- TIMOTHY APP (AMERICAN, B. 1947),
TIMOTHY APP (AMERICAN, B. 1947), "V", MIXED MEDIA ON PAPER, SIGNED AND DATED 1998, DEPICTS GEOMETRIC FORMS IN VARIOUS TONES OF GREY,...Timothy App (American, b. 1947), "V", mixed media on paper, signed and dated 1998, depicts geometric forms in various tones of grey, with hints of dusty pink and olive green, blind stamps around signature lower right, floating mount, not examined out of frame, wear consistent with age including pinholes in corners, etc., sheet size: 11" x 14"
- Timby Solar Clock C.1864 #423.
Timby Solar Clock C.1864 #423. Walnut case with original finish. Original clean dials. Original 6'' terrestrial globe. 8 day jeweled balance wheel movement. Running. Original label. A choce example.Ht. 27'' E
- YANKE, Tim, (American, b. 1962):
YANKE, Tim, (American, b. 1962): ''Timber I'', Embellished Giclee/Canvas, 50.5'' x 8.5'', signed lower right, numbered 267/450 lower left, finely carved frame, 57'' x 15''. Park West COA.
- PRINT, TIMOTHY BERRY Timothy Berry
PRINT, TIMOTHY BERRY Timothy Berry (American, b. 1948), Untitled, etching in colors, pencil signed lower right, edition: 8/25, state I, blind stamp lower right, plate: 14.75"h x 11.75"w, overall (with frame): 26"h x 22"w
- THREE MID-20TH CENTURY DICKENSIAN
THREE MID-20TH CENTURY DICKENSIAN CHARACTERAUTOMATONS: TINY TIM, AND HIS MOTHER (EMILY) AND FATHER (BOB CRATCHIT). TINY TIM IS 9 1/2" TALL, AND 21 1/2" TALL WITH STAND. BOB IS 22" TALL, AND EMILY IS 22" TALL. THE PARENTS HAVE BEEN DETACHED FROM THEIR PLATFORMS AND MOTORS. TINY TIM IS MOUNTED ON DAMAGED LINOLEUM AND WOODEN BASE. TINY TIM IS CURRENTLY NOT WORKING BUT LIKELY NEEDS AN ADJUSTMENT AND CLEANING. POSSIBLY MADE BY SILVESTRI ART MANUFACTURING CO.
- HARRY TIMMONS (20TH C.), OIL ON
HARRY TIMMONS (20TH C.), OIL ON BOARD, DARK FIGURE WITH UMBRELLA APPROACHES LARGE DOORWAY THAT IS COVERED IN VINING FLOWERS, A FIGUR...Harry Timmons (20th C.), oil on board, dark figure with umbrella approaches large doorway that is covered in vining flowers, a figure in red coat inside doorway, monogrammed lower left, not examined out of frame, wear consistent with age, including some minor areas of craquelure, etc., ss: 12 1/2" h. x 10 1/2" w.
- MARX TIN LITHOGRAPH WIND-UP TIDY
MARX TIN LITHOGRAPH WIND-UP TIDY TIMMarx tin lithograph wind-up Tidy Tim , 7 1/2" h.
Competitive in-house shipping is available for this lot.
Condition:
Currently working, good condition.
- DISNEY CLASSICS ORNAMENT, TIMOTHY
DISNEY CLASSICS ORNAMENT, TIMOTHY MOUSE, DUMBOTimothy Mouse tips his hat while holding shelled peanuts.
Ceramic figure of Timothy Mouse from the film 'Dumbo'. Gilt decoration on hat and jacket. Metal tail. #disney
- TIM (ALDEN TIMOTHY) COX, NEW MEXICO
TIM (ALDEN TIMOTHY) COX, NEW MEXICO / ARIZONA (BORN 1957), UNTITLED COWBOY WITH HORSES, 894/950, LITHOGRAPH, 16"H X 24"W (IMAGE), 26"H X 34"W (FRAME)Tim (Alden Timothy) Cox, New Mexico / Arizona, (Born 1957) untitled cowboy with horses, 894/950, lithograph signed lower left, numbered lower left lithograph Dimensions: 16"H x 24"W (image), 26"H x 34"W (frame)
- MARX TIN LITHOGRAPH WIND-UP TIDY
MARX TIN LITHOGRAPH WIND-UP TIDY TIM, 8" H.Marx tin lithograph wind-up Tidy Tim , 8" h.
Competitive in-house shipping is available for this lot.
Condition:
Currently working, sporadic wear.
