A few examples of appraisal values for
THE ENCOUNTER

• MAURITS CORNELIS ESCHER,
  MAURITS CORNELIS ESCHER, ENCOUNTERMaurits Cornelis Escher (Dutch, 1898-1972)Encounter (Ontmoeting) (B. 331)lithograph in colors on wove papersigned and numbered 166/200; a later printing, published / printed in 1957, by ARTA, The Hagu
• LEON GOLUB "ENCOUNTER"
  LEON GOLUB "ENCOUNTER" LITHOGRAPHLeon Golub (American, 1922-2004). Lithograph in colors on Arches paper titled "Encounter," 1986. Pencil signed along the lower right, numbered 23/70 along the lower center, and titled along the lower left. Provenance: Distinguished corporate collection, Minnesota. Unframed; height: 22 in x width: 30 in. Framed; height: 30 in x width: 38 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• PAUL-LOUIS-NARCISSE GROLLERON,
  PAUL-LOUIS-NARCISSE GROLLERON, (1848-1901, FRENCH), "THE ENCOUNTER", OIL ON CANVAS, 36.5" H X 29" WPaul-Louis-Narcisse Grolleron, (1848-1901, French) "The Encounter" Oil on canvas Signed lower right: P. Grolleron; titled by repute 36.5" H x 29" W Oil on canvas Dimensions: 36.5" H x 29" W
• FREDERICK VEZIN. THE ENCOUNTER, OIL
  FREDERICK VEZIN. THE ENCOUNTER, OIL (German, 1859-1942). Oil on panel, signed and dated "Fred. Vezin, '87" ll, 5 1/2 x 7 in., unframed.
• CHARLES BANKS WILSON SIGNED
  CHARLES BANKS WILSON SIGNED LITHOGRAPH 'ENCOUNTER I.T.'Charles Banks Wilson (Oklahoma, 1918-2013) Encounter, I.T.,?1978 Lithograph on paper A great CB Wilson lithograph (Hunt, 88) of a historical confrontation between groups in Indian Territory, based on Wilson's Indian Immigration?mural in the Oklahoma state capitol rotunda. In Wilson's words, "I tried to picture another side of the story of Indian Removal: dispossessed Indians from the East being relocated in the West on land already occupied by tribes that had been living and hunting there for centuries. A young man who had just returned from Vietnam posed for the figure of the Comanche on the horse. The?Plains Madonna?figure can be seen at lower right." Signed "Charles Banks Wilson 78" in the bottom right margin, and titled "Encounter I.T." in the bottom left margin, along with the number "200" indicating the edition size including proofs.?Full sheet (15 x 20 inches), all deckled edges, hinged from the top of sheet to the mat with archival tape. Image size is 12 x 16.75 inches, in a frame measuring 23.75 x 27.75 inches. Condition Archivally framed and matted in beautiful condition. Not laid down, clean, no staining.
• LAWRENCE GLICKMAN "BRIEF ENCOUNTER"
  LAWRENCE GLICKMAN "BRIEF ENCOUNTER" ACRYLIC Lawrence Glickman (American, XX- XXI), "Brief Encounter", acrylic painting on canvas, 2011, unsigned, unframed, label on the back from AT Kearney. 30" H x 40" W. Provenance: From the artist's estate.
• After William Russell Flint
  After William Russell Flint (1880-1969)/Awkward Encounter/colour print, 41cm x 55.5cm and Victorian Diversion/colour print, 55cm x 41.5cm
• LAURENCE BEALL SMITH, SIGNED
  LAURENCE BEALL SMITH, SIGNED LITHOGRAPH Laurence Beall Smith (American, 1909-1995), "Encounter", pencil signed and titled lower margin, 9.25"h x 12.5"w (sight), 16.75"h x 20"w (frame)
• Gilbert William Gaul American
  Gilbert William Gaul American 1855-1919 ''Unexpected Encounter'' oil on canvas signed ''Gilbert Gaul'' ll 30 x 20 in. framed Estimate $ 5 000-10 000 Frame wear.
• Jerry Siano 1935–2020. Cool
  Jerry Siano 1935–2020. Cool Encounter. 1996, acrylic on canvas. 48 h × 36 w in. estimate: $1,000–1,500. Signed and dated to lower right ‘J Siano 96’.
• Louis Icart (French, 1890-1950)
  Louis Icart (French, 1890-1950) "Sad Encounter", copperplate etching on Japon Super Nacre paper, from La Dame aux Camelias, a novel by Alexandre Dumas, published by Georges Guillot, Paris, 1938, sight 9-1/2" x 7-1/2". Signature added later. Glazed, matted and presented in a molded giltwood frame, the verso affixed with a Certificate of Authenticity.
