A few examples of appraisal values for
THOMASVILLE IMPRESSIONS COLLECTION

• THOMAS STROBEL EXPRESSIONIST
  THOMAS STROBEL EXPRESSIONIST PORTRAIT PAINTING Illinois, Tennessee,1931-2001Dark earthy color palette forming the face of a young woman glancing to the side covered in flowers.
• Collection of wheelmen etched glass
  Collection of wheelmen etched glass reprints photo copies framed sheet music silhouettes and an ordinary print by LJ Patterson 1976 #4 of 5 limited edition ''Bayliss - Thomas''. Approximately (18) pieces. ( *NOTE TO ABS/INTERNET BIDDERS: Large and/or heavy lots may have high shipping costs. Contact UPS Store #5539 for shipping estimates.)
• CONCERT POSTER, SUPERSONIC
  CONCERT POSTER, SUPERSONIC ATTRACTIONS PRESENTS - THE IMPRESSIONS AND MORE "Supersonic Attractions Presents - The Impressions, Gene Chandler, Jerry Butler, Gladys Knight and the Fabulous Pips..." at Memoiral Auditorium Chattanooga, TN, Novemebr 2, letterpress relief concert poster, printed by Poster Inc, Philadelphia, overall: 28"h x 22.25"w
• THOMAS ARVID (GEORGIA, 1964-), “A
  THOMAS ARVID (GEORGIA, 1964-), “A BUDDING PASSION”., GICLEE ON CANVAS, 43” X 22”. FRAMED 55.25” X 34.25”.THOMAS ARVID, Georgia, 1964-, "A Budding Passion". Signed "Arvid" lower left. Numbered 8/375 lower right. Dimensions: Giclee on canvas, 43" x 22". Framed 55.25" x 34.25".
• Southern law, four works:
  Southern law, four works: imprints from Milledgeville, Athens, Charleston, 1814-1837; detailed listing available.
• Ten prints, Southern views: six
  Ten prints, Southern views: six Georgia and four Virginia related, mostly architectural views; detailed listing available.
• Thomas Blackshear's Ebony Visions
  Thomas Blackshear's Ebony Visions "Bundle of Joy", newborn cuddles in the arms of his proud parents, whose faces glow with the spiritual joy in their hearts, 2000 Willitts Designs Item No 37073, First Issue #2296, 12-3/4" h, chips to wood base, no box, paint loss to the man's coat at bottom
• EVANS, CARTER & WRIGHT, THOMAS
  EVANS, CARTER & WRIGHT, THOMAS TOMPION 300 YEARS, STROUD, 2013 Leather and cloth, in a slip case, with original wrapper, unnumbered limited edition
• R.J. VOJIR "MIDTOWN ATLANTA"
  R.J. VOJIR "MIDTOWN ATLANTA" IMPRESSIONIST O/C Ryan J. Vojir (American b. 1975), "Midtown Atlanta", 2006, oil on canvas night time cityscape, signed and dated at lower right and en verso, framed. Approx. canvas h. 15", w. 30". Frame h. 17.125", w. 32.125", d. 1.25".
• WILLIAM FRANCIS TAYLOR (AMERICAN,
  WILLIAM FRANCIS TAYLOR (AMERICAN, 1883 - 1970) IMPRESSI...William Francis Taylor (American, 1883 - 1970) Impressionist Farm Scene oil on canvas laid on masonite signed lower right Will Taylor 16" x 20" Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• 3 PCS, COLLECTION OF CHARLESTON
  3 PCS, COLLECTION OF CHARLESTON WORKS ON PAPER Three works comprising Minnie Mikell (American/South Carolina, 1891-1987). "Middleton Place Gardens", hand colored lithograph, John Bennet (American/South Carolina, 1865-1956). "Story Illustration", silhouette, Elizabeth White (American/South Carolina, 1893-1976). " Long Leaf Pine", etching. Provenance: From the Lifetime Collection of Billy S. Arant, Jr., Chattanooga, TN. Largest approx. 11.75" x 9.25" (framed)
• RARE CIVIL WAR ATLANTA IMPRINT,
  RARE CIVIL WAR ATLANTA IMPRINT, 1864Rare Civil War imprint, published Atlanta, 1864, the last book published in Atlanta before Sherman captured the city: PRIMARY BIBLE QUESTIONS FOR YOUNG CHILDREN by S. Root. 3rd Edition, published 1864 by J.J. Toon & Co, Franklin Steam Printing House, Atlanta. Paperboard covers, 80 pp. 6 1/2" x 4". Bookplate inside front cover for Emory University Library. Note this lot is accompanied by recent correspondence from the Stuart A. Rose Manuscript, Archives and Rare Book Library acknowledging that the book was rightfully deaccessioned from their collections long ago and may be sold. (Higher-resolution photos are available at www.caseantiques.com) Condition: Separation and small losses to paper at bottom of boards, discoloration and staining.
