A few examples of appraisal values for
TIMPO

• MANNER OF F. VICHI "IL TEMPO E
  MANNER OF F. VICHI "IL TEMPO E MONETA" ALABASTER Manner of Ferdinando Vichi (Italian 1875-1945), "Il Tempo e Moneta" ('Time is Money'), carved alabaster sculpture depicting a seated girl reading and needle tatting, signed to back of base and marked Studio E Lavoro to front of base. Approx. h. 27.5", w. 12.5", d. 12".
• PAINTING, TARMO PASTO Tarmo Pasto
  PAINTING, TARMO PASTO Tarmo Pasto (American, 1906-1986), "Imago I (3053)," 1967, oil on canvas, signed and dated lower right, canvas: 31.5" h x 59.75"w, overall (with frame): 38.75"h x 66.5"w
• PINO MANOS, (ITALIAN, B. 1930),
  PINO MANOS, (ITALIAN, B. 1930), INTENSITA DEL NOSTRO TEMPO, 1962, MIXED MEDIA ON CANVAS, 32 X 39 3/4 IN., FRAME: 33 X 40 1/4 IN.PINO MANOS, (Italian, b. 1930) Intensita del Nostro Tempo, 1962, mixed media on canvas signed and dated Manos '62, l.r.; inscribed verso Intensita del Nostro Tempo / Manos / 1962 32 x 39 3/4 in., frame: 33 x 40 1/4 in. Provenance: By descent through a son of John D. Rockefeller, Jr. Other Notes: - Galleria Tornabuoni, Florence, label verso Condition: Condition: Canvas warped, rough, and with uneven weave in some areas. No major losses or abrasions to three dimensional areas.
• Antonio Tempesta (Italian
  Antonio Tempesta (Italian 1555-1630) Iosue Absoluto Bello Crura Hostium Equis Amputat Currus Comburit etching 8 x 11 1/4 inches.
• CORVINO Paolo. Fresco on Canvas
  CORVINO Paolo. Fresco on Canvas ''Tempo No. 5''Paolo Corvino American b. 1930. Corvino an internationally renowned artist with a local Larchmont NY gallery has not only exhibited in prominent museums and galleries all over the world but has pieces in many permanent collections including the National Museum and the White House Washington DC; the Hermitage Museum St. Petersburg; the Vatican Museum Vatican City; City Hall Museum New York. Dimensions: 30'' high x 40'' wide.
• ERNESTO NETO, PHOTOGRAPH, 2006
  ERNESTO NETO, PHOTOGRAPH, 2006 Ernesto Neto (Brazilian, b. 1964), "Um Si Ho No Tiempo", from Photography Portfolio II, C-print on Fuji Crystal Archive paper, this print not signed or numbered, published by Carolina Nitsch for the Merce Cunningham Dance Company, New York, loose and unframed, 26.75"h x 26"w (image), 39.75"h x 30"w (sheet)
• TOYS: THIRTY-SEVEN TIMPO GIS IN
  TOYS: THIRTY-SEVEN TIMPO GIS IN VARIOUS POSES, MADE IN ENGLAND, 1950S, INCLUDING: FOUR THREE-PIECE MORTAR TEAMS, AND ONE MINE-SWEEPE...TOYS: Thirty-seven Timpo GIs in various poses, made in England, 1950s, including: four three-piece mortar teams, and one mine-sweeper, all with wear consistent with age and use including paint loss and minor damages.
• TARMO PASTO (1906-1986),
  TARMO PASTO (1906-1986), "GOLCONDA II," OIL ON CANVAS, 38" H X 60" WTarmo Pasto, (1906-1986) "Golconda II", Oil on canvas Signed near the center of the lower edge: Tarmo Pasto; titled in pencil on the stretcher bar, verso Oil on canvas Dimensions: 38" H x 60" W Provenance: Notes: This lot is being offered in a frame hand-painted by the artist. The number 281 is written twice on the stretcher bar in ink, verso. Tarmo Pasto, a noted psychologist and art professor, was also a prolific painter who frequently exhibited his paintings during his lifetime. Though he is perhaps best known for bringing attention to the work of one of his patients, the so-called Outsider artist Martin Ramirez, Pasto was a key figure in a circle of artists working in and around the Sacramento area during the post-war period. This loose coalition of artists, which includes figures such as Mel Ramos, Wayne Thiebaud, and Jack Ogden, is known for exhibiting their work at institutions such as the Crocker Art Museum, which holds examples of Pasto's work in its permanent collection. In 1986, four years after a retrospective was held at the Crocker Art Museum, Tarmo Pasto died and left behind a large body of work that has largely remained unseen by subsequent generations of viewers. John Moran Auctioneers is pleased to offer this work for sale for the very first time.
