A few examples of appraisal values for
THOUGHTS

• CHARLES BILLICH (1934- ):
  CHARLES BILLICH (1934- ): "WRAPPED IN THOUGHTS"pastel on paper; signed (lower right); titled (lower center); Condition:
• JAMALI"PURE THOUGHTS AND PAST,
  JAMALI"PURE THOUGHTS AND PAST, PRESENT AND FUTURE"Jamali; Pakistani (b. 1944) original painting, pigmentation on cork No. 9969 "Pure Thoughts and Past, Present and Future" Circa 2005. In very good condition and measuring 39" high and 53" wide.
• PETRONELLA GREER (B.1945) 'DEEP
  PETRONELLA GREER (B.1945) 'DEEP THOUGHTS' 12"X12"Unframed acrylic on stretched canvas painting, "Deep Thoughts," signed verso Petronella Greer (Texas, b.1945), titled on back stretcher, accompanied by certificate of authenticity issued by the artist, approx 12"h, 12"w, 1.75lbs **Note: Petronella Greer lives and works in Austin, Texas. She creates bold colored designs inspired by her dreams and translates that idea by a loose yet deliberate process of acrylic paintings on large canvases. Her work is shown on 1st Dibs and Austin Galleries.**
• NATHANIEL K. GIBBS. CHAOTIC
  NATHANIEL K. GIBBS. CHAOTIC THOUGHTS, INK DRAWING ON BOARD Unsigned, 20 x 15 in., unframed.
• Artist Unknown (19th century) A
  Artist Unknown (19th century) A Thoughtful Moment and Daily Reading (two works) oil on canvas Each 9 x 12 1/4 inches.
• TARKAY ''VIVID THOUGHTS''
  TARKAY ''VIVID THOUGHTS'' EMBELLISHED SERIGRAPH ON CANVAS: ''Vivid Thoughts'', Embellished Serigraph on Canvas, sight size 17'' x 17'', signed on the lower margin, heavy custom frame, 29.5'' x 29''.
• FRIEDEL DZUBAS 'AFTER THOUGHT'
  FRIEDEL DZUBAS 'AFTER THOUGHT' ACRYLIC ON CANVASFriedel Dzubas, German/American (1917-1994). Magna acrylic on canvas titled on verso 'After Thought' with labels from The Harcus Gallery, Boston, Mass., dated 1984-85 and M. Knoedler & Co., Inc., NYC. Measures 97"H x 97" framed; 96"H x 96"W unframed.
• EFFIE MAY JONES "THE THINKER,"
  EFFIE MAY JONES "THE THINKER," WOODCUT (1965), sight size 17 1/4 x 16 1/2 in., framed.
• Attributed to J. Sandow (18th
  Attributed to J. Sandow (18th century) The Thinker oil on canvas 16 1/4 x 12 inches.
• BEN KONIS (1924-2006) 'A PESO FOR
  BEN KONIS (1924-2006) 'A PESO FOR YOUR THOUGHTS'Framed pallet knife oil painting on canvas, "A Peso for Your Thoughts," signed lower left Konis (Ben Konis, Texas, New Jersey, 1924-2006), title tags at verso, sight: 29.5"h, 23.5"w, overall: 37.75"h, 31.75"w, 9.75lbs
• PIERSON, Markus, (American,
  PIERSON, Markus, (American, 1961): ''Thoughts of Her'', Carved and Painted Wood Sculpture, done in 1987, numbered 8/250, monogramed, 27'' in height. The moon is removable. CONDITION: Several scattered nicks and dents, crack in the coyote's shoulder, needs to be addressed and repainted.
• DENNIS T. YATES WATERCOLOR ON
  DENNIS T. YATES WATERCOLOR ON PAPERDENNIS T. YATES (Missouri, 1947-2010) watercolor on paper, "The Thinker II," boy daydreaming while whitewashing a fence. Signed lower right and dated 1979, 18" x 24" (image), 26.75" x 32.5" (frame).
• PAINTING, DOUGLAS SCHNEIDER Douglas
  PAINTING, DOUGLAS SCHNEIDER Douglas Schneider (American, b. 1957), "Every Thought," oil on canvas, signed verso, canvas: 62"h x 51"w, overall (with frame): 70"h x 58.5"w
• ITZCHAK TARKAY. "SINFUL
  ITZCHAK TARKAY. "SINFUL THOUGHTS," SERIGRAPH ON CANVAS Ed. 16/150, signed "Tarkay" lr, 9 x 6 in., framed.
• PETRONELLA GREER (B1945) PAINTING
  PETRONELLA GREER (B1945) PAINTING 'HAPPY THOUGHTS'Unframed acrylic on stretched canvas painting, "Happy Thoughts," signed verso Petronella Greer (Texas, b.1945), titled on back stretcher, dated 2022, accompanied by certificate of authenticity issued by the artist, approx 24"h, 18"w, 3lbs **Note: Petronella Greer lives and works in Austin, Texas. She creates bold colored designs inspired by her dreams and translates that idea by a loose yet deliberate process of acrylic paintings on large canvases. Her work is shown on 1st Dibs and Austin Galleries.**
• Sculpture ''The Thinker'' after
  Sculpture ''The Thinker'' after Rodan. 16'' Ht.
