A few examples of appraisal values for
THE LAST CHANCE IN

• 1883 Dodson's Coaching Incident's
  1883 Dodson's Coaching Incident's Engraving ''The Last Chance In'' image area 30'' x 18''.
• Last One In by Orville Bulman
  Last One In by Orville Bulman Orville Bulman (American 1904-1978). Oil on canvas signed l.l. titled and dated 1976 on verso; 16 x 13.5 in. (sight)
• After William Mulready/The Last
  After William Mulready/The Last In/oil on canvas, 40cm x 50cm/Note: a copy of the painting in the Tate Gallery/Provenance: Dreweatt Neate, 20 May 2003, Lot 258?
• The Trappers Last Shot American
  The Trappers Last Shot American Lithograph American 19th century The Trappers Last Shot lithograph; 17.75 x 23.5 in. Condition: Some minor foxing. margins have been rimmed.
• Bill Freeman (American b. 1927)
  Bill Freeman (American b. 1927) "Last Light". Oil on canvas signed in the lower left corner framed in a wide driftwood finish frame overall 33" x 38-1/4". Titled on the stretcher bar.
• THE LAST REBEL (COLUMBIA, 1971).
  THE LAST REBEL (COLUMBIA, 1971). Original One Sheet (27" x 41") movie poster, folded. Wear to fold lines and fading.
• Custer chromolithograph,
  Custer chromolithograph, "Custer's Last Fight", 1896 edition after Otto Berker, published by The Milwaukee Litho. and Engraving Company for Anheuser-Busch Brewing Association, 48-1/2 x 38 in.; original 19th century oak frame. 21 in. tear from right edge through center, creases, water stains at bottom, surface rippling; frame with abrasions. Collection of Courtney Smith, Sr., Highland Springs, Virginia.
• PRINT THE TRAPPER'S LAST SHOT.
  PRINT THE TRAPPER'S LAST SHOT. American 2nd half-19th century. Engraving by Booth after a painting by Wranney showing a trapper with rifle on horseback. Imperfections. In a frame 22.5''h. 29''w.
• BIRGER SANDZEN 'THE LAST OF THE
  BIRGER SANDZEN 'THE LAST OF THE SCOUTS' LITHOGRAPHBirger Sandzen (Swedish-American, 1871-1954) The Last of the Scouts, 1923 Lithograph on paper Edition of 100 14" x 12 1/2" A pencil-signed and titled portrait, executed on white laid paper. Framed to archival standards in a wooden frame with an acid free mat, museum mount, and conservation glass, by the American Legacy Gallery in Kansas City, Missouri, measuring 26 5/8" x 23 1/2" in total. Literature: Charles Pelham Greenough, The Graphic Work of Birger Sandzen, Birger Sandzen Memorial Foundation, 2001, L - 84 Condition Not removed from the frame. The sheet shows some faint creasing and has some very minor spots.
• GENE SPECK, THE LAST WARM DAYGene
  GENE SPECK, THE LAST WARM DAYGene Speck (American, b. 1937)The last warm dayoil on canvassigned lower right GENE SPECK9 x 14in (23 x 36cm) Provenance:Property from the Estate of Robert and Barbara Grant
• MARK HOPKINS (COLORADO/GEORGIA,
  MARK HOPKINS (COLORADO/GEORGIA, 20/21ST CENTURY) BMARK HOPKINS (Colorado/Georgia, 20/21st century) bronze sculpture, "Last One In," boys jumping into the water. Signed, dated 1989, edition 1099/2500. 12.25" x 8" x 8"
• 'THE LAST PICTURE SHOW', LARRY
  'THE LAST PICTURE SHOW', LARRY MCMURTRY FOR THE DIAL PRESS, NEW YORK, 1966 (FIRST PRINTING)'The Last Picture Show', Larry McMurtry for The Dial Press, New York, 1966 (First Printing),
• MAXWELL, THE LAST CRUSADE, 1920,
  MAXWELL, THE LAST CRUSADE, 1920, HANDCOLORED Donald Maxwell THE LAST CRUSADE (London and New York, 1920) 4to, cloth. The binding is worn with reinforced corners, the spine is starting to detach. This is on the chronicle of the British expeditionary force of Palestine. Many of the black line illustrations are enhanced by a competent watercolorist.
