A few examples of appraisal values for
THE HIGH TIDE

• Mort Kunstler, American, 20th c,
  Mort Kunstler, American, 20th c, 1993, Limited Edition color lithograph, No. 704/1500, The High Tide, Gettyburg, July 3, 1863, 15 1/2" x 28 1/2" sight size, triple mounted and framed to 28" x 39" fumed oak frame. Estimate $200-400
• MOLLY DEE OIL ON CANVAS "HIGH
  MOLLY DEE OIL ON CANVAS "HIGH TIDE"Molly Dee (b. Buffalo 1938) Oil on Canvas "High Tide" , depicting a fashionably dressed couple standing on a pier gazing out to sea, initialed lower left "M" in thin black frame Framed 67 in. x 53.75 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• Attributed to William Herbert
  Attributed to William Herbert Clarkson (British 1872-1944)/Low Tide at Sunset/initialled WHC/pastel, 24cm x 33cm/Attributed to Robert Finlay McIntyre/Seafront Town at Dusk/pastel, 28cm x 45cm and a 19th Century French pastel of a seated man (3)
• Chilmark Pewter Civil War Statue
  Chilmark Pewter Civil War Statue ''The High Tide'' signed by Burnam 5 1/2'' tall.
• Charles James Lauder (British,
  Charles James Lauder (British, 1840-1920) Low Tide: The Thames at Rotherwithe, circa 1880-90 watercolor signed 'C.F. Lauder' (lower center) 9 3/4 x 17 1/2 inches. Property from the Collection of F. Alan Cummings, Tallahassee, Florida
• LOW TIDE ON GRAND PRE BY BLISS
  LOW TIDE ON GRAND PRE BY BLISS CARMAN W/ LETTERLow Tide on Grand Pre. Accompanied with hand written letter signed by the author. Author: Bliss Carman Publisher: New York: Charles L. Webster and Company Date: 1893
• Henry Pember Smith (American
  Henry Pember Smith (American 1854-1907) Low Tide 1882 watercolor signed Henry P. Smith (lower left) 16 x 27 inches.
• Sydney Mortimer Laurence 1865–1940.
  Sydney Mortimer Laurence 1865–1940. Ebb Tide. oil on canvas. 21¼ h × 17¼ w in. estimate: $2,000–3,000. Signed to lower right ‘Sidney Mortimer Laurence’.
• Kay McMemomy, Gouache on paper, Low
  Kay McMemomy, Gouache on paper, Low Tide Study, 1990, see verso
• PHILIP FREY (CONTEMPORARY MAINE)
  PHILIP FREY (CONTEMPORARY MAINE) "Rising Sun - Ebbing Tide", miniature oil on panel, 2018, signed, titled and dated verso, unframed, on box mount, 4" x 4".
• Alfred Heber Hutty (Charleston,
  Alfred Heber Hutty (Charleston, South Carolina, 1877-1954), "Low Tide", 1921, etching on paper, signed lower right "Alfred Hutty" with cipher and titled lower left, inscribed lower right "5.7 AHE" and stamped "NES", inscribed upper left "G.S.", 8-7/8 x 5-7/8 in. (plate), 13 x 8-5/8 in. (page), gilt silver frame,
• ANDRé GISSON (1921-2003), LOW
  ANDRé GISSON (1921-2003), LOW TIDE Oil on canvas, signed lower left, presented in a period gilt frame with wide linen mat and gilt filet.
• CAROLE A. DANYLUK. "HIGH TIDE,"
  CAROLE A. DANYLUK. "HIGH TIDE," BRONZE Bronze sculpture on a green marble base of a sea otter with enameled accents, 1996, ed. 31/48, signed on verso, approximately 9 in. H., 12 in. W.
• Arthur Joseph Meadows (British
  Arthur Joseph Meadows (British 1843-1907) Ships at Low Tide (a pair of works) oil on canvas signed J. Meadows Each 12 1/2 x 19 3/4 inches.
• ANDRé GISSON (1921-2003), LOW
  ANDRé GISSON (1921-2003), LOW TIDE Oil on canvas, signed at lower left, presented in a period frame.
• FORREST JACOBS "LOW TIDE" GILT
  FORREST JACOBS "LOW TIDE" GILT FRAMED O/B Forrest Jacobs (American / Marietta 20th century), "Low Tide" oil on canvas board depicting a dock and small boat resting on the bottom of the water bed, signed to lower right and titled en verso, framed. Approximate measurements: board h. 24. 25", w. 30"; frame h. 34", w. 40", d. 2. 375".
