A few examples of appraisal values for
THROUGH THE ORCHARD

• Wallace Nutting Print ''The Way
  Wallace Nutting Print ''The Way through the ''Orchard'' signed image area 6 3/4'' x 4 1/2''.
• William Lawson, New Orchard,
  William Lawson, New Orchard, 1631: A New Orchard and Garden, or The Best Way for Planting, Grafting…, printed by Nicholas Okes for John Harison, at The Golden Vnicorne in Pater-Noster Row: 1631, title page with plate of men digging in orchard and titled "Skill and Paines bring fruitfu'l gaines", in four sections: "The Country Housewives Garden" (with title page), Simon Harward "A Most Profitable Newe Treatise, from approved experience of the art of propagating Plants", "The Husbandry of Bees", "The Husband-Man's Fruitfull Orchard", all edges gilt, numerous woodcut illustrations, diagrams of garden layouts, nicely rebound in speckled calf by Rivere with gilt lines, marbled end papers, spines with raised bands and morocco label, 134 pp., 7-3/8 x 5-3/4 in. Joints worn, small spine chips, most of interior with only light foxing, last five pages darker.
• GEORGE INNESS OIL ON PANEL
  GEORGE INNESS OIL ON PANEL (American 1825-1894) Titled ''The Orchard '' an olive-green meadow with apple trees and russet spots of weeds. In the middle ground is a small pond and in the far distance on the left stands a roof top among trees. The sky is a mixture of clouds with just a touch of highlights from the sun and pale blue sky with tall trees on the right. Image measures 20'' x 30''. Signed ''G. Inness'' lower right and dated 1885. Paper label from the William MacBeth Gallery 237 Fifth Avenue New York attached verso with title inscribed on label. The William MacBeth Gallery was located at this address from 1892-1906. Also a label from the Garfield Safe Deposit Co. New York is attached verso. The mahogany panel has a manufacturer's label attached verso that states ''French's Artist Board Patented June 29th 1880. This Board is `built-up' of three layers of Venners...'' and ''Manufactured only by E. F. French New York.'' George Inness was known to paint on these boards such as his painting titled ''Albano Italy'' located at Princeton University. Set in a gilt wood frame. ''The Orchard'' exhibits a Tonalist style with a Barbizon influence. Inness's signature style is emphasized in his deformation of space where the foreground sinks to the middle ground and the middle ground sinks to the background by varying and sometimes confusing uses of crisp delineation contrasted with mist enshrouded features. For example the objects in the foreground are just hints of grass and rocks while the center apple tree trunk is sharp and the wild flowers are sometimes sharp and sometimes just suggestions. And again in the background the roof line of the building in the distance is sharply delineated while the trees and fields around it are mass of tones and hazy shapes. The mission of his art was to see reality in a new light an attempt to attain the vision and insight of God. Inness believed that his paintings should speak of the harmony and unity between nature man and God. This was a constant struggle for him he felt that he was never able to finish a painting because the medium of oil never fully satisfied his quest for the unity of spiritual and physical sight. Inness claims to have destroyed more paintings than he sold because of this struggle. Provenance: passed down within the family. The painting is believed to have been purchased by the consignor's great grandfather John Henry Burgard. Burgard was a shipping magnate and insurance man who started his career in 1880 in Buffalo NY and moved to Portland Oregon in 1888 where he was an influential business man. Burgard was a member of the Portland City Council an organizer of the Metropolitan Street Railway Company an organizer of the Columbia Pacific Shipping Company Director of the Alaska Pacific Fisheries and on the directorate of various lumber and railway companies. The painting is in good condition.? There is some light inpainting mostly to the lower left and some frame wear as circled in red.? There is some?craquelure?where the paint has been heavily built-up and some inpainting to the craquelure.? The wood panel is in very good condition and shows no cracks or repairs.? The frame is in very good condition and is of recent make.
• TERI GILFILEN APPLE ORCHARD
  TERI GILFILEN APPLE ORCHARD LANDSCAPE PAINTING Florida,b.1954Impressionist depiction of an apple orchard with birds flying overhead illuminated by early morning light.