• TREASURES OF GOLD OR SPIRITUAL
  TREASURES OF GOLD OR SPIRITUAL THOUGHTS FOR YOUNGTreasures of Gold or Spiritual Thoughts for Young Author: Mrs. Oliver B. Greene Publisher: The Gospel Hour, Inc. Year: 1968
• WAYNE TRAPP (NC, D. 2016), THOUGHTS
  WAYNE TRAPP (NC, D. 2016), THOUGHTS OF BARCELONA Acrylic on canvas, signed lower right, attractively and impressively framed.
• BRONZE SKELETON THE THINKER On
  BRONZE SKELETON THE THINKER On black marble plinth H: 11 in provenance: . VGC
• CUMBERLAND, STUART. A
  CUMBERLAND, STUART. A THOUGHT-READER'S THOUGHTS. LONDON...Cumberland, Stuart. A Thought-Reader's Thoughts. London: Sampson Low, 1888. Blue cloth stamped in colors. Photographic portrait frontispiece behind tissue. 8vo. Ex-Egyptian Hall Museum. Binding slightly shaken, endleaves browned; good.
• PAVEL TCHELITCHEW
  PAVEL TCHELITCHEW (RUSSIAN-AMERICAN, 1898-1957), UNTITLED (THE THINKER) Gouache on paper laid on board, 1927 (or 1922), signed and dated at upper left, framed.
• John George Sowerby British, 19th
  John George Sowerby British, 19th Century Summer Thoughts, 1877 Estimate:$2,500-$3,500
• ROY LICHTENSTEIN (1923-1997):
  ROY LICHTENSTEIN (1923-1997): THINKING NUDE (FROM NUDES)Roy Lichtenstein, American, (1923-1997) Thinking Nude (from Nudes) AFTER CONSERVATION, color lithograph signed in blue ink color lithograph Dimensions: Image: 5 1/2 x 8 1/2 in.; Sheet: 8 1/2 x 11 in. Provenance: Roy Fox Lichtenstein (October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Whaam! and Drowning Girl are generally regarded as Lichtenstein's most famous works. Drowning Girl, Whaam!, and Look Mickey are regarded as his most influential works.[8] His most expensive piece is Masterpiece, which was sold for $165 million in January 2017. Early years: Lichtenstein was Jewish, although he "played down his roots" and "didn't speak often of being Jewish".[10] His family was upper middle class.[1][11][12] His father, Milton, was a real estate broker, his mother, Beatrice (Werner), a homemaker.[13] He was raised on the Upper West Side and attended public school until the age of twelve. He then attended New York's Dwight School, graduating from there in 1940. Lichtenstein first became interested in art and design as a hobby, through school.[14] He was an avid jazz fan, often attending concerts at the Apollo Theater in Harlem.[14] He frequently drew portraits of the musicians playing their instruments.[14] In his last year of high school, 1939, Lichtenstein enrolled in summer classes at the Art Students League of New York, where he worked under the tutelage of Reginald Marsh.[15] Career: Lichtenstein then left New York to study at Ohio State University, which offered studio courses and a degree in fine arts.[1] His studies were interrupted by a three-year stint in the Army during and after World War II between 1943 and 1946.[1] After being in training programs for languages, engineering, and pilot training, all of which were cancelled, he served as an orderly, draftsman, and artist.[1] Lichtenstein returned home to visit his dying father and was discharged from the Army with eligibility for the G.I. Bill.[14] He returned to studies in Ohio under the supervision of one of his teachers, Hoyt L. Sherman, who is widely regarded to have had a significant impact on his future work (Lichtenstein would later name a new studio he funded at OSU as the Hoyt L. Sherman Studio Art Center).[16] Lichtenstein entered the graduate program at Ohio State and was hired as an art instructor, a post he held on and off for the next ten years. In 1949 Lichtenstein received a Master of Fine Arts degree from Ohio State University. In 1951, Lichtenstein had his first solo exhibition at the Carlebach Gallery in New York.[1][17] He moved to Cleveland in the same year, where he remained for six years, although he frequently traveled back to New York. During this time he undertook jobs as varied as a draftsman to a window decorator in between periods of painting.[1] His work at this time fluctuated between Cubism and Expressionism.[14] In 1954, his first son, David Hoyt Lichtenstein, now a songwriter, was born. His second son, Mitchell Lichtenstein, was born in 1956.[18] In 1957, he moved back to upstate New York and began teaching again.[4] It was at this time that he adopted the Abstract Expressionism style, being a late convert to this style of painting.[19] Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into his abstract works. Condition: Please see photos for attached conservation report
• CLIFFORD BECK NATIVE AMERICAN
  CLIFFORD BECK NATIVE AMERICAN PASTEL DRAWING Arizona1946-1995Titled "Distant Thoughts II", depicts a portrait of a Native American man gazing thoughtfully into the distance. Beck is a Navajo Indian who studied at the California College of Arts and Crafts and the University of Northern Arizona where he studied art history, studio art, and photography.
