A few examples of appraisal values for
THOMAS HARVEST

• THOMAS HILL (1829-1908): CHICK WITH
  THOMAS HILL (1829-1908): CHICK WITH STRAWBERRIES Oil on canvas; distressed. 6 1/2 x 12 1/2 in. (sight) 14 x 20 1/2 in. (frame).
• Continental porcelain figure of
  Continental porcelain figure of apple harvester 19th century young man in 18th century costume holding bushel of fruit; marked indistinctly. H12 1/4'' Provenance: North Carolina private collection.
• HARVEST FIGURE SCULPTURE, TOM
  HARVEST FIGURE SCULPTURE, TOM SUOMALAINEN (NC, B.1939) Glazed stoneware of a mythical creature with multiple arms holding garden produce, artist signed in black marker on the underside.
• TOLLIVER, William, (American,
  TOLLIVER, William, (American, 1951-2000): Harvesting a Crop, Serigraph, 29.50'' x 41.50'', pencil signed lower right, marked PP lower left, unframed. CONDITION: Some staining in the upper right corner, crease in upper margin, lower right corner has been bent.
• THOMAS BUTTERSWORTH (BRITISH
  THOMAS BUTTERSWORTH (BRITISH 1768-1842) HARBOR SCENE WITH BRITISH FRIGATE Oil in canvas: 19 x 23 in. (sight) Framed lower right signed: T Buttersworth Provenance: Estate of Amanda F. Washburn
• DWIGHT WILLIAM TRYON, AMERICAN
  DWIGHT WILLIAM TRYON, AMERICAN (1849-1925), THE HARVEST, CA. 1881, OIL ON CANVAS, 20 X 30 INCHESDWIGHT WILLIAM TRYON, American, (1849-1925) The Harvest, ca. 1881, oil on canvas signed and dated illegibly lower right "D.W. Tryon "18??" oil on canvas Dimensions: 20 x 30 inches Provenance: Private Collection, New York. Condition: overall good condition; unlined canvas; a 1x2-inch area of restoration in the center; other minor scattered areas of restoration mainly to edges. Condition
• THOMAS WORTHINGTON WHITTREDGE
  THOMAS WORTHINGTON WHITTREDGE (AMERICAN, 1820-1910) IN THE PUMPKIN PATCH, 1863 OIL ON BOARD: 15 X 14 IN.Framed; lower left dated: Oct. 1863 Oil on board: 15 x 14 in. Provenance: Sotheby Parke Bernet sale, April 23 1981, "American 18th Century, 19th Century & Western Paintings, Drawings and Sculptures", lot no. 76 as "Thomas Worthington Whittredge, In the Pumpkin Patch" est. $8,000-12,000; Private Collection Baltimore
• Thomas Noel Smith (English,
  Thomas Noel Smith (English, 1840-1900) A Farm in Autumn watercolor 5 x 9 1/2 inches. Property from the Collection of F. Alan Cummings, Tallahassee, Florida
• Thomas Henry Thomas (UK, 1839-1915)
  Thomas Henry Thomas (UK, 1839-1915) oil on canvas autum landscape with cottage and hunter signed verso 'The Keepers Cottage Nannau N.W.' 9.5"H x 15.5"W
• THOMAS MORAN (UNITED STATES)
  THOMAS MORAN (UNITED STATES) 1837-1926. MULFORD'S ORCHARD, EASTHAMPTON. ETCHING, 1883. REF: PARRISH ART MUSEUM (1987), NO. 207; GILC..Thomas Moran (United States) 1837-1926. Mulford's Orchard, Easthampton. Etching, 1883. Ref: Parrish Art Museum (1987), no. 207; Gilcrease 45; Fern 75. Ed: 100 ? Signed, dated and inscribed in the plate in reverse" Easthampton/ Sept 21st/Mulfords Orchard. Printed with brown ink on cream chine collé with margins, as issued. 293 x 448 mm. (11 1/2 x 17 5/8 in.)
• BELLE EVELYN HAMILTON
  BELLE EVELYN HAMILTON (MASSACHUSETTS, 1883 - 1957), "AUTUMN HARVEST", 1913, OIL ON BOARD, DEPICTS TURKEYS, PUMPKINS AND HAYSTACKS AL...Belle Evelyn Hamilton (Massachusetts, 1883 - 1957), "Autumn Harvest", 1913, oil on board, depicts turkeys, pumpkins and haystacks along country road leading to farm buildings in near distance, signed and dated LR "B. Hamilton 1913", wear consistent with age and use including toning, small stains, wear to edge, etc., in molded frame with gold-colored finish with loss, not examined out of frame, ss: 5 1/4" h. x 11 3/4" w., frame size: 10" h. x 16 1/2" w.
• JOHN LANE LOMAS (BRITISH, FL.
  JOHN LANE LOMAS (BRITISH, FL. 1862-1874), HARVESTING IN NORMANDY Oil on canvas (lined), 1872, signed, dated and with artist's cipher at lower right, presented in a period gilt frame and liner with gallery label.
• JOHN HORACE HOOPER "HARVEST TIME"
  JOHN HORACE HOOPER "HARVEST TIME" LANDSCAPEJohn Horace Hooper (British, 1853-1899). Oil on canvas painting titled "Harvest Time (Goring on Thames)," depicting a landscape of wheat fields with a single figure harvesting the crop. Signed along the lower right. Provenance: Herbert Arnot Gallery, New York, New York; Private Minnesota collection. Unframed; height: 23 3/4 in x width: 42 in. Framed; height: 36 in x width: 54 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• Henry John Kinniard (British,
  Henry John Kinniard (British, 1861-1929) Painting "Harvest Time", oil on board, signed HJ Kinnaird, 19-1/4" x 29", framed 24-3/8" x 34-1/8", good condition, some small areas of paint loss, some inpainting
• Don Vaughan (1916-2005?)/The
  Don Vaughan (1916-2005?)/The Harvest/a wheat field with corn stooks, cart and family picnicking/signed/oil on canvas, 48cm x 100cm/and three other landscapes by the same
• THOMAS HARDY (1842 - 1897):
  THOMAS HARDY (1842 - 1897): HARBOR SCENE WITH BOATS1874; oil on board; signed and dated lower right; 5 x 8 1/2 inches; 11 3/4 x 14 3/4 inches frame Condition:
• Thomas Nicholas, Jr.
  Thomas Nicholas, Jr. (American/Massachusetts, b. 1963) "Late Autumn", mixed media on paper, 9-1/4" x 11-1/2", signed lower left. Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann.
• HARVEST SCENE WITH OX CART BY CLIFF
  HARVEST SCENE WITH OX CART BY CLIFF STARK (AMERICAN 20TH CENTURY). Oil on canvas signed lower right. Autumn scene with father and son harvesting pumpkins near a road. 24 1/4''h. 34 1/4''w. in a gilt frame 31 1/2''h. 42''w.
• Thomas Thomas (act 1854-1896)/The
  Thomas Thomas (act 1854-1896)/The Water Mill/signed/oil on canvas, 50cm x 75cm
• THOMAS (TOM) HILL "OLD ARIZONA
  THOMAS (TOM) HILL "OLD ARIZONA HOMESTEAD" WC Thomas (Tom) Hill (American / Arizona b. 1925), "Old Arizona Homestead," watercolor on paper depicting houses and a windmill against bare trees and a mountain landscape, signed to lower left, titled en verso, framed. Provenance: : Private Collection, Concord, NC. Approximate measurements: Approx. sight h. 8", w. 12". Frame h. 19. 75", w. 23. 75", d. 1".
• Thomas Sergent majolica
  Thomas Sergent majolica jardinieremodeled as a hawk with its prey standing before two tree trunks on a naturalistic base. Stamped ''TS''. 14''L Circa - Late 19th C.
• TOBEY, Mark, (American/Swiss,
  TOBEY, Mark, (American/Swiss, 1890-1976): ''The Harvest's Gleaning'', Etching, sight size 12.25'' x 15'', pencil signed lower right, titled mid-margin, numbered 98/150 lower left, framed, 23.5'' x 25''.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOThomas Hart Benton (1889-1975)Loading Corn (a.k.a. Shucking Corn) (1945)The lithograph published by Associated American Artists in an edition of 250 prints is signed by Thomas Hart Benton in pencil below the image lower right and listed in the artist's catalog raisonne as Fath number 65. The original AAA label is present verso.Benton's comments in Fath read: Autumn in Missouri. To be seen on most hill farms. The problem with these subjects is not to find them, but to find them in a pictorially workable setting.This lithograph proceeded a painting titled Shucking Corn, as noted in Creekmore Fath.Image size 9.5 x 12.5, sheet measures 11.5 x 14.5, frame is 17 x 20.5 inches.Good condition noting mat burn, not laid down, no other stain, damage or repair.
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNEDThomas Hart Benton (1889-1975)Threshing Wheat (1941)The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 48.Benton's comments in Fath read: Made from a series of drawings and a painting done in 1938. The scene represents the last steam thresher engine to be operated in Johnson County, Kansas. The area represented is within 25 miles of my K.C. home. We were still near the county here in 1938. I'll bet every bit of this land is now sprouting ranch houses and swim pools and teenage protestants. It is, in 1974.Image measures 9.25 x 13.75, sheet is 12.5 x 17.5, and frame is 18 x 22.5 inches.The full untrimmed sheet with stain from the residue of eighty tape tabs around the outer edge, not laid down, no other major issues.
• MATT THOMAS OIL ON CANVAS HARBOR
  MATT THOMAS OIL ON CANVAS HARBOR SCENEMatt Thomas (English, 20th/ 21st century) oil on canvas; signed "Matt Thomas" to lower right; framed in a large heavy gilt frame and measuring approximately 36" x 48" and has a sight image of approximately 23-1/2" x 35-1/2"; in good overall condition.
• Thomas Thomas (act
  Thomas Thomas (act 1854-1896)/Cattle and Figures by a River/signed/oil on canvas, 50cm x 75cm
• Henry Hulsmann (Germany / Illinois,
  Henry Hulsmann (Germany / Illinois, 1849 - 1930) unframed oil on canvas fall harvest landscape with corn and pumpkins, signed lower right, 12"h x 20"w
• PERKINS, Wendell Thompson,
  PERKINS, Wendell Thompson, (American, 1928-1997): Tomato Harvest, Oil/Canvas, 12'' x 16'', signed lower left, unframed.
• 19th Century/Harvest Time/print,
  19th Century/Harvest Time/print, 52cm x 17.5cm
• John Clayton Adams (British
  John Clayton Adams (British 1840-1906) Harvest Time 1897 oil on canvas signed J. Clayton Adams and dated (lower left) 20 x 30 inches.
• M.R. PRATT, HARVEST HOME, PUBLISHED
  M.R. PRATT, HARVEST HOME, PUBLISHED LONDON 1805, 3 VOLUMESM.R. Pratt, Harvest Home, Published London 1805, 3 Volumes,
• THOMAS KERRY (AMERICAN, 20TH
  THOMAS KERRY (AMERICAN, 20TH CENTURY) , TOMATO SOUP IN THE BACKYARD, COLOR LITHOGRAPH, SIGNED, SIGHT SIZE: 26 X 22 INThomas Kerry (American, 20th Century) , Tomato Soup in the Backyard, Color Lithograph, Signed, Sight size: 26 x 22 in,
• R. WEISS, "HARVEST", OIL ON CANVAS,
  R. WEISS, "HARVEST", OIL ON CANVAS, AFTER JEAN-FRANCOIS MILLET'S "THE GLEANERS", THREE WOMEN GATHER WHEAT IN A FIELD, SIGNED LOWER LEFT CORNER, IN MOLDED WOOD FRAME, WEAR CONSISTENT WITH AGE, SS: 24" H. X 35" H.R. Weiss, "Harvest", oil on canvas, after Jean-Francois Millet's "The Gleaners", three women gather wheat in a field, signed lower left corner, in molded wood frame, wear consistent with age, ss: 24" h. x 35" h.
• J J Hughes (19th Century)/Harvest
  J J Hughes (19th Century)/Harvest Time, Gloucestershire/signed and inscribed verso/oil on canvas, 57.5cm x 100cm
• J.T. WILLMORE. "HARVEST IN THE
  J.T. WILLMORE. "HARVEST IN THE HIGHLANDS," ENGRAVING After Edwin Landseer, engraving, 16 3/4 x 39 in., framed.
• Harvest with Winter Wind by
  Harvest with Winter Wind by Steven Campbell Steven Campbell (American 1953-2007). ?Oil on canvas dated?1983; 102 x 119 in. Daniel Jacobs and Derek Mason CollectionEx Barbara Tole Fine Arts NYC