A few examples of appraisal values for
THOMAS FORESTER

• THOMAS CRESWICK(British, 1811-1869)
  THOMAS CRESWICK(British, 1811-1869) In the Forest, a stag, with resting herd, stands watch over a wood gatherer on a path, 1849, signed lower right "T. Crewswick/1849", inscribed with title and signed verso stretcher, oil on canvas, 28-1/4 x 36 in.; gilt wood and composition frame, 35-7/8 x 43-3/4 in. Provenance: Estate of David R. Hayworth, High Point, North Carolina [[europeanart]] Condition: lined, restretched on original stretcher, some slight buckling of canvas at bottom, surface dirt, slightly yellowed varnish, a few points of retouch; frame with losses (one large piece present)
• THOMAS FOX, A GENTLEMAN WEARING
  THOMAS FOX, A GENTLEMAN WEARING BLACK COAT 19th century. THOMAS FOX (BRITISH, 1833-1841). Signed on reverse and dated 'Painted by Thos Fox, Miniature Painter, 5 Grenada Terrace, Commercial Road, London, Feb 26, 1838.'
• Monteath (Robert) The Forester's
  Monteath (Robert) The Forester's Guide, 3rd edition, London 1836, 8vo, contemporary half calf binding, 16 engraved plates and a folding table, with 11 others relating to forestry, trees, timber etc.
• Thomas Webster (British
  Thomas Webster (British 1800-1886)/Hunters by a Woodland Path/signed with monogram/watercolour, 37cm x 54cm
• Thomas Conder (fl.
  Thomas Conder (fl. 1775-1801)/Bedfordshire, Derbyshire, Hertfordshire, Herefordshire, Lincolnshire, Norfolk, Shropshire, Staffordshire/eight hand coloured engraved maps, 20cm x 16cm, unframed
• Thomas Conder (fl.
  Thomas Conder (fl. 1775-1801)/Bedfordshire, Berkshire, Cumberland and Westmoreland, Leicester and Rutland, Northumberland, Nottinghamshire, Somersetshire/eight hand coloured engraved maps, various sizes and/two framed maps
• Thomas Mogford of Exeter
  Thomas Mogford of Exeter (1809-1868)/Grey Hunter/oil on canvas, 63cm x 76cm
• Thomas Nuttall (British, 1786-1859)
  Thomas Nuttall (British, 1786-1859) \"Forest Trees\", suite of four hand-colored bookplate engravings from \"The North American Sylva\", published Philadelphia, 1853, sight 8-1/;2\" x 5-1/2\", legend lower margins. Glazed, matted and presented in burlwood frames.
• THOMAS LORD (BRITISH 1755-1832),
  THOMAS LORD (BRITISH 1755-1832), THE BLACK BIRD [BLACKBIRD] Engraving with extensive hand coloring, published London 1791, from Lord's Entire System of Ornithology or Ecumenical History of British Birds, matted and framed.
• THOMAS DEDECKER (AMERICAN, B.
  THOMAS DEDECKER (AMERICAN, B. 1951), NATURE'S BEAUTY Oil on board, signed at lower left, inscribed on the verso, presented in a gilt plein air style frame.
• THOMAS MOORE, TWO NATURE-PRINTED
  THOMAS MOORE, TWO NATURE-PRINTED PLATES OF FERNSThomas Moore (British, 1821-1887)Two nature-printed plates of fernsComprising Lastrea Therypteris and Polysticum aculeatum, Plate X and Plate XXIX from The Ferns of Great Britain and Ireland, printed
• THOMAS DEDECKER (AMERICAN, B.
  THOMAS DEDECKER (AMERICAN, B. 1951), FLOWERED POND Oil on board, signed at lower right, inscribed to verso, presented in a contemporary gilt frame.
• THOMAS FAED (SCOTTISH, 1826-1900)
  THOMAS FAED (SCOTTISH, 1826-1900) WOMAN FANNING FIRE 1884, oil on canvas. Signed 'Tos. Faed 1884' (lower left).
• THOMAS MANGELSEN (AMERICAN B.
  THOMAS MANGELSEN (AMERICAN B. 1945), FLOWERS IN A FOREST, COLOR PHOTOGRAPH, FRAME: 57-1/2 X 26-1/2 INThomas Mangelsen (American b. 1945), Flowers in a Forest, Color Photograph, Frame: 57-1/2 x 26-1/2 in,
• AFTER THOMAS FAED (SCOTTISH,
  AFTER THOMAS FAED (SCOTTISH, 1826-1900)After Thomas Faed (Scottish, 1826-1900), "The Offer", 1867 and "Faults on Both Sides", 1863, 2 engravings, published by Henry Graves & Co., London, sheets 36 in. x 25 5/8 in. and 36 in. x 27 1/4 in., unframed. (2 pcs.) Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Overall poor condition
• Thomas Fern (American/Baton Rouge
  Thomas Fern (American/Baton Rouge mid-20th c.) "The Diggers: The American Series" 1955 oil on canvas signed lower right signed titled and dated en verso 48 in. x 30 in in a period slat frame.
• Thomas Birch, Illustrious
  Thomas Birch, Illustrious Persons: two partial books; detailed listing available.
• THOMAS BANGS THORPE (LOUISIANA,
  THOMAS BANGS THORPE (LOUISIANA, 1815-1878) WATERCOTHOMAS BANGS THORPE (Louisiana, 1815-1878) watercolor on paper, pastoral landscape with reclining cow and women and children playing and picking flowers, a house in the distance. Image measures 16.5" x 24.25", signed "Tho. Thorpe" lower right and dated 1877. In a gilt wood frame, 29" x 37" overall.
• THOMAS BANGS THORPE (LOUISIANA,
  THOMAS BANGS THORPE (LOUISIANA, 1815-1878) WATERCOTHOMAS BANGS THORPE (Louisiana, 1815-1878) watercolor on paper, pastoral landscape with reclining cow and women and children playing and picking flowers, a house in the distance. Image measures 16.5" x 24.25", signed "Tho. Thorpe" lower right and dated 1877. In a gilt wood frame, 29" x 37" overall.
• THOMAS BANGS THORPE (LOUISIANA,
  THOMAS BANGS THORPE (LOUISIANA, 1815-1878) WATERCOTHOMAS BANGS THORPE (Louisiana, 1815-1878) watercolor on paper, pastoral landscape with reclining cow and women and children playing and picking flowers, a house in the distance. Image measures 16.5" x 24.25", signed "Tho. Thorpe" lower right and dated 1877. In a gilt wood frame, 29" x 37" overall.
• Tom Ferguson (20th century) Star
  Tom Ferguson (20th century) Star Flowers silver gelatin print 10 x 13 1/2 inches.
• TOM BLAGDEN (b. 1931): FOREST FLOOR
  TOM BLAGDEN (b. 1931): FOREST FLOOR DIXIE PLANTATION S.C. C-print 15 1/8 x 17 3/4 in. Provenance: Lieberman & Saul Gallery NYC.
• THOMAS MORAN (UNITED STATES)
  THOMAS MORAN (UNITED STATES) 1837-1926. MULFORD'S ORCHARD, EASTHAMPTON. ETCHING, 1883. REF: PARRISH ART MUSEUM (1987), NO. 207; GILC..Thomas Moran (United States) 1837-1926. Mulford's Orchard, Easthampton. Etching, 1883. Ref: Parrish Art Museum (1987), no. 207; Gilcrease 45; Fern 75. Ed: 100 ? Signed, dated and inscribed in the plate in reverse" Easthampton/ Sept 21st/Mulfords Orchard. Printed with brown ink on cream chine collé with margins, as issued. 293 x 448 mm. (11 1/2 x 17 5/8 in.)
• Thomas Lawrence (after) British
  Thomas Lawrence (after) British (1769-1830) MISS FARREN COUNTESS OF DERBY engraved by Francesco Bartolozzi published 1779 hand colored engraving framed plate size: H19 1/4'' W13'' Provenance: Columbia South Carolina private collection. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• Fore edge painted book, James
  Fore edge painted book, James Thomson, [Thomson's Seasons], London, 1850, red morocco leather, vertical fore edge painting with huntsman on horse, possible signature lower right, 7-3/4 x 4-1/4 in. Minor stains and wear to spines and corners, slight fading.
• THOMAS DEDECKER (AMERICAN, B.
  THOMAS DEDECKER (AMERICAN, B. 1951), POND FLOWERS Oil on board, signed at lower right, inscribed and dated to verso, presented in an attractive gilt frame.
• TOM FERGUSON, MODERN PORTRAIT,
  TOM FERGUSON, MODERN PORTRAIT, OIL ON CANVAS Tom Ferguson (American/Georgia, born 1944). "Serf Seer" -1984, oil on canvas. Signed on verso, title and dated on verso. Unframed as intended. Approx. 27" x 17.5" (overall).
• Thomas Sunderland (1744-1823)/Woody
  Thomas Sunderland (1744-1823)/Woody Landscape/with pencil drawing verso/bearing a Fine Art Society label/glazed to each side/watercolour, 17cm x 25cm
• Thomas Conder (fl.
  Thomas Conder (fl. 1775-1801)/Herefordshire, Monmouthshire, Shropshire, Staffordshire, Suffolk, Sussex, Wiltshire/seven hand coloured engraved maps, various sizes
• THOMAS DEDECKER (AMERICAN, B.
  THOMAS DEDECKER (AMERICAN, B. 1951), ASPENS Oil on canvas, signed lower right, inscribed verso, presented in a gilt plein air frame.
• THOMAS WOODWARD (BRITISH,
  THOMAS WOODWARD (BRITISH, 1801-1852)Thomas Woodward (British, 1801-1852) , "The Honorable James MacDonald on His Pony", oil on panel, unsigned, label with artist and title and "Thomas Agnew & Sons, Ltd., London, England" label en verso, "Sotheby's" labels en verso and on frame, 15 1/2 in. x 11 1/4 in., framed. Provenance: Thomas Agnew & Sons, Ltd., London, England; Sotheby's, New York, Sporting Art, Nov. 29, 2007, lot 146
• Attributed to Godfrey Kneller
  Attributed to Godfrey Kneller (British 1646-1723) Portrait of Thomas Southerne oil on canvas 30 x 24 3/4 inches.
• Thomas Ivester Lloyd
  Thomas Ivester Lloyd (1873-1942)/The Huntsman/Taking a Hedge/a pair/signed/watercolour, 32cm x 43cm
• James "Son Ford" Thomas
  James "Son Ford" Thomas (American/Mississippi, 1926-1990) "Skull", sun-dried mud, tinfoil and denture sculpture, c. 1980's, h. 6-1/2".
• * (FORE EDGE PAINTING) FOSTER
  * (FORE EDGE PAINTING) FOSTER BIRKET illust. Poems by Thomas Hood. London: E. Moxon Son 1872. 4to red morocco decorated and lettered in gilt a.e.g. Fore edge painting of pastoral scene. Illustrated with numerous engravings throughout. Rubbing to boards with chipping to edges; intermittent foxing; offsetting from engravings.
• HEYWOOD HARDY (1842-1933): HORSE
  HEYWOOD HARDY (1842-1933): HORSE AND RIDER Oil on canvas relined signed and dated 1913 lower right inscribed on reverse Portrait of Capt. F.W. Forrester on Denis Aubern 6 years Winner of the Hunters Sweepstakes at Croxton Park April 10 1913. 36 x 28 in. (sight) 40 1/4 x 30 1/4 in. (frame). Note: Captain Francis Forester had horses and hounds in his blood. An avid sportsman winner of countless steeplechases throughout England and France and was master of the Quorn from 1905-1918 Captain Forester was the preeminent huntsman of his time. Nearly impossible to capture his likeness unless on horseback Captain Forester's portrait by Haywood Hardy depicts him at the Hunter's Sweepstakes at Croxton Park April 10th 1913 in which he placed first in his ancestral pink and black stripes.