- TIMOTHY GAYDOS (AMERICAN, 1941-),
TIMOTHY GAYDOS (AMERICAN, 1941-), TWO PASTELS OF DINER SCENES, SIGNED LOWER RIGHT, FRAMED BEHIND GLASS, WEAR CONSISTENT WITH AGE, SS: 8 3/4"H. X 12" W., 9" H X 13 1/2" W.Timothy Gaydos (American, 1941-), two pastels of diner scenes, signed lower right, framed behind glass, wear consistent with age, ss: 8 3/4"h. x 12" w., 9" h x 13 1/2" w.
- Peter Timbs, Australia, Grose wold
Peter Timbs, Australia, Grose wold North Richmond NSW, oil on board, signed lower right, approx 34cm x 44cm
- TIMOTHY WOODMAN (AMERICAN, 1952
TIMOTHY WOODMAN (AMERICAN, 1952 - 2018), FOOT RACE, 198...Timothy Woodman (American, 1952 - 2018), foot race, 1983, oil on aluminum in three parts, overall 26" x 95" x 4".
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
- TIMOTHY LIDDY (AMERICAN (ST. LOUIS),
TIMOTHY LIDDY (AMERICAN (ST. LOUIS), B. 1963)Timothy Liddy
American (St. Louis), b. 1963
Untitled, 1996
Oil, gilding on tin, signed and dated to verso
A classical rendering of grapes against the halo of a gilt platter, the outlines of pendulous weights and a chalice suggesting winemaking, with set utensils and a corkscrew in silver underneath and a single bee at the rim of the platter. The thin, wooden frame bearing a label for William Shearburn Gallery, St. Louis.
20 1/2 x 24 3/4 in. (52.1 x 62.9 cm.)
Condition:
Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
- TIM HARDING (AMERICAN, B. 1950)
TIM HARDING (AMERICAN, B. 1950) "DIPTICH"Tim Harding (American, b. 1950) "Diptich (Two Figures)", Silk Textiles, signed. Each size: 40'' x 30'' x '' (102 x 76 x cm). Provenance: Private Pennsylvania Collection, acquired from Snyderman Gallery, Philadelphia (1989).
- MATT TIMO TRIPTYCH MIXED MEDIA
MATT TIMO TRIPTYCH MIXED MEDIA COLLAGEMATT TIMO (Washington, 20/21st century) TRIPTYCH MIXED MEDIA COLLAGE, abstract figures, signed lower right and dated 1990. Each panel measures 28" x 22". In a wood frame; 34.75" x 74.75" overall. Provenance: purchased from the Seattle Art Museum.
- TIMOTHY WOODMAN (AMERICAN, 1952
TIMOTHY WOODMAN (AMERICAN, 1952 - 2018), BUCKET BRIDGE ...Timothy Woodman (American, 1952 - 2018), Bucket Bridge 1986, oil on aluminum, overall 56" x 95" x 20 1/2", signed, dated and titled on back.
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
- TIM CHERRY (B. 1965): ROTUNDATim
TIM CHERRY (B. 1965): ROTUNDATim Cherry, b. 1965 Rotunda, patinated bronze 2003; signed and numbered 9/15 patinated bronze Dimensions: 10 x 10 3/4 x 32 in. (25.4 x 27.3 x 81.3 cm.) Condition: In overall good condition without damage.
- TIM BENJAMIN (AMERICAN, B. 1958),
TIM BENJAMIN (AMERICAN, B. 1958), SEATED NUDE IN A SUMMER GARDEN Oil on canvas, signed at lower left, presented in a Louis XIV style frame.
- TIM BEARD, 20TH CENTURY, ARENA
TIM BEARD, 20TH CENTURY, ARENA FOR INTROVERTS, OIL ON CANVAS, DATED 1990, FRAMED: 19-3/4 X 22 INCHESTim Beard, 20th Century, Arena for Introverts, Oil on Canvas, dated 1990, Framed: 19-3/4 x 22 inches
- Jam
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- TIM "MR. HOOPER" HOOPER (AMERICAN/TN,
TIM "MR. HOOPER" HOOPER (AMERICAN/TN, B. 1969)Tim "Mr. Hooper" Hooper (American/Tennessee, b. 1969) , "Micky Menace", 2002, acrylic on panel, signed and dated lower right and en verso, 29 15/16 in. x 23 15/16 in., unframed Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Overall fair condition
- TIMOTHY C. TYLER OIL ON BOARDTIMOTHY
TIMOTHY C. TYLER OIL ON BOARDTIMOTHY C. TYLER (Arkansas/Oregon, born 1958) oil on board, still-life with fruit. Signed lower right. Image measures 8" x 10". In a gilt wood frame; 14.5" x 16.5" overall.
- TIM DRAPER. "POKOT GIRL IN TRADITIONAL
TIM DRAPER. "POKOT GIRL IN TRADITIONAL CLOTHING," PHOTOGRAPH Photograph, reprinted by Great Big Canvas.com, sight size: 35 3/4 x 23 3/4 in., framed.
- TIMOTHY BURKE, MICHIGAN (B. 1959),
TIMOTHY BURKE, MICHIGAN (B. 1959), SCULPTOR, 1996, OIL ON CANVAS, 10 1/4"H X 11 3/4"W (SIGHT), 11 3/4"H X 13 1/2"W (FRAME)Timothy Burke, Michigan, (b. 1959) Sculptor, 1996, oil on canvas Titled, signed, and dated verso. Biography from the Archives of askART: "Tim Burke confronts his inner demons with his found object art: Soul-searching in the dumpster," Exhibition review, The Detroit Industrial Gallery, by Lee DeVito, Detroit Metro Times, December 10, 2014 On Sept. 18, artist Tim Burke suffered a fire at his studio — apparently part of the wave of arsons that swept through Detroit's Heidelberg Street in the past year. Dubbed the Detroit Industrial Gallery, this is where Burke has worked for the past 14 years, and where he stores treasures accumulated from 25 years of picking through the city. "I had thousands of dollars' worth of stuff in the house," Burke says, among them blueprints from city buildings, a crucifix from St. Matthew's Church, terra cotta pieces from the demolished Hudson building, and pieces recovered from Gratiot Central Market, Cass Tech High School, and Riviera Theatre — "tons of stuff," he explains. "The idea is to repurpose it all," he says of his habit. "Whether or not I get to that ... well, I have two lifetimes of stuff!" For Burke, it's not just about uncovering treasures from the past. Burke says he faces his inner demons from the items he finds in the trash, which often have what he says are uncanny connections to his life. One such example came after Burke attended an Alcoholics Anonymous meeting (Burke says he's been sober for 29 years). "I had the blues," he says. "I had the wrong reasons for going to the meeting — there was this beautiful blond lady at the meeting. She ends up telling me she doesn't like me like that. So I leave the meeting, I'm all depressed, and I say a prayer — 'God, help me get on the right track.'" Burke stopped by a dumpster outside Royal Oak Flea Market and found a variety of curios, such as a velvet painting of a bull and a cow with the initials "D.B." (Burke is a Taurus; the person who got him involved with the flea market shared the initials D.B.). He also found some 78 records from the '40s with the name "J. Burke" (his uncle was Joe Burke, a "Cass Corridor alcoholic" who tended bar at the Old Miami). Burke then called up his estranged uncle and asked him to get sandwiches in Eastern Market. Two months later, Uncle Joe died. "It's about review, and where I am," Burke says. "It's about trying to learn to stop judging, and be here, be in the moment. It takes a lot to get present. To get present, I have to deal with all the resentment, all the hurts, and hurts I've done to others in the path and clean that shit up and try the best that I can to be in the now, right now." Creating art, Burke says, is a way of confronting these unresolved issues. Burke says he took to art as a kid, but "the drinks and drugs interrupted that," describing his youth as being "a street hoodlum." After a brief stint in the Army at the end of the '70s, he got back into making art. His father was an artist, a Wayne State-educated painter and sculptor, and Burke's therapist, Ted Church, was big on using art as therapy. Burke took things to the next level with a welding class in 1990. "I had all these ideas, all these images in my head that I wanted to weld up," he says. "I told the teacher I didn't want to be a welder per se — too much technical shit. He said, 'just pass the safety test, and then you have free rein of the lab.'" The first thing Burke made was a metal creature, which can now be viewed in the garden near Lafayette Coney Island. Burke says he didn't think much of what it could mean until he showed it to Church. "He said to me, 'Tim, I want you to stand in front of this thing and tell me what it's thinking and feeling.' I'm like, 'Jesus fucking Christ, just look at the art, man!'" Burke says. "I get in front of that iron creature and I write, 'Don't blink and don't breathe or I'll kill you.' Then I thought, 'That thing's not thinking that — it's you,'" Burke says. That's when he had a memory of a recurring nightmare he had at 10 for about three years, in which an iron man comes down the back steps of the house to kill his family. "I made up rules in the dream so that he wouldn't kill me," Burke says. "'Don't breathe and don't blink, he can't kill you.'" Upon the revelation, Burke says he kicked his sculpture over — then hugged it, sobbing for 10 minutes. That's when Burke realized the iron man was his alcoholic stepfather, a violent drunk who broke his mother's nose and once fired a shotgun through the front door. Burke says he watched The Wizard of Oz the night of the shotgun incident, which was the origin of the iron man creature from his dream. "The Tin Man — it's an archetypal image for macho men," he explains. "If the Tin Man cried, Dorothy would oil him up. Dorothy is in every man — it's the kind, nurturing female aspect that the macho man has denied." Burke shows us another image he's made, forged from metal — a giant bouquet of flowers made out of steel. "It's male and female, in that respect," he says. Lately, Burke has made furniture using parts from F-18 fighter jets and Patriot missiles (he has a friend who is in the business of building them), on display at the River's Edge Gallery in Wyandotte. He's also selling jewelry at the Detroit Institute of Arts' gift shop, made from copper from buildings like the burned-down Fisher mansion in Palmer Woods. Again, Burke says he has strange connections to many of these places. "These buildings that I've gotten into — I've been in meetings in these buildings," he says. "My mother and father worked in the Hudson's building." He pauses to reflect, adding, "It's pieces of a broken-down city that I've put back together in a different context to build a broken-up person." — mt oil on canvas Dimensions: 10 1/4"H x 11 3/4"W (sight), 11 3/4"H x 13 1/2"W (frame)
- Sam Gilliam (American b. 1933)
Sam Gilliam (American b. 1933) Coffee Tyme II intaglio on color lithograph edition 15/65 signed illegibly (lower center) 31 x 40 1/2 inches.
- TIM MEULLER, OIL ON CANVAS, ABSTRACT,
TIM MEULLER, OIL ON CANVAS, ABSTRACT, SIGNED ON BACK, 6...Tim Meuller, oil on canvas, abstract, signed on back, 65" x 48".
- TIM FOLZENLOGEN, OIL ON MASONITE,
TIM FOLZENLOGEN, OIL ON MASONITE, 1990 Tim Folzenlogen (American, b. 1952), "Happy Couple", signed and dated "Tim Folzenlogen, 1990" at lower right, signed, titled, and dated verso, 8"h x 11.75"w (sight), 12.5"h x 16.5"w (frame)
- Timothy Philbrick. Mantle clock.
Timothy Philbrick. Mantle clock. c. 1995, mahogany, brass, glass, ink on paper, enameled steel. 19 h × 12 w × 4 d in. estimate: $1,000–1,500.
- TIMOTHY SHEETS (20TH CENTURY):
TIMOTHY SHEETS (20TH CENTURY): FEMALE NUDE1988; pastel on paper; unsigned; 41 x 29 1/2 inches sight; 49 x 38 inches frame Condition:
- TIM MATHER (AMERICAN, 20TH CENTURY)
TIM MATHER (AMERICAN, 20TH CENTURY) VESSEL Tim Mather (American, 20th Century) Vessel
- TIMOTHY WOODMAN, SCULPTURE Timothy
TIMOTHY WOODMAN, SCULPTURE Timothy Woodman (American, b. 1952), "Woman Holding Her Hat", 1982, painted aluminum, signed, titled, and dated verso, 22.5"h x 7"w
- A Timmy Woods Carved Wood Horse
A Timmy Woods Carved Wood Horse Head Purse. Stamped: Timmy Woods/As Seen on Sex In The City.
- TIM COTTERILL (BRITISH 1950) CAST
TIM COTTERILL (BRITISH 1950) CAST METAL FROG, FEATTIM COTTERILL (BRITISH 1950) CAST METAL FROG, featuring a frog doing a hand stand on a rock. Signed Tim 67/100 Enjoy plus "Frogman" cast in the leg of the frog. Dimensions: 11.25"W x 4.25"H.
- TIM SHINABARGER (1966-), MOTHER'S
TIM SHINABARGER (1966-), MOTHER'S WATCH Title: Tim Shinabarger (1966-), Mother's Watch Medium: bronze, 8/35 Dimensions: 22 5/8 x 21 1/8 x 16 1/2 Frame dimensions: 24 1/2 x 21 1/8 x 16 1/2
- Timothy Philbrick. Mantel clock.
Timothy Philbrick. Mantel clock. c. 1995, mahogany, brass, glass, ink on paper, enameled steel. 19 h × 12 w × 4 d in. result: $563. estimate: $600–800.