• GIULIO CERVI OIL PAINTING
  GIULIO CERVI OIL PAINTING 'ENCOUNTER AT THE DOCK'Giulio Cervi, Italy (1854-1893). Oil painting on canvas in ornately carved open work wood frame with brass name plaque bottom center. Signed lower left and dated 1879. Measures 28.25"H x 22.75"W framed; 23"H x 17"W unframed.
• Lionel Peraux French b.1871
  Lionel Peraux French b.1871 Encounter at the Park watercolor on paper signed ''Lionel Peraux'' ll 19 1/2 x 14 1/2 in. framed Estimate $ 700-1 000 Paintings have not been examined by blacklight.
• PAUL CALLE (AMERICAN, 1928),
  PAUL CALLE (AMERICAN, 1928), ‘CHANCE ENCOUNTER’, CHROMOLITHOGRAPH, FRAME: 32 1/2 X 41 3/4 IN. (82.6 X 106 CM.)Paul Calle (American, 1928), ‘Chance Encounter', Chromolithograph,, Pencil signed and numbered 356/950 Dimensions: Frame: 32 1/2 x 41 3/4 in. (82.6 x 106 cm.)
• JOHN B. LEAR JR (american b.
  JOHN B. LEAR JR (american b. 1910) "FIRST ENCOUNTER" Signed and dated '91' bottom right, pencil on yellow illustration board, unframed Sight: 12 3/8 x 8 3/8 in. provenance: Private Collection, Pennsylvania. Good original condition
• WALTER STUEMPFIG (AMERICAN
  WALTER STUEMPFIG (AMERICAN 1914-1970), AN UNEXPECTED ENCOUNTER, OIL ON CANVAS, 20 X 24 IN (50.8 X 61 CM)Walter Stuempfig, (American, 1914-1970) An Unexpected Encounter, Oil on canvas Signed Stuempfig indistinctly l.r. Oil on canvas Dimensions: 20 x 24 in (50.8 x 61 cm)
• Eileen Alice Soper (1905-1990)/A
  Eileen Alice Soper (1905-1990)/A Surprise Encounter/an otter cub watching a frog/signed/watercolour, 26cm x 36.5cm, framed/Note: from the William Marler Gallery/Provenance: from the Henry Sandon Study Collection
• CLOSE ENCOUNTERS OF THE THIRD
  CLOSE ENCOUNTERS OF THE THIRD KIND (R-1980). Columbia/EMI. Original 40" x 60" movie poster, rolled. Few tears to edges and slight fading.
• Alexis DeLeeuw (1848-1883,
  Alexis DeLeeuw (1848-1883, Belgian), large oil on canvas titled "Encounter by a Frozen Pond" 29.5" x 49.5" ss / 36" x 55.5" oa Condition: Relined, some in-painting to sky, losses and cracks to frame.
• Karl Bodmer Travellers Meeting with
  Karl Bodmer Travellers Meeting with Minatarre Indians lithograph
• French School (Mid-19th Century)
  French School (Mid-19th Century) "The Confrontation", oil on canvas laid down on panel, unsigned, 12-1/4" x 18". Presented in a period carved giltwood and plaster frame in the neoclassical style.
• CLOSE ENCOUNTERS OF THE THIRD
  CLOSE ENCOUNTERS OF THE THIRD KIND (1977). Columbia. Original movie poster by Thought Factory. Few stains, small hole and tear at crease. 23"w. 35"h.
• ROBERT WATSON O/C SURREALIST
  ROBERT WATSON O/C SURREALIST PAINTING, RENDEVOUSRobert James Watson (Arizona/California, 1923-2004) Surrealist oil on canvas painting entitled "Rendevous" depicting two figures conversing in a sparse, Mission-style courtyard. Signed lower right and titled and inscribed "Watson" to back of stretcher. With additional title and attribution on sticker affixed to verso. Housed in a grey wooden frame with gilt fillet. Sight: 7 1/2" H x 9 1/2" W. Frame: 11" H x 13" W. Condition: Stretcher marks visible from front of canvas. Scattered retouching and areas of overpainting in sky and in space between figures, largest 1 1/4" H x 3 1/3" W, plus superficial grime. Liquid stain visible en verso. Minor abrasions to frame.
