A few examples of appraisal values for
THOMASVILLE IMPRESSION

• Thomas Blackshear's Ebony Visions
  Thomas Blackshear's Ebony Visions "Bundle of Joy", newborn cuddles in the arms of his proud parents, whose faces glow with the spiritual joy in their hearts, 2000 Willitts Designs Item No 37073, First Issue #2296, 12-3/4" h, chips to wood base, no box, paint loss to the man's coat at bottom
• TWO APPALACHIAN WOOD CARVINGSby
  TWO APPALACHIAN WOOD CARVINGSby Thomas James Wolfe, Spruce Pine, NC, lifetime member Southern Highlands Craft Guild, hand carved unpainted pine figures of woman on stump milking goat, second woman pushing firewood wheelbarrow, each on rustic bark bases, one with initials "TJW", other signed "Tom Wolfe", tallest 7-1/2 in., widest base 14-3/4 in. Provenance: North Carolina Collection Condition: typical surface abrasions, figure pushing wheelbarrow detached from base, ax handle absent
• Southern law, four works:
  Southern law, four works: imprints from Milledgeville, Athens, Charleston, 1814-1837; detailed listing available.
• SILHOUETTE. American 1st
  SILHOUETTE. American 1st quarter-19th century. Embossed mark ''T.P. Jones/Fecit''. Hollow cut profile of an older gentleman with the small cut eyelash indicative of Jones' work. Initials THM in pen and ink. Imperfections. In frame 5''h. 4''w. Jones worked in New York and New England between 1805-1826. Toning of paper several pin prick size holes. Indistinguishable writing in pencil at bottom right. Some paper discoloration at top. Frame is missing onw ebony corner square.
• OOB- Impressionist woodlands with
  OOB- Impressionist woodlands with mountains in impasto monogrammed ll 'NR' and dated '58 barn wood molded frame linen liner SS: 23 1/2'' x 29 1/2'' OS: 28'' x 34'' good condition.
• T.J. Averett stoneware jug, rounded
  T.J. Averett stoneware jug, rounded shoulder, strap handle stamped "TJA" (Thomas J. Averett, born 1875, Crawford County, Georgia, son of William Averett), runny green and brown alkaline glaze, 14-3/4 in. Spout restored, some glaze voids at base.
• Thomas Sergent majolica
  Thomas Sergent majolica jardinieremodeled as a hawk with its prey standing before two tree trunks on a naturalistic base. Stamped ''TS''. 14''L Circa - Late 19th C.
• Thomas Sully (follower of)
  Thomas Sully (follower of) (Pennsylvania/England 1783-1872) PORTRAIT OF A GENTLEMAN oil on canvas framed unsigned H30'' W24 1/4'' Provenance: Milledgeville Georgia private collection.
• 32 pieces clobbered ware: blue
  32 pieces clobbered ware: blue transfer with polychrome decoration, varying small blue marks under glaze, one with circle and arrow, one with hand-drawn star, English, 19th century; detailed list available. The Estate of the Late Parker B. Poe to Benefit the Thomasville Cultural Center, Thomasville, Georgia
• T.J. Averett stoneware jug, strap
  T.J. Averett stoneware jug, strap handle marked "TJA" (Thomas J. Averett, born 1875, Crawford County, Georgia, son of William Averett), mottled brown/olive alkaline glaze, 9-3/4 in. Large rim chip, otherwise good condition. James, Georgia flea market, 1977
• Georgia law, three works 1819,
  Georgia law, three works 1819, 1835: all Milledgeville imprints by Clayton, Greene and Lumpkin; detailed listing available.
• Georgia overshot coverlet, wool and
  Georgia overshot coverlet, wool and linen, blue on white, three panels, probably Georgia, 19th century, 97 x 91 in., Griffin notes: "Whig Rose or Methodist Wheel pattern". Fading and wear, scattered stains, pest damage, other holes, scattered small repairs. Consignment shop, Augusta, Georgia, 1978
• Thomas Blackshear's Ebony Visions
  Thomas Blackshear's Ebony Visions "The Comforter", homage to women who nurture throughout their lifetimes, noble woman enfolds her charges in a cloak of serenity and protection, 1997 Willitts Designs Item No 37024, Limited Edition #0578/1000, 12-3/4" h, chip to cape on left side, some chips to flowers and grass at base, chips to wood base, no box
• THOMAS ARVID (GEORGIA, 1964-),
  THOMAS ARVID (GEORGIA, 1964-), “FRIENDS IN TOWN”., HAND-EMBELLISHED GICLEE ON CANVAS, 42” X 28”. FRAMED 48.5” X 34.5”.THOMAS ARVID, Georgia, 1964-, "Friends in Town". Signed "Arvid" lower right. Numbered 6/135 and inscribed "A.P." lower right. Inscribed "When with good friends always drink great wine! Cheers! Thomas Arvid" verso with a felt-tipped pen drawing of a wine glass dated "2007". Dimensions: Hand-embellished giclee on canvas, 42" x 28". Framed 48.5" x 34.5".
• Ten prints, Southern views: six
  Ten prints, Southern views: six Georgia and four Virginia related, mostly architectural views; detailed listing available.
• Stoneware studio vase, broad flared
  Stoneware studio vase, broad flared rim, partially glazed, applied latex decoration resembling chocolate chips, hand signed on base, 22-1/2 in. The Estate of the Late Parker B. Poe to Benefit the Thomasville Cultural Center, Thomasville, Georgia
• THOMAS STROBEL EXPRESSIONIST
  THOMAS STROBEL EXPRESSIONIST PORTRAIT PAINTING Illinois, Tennessee,1931-2001Dark earthy color palette forming the face of a young woman glancing to the side covered in flowers.
• Early Georgia portraits, 1715-1870:
  Early Georgia portraits, 1715-1870: National Society of the Colonial Dames of America in the State of Georgia, University of Georgia Press, 1975, 338 pp. Good condition, dust jacket with minor creases and slight fading, boards bowed.
• ENGRAVING- Classical figure
  ENGRAVING- Classical figure attributed to Giovanni Battista Tiepolo (Italian 1696-1770) after Parmigianino. Lehigh University Collection label verso. From the office of Dean Yates. Frame: driftwood molded French lined mat glazed. Surface mounted. SS:
• Three Flora Danica serving
  Three Flora Danica serving platters: sawtooth borders with gilt highlights, hand painted floral designs, 14 in., 15-1/2 in. and 17-5/8 in., Smaller two with hash marks through blue wavy lines possibly indicating seconds, otherwise excellent condition; largest with extensive repairs and repainting. The Estate of the Late Parker B. Poe to Benefit the Thomasville Cultural Center, Thomasville, Georgia
• R.J. VOJIR "MIDTOWN ATLANTA"
  R.J. VOJIR "MIDTOWN ATLANTA" IMPRESSIONIST O/C Ryan J. Vojir (American b. 1975), "Midtown Atlanta", 2006, oil on canvas night time cityscape, signed and dated at lower right and en verso, framed. Approx. canvas h. 15", w. 30". Frame h. 17.125", w. 32.125", d. 1.25".
• THOMAS B. NORRIS IMPRESSIONIST
  THOMAS B. NORRIS IMPRESSIONIST LANDSCAPE PAINTING Massachusetts, Rhode Island,1866-1927Impressionist work depicting a wooded hillside on a Summer's day, housed in a period gilt wood frame.
• THOMAS CONDER, BRITISH 1746-1831,
  THOMAS CONDER, BRITISH 1746-1831, THE CAROLINA'S, WITH PART OF GEORGIA, ENGRAVING: 14 1/2 X 14 7/8 IN. (SHEET), 15 3/8 X 15 5/8 IN. (FRAMED)THOMAS CONDER, BRITISH, 1746-1831 THE CAROLINA'S, WITH PART OF GEORGIA, Engraving: 14 1/2 x 14 7/8 in. (sheet), 15 3/8 x 15 5/8 in. (framed) Framed Engraving: 14 1/2 x 14 7/8 in. (sheet), 15 3/8 x 15 5/8 in. (framed)
• Thomas W. Morley watercolor (Thomas
  Thomas W. Morley watercolor (Thomas William Morley, British, 1859-1925), "The Road to Abbeville, France", signed lower left "T.W. Morley", watercolor on board, 15-3/8 x 21 in.; modern gilt silver/gold frame. Hinged at top with paper tape, taped at bottom edge with paper tape, light toning. Label verso backing states the watercolor was from the Collection of Gerard Priestley, Elon College, North Carolina; Whitehall at the Villa, Chapel Hill, North Carolina (with receipts).
• Brice Thomas (printer)/Carts and
  Brice Thomas (printer)/Carts and Carriages/a set of six engravings 12.75cm x 17.75cm (5" x 7")/from Le Guide du Carrossier
• THOMAS CHIPPENDALE GENTLEMAN AND
  THOMAS CHIPPENDALE GENTLEMAN AND CABINET-MAKER'S DIRECTOR the 1762 best edition of ''the most important collection of furniture designs issued up to that time in England '' beautifully illustrated with 200 copper-engraved plates Provenance: From Patricia Kluge's Albemarle House Charlottesville VA
• Theodore Clement Steele
  Theodore Clement Steele (American, 1847-1926), Indiana Impressionist wooded summer landscape, oil on canvas; 29 1/4" x 44 1/2"; signed lower right and dated 1906. Steele is considered to be one of the finest of the American Impressionist painters to work in the Midwest. A leading member of the Hoosier School painters, Steele studied at the Indiana School of Art as well as the Royal Academy in Munich. Upon returning to the U.S., Steele co-founded the Indianapolis School of Art with William Forsyth. In 1906 Steele settled in the remote region of Brown County where he painted exclusively in the Impressionist style.
• Four prints, Georgia views:
  Four prints, Georgia views: Spirit Creek; Near Augusta, Georgia, after J. Shaw, published by M. Carey & Son, Philadelphia, image 9-3/4 x 13-3/4 in., razor cuts in margins, light toning and foxing, stains; Tallulah Falls-Georgia, reproduction Currier & Ives, hand-colored lithograph, image 12-1/2 x 8-1/2 in., tear left margin; The City and Harbor of Savannah, Georgia, after J.O. Davidson, hand colored, 10 x 14-1/8 in. (sight), toning and foxing; City of Macon, Georgia, after Theodore R. Davis, 9-3/4 x 14-1/4 in. (sight), toning and foxing; modern frames. Not examined out of frames; frames with abrasions.
• IMPRESSIONIST LANDSCAPE PAINTING
  IMPRESSIONIST LANDSCAPE PAINTING ,1829Depicts thin gnarled trees beside a dirt road leading towards a distant town.
• Thomas Birch, Illustrious
  Thomas Birch, Illustrious Persons: two partial books; detailed listing available.
• ROSIE CLARK "I LIKE TO MAKE A
  ROSIE CLARK "I LIKE TO MAKE A LASTING IMPRESSION" Rosie Clark (American/Georgia 1925-2016), "I like to Make a Lasting Impression," ink on scratchboard depicting a zebra wearing a straw hat with flowers and a red bow around its neck, signed at lower right, unframed. Approx. sight h 5.5", w. 4.75"; overall h. 13.75", w. 11".
• Thomas Worth (1834-1917) "Going
  Thomas Worth (1834-1917) "Going to" and "Coming from the Trot" Colored lithograph, framed. H: 18 1/4 in. W: 28 1/4 in. ,000-1,500 Laid down on board.
• DRYPOINT ETCHING - Travelers
  DRYPOINT ETCHING - Travelers Approaching Ancient City Gate by William Thomson signed lower right dated 1951 numbered 2/6 in handcarved silver leaf and polychromed Heydenryk frame silk mat glazed SS: 5'' x 6 1/2'' OS: 14'' x 17 1/4'' edge toned. From
• J.H. Young map of Georgia, "The
  J.H. Young map of Georgia, "The Tourist's Pocket Map of the State of Georgia Exhibiting its Internal Improvements Roads Distances & C. by J.H. Young", including inset of steamboat routes, after Tanner's 1836 map, published by Hinman & Dutton, Philadelphia, 1838, 15-3/8 x 12-3/4 in. (page). Loose, toning, possibly trimmed, creases, minor tears and losses at margins.
• ETCHING - 'Constantinople' by David
  ETCHING - 'Constantinople' by David Muirhead Bone (British 1876-1953) signed in plate ll and in pencil lr depicts harbor view dominated by the domes and minarets of St. Sophia men work on nets in foreground black stick frame matted and glazed SS: 7
• Seven Steffen Thomas etchings
  Seven Steffen Thomas etchings (German/Stone Mountain, Georgia, 1906-1990), Georgia buildings, most are churches, engraved for Baptist World Alliance, Atlanta, July 22-28, 1939, unframed, all approximately 9 x 11 in.; detailed listing available.