• THE LAST STARFIGHTER (UNIVERSAL,
  THE LAST STARFIGHTER (UNIVERSAL, 1984). Original One Sheet (27" x 41") movie poster, folded. Wear on fold lines.
• Ernest G Griset/The Last
  Ernest G Griset/The Last Milestone/signed and dated 1884/oil on canvas, 54cm x 44cm
• FRENCH WWI POSTER, EUGENE
  FRENCH WWI POSTER, EUGENE COURBOIN(French, 1851–1915) Un Dernier Effort et On l' Aura (One Last Effort and We'll have Him), a French poilu , accompanied by American, British, and other Allied soldiers, scales a blood-stained peak, atop which waits a German Imperial eagle, signed in stone "Eug. Courboin", Cornille et Serre, Paris, 1918, color lithographic poster, 47-3/4 x 31-3/8 in. Condition: "C6-" grade, Good condition, backed with canvas, retains registration marks, restorations to tears and losses, toning, chipping at edges
• THE LAST WORKS OF HENRI MATISSE,
  THE LAST WORKS OF HENRI MATISSE, LITHOGRAPHS, 1958 Pierre Reverdy and Georges Dethuit, Harcourt, Brace and Company, lithographs from Verve 35/36 printed in color by Mourlot Freres, heliogravure in b&w by Draeger Freres, complete with all plates including multiple gatefolds, hardcover in jacket, 186 pages, all color lithographs present, 14.5"h x 10.5"w
• THE LAST WORKS OF HENRI MATISSE,
  THE LAST WORKS OF HENRI MATISSE, LITHOGRAPHS, 1958 Pierre Reverdy and Georges Dethuit, Harcourt, Brace and Company, lithographs from Verve 35/36 printed in color by Mourlot Freres, heliogravure in b&w by Draeger Freres, complete with all plates including multiple gatefolds, hardcover in jacket, 186 pages, all color lithographs present, 14.5"h x 10.5"w
• FULCO DI VERDURA, L'ULTIMA
  FULCO DI VERDURA, L'ULTIMA RONDINEFulco di Verdura(Italian, 1898-1978)L'Ultima Rondine (The Last Swallow)gouache on papersigned lower left FULCO, titled under image.sight: 2 1/8 x 3 1/2in (5.4 x 8.9cm)
• "THE LAST MILLS" BY JOHN GRAVES.
  "THE LAST MILLS" BY JOHN GRAVES. Pennsylvania, 1919-2004. Oil on canvas, signed and dated 1998. Sunset scene with brick steel mills marked "JL" for Jones & Laughlin and bridges and steamboat coal barges on the Monongahela river. 24"h. 36"w., framed, 28.25"h. 40.25"w.
• SARAH CHURCHILL (British
  SARAH CHURCHILL (British 1914-1982). THE LAST CAVALRY CHARGE I WAS OVERPOWERED BY A SENSE OF DEEP AND IRREPARABLE LOSS and A HOBBY IS OF THE FIRST IMPORTANCE TO A PUBLIC MAN: THREE WORKS signed and noted AP in pencil lower margin. Lithograph with embossing - Two framed image: 20 in. x 16 in. and one unframed
• R. CHAPMAN (AMERICAN, 20TH CENTURY)
  R. CHAPMAN (AMERICAN, 20TH CENTURY) 7 ?" x 29 ½" image size "The Last Gate Near Avignon". Mixed media on paper, signed in pencil lower right corner, titled in pencil lower left corner, matted under plexiglass in wood frame, overall 19" x 40 ?".
• WOODY CRUMBO, LAST SUNSETWoody
  WOODY CRUMBO, LAST SUNSETWoody Crumbo, (Potawatomi/Chilocco, 1912 - 1989) Last Sunset, gouache on paper signed in plate lower right: Crumbo gouache on paper Dimensions: 12 1/2 x 16 1/2 in. (31.75 x 41.91 cm.), Frame: 18 x 21 3/4 x 1 in. (45.72 x 55.25 x 2.54 cm.) Provenance: Private Collection, United Kingdom
• MARK HOPKINS BRONZE SCULPTUREMARK
  MARK HOPKINS BRONZE SCULPTUREMARK HOPKINS (Colorado/Georgia, 20/21st century) bronze sculpture, "Last One In," four boys jumping in the water. Signed and titled, dated 1989, edition 52/2500, 12.25" x 8.5" x 7".
• The Aquarium L-13/Last Days Closing
  The Aquarium L-13/Last Days Closing Down Sale screenprint on fluorescent card/note: The Aquarium was a forerunner to L-13 Light Industrial Workshop, it closed on the 23rd December 2008
• The Aquarium L-13/Last Days Closing
  The Aquarium L-13/Last Days Closing Down Sale screenprint on fluorescent card/note: The Aquarium was a forerunner to L-13 Light Industrial Workshop, it closed on the 23rd December 2008
• AFTER VIRGILIO MATTONI O/B
  AFTER VIRGILIO MATTONI O/B PAINTING, "LAST DAYS OF FERD...After Virgilio Mattoni (Spain, 1842-1923) oil on panel painting titled "Les derniers jours de Ferdinand III le Saint," (The Last Days of Ferdinand III, also called The Saint, originally painted by Mattoni in 1887). Housed in a giltwood frame with leaf-carved corner ornaments. Sight- 8" x 5". Frame - 15" x 11". Early 20th century. Condition: Small area of craquelure lower right corner of painting and some light wear to frame, otherwise very good condition.
• Jim Morgan (American, b. 1947) Last
  Jim Morgan (American, b. 1947) Last Look, 2002 oil on board signed Jim Morgan (lower left); signed (verso) 9 x 14 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• After Jam
  After Jam
• CHARLES SCHREYVOGEL, THE LAST DROP,
  CHARLES SCHREYVOGEL, THE LAST DROP, REPRODUCTION OF 1903 EDITIONCharles Schreyvogel, (1861 - 1912) The Last Drop, Reproduction of 1903 Edition, bronze inscribed: Copyrighted 1903 by / Chas Schreyvogel bronze Dimensions: 12 x 18 x 5 in. (30.5 x 45.7 x 12.7 cm.) Provenance: Private Collection, Arizona
• HOWARD FINSTER "THE WORK OF THE
  HOWARD FINSTER "THE WORK OF THE LAST DAYS". Georgia/Alabama (1916-2001). Enamel on metal disc dated 1979. Wear and loss. 22" dia.
• CLAY HALFMAN (AMERICAN 20TH
  CLAY HALFMAN (AMERICAN 20TH CENTURY), LAST CALL, SERIGRAPH, NUMBERED 106/200, FRAME: 24-1/4 X 18-1/4 INClay Halfman (American 20th Century), Last Call, Serigraph, numbered 106/200, Frame: 24-1/4 x 18-1/4 in
• Chilmark Civil War Pewter
  Chilmark Civil War Pewter Figurine ''LastResort'' by Francis Barnum #136 of 500 with certificate 5'' x 9 1/2'' excellent.
• David Bierk (American, 1944-2002) A
  David Bierk (American, 1944-2002) A Last Flower, Locked in Migration, to Manet, 2000 oil on canvas laid board with steel signed David Bierk and dated (verso) 44 1/2 x 38 1/2 inches.
• AFTER WYLLIE, THE LAST JOURNEY OF
  AFTER WYLLIE, THE LAST JOURNEY OF VICTORY 1922, PHOTOGRAVURE, FRAME: 30 X 26-3/4 INAfter Wyllie, The Last Journey of Victory 1922, Photogravure, Frame: 30 x 26-3/4 in
• THE LAST SUPPER MIXED
  THE LAST SUPPER MIXED MEDIADESCRIPTION:A mixed media (Wood, Resin, Paper) three-dimensional portrait print by S.H. Mavruk in a gilded frame with a resin coating featuring the twelve disciples at the last supper. CIRCA:20th Ct. ORIGIN:USA DIMENSIONS:H:26.5" x L:38.5" CONDITION:Scratched on right of image. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.