A few examples of appraisal values for
THEODORE HAVILAND NEW YORK

• Haviland tureen for Tiffany &
  Haviland tureen for Tiffany & Co., transfer floral bouquets on textured ground, gilt highlights, green printed mark for H&Co., made for Tiffany & Co., New York, 8-1/2 x 12 x 8 in. Minor losses to gilt decoration.
• EDWARD MARCEL SANDOZ FIGURAL
  EDWARD MARCEL SANDOZ FIGURAL PITCHERTheodore Haviland figural penguin pitcher designed by Edouard Sandoz of the Sandoz Pharmaceutical family. Sandoz designed unusual shapes of birds, animals and people for Theodore Haviland from 1915 to 1920. Marks: Theodore Haviland, Limoges France, Copyright, Depose on the bottom, repair to lip7'' tall
• VANDERVEEN, Loet, (American,
  VANDERVEEN, Loet, (American, 1921-): Woman with Hat made exclusively for display at Tiffany's in NYC, Glazed Terracotta, 14'' h., incised signature in base.
• THEODORE TIHANSKY (AMERICAN, 21ST
  THEODORE TIHANSKY (AMERICAN, 21ST C., MAINE), OIL ON BOARD, GROUP OF MUSICIANS INCLUDING CLARINET PLAYER, TUBA PLAYER, BANJO PLAYER...Theodore Tihansky (American, 21st C., Maine), oil on board, group of musicians including clarinet player, tuba player, banjo player and trumpet player in a hat, 5 Korun coin from Czech Republic embedded in lower left corner of frame, signed lower left, not examined out of frame, wear consistent with age, ss: 18" h. x 19 1/2" w.
• Theodore Hios Greek/American, b.
  Theodore Hios Greek/American, b. 1910 Harbor Scene, 1953 Estimate: $700  - $900
• THEODORE TIHANSKY (AMERICAN, 21ST
  THEODORE TIHANSKY (AMERICAN, 21ST C., MAINE), OIL ON CANVAS, FIGURES CONGREGATE NEAR STAGE WATCHING SAXOPHONE PLAYER, TWO FIGURES IN...Theodore Tihansky (American, 21st C., Maine), oil on canvas, figures congregate near stage watching saxophone player, two figures in foreground look to be operating camera focused on musicians, signed lower left, not examined out of frame, wear consistent with age, ss: 11 1/2" h. x 8 1/4" l.
• THEODORE "FONVILLE" WINANS
  THEODORE "FONVILLE" WINANS (AMERICAN/LA)Theodore "Fonville" Winans (American/Louisiana, 1911-1992), "Chikazola Shack", 1933, silver gelatin print, signed and dated lower left, titled en verso, 16 in. x 20 in., framed . Provenance: Neal Auction Company, April 13, 2002, lot 795; Estate of Stephen G. Henry, Jr., Baton Rouge, LA
• THEO TOBIASSE, (1927-2012), "NEW
  THEO TOBIASSE, (1927-2012), "NEW YORK TEAPOT", ETCHING AND CARBORUNDUM IN COLORS ON THICK HANDMADE PAPER, PLATE: 22" H X 15.75" W; SHEET: 29.25" H X 22" W APPROX.Theo Tobiasse, (1927-2012) "New York Teapot", Etching and carborundum in colors on thick handmade paper Edition: 29/85 Signed and numbered in pencil in the lower margin: Th Tobiasse; titled in the plate; blindstamp of Art Grave, Nice, France in the lower right margin corner Etching and carborundum in colors on thick handmade paper Dimensions: Plate: 22" H x 15.75" W; Sheet: 29.25" H x 22" W approx.
• THOMAS HOWDELL, COLOR ENGRAVING
  THOMAS HOWDELL, COLOR ENGRAVING NYC, C. 1768 Pierre Canot, engraver, after Thomas Howdell, "A South West View of the City of New York in North America", hand-colored copper plate engraving, with English and French captions, published by John Bowles, London, framed under glass, 13.75"h x 20"w (sight), 23"h x 29"w (frame)
• FRANCOIS LEDAN (AMERICAN, B.
  FRANCOIS LEDAN (AMERICAN, B. 1949) COLOR LITHOGRAPHDESCRIPTION: A limited edition Color lithograph on wove paper, titled "New York Nights" depicts an interior apartment with artworks by Calder, Miro, and Chagall. Hand signed and numbered "Fanch" "217/275" CIRCA: 20th Century ORIGIN: American DIMENSIONS: H. 32" x W. 41" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• Johann Berthelsen (American/New
  Johann Berthelsen (American/New York 1883-1972) "Fifth Avenue Looking North from 23rd Street" oil on canvas signed lower right 25 1/8 in. x 30 1/8 in. in a giltwood frame. Note: Johann Berthelsen was a trained opera singer and a self-taught painter. Born in Copenhagen Denmark his mother in 1890 brought the family to the U.S. where they settled in Michigan. A highly successful and well-trained opera singer in 1920 Berthelsen moved to New York City where he achieved rapid success in his musical career. As an avocation he created pastels and watercolors of New York scenes. During the Depression he began to paint large-scale oil paintings to support his family. His most distinctive and popular works depicted New York snow scenes. As shown in the work offered here these snow scenes portray the flickering snowfall and city's massive architecture. The spire of the Empire State Building disappears into the wintry clouds. His works rejoice in the snow that turns the city into a wonderland. Though Berthelsen was exclusively self-taught he completely mastered his craft and technique.
• FOUR NYC THEMED PRINTS, NAT
  FOUR NYC THEMED PRINTS, NAT LOWELL (UNITED STATES 1880-1956), "NEW YORK HARBOR 1909", ETCHING, C. 1940, ED: 250 OR FEWER AS PUBLISHE...Four NYC themed prints, Nat Lowell (United States 1880-1956), "New York Harbor 1909", etching, c. 1940, ed: 250 or fewer as published by Associated American Artists, printed in black ink on light cream laid paper with complete margins, 9 1/2" h. x 12 3/8" w.; Leon Dolice (United States 1892-1960), "The Cloisters", a set of three etchings, 1950 printed by the artist in blue ink, one 3 3/4" h. x 2 3/4" w.; Meyer Melicow (United States 1927-1983), "Bridge-Harlem River", etching, c. 1950, ed: unknown, scarce, signed with pencil lower right, titled with pencil lower left, printed by the artist in black ink on cream laid paper with complete margins, 5 15/16" h. x 7 7/8" w.; PeterMarcus (United States 1889-1934), "New York Stock Exchange and NYC Landscape", drypoint, c. 1930, ed: unknown, uncommon, signed with pencil and inscribed "imp" lower right, printed by the artist in black ink on cream laid paper with complete margins, 13 5/8" h. x 7 1/2" w.; all framed and matted behind glass.
• THEODORE "FONVILLE" WINANS
  THEODORE "FONVILLE" WINANS (AMERICAN/LOUISIANA)Theodore "Fonville" Winans (American/Louisiana, 1911-1992), "Steamboat Capitol", 1938 and "Steamboat on Bayou Teche", 2 silver gelatin prints, former signed and dated lower left, latter unsigned, 16 in. x 20 in. and 8 in. x 10 in., both framed. (2 pcs.)
• Dorothy V. Tilton (St. Thomas/New
  Dorothy V. Tilton (St. Thomas/New York, 20th century) Fleur de Mer, signed lower right "D.V. Tilton", acrylic on pegboard, 38 x 48 in.; gilt wood lattice style frame,
• AMERICAN BLACK FELT NAVAL HAT
  AMERICAN BLACK FELT NAVAL HAT WITH GOLD-THREAD BAND AND TASSELS Retailed by H.V. Allen & Co. 734 Broadway New York; of inverted boat form with diagonal stripe applied with brass repoussé eagle and twelve-star button tassels at either end together with a later Blackington & Co. silver liquor funnel in leather case fitted into a black painted tole case. Provenance: This lot belonged to Captain Daniel Delehanty USN (1843-1919). He was married to Fanny Madison Washington in 1876 who was the daughter of Benjamon Franklin Washington; a direct descendant of George Washington. Captain Delehanty served in the Spanish-American War in 1898 and was the Governor of Sailor's Snug Harbor on Staten Island New York. Sailor's Snug Harbor opened in 1833 it was the first home for retired merchant seamen in the history of the United States. It was founded by the 1801 bequest of New York tycoon Robert Richard Randall. He retired from the post in 1908 after ten years of service. It was stated in the Staten Islander Newspaper on January 1 1908: ''Staten Island can ill afford to lose men of his sterling character a man who has taken a deep interest in public affairs and labored for the betterment of all local conditions.'' Captain Delehanty retired to private life with his family. 4 1/2 in. 7 in. diam. and 17 in. 19 in. diam.
• THEODORE "FONVILLE" WINANS
  THEODORE "FONVILLE" WINANS (AMERICAN/LOUISIANA)Theodore "Fonville" Winans (American/Louisiana, 1911-1992), "The Old Absinthe House", 1938, gelatin silver print, signed and dated lower left, 10 in. x 8 in., unframed.
• (1 OF 140) HOLLANDER JOHN. "DAL
  (1 OF 140) HOLLANDER JOHN. "DAL VERO" New York Whitney Museum 1983. First edition oblong 4TO. Original intaglio engraving signed by Saul Steinberg "ST" and numbered 1 of 140. Other illustrations reproduce Steinberg's paintings. Fine copy in soiled clamshell box. 1 of 140 copies with an original signed intaglio and signed by the author and artist. This copy printed for Anne and Brendan Gill.
• Theodore "Fonville" Winans
  Theodore "Fonville" Winans (American/Louisiana 1911-1992) "Louisiana Oysterman" silver gelatin print signed and dated "1939" lower right 11 5/8 in. x 10 in. unframed. Provenance: Purchased from the Fonville Winans' Estate by a Baton Rouge Collector 1998.
• Charles Fazzino (b. 1955)
  Charles Fazzino (b. 1955) ''Whassup New York'' three dimensional view of New York City signed LR and numbered 9/200DX framed ss: 7 1/4'' h. x 7 1/4'' w.
• LOUIS FAURER (1916-2001): "NEW YORK
  LOUIS FAURER (1916-2001): "NEW YORK CITY" Gelatin silver print 14 x 11 in. (sheet) titled signed and dated 1948.
• A Pair of Antique French Prints
  A Pair of Antique French Prints of Harbor Scenes hand-colored lithographs after Louis LeBreton (French 1818-1866) "2eme Vue de New York Arrive du transatlantique" and "3eme Vue de New York et Brooklin" each sight 11 in. x 14 1/2 in. attractively matted and framed.
• THEODORE "FONVILLE" WINANS
  THEODORE "FONVILLE" WINANS (AMERICAN)Theodore "Fonville" Winans (American/Louisiana, 1911-1992), "Oysterman", 1934, silver gelatin print, signed and dated lower right, 20 in. x 16 in., framed
• STUHR Will (Denmark 1882-1958): New
  STUHR Will (Denmark 1882-1958): New York Harbor with Statue of Liberty OIL/Canvas 19 1/4'' x 23 1/4'' signed lower left gilded frame with wear 25'' x 29''.
• ANDRé HAMBOURG (FRENCH
  ANDRé HAMBOURG (FRENCH 1909-1999), NEW YORK, SIGNED, OIL ON CANVAS,R8-1/2 X 10-1/2 INAndré Hambourg (French 1909-1999), New York, Signed a. hambourg l.r.; also initialed, located and dated Mars 1984 on verso Oil on canvas 8-1/2 x 10-1/2 in (21.6 x 26.7 cm)Property from a Maryland Collection
• HABERMANN, 1776 GREAT FIRE OF NEW
  HABERMANN, 1776 GREAT FIRE OF NEW YORK, ENGRAVING Francois Xavier Habermann (German, 1721-1796), "Schrockenvolle Feuersbrunst welche zu Neu Yorck...", hand-colored engraving on paper, 1776, 11.25"h x 15.5"w (sight), 15.5"h x 19.5"w (mat)
• HABERMANN, 1776 GREAT FIRE OF NEW
  HABERMANN, 1776 GREAT FIRE OF NEW YORK, ENGRAVING Francois Xavier Habermann (German, 1721-1796), "Schrockenvolle Feuersbrunst welche zu Neu Yorck...", hand-colored engraving on paper, 1776, 11.25"h x 15.5"w (sight), 15.5"h x 19.5"w (mat),
• Vaclav Vytlacil American, 1892-1984
  Vaclav Vytlacil American, 1892-1984 New York Street, 1932 Estimate:$8,000-$12,000
• (3) ENGRAVINGS, NEW YORK CITY, EX
  (3) ENGRAVINGS, NEW YORK CITY, EX DONALD HEALD 19th c., matted and framed under plexiglass, gallery labels verso, includes "Brooklyn's Welcome to Governor Cleveland". "New York Stock Exchange" and "Evacuation Day 100 Years Ago--the Continental Army...", approx. 14.25"h x 20.25"w (sight), 24.5"h x 30.25"w (frames)
• * (PHOTOGRAPHY) KERTESZ ANDRE Of
  * (PHOTOGRAPHY) KERTESZ ANDRE Of New York. New York: Alfred A. Knopf 1976. 4to publisher's lavender cloth lettered in gilt dust jacket. First edition. Light soiling to jacket; 1-inch repaired tear to front wrapper; otherwise fine. [Together with:] Distortions. New York 1976. 4to lavender cloth dust jacket. First edition. Chipping to jacket with 1-inch tear to lower right corner. On Reading. New York 1971. Small 8vo white cloth lettered in black dust jacket. Toning to jacket; otherwise fine.
• ARMIN LANDECK NOCTURNAL CITYSCAPE
  ARMIN LANDECK NOCTURNAL CITYSCAPE ETCHING New York, Connecticut, Wisconsin,1905-1984Titled "Manhattan Nocturnal," depicting a sign that reads "Manufactures Trust Company Safe Deposit Vaults" in front of th city skyline and distant searchlights.
• BERTHA HALOZAN FOLK ART NEW YORK
  BERTHA HALOZAN FOLK ART NEW YORK CITYSCAPE, 1992 Bertha Halozan (American 1917-2004), "We Love New York and the Statue of Liberty", 1992, oil and mixed media on foam board depicting the New York City skyline, Statue of Liberty, and a body of water with figures and ducks swimming, signed to lower right, framed. Provenance: From the Estate of Joyce Lowenstein, Atlanta, Georgia. Approximate dimensions: sight h.19.75" w. 23.625"; frame h. 20.25", w. 24.25", d. 1.25".
• Theodore "Fonville" Winans
  Theodore "Fonville" Winans (American/Louisiana 1911-1992) "Blue Room Gala" silver gelatin print mounted on board signed "Fonville Winans" lower left 16 in. x 20 in.
• Theodore "Fonville" Winans
  Theodore "Fonville" Winans (American/Louisiana 1911-1992) "Home on the Half Shell" silver gelatin print signed "Fonville" and dated "1938" lower left 8 in. x 10 in.
• Charles Emile Heil watercolor
  Charles Emile Heil watercolor (New York, 1870-1953), portrait of young girl with teddy bear, signed lower left "C.E. Heil", watercolor on paper, 24 x 19-1/2 in.; wood frame. Laid on card; frame with split at lower right. Skinner's, September 7, 2001, Lot 464; Private Collection.
• Knute Heldner (Swedish/New
  Knute Heldner (Swedish/New Orleans 1877-1952) "The Harbor Paris" oil on canvas signed and titled "Paris" lower left pencil-titled illegibly inscribed and with a newspaper clipping remnant en verso 21 in. x 25 in. in a period giltwood frame.
• RICHARD AVEDON (NY, 1923-2004)
  RICHARD AVEDON (NY, 1923-2004) "Dovima with Elephants, Evening Dress by Dior, Cirque d'Hiver, Paris, 1955", 1955, gelatin silver print, in silver box frame, matted and glazed, OS: 20" x 17 1/4", SS: 9 1/4" x 7 1/2", multiple bends.