• TENNESSEE POTTERIES, POTS AND
  TENNESSEE POTTERIES, POTS AND POTTERS, VOLS. I & IITwo (2) volumes of "Tennessee Potteries, Pots, and Potters - 1790s to 1950", by Samuel D. Smith and Stephen Rogers. Published in 2011 by Tennessee Department of Environment and Conservation Division of Archaeology. This two volume set with over 1,000 pages was the result of 35 years of work on the subject by Smith and Rogers. Limited number published. Set includes CD. Condition: Mint condition.
• THOMAS ARVID (GEORGIA, 1964-),
  THOMAS ARVID (GEORGIA, 1964-), “FRIENDS IN TOWN”., HAND-EMBELLISHED GICLEE ON CANVAS, 42” X 28”. FRAMED 48.5” X 34.5”.THOMAS ARVID, Georgia, 1964-, "Friends in Town". Signed "Arvid" lower right. Numbered 6/135 and inscribed "A.P." lower right. Inscribed "When with good friends always drink great wine! Cheers! Thomas Arvid" verso with a felt-tipped pen drawing of a wine glass dated "2007". Dimensions: Hand-embellished giclee on canvas, 42" x 28". Framed 48.5" x 34.5".
• GROUP OF 5 ANTIQUE PRINTS AND
  GROUP OF 5 ANTIQUE PRINTS AND ENGRAVINGS Group of 5 antique prints and engravings, including lithograph of Chattanooga and the Tennessee from Lookout Mountain by Henry Fenn, a pencil signed etching by Edward Millington Synge, a pair of colored engravings of English castles after J.M.W. Turner, and a 1927 edition Ancient Atlas by Heinrich Kiepert, having full and half folio maps of Rome, Italy, Greece, and others; largest 13"H 17"W
• THOMAS MCKNIGHT, CLARKE AVENUE,
  THOMAS MCKNIGHT, CLARKE AVENUE, SCREENPRINT IN COLOR, 138/200, FRAMED, 32 X 34 INCHESThomas McKnight, Clarke Avenue, Screenprint in Color, 138/200, Framed, 32 x 34 inches
• THOMAS ARVID (GEORGIA, 1964-),
  THOMAS ARVID (GEORGIA, 1964-), “UNPLUGGED”., GICLEE ON CANVAS, 31.5” X 31.5”. FRAMED 42” X 42”.THOMAS ARVID, Georgia, 1964-, "Unplugged". Signed "Arvid" lower right. Numbered 7/375 lower left. Dimensions: Giclee on canvas, 31.5" x 31.5". Framed 42" x 42".
• THOMAS ARVID (GEORGIA, 1964-),
  THOMAS ARVID (GEORGIA, 1964-), “COVER TO COVER”., GICLEE ON CANVAS, 31” X 34”. FRAMED 37.25” X 40.5”.THOMAS ARVID, Georgia, 1964-, "Cover to Cover". Signed "Arvid" lower right. Numbered 5/325 lower left. Dimensions: Giclee on canvas, 31" x 34". Framed 37.25" x 40.5".
• TOM FEELINGS. "PORTFOLIO ONE,"
  TOM FEELINGS. "PORTFOLIO ONE," LITHOGRAPHS (American, 1933-2003). "Nine Lithographs from The Black Community America and Africa," portfolio inscribed "To EJ in Blackness/Love in the hope that the two words really become one-Tom Feelings," each lithograph signed, portfolio size: 15 1/2 x 12 1/4 in., all prints unframed.
• OOB- Impressionist woodlands with
  OOB- Impressionist woodlands with mountains in impasto monogrammed ll 'NR' and dated '58 barn wood molded frame linen liner SS: 23 1/2'' x 29 1/2'' OS: 28'' x 34'' good condition.
• TENNESSEE PRINT"The Pride of
  TENNESSEE PRINT"The Pride of Tennessee" pencil signed and numbered by "Michael Sloan, 2232/3000" depicts the state capital and most all of important Tennesseans, 20th century print and frame, 33"x27"
• TN EPHEMERA AND PRINTS, 30
  TN EPHEMERA AND PRINTS, 30 PCSAssorted TN Prints and Ephemera, 30 items total. 1st item: "Fourth Annual Report of the Public Schools of the City of Nashville, Tennessee" imprint, published by Smith, Camp, and Company, Printers, Patriot Office, 22 pages with a table of attendance, 1858. Paper and string bound book reporting the activities of the Nashville Public Schools of past year, submitted by J. F. Pearl, Superintendent, to the Board of Education, detailing information concerning subjects such as the deaths of the teachers and pupils, discipline and attendance, and examples of questions to be answered by candidates of the High Schools regarding English Grammar, Geography, Arithmetic, History, Latin, Watts on the Mind, and Spelling. Preceding the example questions, Pearl closes his report by repeating the petition "Give us a commodious school house on College Hill, and an Examination Hall upon the lot adjoining the Hume Building". 8 3/8" H x 5 1/4" W. 2nd item: Sepia toned photograph depicting "North on Gay St." after a "Big Fire at Knoxville, Tenn--April 8th 1897, "Hotel Knox" started". Features the burned-out building facades near Sanford, Chamberlain and Albers Druggists, with views of telegraph wires and crowds of people surveying the damage. Mounted to card stock. Photograph - 4 1/2" H x 6 1/2" W. Card stock - 5 1/2" H x 7 1/2" W. Late 19th century. 3rd item: "Buildings and Forts (TN/GA/VA)", Plate CXXIV, lithographed with tinted color by Julius Bien & Company, published by the U.S. Government Printing Office, Washington, D.C., 1895. From "Atlas to Accompany the Official Records of the Union and Confederate Armies, 1861-1865". Depicts 9 scenes of significant Civil War buildings and forts in Tennessee, Georgia, and Virginia including "Nashville, Tenn. from the South-East. Showing the State Capitol", "Buzzard Roost Gap and Rocky Face Ridge, GA", and "Battery Spofford, VA". Image - 16 1/4" H x 27 1/4" W. Sheet - 18 1/4" H x 29" W. 4th item: "Nashville, Tenn. from the South-East. Showing the State Capitol", part of "Buildings and Forts (TN/GA/VA)", Plate CXXIV, lithographed with tinted color by Julius Bien & Company, published by the U.S. Government Printing Office, Washington, D.C., 1895. From "Atlas to Accompany the Official Records of the Union and Confederate Armies, 1861-1865". Mounted to matte and sealed with plastic. Image - 8 5/8" H x 11 1/2" W. Matte - 12" H x 16" W. 5th item: "Cumberland Gap" steel plate engraving with hand coloring by Samuel V. Hunt, after Harry Fenn, published by Daniel Appleton and Company, New York, circa 1972. From "Picturesque America" by William Cullen Bryant. Housed in black wooden frame with matte. Image - 5 1/4" H x 7 7/8" W. Sight - 7 1/4" H x 9 1/8" W. Framed - 13 1/8" H x 6 1/4" W. 6th and 7th items: Two engravings with later hand coloring depicting Nashville, one from "A Comprehensive View of Our Country and Its Resources ", by James D. McCabe Jr., published by the Hubbard Brothers, Philadelphia, 1876. Both with text pages en verso. Both housed in wooden frames. Images range in size from 2 1/2" H x 3 3/4" W to 2 5/8" H x 4" W. Frames range in size from 5 5/8" H x 9 1/4" W to 7 3/8" H x 8 1/2" W. 8th and 9th items: Two copper plate engravings with hand coloring titled "General View of Cumberland Gap, Tennessee", drawn by Dr. B. Howard, published by Harper's Weekly, 1862, and "Army of the Cumberland--Nashville and its Fortifications", published by Harper's Weekly, 1864. "Cumberland Gap" engraving has linen backing. Both mounted to mattes. Images approximately - 6" H x 9" W. Sheets approximately - 8" H x 10 3/4" W. Mattes approximately - 11" H x 14 1/8" W. 10th and 11th items: Two woodcut engravings, one with hand coloring, of "The State Capitol, at Nashville, Tennessee", published by Ballou's Pictorial Drawing-Room Companion, 1857. The uncolored engraving includes the original full page with "A Prayer Wheel at Cashmere, India," engraving and text. Both engravings mounted to mattes, colored engraving sealed with plastic. Images approximately - 5 1/2" H x 7 7/8" W. Mattes approximately - 11" H x 13" W. 12th item: Copper plate engraving with hand coloring titled "Central Tennessee College", drawn by Wheeler Marshall Bruce, with "Central Certificates" text page en verso. Mounted to matte. Image - 3 5/8" H x 7 1/8" W. Sheet - 7 3/8" H x 10 3/4" W. Matte - 11" H x 14" W. 13th item: "Tennessee Centennial Exposition: The National Event of 1897" program, published by Marshall and Bruce Company, Nashville, circa 1897. The 38 page program features black and white images of significant buildings, including a "Bird's Eye View of Exposition", descriptions of the planned events, and nearby points of interest including Civil War battlefields and national cemeteries. Folded - 8 5/8" H x 4" W. Unfolded - 8 5/8" H x 15 3/8" W. 14th-24th items: Ten postcards, five chromolithographs, four sepia toned photographs, and one lithograph, depicting scenes in and around Nashville, Tennessee. "St. Ann's Church and Rectory and Martin Hall" postcard is addressed to Mrs. Louisa Sebring, Halifat, Kansas with writing in black in from her sister, and a one cent Franklin stamp, illegible postmark. Four photograph postcards housed in plastic sleeve. Postcards approximately - 3 1/2" H x 5 1/2" W. Early/mid 20th century. 25th-26th items: Two woodcut engravings titled "Vanderbilt University, Nashville, Tennessee", sketched by H. P. Whinnery, engraved by Rattlescraw. Depicts the majority of the Vanderbilt University campus including the Chancellor's Residence, the Science Hall, the Observatory, the Main Building, and others. Buildings labeled below map. Image - 9 3/4" H x 14 1/2" W. Sheets range in size from 11 3/4" H x 16" W to 12 1/2" H x 19" W. 27th-28th items: Two paper advertisements, one chromolithograph, one lithograph, for Knoxville businesses. Chromolithograph is to advertise the opening of "The Great Atlantic and Pacific Tea Company" at 322 Union Street, Knoxville, TN and depicts "Madison Square, Hoffman House and Broadway in New York city. The lithograph is to advertise "Roth Coal Co", Yard at Oak St., Office at 603 Prince Street, Knoxville TN, and depicts "7,500 Tons Pure White Moss" in the yard. Chromolithograph - 6 1/4" H x 8 1/2" W. Lithograph - 4" H x 9 1/4" W. Late 19th/early 20th century. 29th-30th items: Two pages with engravings and text related to Tennessee with information about population, climate, industries, government, etc. South Dakota engraving and text page en verso of page 378. Pages range in size from 13 1/2" x 11 1/4" W to 14 1/2" H x 11 1/2" W. Early 20th century. (Higher-resolution photos are available at www.caseantiques.com) Condition: 1st item: Overall good condition. 1" tear top of binding visible from page 19 to end of imprint. Few foxing spots, largest 1/8" lower left of cover. Top right corners of page 21 and back cover torn. 2nd item: Overall good condition. Two black pen marks, largest 1", top left of photograph. 3rd item: Light toning around edges of sheet. Two tears, largest 1 1/4", center bottom edge of sheet. 4th item: Overall excellent condition. Not examined out of matte. 5th item: Minute foxing spots on surface of sheet. Not examined out of frame. 6th and 7th items: Minute foxing spots on surfaces of sheets. Not examined out of frames. 8th and 9th items: Minute foxing spots on surface of sheets. 10th and 11th items: Toning on edges of uncolored sheet. Colored engraving in overall excellent condition. Not examined out of matte. 12th item: Slight toning on edges of sheet. 13th item: Light overall toning. 14th-24th items: Overall good condition with slight wear expected from age. 25th-26th items: Overall excellent condition. Slight toning, bends, tears on larger sheet. 27th-28th items: Advertisements exhibit foxing spots, scuffs, and paper tears to be expected from age. 29th-30th items: Overall good condition. Slight toning around edges of pages.
• TENNESSEE POTTERIES, POTS AND
  TENNESSEE POTTERIES, POTS AND POTTERS, VOLS. I & IITwo (2) volumes of the book "Tennessee Potteries, Pots, and Potters - 1790s to 1950", by Samuel D. Smith and Stephen Rogers. Published in 2011 by Tennessee Department of Environment and Conservation Division of Archaeology. This two volume set with over 1,000 pages was the result of 35 years of work on the subject by Smith and Rogers. Limited number published. (Higher-resolution photos are available at www.caseantiques.com) Condition: Overall excellent condition.
• THOMAS ARVID (GEORGIA, 1964-),
  THOMAS ARVID (GEORGIA, 1964-), “IN THE GLOW”., GICLEE ON CANVAS, 34” X 14.5”. FRAMED 46” X 26”.THOMAS ARVID, Georgia, 1964-, "In the Glow". Signed "Arvid" lower right. Numbered 10/375. Dimensions: Giclee on canvas, 34" x 14.5". Framed 46" x 26".