• "ETCHD THOUGHTS, BOUND VOLUME OF 59
  "ETCHD THOUGHTS, BOUND VOLUME OF 59 BLACK ANDwhite etchings, created by special permission, and is humbly dedicated to the Queen's Most Excellent Majesty, and to His Royal Highness, Prince Albert, by Her Majesty's Dutiful Subjects and Servants, from the Members of the Etching Club." Undated, mid-19th c. Printed by Charles Whittingham, at Chiswick Press, Copperplate Printers, Hampstead Road. Some notable artists include: C W Cope, C G Lewis, Rich Redgrave, Joseph Servern, J C Horsley, C Stonehouse, T Creswick, H J Townsend, Frederick Taylor, John Bell, J R Herbert, Thomas Fearnley, J P Knight, T Webster, and others. Book is 14 3/4" x 11 1/2". Leather binding and spine, badly worn. Plates are in good condition, however the borders of some pages show foxing.
• Thomas Ball (American, 1819-1911)
  Thomas Ball (American, 1819-1911) La Petite Pensée marble signed on the back T. Ball 1875 Height 19 inches. Property from a Palm Beach Collection
• EDWARD AVEDISIAN (1936-2007):
  EDWARD AVEDISIAN (1936-2007): "BRATTLEBORO THOUGHTS" Acrylic on canvas 60 x 60 in. signed in pencil and dated 1997.
• JUNG, Mario, (South Korean, b.
  JUNG, Mario, (South Korean, b. 1949): Two Oils on Canvas: 1) ''Thoughts on the Water'', 48'' x 48'', signed lower left and dated 2000, Certificate of Authenticity affixed verso, unframed; 2) ''Landscape with Sunrise Glow'', Oil/Canvas, 48'' x 48'', signed lower right and dated 2010, unframed.
• ZOE HERSEY, "REFLECTIONS", YELLOW
  ZOE HERSEY, "REFLECTIONS", YELLOW MM ON CANVAS Zoe Hersey (American b. 1958), "Reflections," 2002, acrylic and oil on canvas, horizontally oriented depicting a golden yellow background of vines with two black birds, a bee, and a landscape within a separate square, signed, titled, and dated en verso, unframed. Provenance: From the Private Collection of Joel A. Katz, Atlanta, Georgia. Approx. canvas h. 40", w. 48", d. 3.5".
• MOSES SOYER (1899 - 1974):
  MOSES SOYER (1899 - 1974): THOUGHTFUL NUDEwatercolor, matted and framed under acrylic; signed lower right; Provenance: Heritage Gallery Los Angeles, CA; ACA Galleries, New York, NY; Margo Feiden Galleries, New York, NY (labels verso); 17 x 12 inches sight; 23 1/4 x 18 inches frame Condition:
• TWO CONTEMPORARY AMERICAN THEOREMS.
  TWO CONTEMPORARY AMERICAN THEOREMS. Second half 20th century. A Bill Rank hen on nest in a red and black sponge paint decorated frame. 13.5"h. 15.5"w. and a T. J. Graham basket of fruit in decorated frame with heart corner blocks. 19.25"h. 23.25"w.
• EMIL WEDDIGE, CANADIAN AMERICAN
  EMIL WEDDIGE, CANADIAN AMERICAN (1907-2001), GIRL IN PINK THOUGHTS, COLOR LITHOGRAPH, 38"H X 30"W (FRAME), 25"H X 17 3/4"W (SIGHT)Emil Weddige, Canadian American, (1907-2001) Girl in Pink Thoughts, color lithograph pencil signed, titled, and numbered 6/25 lower margin Provenance: From a private collector in Zionsville / Indianapolis. color lithograph Dimensions: 38"H x 30"W (frame), 25"H x 17 3/4"W (sight)
• (3) VOLS., KLEE & KANDINSKY Paul
  (3) VOLS., KLEE & KANDINSKY Paul Klee: Notebooks Volume 1 The Thinking Eye. Lund Humphries/Wittenborn, 1969, hardcover in jacket; with, Kandinsky Complete Writings on Art, Volumes One and Two. G. K. Hall, 1982, hardcovers without jackets; largest: 9"h x 9"w
• MANN, AL. THE PURLOINED
  MANN, AL. THE PURLOINED THOUGHT.Mann, Al. The Purloined Thought. Great Capacon: AME, 1990. Number 98 of 200 limited edition copies. Black cloth stamped in gilt. Illustrated. 4to. Fine.
• DEBRA DIAMOND. INK MUSINGS, PEN AND
  DEBRA DIAMOND. INK MUSINGS, PEN AND INK Pen and ink on paper, sheet size: 23 3/4 x 18 in., framed.
• FRENCH MARBLE BUST: "PENSEE
  FRENCH MARBLE BUST: "PENSEE D'ART"marble, signed verso "Seguier", titled to plaque, mounted to a stone plinth bust: 18 inches high; 25 1/4 inches high overall Condition: