A few examples of appraisal values for
THE WHITE HAWK

• Havell edition Audubon print,
  Havell edition Audubon print, "White-headed Eagle" (immature Bald Eagle), plate CXXVI, after John James Audubon, 1785-1851, hand-colored engraving, etching, aquatint on J. Whatman paper, faint watermark visible lower left, 38-1/2 x 25-1/16 in.; painted and gilt wood frame with eglomisé mat. Toning, laid down, trimmed and lacking a portion of the "D" of "Drawn" lower left, stains upper right, paper tape at edges; frame with abrasions. Private Collection, Florida
• CARLOS WHITE EAGLE (B. 1950,
  CARLOS WHITE EAGLE (B. 1950, MESCALERO APACHE / DINé)Carlos White Eagle (b. 1950, Mescalero Apache / Diné), Two works: "Sioux War Chief," 1981 Silver, turquoise, coral, and nacre on wood base Signed and dated faintly to base: Carlos White Eagle / 1981; further signed, titled, and dated to plaque 5.5" H x 4.25" W x 3.5" D 1005.2 grams gross "Navajo Woman," 1981 Silver and turquoise on wood base Signed faintly to base: Carlos White Eagle; further signed, titled, and dated to plaque 5" H x 2.25" W x 2.5" D 287.6 grams gross 2 pieces Provenance: The James M. Cole Collection, Visalia, CA Provenance: The James M. Cole Collection, Visalia, CA
• Mark Catesby etching (British,
  Mark Catesby etching (British, 1683-1749), "The Whiteheaded Eagle…Aquila Capite Albo", Plate 1 from The Natural History of Carolina, Florida and the Bahama Islands, 1731-1745, first edition, hand-colored etching laid on paper with fleur-de-lis and shield watermark with "4" and "LVG", accompanied by text page, 10-14 x 14-34 in. (plate), 14-18 x 20-14 in. (page); wood frame.
• John James Audubon (American
  John James Audubon (American 1785-1851) "White-headed Eagle" Plate 126 hand-colored aquatint engraving from Birds of America Havell edition the elephant-folio paper watermarked "J. Whatman/ 1934" sheet 37 in. x 24 6/8 in.
• A Japanese Bronze Figure of a
  A Japanese Bronze Figure of a Hawk the bird of prey depicted on a naturalistic trunk base. Height overall 21 1/2 inches.
• BILL H. WARD (AMERICAN, 1919-1998);
  BILL H. WARD (AMERICAN, 1919-1998); ORIGINAL BLACK INK AND WATERCOLOR ILLUSTRATION FOR "BLACKHAWK" 1943-1952, DEPICTS A PILOT MID-FL...Bill H. Ward (American, 1919-1998); original black ink and watercolor illustration for "Blackhawk" 1943-1952, depicts a pilot mid-flight accompanied by "Chop-Chop", the team cook, wielding a butcher knife, signed within the image lower left, signed and titled beneath image lower right, wear consistent with age, ss: 19" h. x 12 3/4" w.
• EMMI WHITEHORSE "FIELD OF BIRDS"
  EMMI WHITEHORSE "FIELD OF BIRDS" M/M ON CANVAS Emmi Whitehorse (American / New Mexico b. 1956), "Field of Birds" 1992, mixed media on paper laid on canvas, depicting abstract Native American imagery of birds in a field, signed, dated, and titled en verso. Note Accompanied by LewAllen Gallery Santa Fe, New Mexico receipt from 1992, and two artist's pamphlets. Approx. canvas h. 51.25", w. 78", d.
• Mark Catesby etching (British,
  Mark Catesby etching (British, 1683-1749), Aquila Capite Albo…The White-headed Eagle , from The Natural History of Carolina, Florida, and the Bahama Islands , first edition, 1731-1745, with crown, fleur-de-lis and "L.V.G." watermark, hand-colored etching on laid paper, plate 10-1/4 x 14-7/8 in., page 14 x 20-1/2 in.; 20th century wood frame. Binding edge at bottom, taped at top with paper tape, 1/2 in. tear at bottom edge, foxing, very light toning.
• T. E. MAILS, WHITE MOUNTAIN
  T. E. MAILS, WHITE MOUNTAIN WARRIOR, CHARCOAL Rev. Thomas E. Mail (American 1920-2001), " White Mountain Apache Warrior", graphite and charcoal, Black Foot Society Members Western scene drawing depicting a standing Native American male holding a rifle in a rocky landscape, signed at lower right and titled en verso, framed. Provenance: A copy of the receipt from the artist accompanies this lot. Approx. sight h. 23.75", w. 18.25"; Overall h. 28", w. 22.5". d. 1.5".