• 19 PIECES OF LOUISVILLE & NASHVILLE
  19 PIECES OF LOUISVILLE & NASHVILLE RAILROAD EPHEMERA
• GROUP OF 5 BOOKS ON
  GROUP OF 5 BOOKS ON IMPRESSIONISMMixed paperbacks and hardcover. Issued: 20th c. Dimensions: 10.25"L x 10.25"W, largest Country of Origin: United States Condition: Age and use related wear
• Seven Steffen Thomas etchings
  Seven Steffen Thomas etchings (German/Stone Mountain, Georgia, 1906-1990), Georgia buildings, most are churches, engraved for Baptist World Alliance, Atlanta, July 22-28, 1939, unframed, all approximately 9 x 11 in.; detailed listing available.
• THOMAS ARVID (GEORGIA, 1964-),
  THOMAS ARVID (GEORGIA, 1964-), “BEST CASE SCENARIO”., GICLEE ON CANVAS, 28” X 43”. FRAMED 38” X 53”.THOMAS ARVID, Georgia, 1964-, "Best Case Scenario". Signed "Arvid" lower right. Numbered 9/375 lower left. Dimensions: Giclee on canvas, 28" x 43". Framed 38" x 53".
• Book-Collection of the Works of
  Book-Collection of the Works of Thomas Chalkley printed in Philadelphia by B. Franklin and D. Hall 1749.
• Georgia law, three works 1819,
  Georgia law, three works 1819, 1835: all Milledgeville imprints by Clayton, Greene and Lumpkin; detailed listing available.
• COLLECTION OF THIRTEEN TINTYPES.
  COLLECTION OF THIRTEEN TINTYPES. Two set in decorative copper surround. Together with a photograph on porcelain in a leather bound case Condition: No Specific Condition Recorded - Sold As Is
• 3 VINTAGE GREAT SMOKY MTNS. PHOTOS,
  3 VINTAGE GREAT SMOKY MTNS. PHOTOS, JIM THOMPSON1st image: Gelatin silver print of Great Smoky Mountain Park by Jim Thompson, Knoxville, TN (1881-1976). Numbered and signed lower right. Image: 7-1/2" H x 9-1/4" W, Frame: 11-1/2" H x 13-3/8" W. 2nd image: Gelatin silver print on matte cardstock attributed to Jim Thompson (1881-1976) panoramic view of Great Smoky Mountain Park with figure seated at left, unmarked. Sight: 8-1/2" H x 34-1/2" W. Frame: 10" H x 36" W. 3rd item: Gelatin silver print, colored, of Sugarlands, Gatlinburg in Great Smoky Mountain Park titled "Tub Mill", by Jim Carr of Knoxville, TN. Frame: 23 3/4" H x 27 1/2" W. Biography (courtesy of Calvin M. McClung Historical Society, Knoxville, TN): Jim Thompson (1881-1976) and his younger brother Robin Thompson (1895-1977) were business partners in Knoxville from 1920 to 1926 as Thompson Brothers. Both men, individually and in partnership, were successful commercial photographers and avid hikers. Their photographs documenting the beauty of the Great Smoky Mountains in the 1910s and 1920s helped gain public support for a campaign to create the Great Smoky Mountains National Park, particularly on the Tennessee side of the park. Provenance: Blount County, TN Living Estate. Condition: Two (2) photos with slight silvering, otherwise very good condition.
• TOM FEELINGS (AMERICAN,
  TOM FEELINGS (AMERICAN, 1933-2003) YOUNG BOY CHARCOAL ON PAPER: 11 1/2 X 7 1/2 IN. (SIGHT)TOM FEELINGS, (AMERICAN, 1933-2003) YOUNG BOY, Charcoal on paper: 11 1/2 x 7 1/2 in. (sight) Framed; lower right signed: Tom Feelings Provenance: Purchased in New York in the mid 70s; Private Collection, Washington D.C
• 21 PCS OF DULUTH, SOUTH SHORE &
  21 PCS OF DULUTH, SOUTH SHORE & ATLANTIC RR EPHEMERA
• COLLECTION OF PRINTS, PHOTOGRAPHS
  COLLECTION OF PRINTS, PHOTOGRAPHS AND PAMPHLETSCollection of Prints, Photographs and Pamphlets,
• Three pieces Matthew Hewell pottery
  Three pieces Matthew Hewell pottery (Gillsville, Georgia, born 1972), stoneware with runny alkaline glaze: pitcher with blue band and seal for state of Georgia, dated 2005, 10 in.; chicken waterer with large rutile run, undated, 9-1/2 in.; jar with two lug handles and Edgefield style looped slip decoration and slip flower, dated 2004, 12 in., glaze anomalies , all signed in script on base "Matthew Hewell John 3:16". Excellent condition. The Collection of Sam and Martha Tolbert