• WALLACE NUTTING, 'THROUGH THE
  WALLACE NUTTING, 'THROUGH THE ORCHARD' AND UNTITLED AND FRED THOMPSON, 'HOME OF THE TROUT', THREE HAND-COLORED PHOTOGRAPHSWallace Nutting, 'Through the Orchard' and Untitled and Fred Thompson, 'Home of the Trout', Three Hand-Colored Photographs
• PAUL CAPONIGRO (b. 1932): APPLE
  PAUL CAPONIGRO (b. 1932): APPLE ORCHARD TESUQUE N.M. Chromogenic print 20 x 24 in. (sight sheet) signed under mat stamped on verso.
• OIL ON MASO - 'In The Orchard' by
  OIL ON MASO - 'In The Orchard' by Kenneth Gore (IL 1911 - ?) signed lr heavy impasto American Impressionist rendering ca 1960 in the original grey painted molded frame with cream liner SS: 19 1/2'' x 23 1/2'' OS: 27 1/2'' x 31 1/2'' fine condition fl
• Collection of stone fruit including
  Collection of stone fruit including numerous clusters of grapes apples etc.
• Wallace Nutting hand colored
  Wallace Nutting hand colored photo titled The Orchard Brook 17 1/4" x 9 1/2". ?
• ANNE NICHOLS APPLE ORCHARD
  ANNE NICHOLS APPLE ORCHARD LANDSCAPE PAINTING United States,20th CenturyImpressionist overview of an apple orchard and the farmland spread out past the trees.
• Lot six misc. cotton fruit
  Lot six misc. cotton fruit ornaments including lemon pear apples.
• Lot misc. stone fruit in bowl.
  Lot misc. stone fruit in bowl.
• FERDINAND E. GRONE (BRITISH FL.
  FERDINAND E. GRONE (BRITISH FL. 1888-1919), IN THE ORCHARD, PASTEL ON PAPER, FRAMED, 29 X 23-3/4 INCHESFerdinand E. Grone (British fl. 1888-1919), In the Orchard, Pastel on Paper, Framed, 29 x 23-3/4 inches
• Harry Orlyk (American b. 1947)
  Harry Orlyk (American b. 1947) "Seth Pruning Apple Trees". Oil on canvas signed at the lower right apprx. 9" x 12" framed in a wide gilt frame overall apprx. 16-1/4" x 19-1/4". Prov: from the collection of Frederick Hale McDuff.
• FREDERICK DE VOLL APPLE BLOSSOM
  FREDERICK DE VOLL APPLE BLOSSOM LANDSCAPE PAINTING Rhode Island1873-1941Impressionist depiction of a figure draped in red walking beside a white picket fence while flower trees tower overhead. De Voll studied under William Merritt Chase, Charles W. Hawthorne, and Robert Henri, as well as at the Academie Julian in Paris under the instruction of Jean-Paul Laurens. His works can be found at Rhode Island School of Design Museum, the National Academy, the Corcoran Gallery, and the Art Institute of Chicago among others.
• Grapes and apples in a wicker
  Grapes and apples in a wicker basket with chrysanthemums strewn to the side oil on canvas. 18'' H x 26'' W.
• FIFTY SIX CARVED AND PAINTED
  FIFTY SIX CARVED AND PAINTED ALABASTER FRUIT Including pear fig orange plum peach apple grape lemon and banana
• Moorcroft Small Bowl Decorated in
  Moorcroft Small Bowl Decorated in the Orchard Design on Green Ground Diameter 12cm
• OOC - 'Apple Blossom Hill' by C.
  OOC - 'Apple Blossom Hill' by C. Myron Clark (MA 1858-1925) signed lr and dated 1907 signed and titled verso and inscribed 'Lake Cobbosseeconte E. Winthrop Maine' in the original gold gesso frame SS: 15 1/2'' x 21 1/2'' OS: 28 1/2'' x 34 1/2'' painti
• Lot (2) early New England apple
  Lot (2) early New England apple picking ladders. 9' Ht.
• Apple picking ladder. 12' Length.
  Apple picking ladder. 12' Length.
• William Moise (American
  William Moise (American 1922-1980) "Spring Orchard". Oil on canvas signed at the lower right corner apprx. 24-1/2" x 37" framed in a wood floater frame overall apprx. 27" x 39-1/4". Label verso from the "Art in Embassies Program". Prov: from the collection of Frederick Hale McDuff.
• ARTIST UNKNOWN, E. 20TH C.
  ARTIST UNKNOWN, E. 20TH C. VILLAGE WITH ORCHARD, OIL Oil on canvas, signed illegibly lr, 14 1/4 x 18 1/2 in., framed.
• A cider mill trough, 89cm x 141cm
  A cider mill trough, 89cm x 141cm
• Lot three misc. cotton ornaments
  Lot three misc. cotton ornaments including carrot and apples.
• Mixed media signed and dated
  Mixed media signed and dated ''Orchard II William McGee'' (1925-1999). Site 6 1/2'' x 4 1/2''.
• Ron Dembosky, American, 20th c,o/c,
  Ron Dembosky, American, 20th c,o/c, The Apple Pickers, 24" x 21" Estimate $400-600
• EUROPEAN SCHOOL: ORCHARD
  EUROPEAN SCHOOL: ORCHARD LANDSCAPE Oil on canvas 27 1/4 x 35 1/4 in. bearing date and signature M. Pechstein '19.
• Litho ''Orchard Road'' signed and
  Litho ''Orchard Road'' signed and numbered 62/285. Sight 19 1/4'' x 26 1/2''.
• Wallace Nutting Print ''Apple
  Wallace Nutting Print ''Apple Orchard'' image area 3 3/4'' x 3'' signed.
• Sculthorpe Peter [American 1948-]
  Sculthorpe Peter [American 1948-] watercolor painting of tree and white painted fence gate signed l.l. "P. Sculthorpe" and on studio label verso titled "Orchard Gate" and dated 1977. 8"x7"
• LARGE COLLECTION OF STONE FRUIT:
  LARGE COLLECTION OF STONE FRUIT: Approx. 36 pieces of carved and dyed fruit to include pears grapes tangerines figs oranges and peaches. Age unknown.
• Two Gardiner family theorems: one a
  Two Gardiner family theorems: one a landscape with castle and figures near a bridge and one a still life with fruit and Chinese export bowl on ledge, signed lower right on cards with cut foil "PxCxG", watercolor and ink on velvet, American School, 19th century, 22 x 25-1/2 in.; matching 20th century wood frames, attributed to Phebe C. Gardiner of Gardiner's Island, New York. Both with toning and staining, mounted to wood panels, fading of blue in sky, retains strong coloring; frames with abrasions. By tradition, purchased directly from a Gardiner family member by Valdeman Jacobson, 1978; Private Collection, Tennessee.
• A quantity of mineral eggs two
  A quantity of mineral eggs two turned wood apples and two turned wood pears
• ROLAND ROOD ( NY, 1863-1927) "The
  ROLAND ROOD ( NY, 1863-1927) "The Blossoming Apple Tree", 1910, oil on canvas, signed and dated lower right, in a replica fatigued gold carved frame, OS: 27 1/2" x 31 1/2", SS: 17 1/2" x 21 1/2", good condition.
• MARJORIE LEE O/B ABSTRACT LANDSCAPE
  MARJORIE LEE O/B ABSTRACT LANDSCAPE PAINTING, PEACH ORC...Marjorie Johnson Lee (Texas, 1911-1997) oil on board abstract landscape painting titled "Peach Orchard in Bloom" rendered in brightly hued impasto depicting a dense orchard bursting with pink foliage. Signed "M Lee" lower right corner. Titled, signed, and dated "painted in 1959" along with personal written inscription "1972 Jo Spuzzy: with all my love" in pen, en verso of backing. Housed in a giltwood frame with canvas liner. Sight: 9 3/8" H x 13 3/8" W. Framed: 14 3/4" H x 18 3/4" W. Artist biography: Marjorie Johnson Lee was one of the founders of the Fort Worth School of Artists (1932), which was established to expose Texans to abstract art. She attended Texas Christian University, Fort Worth School of Fine Arts, the Art Institute of Chicago, Colorado Springs Fine Arts Center, and the Arts Student League in New York. She volunteered alongside many other artists in the U.S. Navy WAVES during WWII including as a flight instructor and later lived in New York for many years. She returned to Texas in 1974 and continued painting until her death. (Source: The Old Jail Art Center Art Museum). Lee's paintings are in the collections of the Amon Carter Museum of American Art, the Grace Museum, and the Blanton Museum. Condition: Minor surface grime. Otherwise in overall very good condition.