A few examples of appraisal values for
THE GOOD SHEPARD

• E. Leavitt after Bartolome
  E. Leavitt after Bartolome Murillo (19th century), "The Good Shepherd", signed verso on canvas "E. Leavitt", oil on canvas, 13 x 9-1/4 in., 19th century gilt wood and composition cove-molding frame,
• SPANISH COLONIAL PAINTING CHRIST
  SPANISH COLONIAL PAINTING CHRIST THE GOOD SHEPHERDFramed Spanish Colonial oil on canvas painting, Christ the Good Shepherd, Mexico, 19th c., depicting Jesus wearing crown of thorns, visible stigmata, sacred heart, carrying a lamb, centered in a carved and parcel gilt frame, sight: approx 33.25"h, 21.75"w, overall: 42.75"h, 31.25"w, 15.75lbs
• EARLY 17TH C. FRENCH BRETONESE
  EARLY 17TH C. FRENCH BRETONESE POLYCHROMED WOOD STATUE An Allegory of the Good Shepherd, a standing figure in broad hat with sheep surrounding her, on a rocky base, probably Normandy region, roughly 35" x 19" x 15". Replaced ear to one sheep, repaired hat brim, other minor repairs, shrinkage cracks.
• An American Leaded and Stained
  An American Leaded and Stained Glass Window The Good Shepherd depicting Jesus holding a lamb and shepherd's crook staff flanked by two sheep from St. Martin's Church in Chicago. Height 82 x width 42 3/8 inches.
• A Carved and Polychromed Wood
  A Carved and Polychromed Wood Santos Figure of "The Good Shepherd" old painted surface visible loss height 17 3/4 in.
• Carved Wood Santos of Jesus The
  Carved Wood Santos of Jesus The Good Shepherd and Young St. Francis of Assisi 18/19th Century Fully carved wood figure of Jesus The Good Shepherd holding a lamb in his arms raised on a stepped pedestal overall apprx. 12-3/4"T x 6-1/4"W x 5-3/8"D. Fully carved wood figure of a young St. Francis of Assisi holding a book raised on a stepped pedestal overall apprx. 10-3/4"T x 5-1/2"W x 5"D. Santos depiction is naturalistic and Jesus figure also features glass eyes. Both carvings gessoed and polychrome painted.
• ORONZO GASPARO (AMERICAN, 1903 -
  ORONZO GASPARO (AMERICAN, 1903 - 1969) 9 ½" x 6 ½" "The Good Shepherd", 1922. Oil on paper (verso of envelope with stamp), double signed and dated lower right, verso of frame backing inscirbed with title, date, artist name and address, and stamped "Oronzo Gasparo Oronzo's Studio Gallery 167 ½ East 115th St. NY", matted and framed, overall 16 ½" x 13 ½".
• OIL ON TIN RETABLO, CHRIST GOOD
  OIL ON TIN RETABLO, CHRIST GOOD SHEPHERD, MEXICOFramed oil on tin retablo, Mexico, depicting Christ holding a shepherd's crook and lamb, stigmata wound visible on his hand, sight: 17"h, 12.5"w, overall: 20.5"h, 16"w, 1.75lbs
• A Chelsea figure of a shepherdess
  A Chelsea figure of a shepherdess (red anchor), circa 1755-60, with a lamb at her feet and flowers in her apron, 18cm high
• ROMAN MARBLE RELIEF HERMES
  ROMAN MARBLE RELIEF HERMES KRIOPHOROS THE GOOD SHEPHERD...Roman, Imperial / Early Christian, ca. 3rd to 4th century CE. A magnificent marble fragment, skillfully carved in high relief to depict a man holding a ram; a motif known as Hermes Kriophoros or the Good Shepherd. Gazing to his right, the ancient figure is dressed in a belted tunic, carefully sculpted with intricate folds of cloth that cascade down his body, highlighting his slender physique. His naturalistic visage features a pair of generously lidded eyes with incised pupils beneath an arched brow, a broad nose with a low nasal bridge, a moustache, and plump lips, slightly parted as though in awe. A luscious mane of tight coils surrounds his head, forming his dense coiffure and bushy beard. In his right hand he grasps the legs of a ram, which he carries over his shoulders. The adorable animal also looks to the right, extending its head forward and presenting long, pointed horns and a rounded snout. The charming creature's posterior rests on the man's shoulder displaying a petite tail, as his smooth body stretches behind the shepherd's head. Size: 14.5" L x 8.25" W x 20.125" H (36.8 cm x 21 cm x 51.1 cm); 21.25" H (54 cm) on included custom stand. The image of the Good Shepherd is the most popular of the symbolic representations of Christ depicted in early Christian art in the Catacombs of Rome. These occurred before it was possible to make Christian imagery explicit. Christ is generally shown as a young man carrying a lamb round his neck as we see in this example, and this imagery was adopted from the much older pagan Hermes - god's messenger - or kriophoros - a ram bearer figure used for the sacred sacrifice of rams - and later evolved into the Good Shepherd who watches over his flock. For a wonderful example of this, please see the Late Roman version of the Kriophoros of Kalamis (also Calamis) in the Museo Barracco, Rome. Provenance: East Coast collection, New York Gallery, New York City, New York, USA, acquired before 2010 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #161506 Condition: Fragment of a larger piece. Man is missing left arm. Repair to man's elbow with break lines visible. Possible repair and restoration to ram's horns. Losses to ram's face and man's upper right arm and nose. Some light softening of detail and minor nicks and abrasions, commensurate with age. Otherwise, excellent.
• SIGNED GOOD SHEPHERD ETCHING ON
  SIGNED GOOD SHEPHERD ETCHING ON PAPERDESCRIPTION: A signed etching on paper depicting a good shepherd scene drawing with a nude man in a seated position while holding a sheep over his shoulders. Signed in the lower bottom right bottom corner. Unintelligible signature. CIRCA: 20th Century. DIMENSIONS: W: 9" H:14 1/2". Frame is 14 3/4" 21 1/4". Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Vintage condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• Giuliano De Luca/The
  Giuliano De Luca/The Shepherd/watercolour, 31cm x 23cm
• Sheep and shepherd in pastoral
  Sheep and shepherd in pastoral landscape; oil on canvas; 16" x 19 1/2"; signed "Salas" lower right. In ornate gilt gesso frame.
• Attributed to Abraham Pether
  Attributed to Abraham Pether (British, 1756-1812) A Shepherd and His Flock, 1794 oil on canvas signed with AP monogram and dated (center-right) 28 1/2 x 14 inches. Property from a Prominent Corporate Collection
• Italian Old Master painting,
  Italian Old Master painting, Adoration of the Shepherds, nativity with shepherds, two angels holding banner Gloria in Eccelcis Deo , unsigned, oil on canvas, possibly 17th century, 56 x 49 in.; modern gilt wood and composition frame. Restretched on new stretcher, lined with wax and linen, retouch throughout affecting approximately 20 percent of surface, frame abrasions, flaking, cleavage, cupping, crackle; frame with abrasions. The Estate of the Late Francis Reese, Ball Ground, Georgia
• REMBRANT VAN RIJN. "THE GOOD
  REMBRANT VAN RIJN. "THE GOOD SAMARITAN," ETCHING (Dutch, 1606-1669). Fourth state etching with crown and shield watermark, 9 3/8 x 7 7/8 in., framed.
• “THE GOOD SAMARITAN”, C. 1800-1820,
  “THE GOOD SAMARITAN”, C. 1800-1820, ENGLISH OR AMERICAN, EMBROIDERED PICTURE WITH HAND-PAINTED FEATURES, WOOL, SILK AND PAINT IN A GLAZED FRAME, DEPICTS A MAN IN A WHITE TURBAN AND ROBE KNEELING TO ASSIST A MAN AND PO..."The Good Samaritan", c. 1800-1820, English or American, embroidered picture with hand-painted features, wool, silk and paint in a glazed frame, depicts a man in a white turban and robe kneeling to assist a man and pour water from a bottle over his wounded arm, a donkey stands to the side, fortress in background, the picture is worked with long and short stitches and French knots, framed behind glass with a reverse-painted black and gold mat, with the name "Martha Hughes" in the lower right corner, wear consistent with age and use including shattering of painted silk especially to figure in front, etc., sold as is, frame: 25 ¼ " h. x 23 ¼" w., ss: 17 ¼" h. x 15 1/4" w.
• Shepherd tending sheep farm
  Shepherd tending sheep farm scene; oil on board; 15 1/2" x 20"; signed I. Brown? lower right.
• A Derby figure of a shepherdess
  A Derby figure of a shepherdess in a floral bocage with lamb at her feet on a scrolling base 23cm (9") high
• Italian Carving with Christ as Good
  Italian Carving with Christ as Good Shepherd18th century likely ivory three quarter length portrait in high relief with stained and tinted decorations and landscape beyond with Christogram on sunburst at upper right presented in mahogany shadowbox frame with applied stamped metal medallions.5.25 x 4.5 x 1 3/8 in.One finger missing; some minor repaired breaks; not examined out of frame.
• manner of Philip WouvermansSHEPHERD
  manner of Philip WouvermansSHEPHERD AND SHEPHERDESS IN ARCADIAN LANDSCAPEoil on pine panel 28.5cm x 39cm(11.25" x 15.25")
• PETER RENDL, CHRIST THE GOOD
  PETER RENDL, CHRIST THE GOOD SHEPARD SCULPTURE Circa 1900, carved oak. Inscribed 'Peter Rendl, Oberammergau, Bavaria'.Note: Peter Rendl, the actor that played John from 1890-1900, in Obermmergau's Passion Play, did business between play seasons selling wood carvings in London. He learned his artistic trade under the guidance of Ludwig Lang and the drawing master Anton Lechner.
• SHEPHERDESS WITH LAMB CARVED
  SHEPHERDESS WITH LAMB CARVED ALABASTER SCULPTURE Shepherdess with lamb carved alabaster sculpture, depicting a young beauty in 18th century garb standing in the wind holding a straw hat on her head with one hand and a crook with the other, while a lamb grazes at her feet, all on a circular base, having no apparent signature. Approx. h. 27", w. 10", d. 11".
• AESOP FABLE IMAGE, OIL "The Wolf in
  AESOP FABLE IMAGE, OIL "The Wolf in Shepherd's Clothing," Early 20th century, Oil on canvas; of sheepdog protecting flock from wolf.
• 16TH C. ETCHING OF SHEPHERD A Young
  16TH C. ETCHING OF SHEPHERD A Young Shepherd with a Staff, a hat and two dogs in a landscape, unsigned, trimmed to edge, in water gilt molded frame, floated within mat and glazed, OS: 9 1/2" x 8", SS: 4 1/4" x 2 3/4". Toned at top corners from old mount. From the collection of Howard Hibbard.
• 18th century painting, figure of
  18th century painting, figure of shepherd playing musical instrument, with sheep, unsigned, possibly Peruvian School, oil on panel, 12 x 8-1/2 in.; carved gilt wood and composition frame with mirror insets. Flaking, grime, split running entire length; frame with abrasions, loss to composition.
• Artist Unknown (19th century)
  Artist Unknown (19th century) Shepherd and His Sheep oil on canvas 22 x 10 1/4 inches.
• After Gerrit van Honthorst (Dutch
  After Gerrit van Honthorst (Dutch 1590-1656) The Adoration of the Shepherds oil on canvas 43 x 25 1/2 inches.
• SHEPHERD WITH LAMB 1014676 - LLADRO
  SHEPHERD WITH LAMB 1014676 - LLADRO PORCELAIN FIGURINEMatte finish; Shepard kneeling, holding a lamb. Lladro backstamp. Does not include the original box. Artist: Juan Huerta Issued: 1969 - 1989 Dimensions: 6"H x 3.25"W Manufacturer: Lladro Country of Origin: Spain Condition: Good.
• LLADRO "SHEPHERD" PORCELAIN
  LLADRO "SHEPHERD" PORCELAIN FIGURINEDESCRIPTION:A Lladro porcelain figurine titled "Sheppard". Figure features of a young man feeding a baby lamb. Edition number 4834 and retired in 1981. Traditionally marked on the bottom. No box. CIRCA: 1972 ORIGIN: Spain DIMENSIONS: H:11.5" and 4" in diameter CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• SOLBRIG, Herman (19th Century):
  SOLBRIG, Herman (19th Century): ''Homeward'' Depicts a Shepard and his Flock of Sheep on a Dirt Trail Walking to the Horizon, Oil/Cradled Wood Panel, 12.50'' x 18 5/8'', signed lower left, unframed, old label with title verso. CONDITION: Crack in board in left margin, some abrasions in upper right corner and lower right corner.
• HERB MIGNERY "THE SHEPHERD"
  HERB MIGNERY "THE SHEPHERD" BRONZEHerb Mignery (American, b. 1937). Cast bronze sculpture titled "The Shepherd," 1979, depicting a grizzled sheepherder seated with his loyal herding dog next to him. Incised signature, numbered 6/10, and dated along the base. Affixed to a wooden base. Provenance: Distinguished corporate collection, Minnesota. Height: 18 1/2 in x width: 14 1/4 in x depth: 8 3/4 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• After Bertolomé Esteban Murillo
  After Bertolomé Esteban Murillo (Spanish, 1647-1682) A pair: The Infant Saint John the Baptist, with lamb, unsigned, label verso "Le bon pasture Murillo Galerie National de Londres," and "The Good Shepherd", oil on tin, 15-1/4 x 11 in.; matching fine 19th century gilt wood and composition cove-molding frames with stenciled sand pebble decoration,
• Shepard Fairey (American, b.
  Shepard Fairey (American, b. 1970) Metropole Peace Guard Mural (Detail), 2010 printed paper, wheatpaste, concrete and sealant signed and dated 10 in ink (lower right) 22 3/4 x 41 1/4 x 1 inches.
• Sister Gertrude Morgan (American,
  Sister Gertrude Morgan (American, 1900-1980) "Lord, I'm Doing All The Good I Can", mixed media on paper, 5" x 4-1/4", ink inscribed upper half "Lord, I'm doing all the good I can. I am your missionary worker. Lord, I'm doing all the good I can." Glazed and presented in a polychromed frame.
• Old Master painting, shepherd by
  Old Master painting, shepherd by a pond with sheep, cows and goats, unsigned, oil on canvas, European, 18th century, 22-7/8 x 31-1/4 in.; fine 19th century gilt wood and composition cove molding frame. Lined, restretched on old stretcher, crackle, hole in varnish with some paint loss (burn?), retouch down right side (former stretcher mark?) and down left edge and some small points at top and bottom with less than 2 percent of surface affected; frame possibly regilt, minor losses, abrasions. Descended in Goncharoff family.