• 20TH CENTURY: TIME AND TIDE20th
  20TH CENTURY: TIME AND TIDE20th Century: Time and Tide, lithograph on paper laid to board;1961; signed illegibly and dated lower right, titled lower center, inscribed "E 7" lower left Dimensions: Sight: 35 x 52 in. (88.9 x 132.1 cm.), Frame: 39 x 56 in. (99.1 x 142.2 cm.) Provenance: Property from The Watt Estate's Harbor Island Time Capsule, Newport Beach, California Condition:
• James Rosenquist (American,
  James Rosenquist (American, b.1933), "Tide", for artists from Artists Rights Today portfolio; screenprint; 29 1/2" x 21 3/4"; pencil signed, dated 1975, and numbered 125/125 lower margin with Styria Studio blindstamp lower right.
• J. WYATT ORIGINAL BRONZE WILDLIFE
  J. WYATT ORIGINAL BRONZE WILDLIFE SCULPTURE titled ''High Tide '' a dolphin jumping out of water incised signature J. Wyatt #270/950; mounted on stone plinth with brass title plaque. Dimensions: 14''L x 8''W x 19.75''H. The bronze is in excellent condition with light wear throughout.
• Alexis Jean Fournier (American 1865
  Alexis Jean Fournier (American 1865 - 1948) ''Low Tide Lyme Cove'' Sgn. lower left Alexis Fournier. O/C. Sgn. & titled in pencil on reverse. Some tight craqueleur in sky. 20'' x 24''E
• WILLIAM SIMMONS, LOW TIDE: POLPERRO
  WILLIAM SIMMONS, LOW TIDE: POLPERRO VILLAGE, O/C William St. Clair Simmons (English 1878-1899), "Low Tide: Polperro, Cornwall England" late 19th century, oil on canvas, depicting a small seaside town with figures and a boat, signed to lower right, framed. Provenance: From the Estate of Joyce Lowenstein, Atlanta, Georgia. Approximate dimensions: canvas h. 20.25", w. 25"; frame h. 28.25", w. 33", d. 2.25".
• HUGH BRECKENRIDGE (1870 - 1937)
  HUGH BRECKENRIDGE (1870 - 1937) "LOW TIDE, GLOUCESTER",...Hugh Breckenridge (1870 - 1937) "Low Tide, Gloucester", Fort Washington, Pennsylvania pastel chalk on paper signed lower left Breckenridge titled and signed verso sight size: 6 3/4" x 8 3/4" Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Leonard C. Lane (American
  Leonard C. Lane (American 1910-1978) Splendor of Evening Tide oil on canvas signed Leonard C. Lane (lower left) 25 1/4 x 35 3/4 inches.
• Knute Heldner (Swedish/New
  Knute Heldner (Swedish/New Orleans 1877-1952) "Low Tide Gloucester Harbor" oil on canvas laid down on board signed lower right titled en verso 16 in. x 20 in. in a giltwood frame.
• Alexander Ramus (late 19th/early
  Alexander Ramus (late 19th/early 20th century) Fishing Vessels at High Tide watercolor on paper signed "A. Ramus" lr 9 1/2 x 13 in., framed
• FREDERICK JUDD WAUGH (NJ/MA,
  FREDERICK JUDD WAUGH (NJ/MA, 1861-1940) "Spring Tide", whitecaps on a granite shore, oil on canvas, signed lower right, titled on tag verso from Milch Galleries, 104 West 37th St., NYC, housed in a carved and gilt matched corner frame, OS: 37" x 44", SS: 28 3/4" x 35 3/4", cleaned and relined.
• William Henry Hunt (English,
  William Henry Hunt (English, 1790-1864) Fisherfolk on Hastings Beach and At Low Tide Larger 3 1/4 x 4 3/4 inches. Property from the Collection of F. Alan Cummings, Tallahassee, Florida
• Bertha Ried (Massachusetts, 20th
  Bertha Ried (Massachusetts, 20th century) Low Tide, Provincetown, Massachusetts, signed lower left "Bertha Ried", oil on canvas, 16 x 20 in.; modern gilt wood frame,
• ''Early Moon'' setting moon over
  ''Early Moon'' setting moon over crashing waves oil on canvas. 12'' H x 16'' W.
• EDWARD COOKE (AFTER), ENHANCED
  EDWARD COOKE (AFTER), ENHANCED PRINT After Edward William Cooke (English, 1811-1880), "Low Tide off the Dutch Coast", offset print on canvas backing, embossed and varnished, 24"h x 17"w (sight), 32"h x 26"w (frame)
• ROBERT E. DUNCAN (MAINE,
  ROBERT E. DUNCAN (MAINE, 1944-2019), "LOW TIDE"., TEMPERA ON BOARD, 17" X 42". FRAMED 20" X 46".ROBERT E. DUNCAN, Maine, 1944-2019, "Low Tide". Likely Scarborough, Maine. Signed and dated lower right "Robert Duncan 1970". Titled verso. Dimensions: Tempera on board, 17" x 42". Framed 20" x 46". Provenance: Notes:Robert E. Duncan attended the Portland School of Fine Art and had several exhibitions in Portland in the 1960s and 1970s.
• GEORGE AMES ALDRICH O/C MARITIME
  GEORGE AMES ALDRICH O/C MARITIME PAINTING, LOW TIDE IN ...George Ames Aldrich (Indiana/Illinois/Massachusetts, 1872-1941) oil on canvas marine painting titled "Low Tide in Holland" depicting a figure atop a horse drawn wagon beside a ship moored on a beach at low tide, the ocean visible in the background beneath an evening sky. Signed and dated "G. Ames Aldrich 1919" lower right. Housed in a carved giltwood frame. Sight: 24 1/2" H x 29 1/2" W. Framed: 32 1/2" H x 37 1/2" W. Biography: "George Ames Aldrich was born in Worcester, Massachusetts on June 3, 1872. His early art experience took place in the 1890's while living in Europe. He studied art in the Midwest, the East Coast, and throughout Europe, becoming a successful and respected etcher and painter. He worked as an illustrator for both Punch magazine and The London Times in the 1890's. Returning to the United States, he became a member of the Art Students' League in New York City. Soon thereafter, it is thought he may have studied architecture at M.I.T. in Massachusetts, and his experience there is evident in the buildings and houses in many of his landscapes. Aldrich continued his art education in Paris, attending Academies Julian and Colarossi, and later joining the Societe des Artistes Francais. Between 1909 and 1910, Aldrich lived with artist/instructor Dieppe, completing many of his paintings in Normandy and Brittany. In 1918, Aldrich arrived in Chicago and became involved with the South Bend art scene during the 1920s. Aldrich exhibited regularly at the Art Institute of Chicago, and was a member of the Chicago Galleries Association, the Hoosier Salon, and the Chicago Society of Painters and Sculptors. In 1924, he won an architectural club traveling scholarship and traveled to Europe to paint in England, Germany, Spain, Italy, and France. His work is represented in many museums throughout the world, and many private and corporate collections carry his work including the Union League of Chicago and the War Mothers Building in Washington DC. He died in Chicago in 1941." (adapted from Michael David Zellman, 300 Years of American Art and William Gerdts, Art Across America). The Collection of Griff and Dallas Adams, Johnson City, Tennessee. Property descending from the collection of TN Supreme Court Justice Thaddeus Cox and Pearl Cox, originally housed in "The Oaks", Johnson City, TN. Condition: Overall very good condition with craquelure. Frame with natural age shrinkage, areas of loss, largest 1 1/4" x 2 3/4", to gilt. Blacklight indicates possible light overpainting of anchor line, part of sails, and back of horse.
• MARK TOUGIAS
  MARK TOUGIAS (VERMONT/MASSACHUSETTS, 1957-), "LOW TIDE"., ACRYLIC ON CANVAS, 18" X 24". FRAMED 20" X 26".MARK TOUGIAS, Vermont/Massachusetts, 1957-, "Low Tide". Signed lower right "M. Tougias". Titled verso. Dimensions: Acrylic on canvas, 18" x 24". Framed 20" x 26".
• RUTH D. HOGAN (MASSACHUSETTS,
  RUTH D. HOGAN (MASSACHUSETTS, 1943-), “TIDAL WATER AFTER THE SUN HAS SET”., PASTEL, 6.5” X 7” SIGHT. FRAMED 10.5” X 11”.RUTH D. HOGAN, Massachusetts, 1943-, "Tidal Water After the Sun has Set". Signed lower left "Hogan". Dimensions: Pastel, 6.5" x 7" sight. Framed 10.5" x 11". Provenance: The Estate of Paul and Diane Madden, Sandwich, Massachusetts.
• WILLIAM WOODWARD. (American b.
  WILLIAM WOODWARD. (American b. 1935). LOW TIDE AT LE CONQUET signed and dated 1965 lower right. Oil on canvas - Framed 15 in. x 18 1/4 in.
• British School, 20th c - Fishing
  British School, 20th c - Fishing Vessels at Low Tide, indistinctly signed Wm C..., oil on board, 38.5 x 59cm and Brian Hinton (Fl. 1955-c.1970) - Hereux Anniversaire, signed, gouache, 49 x 64.5cm More Information Good condition