• JOE TALIRUNILI STONECUT - WHITE OWL
  JOE TALIRUNILI STONECUT - WHITE OWL & LEMMING (1962)Joe Talirunilik (Inuit, 1893-1976, Disc Number E9-818). "White Owl and Lemming" stone cut, Povungnituk, 1962. Edition 25 of 30. Signed, numbered, and dated in pencil below image. Also signed in cartouche with syllabics. A striking stonecut print by Inuit artist Joe Talirunilik (also Talirunili) published in "Art of the Eskimo: Prints" (1974) with the following description, "Composing his image in terms of positive and negative space, Joe gives a clear vision of the proud nocturnal hunter, the owl. Its prey is humorously indicated in the corner. With an admirable sense of integrity, Joe allows the mass of the stone to frame the subject. The syllabics in the cartouche give the name of the artist." Size: 19.125" L x 17" W (48.6 cm x 43.2 cm) About the artist: "Born about 1898 at the place called Niaqunna (headache) near the mouth of the Qugaaluk River south of Povungnituk; his father was Putugu (big toe) and his mother Pualu (mitten). While still an infant, Joe took part in the desperate journey during which thirteen Eskimo families saved their lives by paddling a makeshift umiak through the breaking ice-floes to the Ottawa Islands. He is the last survivor of the forty Eskimoes involved in that epic voyage. Joe and his family moved to Povungnituk in 1963. Bug and burly, a hunter/trapper all his life, he is still vigorous in his seventies and is the hero of many an Arctic adventure, several of which he has illustrated in carvings and prints." ("Arts of the Eskimo: Prints" General Editor Ernst Roch; Texts by Patrick Furneaux and Leo Rosshandler, Published by Signum Press, Montreal in association with Oxford University Press, Toronto, p. 25) Published in "Arts of the Eskimo: Prints" General Editor Ernst Roch; Texts by Patrick Furneaux and Leo Rosshandler, Published by Signum Press, Montreal in association with Oxford University Press, Toronto on page 135 and back cover. Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178684 Condition: Signed, numbered, and dated in pencil below image. Also signed in cartouche with syllabics. Embossed stamp at lower right of paper. Stamped "Povungnituk Cooperative Society Pr. Quebec Canada 1962" on verso. Minor crease marks and a couple of minute stains that do not impact the central image. A few minute tears to bottom edge of paper that also do not impact the central image. Normal toning to paper commensurate with age. Overall, a strong stonecut image by Talirunili.
• VALVERDE NEVAYAKTEWA, EAGLE/RED
  VALVERDE NEVAYAKTEWA, EAGLE/RED TAIL HAWK KATSINAValverde Nevayaktewa, (Hopi, 20th Century) Eagle/Red Tail Hawk Katsina, carved cottonwood, pigments inscribed underside base: VALVERDE / NEVAVAKTEWA / EAGLE - RED TAIL / HAWK carved cottonwood, pigments Dimensions: 19 7/8 x 5 1/4 x 4 5/8 in. (50.48 x 13.34 x 11.75 cm.) Provenance: Private Collection, New Mexico
• NATIVE AMERICAN FRAMED GICLEE ON
  NATIVE AMERICAN FRAMED GICLEE ON CANVAS, HAWK FEATHERSBy artist Howard Terpning. Wood frame and white linen matte. Hawk Feathers. Signed and numbered by the artist, a limited edition Giclee on canvas produced from original oil painting. Incised brass plate. Certificate of Authenticity. As well as his highly acclaimed Western art, Terpning created the poster art for over 80 major films, including Cleopatra, Doctor Zhivago, The Sound of Music, The Sand Pebbles, The Guns of Navarone, and the 1967 re-release of Gone with the Wind. 8.5"H x 8.5"W, pictured. Artist: Howard Terpning Issued: 2011 Dimensions: 12.25"H x 12.25"W, framed Edition Number: 122 Edition Size: 300 Manufacturer: The Greenwich Workshop Provenance: Certificate of Authenticity Country of Origin: United States Condition: Very slight wear to frame
• HARTWIG Cleo (American
  HARTWIG Cleo (American 1911-1988): Sculpture of White Dove White Resin 7''h x 10''w incised signature.
• WHITE-WINGED SCOTER BY JOSEPH
  WHITE-WINGED SCOTER BY JOSEPH LINCOLN White-winged scoters are extremely hard to find. Very few were made. This scoter has big beautiful bold lines with extra attention paid to the head and bill, the signature of any scoter. The paint pattern exhibits wing line and tip delineations, as well as feathering to the wing patch. A premier example of any Lincoln miniature. Unsigned. Identified in white as "WHITE WINGED SCOTER" on bottom. 4 1/4" long. Surface original and excellent in all respects.
• GEORGE EDWARDS (1694 - 1773): WHITE
  GEORGE EDWARDS (1694 - 1773): WHITE OWLhand-colored etching; plate 61; annotated in plate: "Published May 1745 by George Edwards"; 10 x 8 inches sight; 17 1/2 x 15 3/4 inches frame Condition:
• "Whitney" heraldry watercolor, red,
  "Whitney" heraldry watercolor, red, white and blue shield surmounted by helmet and eagle, banner inscribed below “By the Name of Whitney”, circa 1785-1800, by John Coles, Senior (Boston, Massachusetts, 1749-1809) or Junior (Boston, Massachusetts, 1780-1854), 13-5/8 x 9-5/8 in.; original black-painted frame. Losses to paper at edges, holes, stains, pest damage, toning, fading; frame with abrasions. Sumpter Priddy III, Inc., Alexandria, Virginia, 1997
• LARGE HOPI KACHINA DOLL BY NEIL
  LARGE HOPI KACHINA DOLL BY NEIL DAVID, SANTA FE "White Owl" Kachina Dancer signed "N. David", carved and painted wood with white rabbit fur, feathers, shells, leather and yarn, 22 1/2" tall.
• Davidialuk Alasua Amittu ?????
  Davidialuk Alasua Amittu ????? (1910-1976), Puvirnituq (Povungnituk) HAWK ARRIVES AT CAMP BY KAYAK, 1975 titled, dated and numbered 35/50; artist's name in Roman and syllabics; framed sheet 21 x 26.5 in — 53.3 x 67.3 cm
• AFTER JOHN GOULD 'WHITE HEADED
  AFTER JOHN GOULD 'WHITE HEADED EAGLE' PAINTINGFramed oil painting on canvas, "White Headed Eagle," after the original by John Gould (English 1804-1881), not identified signature lower right, sight: approx 23.5"l, 19.75"w; overall: approx 34.5"l, 30.25"w
• Pair early cast iron eagles.
  Pair early cast iron eagles. White Eagle Gas Co. from Kansas. 33'' Ht.
• A Chelsea white model of an owl,
  A Chelsea white model of an owl, triangle-raised anchor period circa 1745-49, naturalistically modelled in great detail, perched on a rocky base, 20.5cm high/Provenance: Acquired from Albert Amor Ltd. 'Treasures from Toronto' exhibition, April 1993/Note: Discussed by Paul Crane, 'Nature, Porcelain and Enlightenment: George Edwards and the Chelsea porcelain birds', ECC Trans, Vol.8, 2017 this owl model is based on the image copied from George Edwards, A Natural History of Uncommon Birds, and of
• John James Audubon (American
  John James Audubon (American 1785-1851) (After) White-headed Eagle Falco Leucocepephalus Plate CXXVI Hand colored engraving w/etching and aquatint by R. Havell on wove paper w/the J. Whatman watermark.Condition: Small tear to bottom left and some oxidation.Dimensions: 37 1/4'' x 25 3/4''Provenance: Rochester Historical Society.E
• John Gawne (American, b. 1952)
  John Gawne (American, b. 1952) White Thunder, 2008 oil on board signed John C. Gawne (lower left) 16 x 8 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• Christian White (Haida, b. 1962)
  Christian White (Haida, b. 1962) Carved Argillite Totem Pole signed CW and dated 91 (base) height 6 1/4 inches Property from the Collection of Robert P. Hunter, Jr. and Barbara Hunter, Alpharetta, Georgia
• CHIEF JAMES WHITE CLOUD CABINET
  CHIEF JAMES WHITE CLOUD CABINET CARDCabinet Card Iowa Native American thought to be Iowa Native American Indian Tribal Leader CHIEF WHITE CLOUD. Handwritten on the back is "Chief White Cloud 1914". Portrait of a man in a traditional Native American Indian beaded tunic and moccasins,wearing a headdress that appears to be composed of fur and an eagle feather, carrying a staff. Card is marked E. A. Van Doran White Cloud Kan. Fine Art Gallery on the front. Overall approx. 4-1/4"L x 6-3/8"H. Overall wear typical for age includingsome discoloration and a crack in the card. See images for detail. shipping info This item can be shipped in-house.
• HOPI KACHINA WHITE OGRE, SIGNED
  HOPI KACHINA WHITE OGRE, SIGNED
• Three Native American Hopi and
  Three Native American Hopi and Navajo kachina dolls including "Kocha Kweo White Wolf" by Robert Morning Sky, "White Orge" by Largo, and "Warrior" by L. Yazzie. Painted wooden figures accented with feathers, leather garments, turquoise and metal beads. Tallest: 15 1/2"H. Good condition with a couple of missing pieces.
• RIG OF CAPE COD WHITE-WINGED SCOTER
  RIG OF CAPE COD WHITE-WINGED SCOTER SHADOW DECOYSEarly 20th CenturySeven pairs. One head missing.
• Nathaniel Currier (American,
  Nathaniel Currier (American, 1813-1888), "Black Hawk", famous trotting stallion depicted in early color lithograph, 1850. 14 1/4" x 20 1/4". Water staining throughout.
• RARE A. ELMER CROWELL
  RARE A. ELMER CROWELL WHITE-WINGED SCOTER DECOY EAST HARWICH, MASSACHUSETTS, 1862-1952 LENGTH 17”.RARE A. ELMER CROWELL WHITE-WINGED SCOTER DECOY, East Harwich, Massachusetts, 1862-1952, Early 20th Century. Tack eyes. Ex Collection Cap Vinal. Dimensions: Length 17".
• OOB - 'Chief Running the Fox or The
  OOB - 'Chief Running the Fox or The White Man Runs Him' by William Standing (MT 1904-1951) a satirical portrait by a Native American member of the Kiowa Nation signed lr titled on left depicting an elderly Indian with monocle and derby smoking a cig
• Havell Edition Audubon print,
  Havell Edition Audubon print, "White Heron", plate CCCLXXXVI, 1837, from The Birds of America, after John James Audubon, New York, 1785-1851, "J. Whatman Turkey Mill" watermark, engraving and aquatint on wove paper with hand coloring, 24-3/4 x 36-15/16 in.; gilt wood frame. Hinged in three points at top, light toning, light fading, areas of restoration of tears and retouch within image and margins, longest 9-1/2 inch through neck of Heron, several into image at edges, 2-1/2 in. at bottom, many small restored tears in margins, trimmed, erasure at bottom; frame with abrasions.
• FOUR MARK CATESBY PRINTS,
  FOUR MARK CATESBY PRINTS, 1731-1743(British, 1679-1749) T. 1 The White headed Eagle, plate 10-1/2 x 14-7/8 in.; T. 3 The Pigeon Hawk, plate 10-1/8 x 14 in.; T. 7 The little Owl, plate 10-1/8 x 13-5/8 in.; T. 85 American Oystercatcher, from The Natural History of Carolina, Florida and The Bahama Islands , 1731-1743, Vol. 1, hand colored engravings on laid paper; matching weathered wormy chestnut frames, largest 16 x 22-7/8 in. Provenance: Private North Carolina Collection Condition: some fading, toning and light foxing, T. 3 and T.85 with stains, not examined out of frames
• WHITE SWANN (DOLLY JOE NAVASIE)
  WHITE SWANN (DOLLY JOE NAVASIE) HOPI INDIAN JARWhite Swann (Dolly Joe Navasie) Hopi Indian polychrome pottery seed jar, having horizontal frieze of varying geometric panels, below sixteen butterfly figures encircling rim, signed on underside, 4 3/4" h., 12" dia. Condition: Minor abrasions. Provenance: Delaware collector.
• ALEXANDER WILSON (AMERICAN,
  ALEXANDER WILSON (AMERICAN, 1766-1813), NIGHT HAWK Hand-colored engraving, 19th century, engraved by J.G. Warnicke, matted and framed.
• CLIFF FRAGUA, WHITE BIRD, 2022Cliff
  CLIFF FRAGUA, WHITE BIRD, 2022Cliff Fragua, (Jemez, b. 1955) White Bird, 2022, black marble, white marble, alabaster inscribed: C. FRAGUA / '22 © SSS black marble, white marble, alabaster Dimensions: 16 1/2 x 3 1/2 x 3 in. (41.9 x 8.9 x 7.6 cm.) Provenance: Private Collection, Texas