A few examples of appraisal values for
THE PHOTOGRAPHER

• ALFRED EISENSTAEDT, TENNIS PLAYERS,
  ALFRED EISENSTAEDT, TENNIS PLAYERS, 1937Alfred Eisenstaedt (German/American, 1898-1995)Tennis players (for Home & Garden magazine), 1937gelatin silver printthe photographer's stamp and publisher's stamp on the verso, with handwritten notati
• PAUL WOLFF, GIRL ON A BEACH,
  PAUL WOLFF, GIRL ON A BEACH, VOGUE MAGAZINEPaul Wolff (German, 1887-1951)Girl on a beach (for Vogue magazine), 1935gelatin silver printmarked WOLFF in the image lower right, the photographer's stamp and publisher's stamp on the verso, with han
• CHALKIE DAVIES (WELSH, B. 1955)
  CHALKIE DAVIES (WELSH, B. 1955) Elvis Costello Hoover Factory Close-Up (1978) (printed later) signed and numbered by the photographer in black ink 'Chalkie Davies HC 1/5' (to the lower border) black and white archival print image size 25 x 38cm ARR
• CARL SANDBURG, STEICHEN THE
  CARL SANDBURG, STEICHEN THE PHOTOGRAPHER, 1929 Harcourt, Brace and Company, #281/925 signed by Sandburg and Edward Steichen, this copy also inscribed to photographer Louise Dahl-Wolfe and signed "Steichen", Dahl-Wolfe's signature on front endpaper, 12.5"h x 9.5"w
• AN EARLY 20TH C. ROLAND REED
  AN EARLY 20TH C. ROLAND REED PHOTOGRAVUREShepherd of the HillsThe photographer's depiction of a Navajo man is displayed in its original frame.Image measures 12.5 x 8.5 with a framed size of 18 x 13.75 inches.Apparently the condition is good, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.Provenance: A private inherited collection originating 40-plus years ago in Nebraska.
• Two Portraits of Indira Gandhi by
  Two Portraits of Indira Gandhi by Artin Cavouk, Toronto, 1973 each signed by the photographer on the print, with studio stamp verso, and framed each frame approx. 14.25 x 12 in — 36.2 x 30.5 cm
• Signed Portrait Photograph of
  Signed Portrait Photograph of Roland and Norah Michener by Artin Cavouk, c. 1968 gelatin silver print, signed by the photographer, mounted on studio card signed by the sitters, studio stamp and numbered 10764, verso print 13 x 9.75 in — 33 x 24.8 cm; framed 43.5 x 33.5 in — 110.5 x 85.1 cm
• Two Portrait Photographs of
  Two Portrait Photographs of Roland and Nora Michener by Artin Cavouk, Toronto, c.1972 each signed by the photographer on the colour print, lower right, and framed (his) sight 9.5 x 7.5 in — 24.1 x 19.1 cm; framed 15 x 13 in — 38.1 x 33 cm
• ROBERTO SALAS "CASA" (ARCHIVAL
  ROBERTO SALAS "CASA" (ARCHIVAL PIGMENT PRINT)Roberto Salas (American/ Cuban, b. 1940) Casa , 2013 Archival pigment print on Baryta fiber base paper 20" x 15" (sight) Marker-signed and titled ("[indistinct] a Casa") to the bottom margin alongside the artist's blind stamps. The reverse is notated and numbered in the artist's hand, "Edition: Special 2013. #2/5 Salas." Presented behind glass in a frame that measures 20 1/4" x 25 1/4". Roberto Salas is best known as the photographer with personal access to Fidel Castro, documenting Castro's early days as a revolutionary, his rise in 1959, and his lifelong governance of Cuba. Through the second half of the 20th century, Salas's photography has captured contemporary life both big and small, with subjects ranging from the Vietnam War to simple daily life and culture of Cubans. His work has garnered him over 60 solo shows around the world. Condition Excellent condition.
• ROBERTO SALAS "POLLOS" (2013
  ROBERTO SALAS "POLLOS" (2013 ARCHIVAL PIGMENT PRINT)Roberto Salas (American/ Cuban, b. 1940) Pollos , 2013 Archival pigment print on Baryta fiber base paper 20" x 14" (sight) Marker-signed and titled to the bottom margin alongside the artist's blind stamps. The reverse is notated and numbered in the artist's hand, "Edition: Special 2013. #2/10 Salas." Presented behind glass in a frame that measures 24 1/2" x 18 1/2". Roberto Salas is best known as the photographer with personal access to Fidel Castro, documenting Castro's early days as a revolutionary, his rise in 1959, and his lifelong governance of Cuba. Through the second half of the 20th century, Salas's photography has captured contemporary life both big and small, with subjects ranging from the Vietnam War to simple daily life and culture of Cubans. His work has garnered him over 60 solo shows around the world. Condition Excellent condition.
• ROBERTO SALAS "TABACO #9" (ARCHIVAL
  ROBERTO SALAS "TABACO #9" (ARCHIVAL PIGMENT PRINT)Roberto Salas (American/ Cuban, b. 1940) Tabaco #9 , image circa 1997/ printed 2012 Archival pigment print on Baryta fiber base paper 20" x 14" (sight) Marker-signed and titled to the bottom margin alongside the artist's blind stamps. The reverse is notated and numbered in the artist's hand, "Edition: Special 2012. #4/10 Salas." Presented behind glass in a frame that measures 24 1/2" x 18 3/4". Roberto Salas is best known as the photographer with personal access to Fidel Castro, documenting Castro's early days as a revolutionary, his rise in 1959, and his lifelong governance of Cuba. Through the second half of the 20th century, Salas's photography has captured contemporary life both big and small, with subjects ranging from the Vietnam War to simple daily life and culture of Cubans. His work has garnered him over 60 solo shows around the world. Condition Excellent condition.
• VICTOR SKREBNESKI "ANDY WARHOL,
  VICTOR SKREBNESKI "ANDY WARHOL, 'THE FACTORY' NY, 1972"Victor Skrebneski (after) (1929-2020) Andy Warhol, 'The Factory' New York, 1972 Offset photograph on paper 11 3/4" x 11 3/4" (image) Skrebneski's portrait of Warhol, archivally framed alongside the photographer's 1979 marker signature. The glazed frame measures 28" x 18 1/4". Condition Minor creasing from handling to the top right of the image, but otherwise very good condition.
• GOEBEL HUMMEL FIGURINE, THE
  GOEBEL HUMMEL FIGURINE, THE PHOTOGRAPHER 178A boy looks through his camera with his dog next to him. Artist: Goebel Issued: 20th c. Dimensions: 5"H Manufacturer: Goebel Country of Origin: Germany
• GIUSEPPE ARMANI FIGURINE, THE
  GIUSEPPE ARMANI FIGURINE, THE PHOTOGRAPHERCapodimonte porcelain figure. Modeled as a girl posing for her photographer. Mounted on wooden base. Backstamp and incisded initials. #giuseppearmani #capodimonte Issued: 20th c. Dimensions: 11"L x 5.5"W x 9.5"H Manufacturer: Giuseppe Armani Country of Origin: Italy Condition: Good.
• 2PC GOEBEL HUMMEL FIGURINES, THE
  2PC GOEBEL HUMMEL FIGURINES, THE PHOTOGRAPHER + THE ART...Hand painted in matte finish modeled as young boys, one painting and other is taking a photo. M. I. Hummel impressed backstamp. Goebel backstamp. The Photographer figure measures: 4"L x 2.5"W x 5"H. The Artist figure measures: 3"L x 2.5"W x 5.5"H. Manufacturer: Goebel Hummel Country of Origin: Germany Condition: Age related wear.
• GIERS PHOTO GALLERY ACCOUNT
  GIERS PHOTO GALLERY ACCOUNT BOOKS, ARCHIVEAccount books and related items from the photography businesses operated by C.C. Giers (1828-1877) and his son Otto Giers of Nashville. 1st and 2nd items: 2 books, one titled Giers Gallery with beginning date 1872, the other titled Giers and Koellein, no beginning date, but circa 1895, both containing hundreds of signatures of Giers photography customers, presumably sitters, over a period of several years. Most of the clients who signed listed their residences from the Middle Tennessee area, but a few hailed from further environs including Charleston, Buffalo NY, Memphis, Kentucky, and as far as Mexico. (Giers Gallery book - 10 1/2" x 8" x 1 3/8". Giers and Koellein book - 10 1/4" x 8 1/4" x 1 3/8"). 3rd item: Partial C.C. Giers ledger, much of it written in German, circa 1872 (12 1/8" x 7 1/2" x 3/4"). 4th item: Memorial of the International Exhibition 1876, souvenir booklet with 48 views of the event in Philadelphia, "compliments of C.C. Giers," with views including the Photographic Association Studio, where C.C. Giers exhibited his work (wear to cover, toning to interior pages). (3 1/8" x 4 7/8" x 1/4"). 5th item: 3 Pages from Frank Leslie's and Harper's Weekly with engravings based on Giers photographs. 6th item: 2 photographic images of C.C. Giers including CDV with his own photography studio backstamp verso and a sixth-plate tinted tintype portrait. (CDV overall - 4 1/8" x 2 1/2". Tintype overall - 4 3/4" x 3 7/8"). 7th item: 2 Thuss, Koellein and Giers envelopes, 1 empty, the other containing a lock of hair and addressed to Miss E. Childress (both envelopes toned and torn). 8th item: Will of Carl C. Giers, dated Oct. 16, 1875, ordering his business property, "especially my business on Union Street, together with its good will and fixtures", to be sold, with the income invested and interest to benefit his wife, Pauline. (Toning, scattered minor stains). 9th item: June 2, 1883 Bill of sale transferring ownership of Armstrong's Photographic Gallery at 139 Union Street in Nashville to the partnership of W.G. Thuss, Emil Koellein, and Otto Giers, "together with its good will, furniture, fixtures, specimens, apparatus, negatives stock and materials." (Toning, 1/2" tear at fold, light grime). 10th item: Civil War certificate, partially printed and dated Dec. 26, 1864, noting that "Giers and Co is duly authorized to sell supplies to loyal persons at Nashville and that he may be permitted to ship to that place during the month of December, supplies... to the amount of $500." Signed by C.A. Fuller. Together with a Special License to ship to Insurrectionary States and Districts, allowing C.C. Giers to import $200 worth of "goods, wares and merchandise", signed by W.D. Gallagher and dated July 19, 1862. 1/2" loss at top of page. (Note: Giers was allowed to continue his photography business during the Civil War, in fact photographing numerous Civil War officers on both sides of the conflict. However, as these certificates show, operating the business in a Union occupied Southern city carried its share of red tape). 11th item: Apron from Giers' studio; metal door plate "Chas. C. Giers" (3 1/2" x 7"). 12th item: Light magnifier or lens from a piece of photography equipment (1 1/2" x 3 1/4"). 13th item: Metal printing plate depicting the Giers photography shop along with a late 20th century card showing a reprint of the image. (Plate - 1 5/8" x 4 3/8" x 7/8". Card - 3 1/2" x 5 1/2"). 14th item: C.C. Giers TN and Pacific Railroad Pass. 15th item: 4 Koellein, Patterson, and Giers trade cards (grime). 16th item: Otto B. Giers "First Class Photographer" ad (adhered to 1960s photo album page). 17th item: Giers and Koellein sign: "Notice: All Photographs Must be Paid for in Advance". 18th item: Souvenir booklet from the Photographer's Association of American convention dated July 23-27 1900 (6 1/2" x 10 1/8" x 1/4"). 19th item: Souvenir programme of the Photographer's Association of Kentucky and Tennessee, McMinnville TN June 20-23, 1905 with ads and samples of photography from various area studios (9 3/4" H x 6 5/8" W x 3/8" D). 19th item: Register book, lacking covers, dated March 20 -Dec. 19, 1868, containing signatures and residences - possibly another Giers photography customer register. Book is fragile with separations to spine, newspaper clippings pasted to some pages, chew losses to corners (7 3/4" x 6 1/2" x 3/8"). 20th item: Scrapbook containing newspaper clippings related to C.C. Giers, including some of his letters to the editor favorable to immigration ("Let them come"), a critical report from the Tennessee exhibit at the World's Fair in Vienna, 1873 ("Tennessee makes a poor show in the world"), etc. Lacking covers, pages heavily toned, clippings glued down. 21st item: Large document signed by Tennessee Gov. John C. Brown appointing Giers as Commissioner to the 1873 Vienna Exposition, vignette of the state Capitol at top, seal at bottom. (Fragile with full tears at lower fold lines). (20 7/8" x 15 5/8" approx.). Note: Carl C. Giers immigrated from Germany and arrived in Nashville in 1852. He set up a photo gallery downtown, photographing many Nashville occupants and visitors - including notable Civil War figures during the city's Union Occupation. C.C. Giers passed away in 1877 and the studio was sold, but his son, Otto Giers, only 19 when his father died, took up the trade and continued it as part of the firm Thuss, Kollein and Giers. He went on to make a name for himself photographing a series of documentary photos of the city of Nashville (included in this auction), the Nashville Centennial Exposition, and other important citizens, sites, and events. Provenance: the estate of Giers descendant Sarah Hunter Hicks Green, formerly of Historic Devon Farm, Nashville, Tennessee. (Higher-resolution photos are available at www.caseantiques.com) Condition: Covers of 1872 Giers Gallery sitters' book fully detached and badly worn; front cover of the Giers and Koellein book missing and back cover nearly detached. Ledger in poor condition with pest damage, lacking covers, heavy toning and foxing. Other items used and worn, see item description above.
• 18K DIAMOND FLOWER FASHION
  18K DIAMOND FLOWER FASHION RING18K white gold designer diamond double flower ring, the petals containing 64 pave set round cut diamonds, one center with a cultured pearl and other center with a faceted near-round garnet. Mounting marked 750 and with unidentified maker's mark. Ring size 7 1/4. 11.9 grams. (Higher-resolution photos are available at www.caseantiques.com) Condition: Very good condition. (Please note: The red reflection from the garnet onto the diamonds is caused by the intensity of the photographer's lights.)
• RINGLING BROTHERS AND BARNUM &
  RINGLING BROTHERS AND BARNUM & BAILEY COMBINED CIRCUS.Kelty, Edward (American, 1888 Ð 1967). Ringling Brothers and Barnum & Bailey Combined Circus. Madison Square Garden. New York: Century, 1931. Stunning photograph at Madison Square Garden with nearly the full audience and members of the three-ring circus staring back at the photographer. A network of trapezes, tightropes, and supports crisscrosses the composition filled with at least sixteen elephants, camels, and all manner of performers. 20 _ x 12". Chipping at edges with losses at the bottom right; tears, a few partially repaired with tape; and other scuffs and abrasions. Fair.
• MUDDY WATERS 1969 SANTA CAP
  MUDDY WATERS 1969 SANTA CAP PORTRAIT.Muddy Waters 1969 Santa Cap Portrait. Chicago: Peter Amft, 1990s. Number 6 of 100 copies. Silver bromide print from the original negative, signed and titled by the photographer in pencil beside studio stamp. 14 x 11". Fine.
• MICHAEL BLOOMFIELD GUITAR
  MICHAEL BLOOMFIELD GUITAR PORTRAIT.Michael Bloomfield Guitar Portrait. Chicago: Peter Amft, 1990s. Photographer's proof copy (#1). Silver bromide print, being a close-up depiction of the strumming hand of the guitarist. Signed, titled, and numbered by the photographer on the verso. 14 x 11". Fine.
• MICHAEL BLOOMFIELD PORTRAIT
  MICHAEL BLOOMFIELD PORTRAIT PHOTOGRAPH.Michael Bloomfield Portrait Photograph. Chicago: Peter Amft, 1990s. Photographer's proof copy (#2). Silver bromide print portrait of the musician. Signed, titled, and numbered by the photographer on verso. 14 x 11". Fine.
• HOUND DOG TAYLOR 1972
  HOUND DOG TAYLOR 1972 PORTRAIT.Hound Dog Taylor 1972 Portrait. Chicago: Peter Amft, 1990s. Photographer's proof copy (#3). Silver bromide print. Signed, titled, and numbered in pencil by the photographer on verso. 14 x 11". Fine.
• BIG JOE WILLIAMS PORTRAIT
  BIG JOE WILLIAMS PORTRAIT PHOTOGRAPH.Big Joe Williams Portrait Photograph. Chicago: Peter Amft, 2000. Number 1 of 100 copies. Silver bromide print, signed, titled, dated, and numbered by the photographer on verso beside studio stamp. 14 x 11". Fine. The image was used on the cover of Williams' album I Got Wild (Delmark, 2003).
• BIG WALTER HORTON AND CAREY BELL
  BIG WALTER HORTON AND CAREY BELL PORTRAIT PHOTOGRAPH.Big Walter Horton and Carey Bell Portrait Photograph. Chicago: Peter Amft, 1990s. Number 1 of 100 copies. Silver bromide print, signed, numbered, and titled by the photographer on the verso beside studio stamp. 14 x 11". Fine.
• B.B. KING 'I AM LUCILLE' GUITAR
  B.B. KING 'I AM LUCILLE' GUITAR PORTRAIT.B.B. King 'I Am Lucille' Guitar Portrait. Chicago: Peter Amft, 1990s. Number 1 of 100 copies. Silver bromide print from the original negative, signed and titled in pencil by the photographer on verso beside studio stamp. 14 x 11". Fine.
• ERIC CLAPTON COLOR PORTRAIT.Eric
  ERIC CLAPTON COLOR PORTRAIT.Eric Clapton Color Portrait. [New York]: Ken Settle, 1990s. Color Fujifilm Crystal Archive print, signed by the photographer in gold ballpoint lower right. 14 x 11". Fine.
• THE BEATLES "PAUL 66" LIMITED
  THE BEATLES "PAUL 66" LIMITED EDITION BLACK AND WHITE P...The Beatles "Paul 66" Limited Edition Black and White Photograph. Circa 1990s. Number 214 of 500 copies. Authorized modern fine reprinting depicts McCartney isolated onstage, surrounded by sound gear and a Beatles drum set. Signed, numbered, and titled in the lower margin by the photographer. Matted area 15 x 11". Fine.
• FRANK SINATRA STAGE PORTRAIT
  FRANK SINATRA STAGE PORTRAIT PHOTOGRAPH BY GEORGE KALIN...Frank Sinatra Stage Portrait Photograph by George Kalinsky. New York, Madison Square Garden, 1974. Large color print signed by the photographer in the lower right corner. Original black metal frame, matted with the commemorative engraved plaque. 28 _ x 19 _". Fine.
• PHIL RUSTEN "RED BARN NO. 1" SIGNED
  PHIL RUSTEN "RED BARN NO. 1" SIGNED PHOTOGRAPHPhil Rusten (American, 1923-2011) photograph of a red barn against an off white background, framed and matted under glass. Hand titled "Red Barn No. 1" to the lower left hand corner and signed by the photographer to the lower right hand corner. Metal frame measures 11-1/4" in height by 16-1/4" in width with the sight image measuring 6-1/4" in height by 11-1/4" in width. All measurements are approximate. Phil Rusten (American, 1923-2011) was an author and photographer who lived and worked primarily in Ann arbor, Michigan.
• NICHOLAS TROFIMUK (AMERICAN/NEW
  NICHOLAS TROFIMUK (AMERICAN/NEW MEXICO B. 1940) A PHOTO...NICHOLAS TROFIMUK (American/New Mexico b. 1940) A PHOTOGRAPH, "Sun Dance," GALISTEO, 1991, silver gelatin print on paper, verso signed in pencil, the photographer's stamps with image limitation number 36/100, special edition number 10/92, titled, placed and dated, 10 1/4" x 13 1/2", framed, 16 1/4" x 20 1/4". Condition: In good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• GRP: MEN'S FASHION BOOKSGroup of
  GRP: MEN'S FASHION BOOKSGroup of men's fashion and decorating books from the mid to late 20th century. Includes the February 1948 issue of "Esquire" magazine, the August 1973 issue of "After Dark" magazine, and books including "David Hicks on Decoration," "The Power Look at Home: Decorating for Men," "Manstyle: the GQ Guide to Fashion, Fitness, and Grooming," "Gentleman: A Timeless Fashion," "The Compleat Gentleman," "The Book of Ties," and "Man Alive: Dressing the Free Way," which is inscribed and signed by the photographer and includes several unique photographs. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• BUZZ ALDRIN SIGNED PHOTO MARK
  BUZZ ALDRIN SIGNED PHOTO MARK SENNETSigned photo of Apollo 11 astronaut Buzz Aldrin (American, b. 1930), depicting Aldrin in his Air Force dress uniform, standing in the ocean surf. Signed and inscribed "Apollo XI" along the lower right corner. Signed by the photographer, Mark Sennet, inscribed "The Peshees" and numbered 30/50 along the lower left. Sight; Height: 9 1/2 in x width: 12 1/2 in. Framed; Height: 19 1/4 in x width: 23 1/4 in. Condition: The photograph is in excellent condition with no visible tears, creases, or losses. When inspected under UV light, there is no visible sign of restoration. It is framed under plexiglass. Not inspected out of frame. Very light wear to the frame.
• VINTAGE CABINET CARDS BOZEMAN,
  VINTAGE CABINET CARDS BOZEMAN, MONTANA, C. 1890SFor your consideration this lot includes 33 Vintage Cabinet Card photographs from studios in early Montana statehood Bozeman, Montana, circa 1890s. Originally from the personal collection of renowned artifact dealer Jim Aplan of Piedmont, South Dakota and recipient of the coveted Governor’s Award for Historical Preservation in South Dakota. Many have gold gilt scalloped edges. Cabinet cards, popular in the late 1800s, are easy to recognize because they are mounted on cardstock, often with an imprint of the photographer and location just below the photo. There are similiar card-type photographs, such as the smaller carte-de-visite which was introduced in the 1850s, but if an old photo is about 4x6 in size then chances are it is a cabinet card. A style of photograph first introduced in 1863 by Windsor & Bridge in London, the cabinet card is a photographic print mounted on card stock. The Cabinet card got its name from its suitability for display in parlors especially in cabinets and was a popular medium for family portraits. Photographs are in amazing preserved condition, age tanning noted, minimal foxing. Slight fading also noted. Total measurement is 4.25"W x 6.5"L x 1.5"D
• 1920- WYOMING SPEAKS IN PICTURES
  1920- WYOMING SPEAKS IN PICTURES PORTFOLIOFor your consideration is this Third Edition Revised of “Wyoming Speaks in Pictures” by Prairie Publishing, c. 1920-30's. The editorial explanations are written by Robert B. David and the photographs are by Chas J. Belden, Haynes Studio, and Crandall Studio. This book shows mostly black and white photos, with a few stunning color photographs of life and wildlife in Wyoming. Each photo description includes the title of the image, location, and credits the photographer. The condition of this photo album is fair, with slight scuffing, creasing and staining to the green metallic covers, front cover inset silhouette of cowboy on a bucking bronco. Intact pages exhibit edge wear and minimal age tanning. The measurements of this photo album are 9.5"W x 13.5"L.
• K. ROAHEN ROSEBUD RIVER MT
  K. ROAHEN ROSEBUD RIVER MT PHOTOGRAPH C.1930'SFeatured in this lot is this original K.F. Roahen hand tinted photograph of Rosebud Lake in the Beartooth Mountains of Montana. Kenneth Roahen was a Billings, Montana photographer in the early to mid 1900's. The photograph was taken on the water or on the bank with the bridge in the background. The photographer's signature can be seen in the bottom right hand corner. The photograph shows the caption that reads as follow: Scene from the East Rosebud River, in vicinity of East Rosebud Lake, Beartooth Mountains, Montana - by K. F. Roahen. The condition of this hand tinted photograph shows some wear to the right hand side of the photograph and shows some wear to the frame of the photograph. The measurements of this framed photograph is 25 1/4" x 38 5/8" and the visible art measures 22 1/4" x 35 1/2".
• GROUP OF 11 ASSORTED BOOKS ON
  GROUP OF 11 ASSORTED BOOKS ON ART, PHOTOGRAPHY, ETC.including: An Autobiography by Richard Avedon, New York: Random House, 1993, first edition; Andy Warhol Polaroids 1958-1987 by Richard B. Woodward and Reuel Golden, Taschen, 2015; Wolterinck by Marcel Wolterinck, Cees Roelofs (photography), Warnsveld: Terra Publishing, 1997(?); Velazquez: The Complete Works by Odile Delenda, Taschen, 2014; Beretta: 500 Years of the World's Finest Sporting Life by Nicholas Foulker, Andy Anderson (photography), New York: Rizzoli International, 2016, signed by the photographer; and others Provenance: Private Georgia Collection Condition: all in generally good condition, some bumped corners and light wear to extremities