• HISTORY OF NATIVE AMERICAN
  HISTORY OF NATIVE AMERICAN WARFARE AND AMERICAN ENCOUNTERSHISTORY OF NATIVE AMERICAN WARFARE AND AMERICAN ENCOUNTERS, [Native Americans and the West] 4 titles, all 8vo of varying sizes: W.L Holloway etc. Wild Life on the Plains and Horrors of Indian Warfare. St. Louis: The Excelsior Publishing Co; Frances Victor, Eleven Years in the Rocky Mountains and Life on the Frontier. Hartford: Columbian Book Company. 1879. Engravings and maps; George Belden. The White Chief; or, Twelve Years Among the Wild Indians of the Plains. Cincinnati/NY: C.F. Vent. 1871; Charles De Wolf Brownell. The Indian Races of North and South America... Hartford: American Publishing Company. 1865 (4)
• 2 CLOSE ENCOUNTERS OF THE THIRD
  2 CLOSE ENCOUNTERS OF THE THIRD KIND 1977 POSTERS Two one sheet movie posters. A Columbia/EM presentation. A Philips production. A Steven Spielberg film. Starring Richard Dreyfuss, Teri Garr, and Melinda Dillon. #770181
• 2 CLOSE ENCOUNTERS OF THE THIRD
  2 CLOSE ENCOUNTERS OF THE THIRD KIND 1977 POSTERS Two one sheet movie posters. A Columbia/EM presentation. A Philips production. A Steven Spielberg film. Starring Richard Dreyfuss, Teri Garr, and Melinda Dillon. #770181
• Darian Miller (American, 20th
  Darian Miller (American, 20th Century) Streamside Encounter, 2002 oil on panel signed D Miller and dated (lower left) 12 x 20 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• Hudson Pewter Figurine
  Hudson Pewter Figurine ''DangerousEncounter'' by Brian Rodden 10 1/2'' Indians hunting buffalo.
• FRAMED FOX HUNTING SCENE AFTER
  FRAMED FOX HUNTING SCENE AFTER HERRING "The Meet," dated 1867 in the plate; aquatint with hand coloring, sight size 22 x 34 1/4 in., framed.
• Currier & Ives Lithograph ''The
  Currier & Ives Lithograph ''The Meeting ofthe Waters'' Irish village scene scarcer
• An antique engraving, 'The Meet'
  An antique engraving, 'The Meet' from Herrings Fox Hunting Scenes. Image 20.5” x 32 Overall 27.5” x 38.5” Condition: not examined out of frame CT Transfer Fee $20
• Unknown. O/C "Confrontation VI" Not
  Unknown. O/C "Confrontation VI" Not visibly signed, but title inscribed by the artist verso. Size: 50 x 40. Condition: Good, unframed.
• JAMES HARRINGTON (B. 1929)
  JAMES HARRINGTON (B. 1929) AMERICANGarden encounter, oil on canvas, 13 1/2 x 17 1/2 inches, signed, “The Gallery at Four Indian street” label verso.
• FAILE "STRANGE ENCOUNTERS" -
  FAILE "STRANGE ENCOUNTERS" - 2007"Strange Encounters" - 2007 Screenprint in Colour. Pencil signed and numbered lower margin. Sheet Size: 30 x 22.5 in. Unframed. FAILE is the name of a collective of painters, graphic designers and illustrators based in New York. It was founded by Patrick McNeil, an American born in 1975 in California, and Patrick Miller, a Canadian born in 1976 in Minneapolis, Minnesota. The two artists met in high school and together created the FAILE collective in 1999. In 2000, while they were art students in New York, they met Japanese artist Aiko Nakagawa who joined the collective until 2006. They discovered together the underground culture of New York and took a passion for this universe. The collective began its urban art project by photographing street art and graffiti on the streets of New York. Then, little by little, they started using street art techniques: silkscreen printing, stencils, collages, painting, sculpture, fresco mosaic? They exhibit their works on the city walls and come to contemplate the effect of time on their creations: they like the ephemeral side of their works and the sensation of freedom during creation. To publicise their early work, they produced a hundred posters of naked women which they placed all over the streets of Manhattan. The aim is to arouse the curiosity of passers-by and to create mystery. FAILE's street art is more feminist and contrasts with the graffiti culture of the time. They especially like old images, pop culture and comics. They are influenced by artists such as Roy Lichtenstein and Basquiat. The collective travels and exports its street art all over the world such as Tokyo, Paris, London, Barcelona, Madrid, Berlin, Amsterdam and Lisbon where they pose collages, stencils and create giant frescos. For almost 15 years, the FAILE Collective has been spreading its street art, which was consecrated in 2003 with two solo exhibitions, one in London and the other in Tokyo. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• SOLOMON, Syd, (American, 1917 -
  SOLOMON, Syd, (American, 1917 - 2004): ''Lauderdale Encounter'' (with the Demo Demo Demon), Abstract Painting with Couple, Oil on Card, 12'' x 9.5'', signed lower right, signde , titled and dated verso 1987, framed, 18.25'' x 15.25''.
• GUILLAUME AZOULAY. THREE UNFRAMED
  GUILLAUME AZOULAY. THREE UNFRAMED ETCHINGS Chasse, "La Clute," and "Encounter," each pencil signed, sheet sizes: 22 1/4 x 30 in.