lower right: Ziegler; titled by repute on the collector's label affixed to the frame's backboard Oil on canvas laid to canvas Dimensions: 9.25" H x 12.25" W Provenance: Edward A. Nicolaus III, San Francisco, CA
• Native American Camp at Water's
  Native American Camp at Water's Edge by Jorge (Braun) Tarallo Jorge (Braun) Tarallo (American/Uruguayan b. 1951). Oil on canvas signed Braun (c) l.r.; 23.5 x 35.5 in. (Sight) The artist is also known as Jorge Tarallo or J.T. Braun.
• Heinie Hartwig painting
  Heinie Hartwig painting (California, born 1937), Indian encampment, signed lower left "Heinie Hartwig ©", oil on Masonite, 24 x 36 in.; modern gilt wood frame with linen liner. Slight grime, accretion middle right.
• RANSOM GILLET HOLDREDGE
  RANSOM GILLET HOLDREDGE (1836-1899), "INDIAN ENCAMPMENT IN THE SIERRAS," CIRCA 1890, OIL ON CANVAS LAID TO CANVAS, 30" H X 51" WRansom Gillet Holdredge, (1836-1899) "Indian Encampment in the Sierras," circa 1890, Oil on canvas laid to canvas Appears unsigned; titled and dated on a label affixed to the frame, verso Oil on canvas laid to canvas Dimensions: 30" H x 51" W Provenance: Jonathan Art Foundation, Los Angeles, CA
• Large oil on canvas medieval
  Large oil on canvas medieval encampment scene with the "King", soldiers, horses and ladies. 27" x 38" ss / 30.5" x 41.5" oa Condition: Relined, re-gilded, frame restored.
• C. A. REINER (AMERICAN, 19TH
  C. A. REINER (AMERICAN, 19TH CENTURY) INDIAN ENCAMPMENT...C. A. Reiner (American, 19th century) Indian Encampment Pastel on board Signed lower left 15 in. h. x 35 in. w., image 18 in. h. x 38 ½ in. w., as framed
• CAMPING OUT BY N. CURRIER.
  CAMPING OUT BY N. CURRIER. Handcolored lithograph on paper. Large folio C# 777. Men relaxing after hunting and fishing. Good color. Imperfections. Unframed 23 7/8''h. 31 7/8''w. Stains minor loss to top right corner linen tape on back. Margins: Top 2 2/16'' bottom 2 15/16'' left 2 3/16'' right 2 4/16''.
• ATTRIBUTED TO RALPH ALBERT
  ATTRIBUTED TO RALPH ALBERT BLAKELOCK (NEW YORK/CALIFORNIA, 1847-1919), INDIAN ENCAMPMENT., OIL ON PANEL, 6.5" X 9.5". FRAMED 12" X 15".ATTRIBUTED TO RALPH ALBERT BLAKELOCK, New York/California, 1847-1919, Indian encampment. Signed lower right "R.A. Blakelock". Dimensions: Oil on panel, 6.5" x 9.5". Framed 12" x 15".
• *John Brent Jarvis (American b.
  *John Brent Jarvis (American b. 1946) Native American Tents at Sunset 1988 gouache signed John Jarvis and dated (lower right) 8 1/4 x 10 inches.
• GARY KAPP (B.1942)Indian
  GARY KAPP (B.1942)Indian encampment; oil on board; signed lower left; 12 x 16 inches; 20 1/2 x 25 inches frame Condition: