A few examples of appraisal values for
THE SPIRIT OF WASHINGTON

• Washington painting after Barralet,
  Washington painting after Barralet, "Commemoration of Washington" or "The Apotheosis of Washington", depiction of George Washington being lifted from his tomb by Time and Immortality and being mourned by Colombia (Freedom), a Native American, and the figures of Faith , Hope and Charity , after an 1802 engraving, by John James Barralet, Ireland/Philadelphia, Pennsylvania, 1747-1815, oil on canvas, American, 19th century, 27 x 22-1/4 in.; 20th century Empire style frame with anthemion at corners. Restretched on old stretcher, lined with wax and linen, minor retouch lower right and scattered in background and at edges, crackle, flaking, stretcher marks; frame with abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• THREE FRAMED N. CURRIER AND CURRIER
  THREE FRAMED N. CURRIER AND CURRIER & IVES. All handcolored. ''The Spirit of the Union'' depicting George Washington. Marked ''Pub'd by Currier & Ives / Entered according to Act of Congress in the year 1860 by E. Dechoux in the Clerk's Office of the District Court of the United States for the Southern Dist of N.Y. / 152 Nassau St. N.Y.'' In a gilt frame 17 1/2'' h. 13 1/2'' w. and ''Wm. Penn's Treaty with the Indians when he Founded the Province of Penns.a 1661 / The Only Treaty That Was Never Broken / Lith: & Pub. by N. Currier 2 Spruce St. N.Y.'' In a frame 15'' h. 18'' w. Together with ''Gen: George Washington / The Father of His Country / Lith & Pub By N. Currier 33 Spruce St. N.Y.'' In a frame 18'' h. 14'' w. Not examined out of frames. ''Spirit of the Union'' brightly colored. Some foxing yellowing toning discoloration on both.
• George Washington patriotic banner,
  George Washington patriotic banner, portrait of a young Washington leaning on his horse under the Liberty Bell, framed within a star oval border against red and white striped field, United States shields top and bottom, printed cotton, American, probably Centennial, late 19th century, 25 x 16-1/2 in. (sight); later wood frame. Scattered stains, fading, small hole proper upper right corner, not examined out of frame. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• THE SPIRIT OF '76 BY JOHN WARD
  THE SPIRIT OF '76 BY JOHN WARD DUNSMORE (MICHIGAN/MASSACHUSETTS 1856-1945). Oil on canvas unsigned. Dated ''March 14 1906''. Sketch of man joining militia. 10''h. 14''w. in a frame 18''h. 22 1/4''w.
• WASHINGTON (VIRGINIA) Lithograph
  WASHINGTON (VIRGINIA) Lithograph with tint stone by M. Alophe after a drawing by New York painter S.F. Dubourjal. Dubourjal's work was in turn based upon a life painting by Gilbert Stuart. Printed by Cattier. Published by Goupil Vibert & Co. Paris and New York C.1860. Washington is depicted three-quarter length in uniform outside a campaign tent. His left hand rests on a fortification plan spread out on a boulder. To the rear is a sketchy rendering of a river with a small village beyond. 11 1/4 x 9 1/8 in. (image).
• The Apotheosis of Washington and
  The Apotheosis of Washington and Franklin, copper plate printing on linen, depicts the exaltation of Washington and Franklin with Washington and Liberty in a leopard-drawn carriage below Franklin and Liberty holding a banner, other landscape motifs and allegorical figures, sewn to linen backing, after an etching by Valerie Green (English, 1739-1813) from a 1780 painting by John Trumbull (American, 1756-1843), probably made in England for the American market, 41 x 31 in.; Plexiglas frame. Fading, several stains proper upper right corner. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• Washington after Gilbert Stuart,
  Washington after Gilbert Stuart, George Washington at Dorchester Heights, circa 1830, after Gilbert Stuart, American, 1755-1828, oil on canvas, 39-1/2 x 29-1/2 in.; possibly original 19th century gilt wood cove molding frame. Lined with linen, retouch at repaired tears, draw crackle; frame retains some of original surface, tape accretion top of frame, abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• G. Washington lithograph by
  G. Washington lithograph by Kellogg, "Washington", silhouette of George Washington with bald eagle, published 1844 by E. B. and E. C. Kellogg, page 17-1/8 x 12-3/8 in.; original 19th century bird-'s-eye maple ogee molding frame with gilt liner. Toning, light grime, masking tape all edges, five tears at edges, one with 3/8 x 1/2 in. loss to paper lower left edge, trimmed; frame with abrasions, losses to gilt surface. The Estate of Joel H. and Alice C. Radcliffe, Greensboro, North Carolina.
• After Gilbert Stuart (American,
  After Gilbert Stuart (American, 1755-1828) George Washington, unsigned, oil on canvas, 22 x 18 in.; original 19th century gilt wood frame,
• Charles Stewart (American,
  Charles Stewart (American, 1922-2011) The Spirit (from the Laughing Face series) oil on canvas signed C. Stewart T.S. (lower right) 36 x 20 inches.
• George Washington kerchief,
  George Washington kerchief, titled "The Effect of Principle/Behold the Man" above a full-length portrait of Washington flanked by a portion of his eulogy and a quote from his farewell address, printed on cotton, label verso indicates that the kerchief was made in England for the American market, early 19th century, 11-1/4 x 11-1/4 in. (sight); wood frame. Foxing, fading, not examined out of frame. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• WASHINGTON ST. SIGN AND A GILT
  WASHINGTON ST. SIGN AND A GILT METAL EAGLEWashington St. Sign and a Gilt Metal Eagle,
• George Washington & American
  George Washington & American Eagle Tooth. Description This is a very patriotic tooth with excellent quality scrimshaw overall. The American Eagle holding the banner reading "Live and let live" is a very popular theme seen in maritime art from the late 18th century through the 19th century. George Washington, the father ...
• "Spirit of the Raven" sculpture, by
  "Spirit of the Raven" sculpture, by RF Murphy, Franklin Mint cold painted bronze, dancing Native American ceremonial dance, mounted on marble & wood plinth, 10-1/2" h
• FEDERAL ERA UNCUT TWO-PANEL
  FEDERAL ERA UNCUT TWO-PANEL PATRIOTIC KERCHIEF CELEBRATING GEORGE WASHINGTON Attributed by author H. R. Collins to Pennsylvania's Germantown Print Works, circa 1806, in Threads of History (Smithsonian Institution Press, 1979), being a copperplate engraving printed on cotton cloth, the left panel is titled "The Love of Truth Mark the Boy" and shows young George explaining himself as regards the doomed cherry tree of popular legend, additional printed verse underscores Washington's lifelong commitment to honesty come what may; the right panel is titled "The Effect of Principle Behold the Man" above a portrait of Washington after Gilbert Stuart that is flanked by an excerpt from the president's Farewell Address of 1796 on the left and a brief eulogy on the right, below are an American eagle, the British lion, and two peaceful sailing ships beneath the optimistic words "Commercial Union."; the fabric has a colorful quilted backing with two blank squares being signed and dated "Jane West 1840" and "Margaret Davidson 1840" respectively. Presented in a two-sided wooden frame having a figured maple veneer on the front and two brass suspension loops on the top edge.
• Two 19th century silhouettes:
  Two 19th century silhouettes: "George Washington" and "Count de Grasse" 12 x 8 in., each framed
• Chromolithograph of George
  Chromolithograph of George Washington in Masonic attire, mounted in a walnut frame, as found, sight 26 1/2"h x 20"w
• THE PRAYER AT VALLEY FORGE 1866
  THE PRAYER AT VALLEY FORGE 1866 ETCHING1866 etching of Washington on one knee praying with soldiers trees and a horse in the background. after a painting by H. Brueckner published by John McRae water stains on the bottom margin H 18.5 x W 24'' H 24'' x W 30'' Private collection Madison Heights Mi.
• GEORGE WASHINGTON | COLUMBIA’S
  GEORGE WASHINGTON | COLUMBIA’S LEGACY; OR, WASHINGTON’S VALUABLE ADVICE TO HIS FELLOW CITIZENS George Washington | "Columbia’s Legacy"; or, Washington’s Valuable Advice to his Fellow Citizens, published by him at the period of announcing his intention of retiring from public life at the expiration of the present constitutional term of the presidency of the United States. To which is added, his Speech to Congress, at their present session, which terminates his political career. Philadelphia: Printed by H. Sweitzer & J. Ormrod, December 10th, 1796. 89, (1) pages?. (4 1/6 x 2 4/5 inches)
• 18th century Washington print,
  18th century Washington print, "Geo. Washington Esqr./President of the United States/From his Profile Taken in 1791/Aetat. 59.", circa 1796, in block at bottom "Published by J. Easton, Salisbury", woodblock on laid paper, shield and crown watermark lower left, 6 x 4 in. (page); carved and painted 19th century frame. Not examined out of frame; frame with abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• [Americana] Aaron Bancroft An Essay
  [Americana] Aaron Bancroft An Essay on the Life of George Washington (Worcester: Thomas & Sturtevant Oct. 1807) 8vo full sheep with penciled ownership signature of Richard H. Ridgely on flyleaf Estimate $ 80-125
• George Washington painting,
  George Washington painting, titled at top "George Washington Aetat 57", half portrait depicting Washington in profile, unsigned, style of William J. Weaver, 1759-1817, oil on canvas, 21 x 16-7/8 in.; 19th century gilt wood frame. Restretched on old stretcher, lined with fiberglass fabric, extensive retouch throughout painting affecting 75 percent of surface, crackle, cupping; frame with abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• UNSIGNED PORTRAIT OF WASHINGTON,
  UNSIGNED PORTRAIT OF WASHINGTON, WITH SADIK ATTRIBUTION TO GILBERT STUART Classic Bust Portrait, oil on canvas, with 2010 letter verso from Marvin Sadik, Director of the National Portrait Gallery at the Smithsonian in Washington, DC., stating this is by Stuart, who did in fact do many versions. In period lemon gold mitered frame with gesso edging, OS: 34 1/2' x 29 1/2", SS: 29" x 24", cleaned and relined, repairs to left edge, frame loss.
• Oil on board portrait of George
  Oil on board portrait of George Washington on horseback 20th c. greeted by Lafayette 15" x 10". ?
• Howard Pyle (Delaware/Pennsylvania,
  Howard Pyle (Delaware/Pennsylvania, 1853-1911), "George Washington Winged Woman", two sketches, both ink on card: "Washington..." signed and inscribed "Howard Pyle His Mark", 2 x 3-1/8 in., light grime, light toning, fading; "Winged…" signed and inscribed "Very Sincerely Yours Howard Pyle", 3-1/2 x 4-3/8 in., floated, light grime, slight toning, modern faux burl frames,
• NAÏVE IMAGE OF GEORGE WASHINGTON
  NAÏVE IMAGE OF GEORGE WASHINGTON (AMERICAN SCHOOL 18TH CENTURY). Watercolor on paper. George Washington on a white horse Martha with her umbrella and Lafayette nearby. Colors of red white and blue embellished with several blue flowers and a polychrome border. Center fold line and wear. In a frame 5''h. 8''w. Center fold line has tears at top and bottom 1'' tear at right edge both tear and centerline reinforced by glued on paper strips. The back of all the edges have been reinforced with glued on paper as well as small areas of paper loss and tears. Stains.
• Washington bust after Wright,
  Washington bust after Wright, George Washington wearing a figure eight epaulette on his proper right shoulder and draped on the other, 1790-1812, inscribed "Washington", attributed to the Ingram Studio, Volterra, Italy, finely hand-carved alabaster, early 19th century, 12 in. Restoration at fissure in wig, minor abrasions, pencil inscription. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• Edward Percy Moran (American,
  Edward Percy Moran (American, 1862-1935) "Washington After Resigning His Commission Leaving Annapolis for Mount Vernon, Dec. 23 1783", oil on canvas, signed lower left "Percy Moran", signed, dated and inscribed on the reverse "Percy Moran, East Hampton, L. I., NY, Aug & Sept 17, 1919", titled and further inscribed on the reverse "Peace with all the world is my sincere wish, George Washington", 30-1/4" x 40". Presented in a period molded giltwood frame.
• GEORGE WASHINGTON AT PRAYER
  GEORGE WASHINGTON AT PRAYER HN2861 - ROYAL DOULTON FIGU...Royal Doultons General Washington at Prayer is a limited edition of 750 figurines commemorating Americas first president and founding father, who was widely admired for his unflinching leadership during the grueling winter of 1777-1778 at Valley Forge. - Men of HistoryArtist: L. Ispanky Artist: L. Ispanky Issued: 1977; Ltd. 750 Dimensions: 12.5"H Manufacturer: Royal Doulton
• Carved Intaglio Portrait of
  Carved Intaglio Portrait of Washington, a right facing carved profile portrait of George Washington, 1"H x 7/8"W, testing spinel, Provenance notes available from collector in London, can send upon request.
• CHINESE SCHOOL (EARLY 19TH
  CHINESE SCHOOL (EARLY 19TH CENTURY,), “APOTHEOSIS, SACRED TO THE MEMORY OF GEORGE WASHINGTON”, CIRCA 1802., REVERSE PAINTING ON GLASS, 27.5” X 20”. FRAMED 33” X 25.5”.CHINESE SCHOOL, Early 19th Century, "Apotheosis, Sacred to the Memory of George Washington", circa 1802. After the popular print (1800-1802) by John James Barralet and Simon Chandron of Philadelphia. Shows Washington rising from his tomb guided by figures representing Genius and Immortality as figures of Faith, Hope and Charity look on. Mourning at the base of the tomb are symbols of America, including an eagle, shield, Lady Liberty and a Native American man with headdress, quiver and tomahawk. Tomb inscribed "Sacred to the Memory of Washington OB 11 Dec. AD 1799. AE XXXX". Nearly identical to the painting in the Peabody Essex Museum collection, which was originally commissioned in Canton by Captain David Ockington. Dimensions: Reverse painting on glass, 27.5" x 20". Framed 33" x 25.5". Provenance: A Lexington, Kentucky estate.
• George Washington mourning
  George Washington mourning epaulette, full-length cut-out profile portrait of Washington wearing a black velvet tricorn hat and blue velvet coat with lace fringe, paper face and hands with applied human hair (?) wig, white silk knickers and black boots, all applied to a wool epaulette, American, late 18th/early 19th century, 14 x 9-1/2 in. Small loss to paper surface near the ear, discoloration or stain to silk knickers. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• [Historic Newspaper: Washington's
  [Historic Newspaper: Washington's Election] Single issue of The Massachusetts Centennial April 1 1789 with reports that George Washington's election appears to be unanimous and that preparations are underway for a triumphant journey to New York to take office; 4pp. folio with a vertical and horizontal fold. Housed in a maroon calf folder with gilt lettering. Estimate $ 1 000-1 500 Paper toned with intersecting folds and some light rubbing.
• AMERICAN SILKWORK MOURNING PICTURE:
  AMERICAN SILKWORK MOURNING PICTURE: ''IN MY LOSS EVER SHALL WE MOURN SACRED TO THE MEMORY OF THE ILLUSTRIOUS WASHINGTON'' Worked with two figures grieving at the memorial beneath a willow tree black eglomisé mat and giltwood frame. 17 x 21 1/2 in. (sight) 22 1/2 x 27 in. (frame).
• G.B. French (American 20th c.)
  G.B. French (American 20th c.) watercolor drawing of George Washington on horseback 11 1/2" x 9 1/2". ?
• 1 vol. Bancroft, Aaron. An Essay
  1 vol. Bancroft, Aaron. An Essay on The Life of George Washington. Worcester: Thomas & Sturtevant, 1807. First edition. 8vo, contemp. sheep, red morocco spine label; rubbed & worn. Frontis. portrait (repaired). Scattered light foxing, a few signatures toned. Custom brown cloth box with red morocco label. Howes B-86; American Imprints 12038 (locating 5 copies)