• A Toucan Clock Guiness Time boxed
  A Toucan Clock Guiness Time boxed
• TARMO PASTO, (1906-1986), "STORM
  TARMO PASTO, (1906-1986), "STORM APPROACHING," 1968, OIL ON CANVAS, 46" H X 50" WTarmo Pasto, (1906-1986) "Storm Approaching," 1968, Oil on canvas Signed and dated lower edge, right of center: Tarmo Pasto; titled on the stretcher, verso Oil on canvas Dimensions: 46" H x 50" W Provenance: Private Collection, California
• Arnaldo Pomodoro Italian, b. 1926
  Arnaldo Pomodoro Italian, b. 1926 Untitled Estimate:$1,500-$2,500
• A REXTITE "CONTRATTEMPO" PLASTIC
  A REXTITE "CONTRATTEMPO" PLASTIC AND ALUMINUM WALL CLOCKA Rextite "Contrattempo" plastic and aluminum wall clock, Late 20th century Embossed label on the verso: Rextite / Made in Italy; further marked: 987 / Contrattempo / design Raul Barbieri e Giorgio Marianelli Designed by two members of Sottsass' Memphis design collective, the silver clock face features a suspended black pendulum that perpetually moves left to right while appearing to "float" in space Dimensions: 1.5" H x 17.75" Dia. Provenance: The Estate of Oscar and Barbara Leidenfrost
• CHARLES F LUMMIS, THE LAND OF
  CHARLES F LUMMIS, THE LAND OF POCO TIEMPO, ONE VOLUME, PUBLISHED CHARLES SCRIBNER'S SONS, 1925Charles F Lummis, The Land of Poco Tiempo, One Volume, Published Charles Scribner's Sons, 1925
• HONORIO HERRERA (SPANISH. 20TH
  HONORIO HERRERA (SPANISH. 20TH CENTURY) PAINTINGTambourine Dancer. Signed and dated 1932 lower right. Oil on Panel. 8.50 x 7.50. Antique Frame. Overall measures 11.50 x 11 inches. Scattered crazing with old varnish.
• ARYEETEY SOWAH. "TIME IS MONEY,"
  ARYEETEY SOWAH. "TIME IS MONEY," TEMPERA (20th century). Tempera, signed and dated 2011 lr, sight size: 27 x 15 3/4 in., framed.
• CALVINO, ITALO Prima che tu dica
  CALVINO, ITALO Prima che tu dica "Pronto". Estimate:$600-$900
• PAINTING, TARMO PASTO Tarmo Pasto
  PAINTING, TARMO PASTO Tarmo Pasto (American, 1906 -1986), "The Unfolding," 1965, oil on canvas, signed and dated lower right, titled verso, artist label affixed verso, canvas: 27.5"h x 58.5"w, overall (with frame): 35"h x 65"w. Provenance: Property of the artist's son. Note: Tarmo has had exhibitions at Crocker Art Museum, WORKS in San Jose, CA, and Palo Alto Art League.
• JONATHAN HERNANDEZ (B. 1972): EL
  JONATHAN HERNANDEZ (B. 1972): EL TIEMPO DEL 3 DE JUN DE 8 DE JULIO 2007Digital print on wove paper, signed with initials and numbered IX/XXXV. 17 1/2 x 22 3/4 in. (sheet), unframed. Condition The full sheet. In excellent condition. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• A Pochoir Featured in La Gazette du
  A Pochoir Featured in La Gazette du Bon Ton, "L'Heure du The," illustrated by Benito, early 20th century.
• "TEMPUS FUGIT" HAND DECORATED
  "TEMPUS FUGIT" HAND DECORATED GRANDMOTHER'S CLOCK"Tempus Fugit" Hand Decorated Grandmother's Clock, circa 1940 , Colonial Manufacturing Co., Zeeland, Michigan Height 71 in. Width 8.5 in. Depth 6.625 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• English School 19th Century Anglers
  English School 19th Century Anglers by a Lake with a Tempietto in the Middle Distance Estimate:$1,000-$1,500
• TARMO PASTO, (1906-1986), HORSE
  TARMO PASTO, (1906-1986), HORSE IN ROLLING HILLS, OIL ON CANVAS, 22" H X 47.5" WTarmo Pasto, (1906-1986) Horse in rolling hills, Oil on canvas Signed lower center: Tarmo Pasto Oil on canvas Dimensions: 22" H x 48" W
• PAINTING, TARMO PASTO Tarmo Pasto
  PAINTING, TARMO PASTO Tarmo Pasto (American, 1906-1986), "Amaryllus II (3173)," 1972, oil on canvas, signed and dated lower right, cavnas: 36"h x 22"w, overall (with frame): 42"h x 28"w
• TARMO PASTO, (1906-1986), "HORSE AT
  TARMO PASTO, (1906-1986), "HORSE AT THE INLET," 1973, OIL ON CANVAS, 34.25" H X 68" WTarmo Pasto, (1906-1986) "Horse at the Inlet," 1973 Oil on canvas Signed and dated along the lower edge at right: Tarmo Pasto; titled on the stretcher, verso; titled again on the verso of the frame, possibly in another hand 34.25" H x 68" W Notes: This work is sold in a frame made by the artist. Oil on canvas Dimensions: 34.25" H x 68" W
• TIMOTHY APP (AMERICAN, B. 1947),
  TIMOTHY APP (AMERICAN, B. 1947), "V", MIXED MEDIA ON PAPER, SIGNED AND DATED 1998, DEPICTS GEOMETRIC FORMS IN VARIOUS TONES OF GREY,...Timothy App (American, b. 1947), "V", mixed media on paper, signed and dated 1998, depicts geometric forms in various tones of grey, with hints of dusty pink and olive green, blind stamps around signature lower right, floating mount, not examined out of frame, wear consistent with age including pinholes in corners, etc., sheet size: 11" x 14"
• ALFREDO VOLPI "FACHADA" 1970
  ALFREDO VOLPI "FACHADA" 1970 TEMPERA ON PAPERAlfredo Volpi (Italy/Brazil, 1896 - 1988) tempera on paper depicting four different building facades in bright colors. Signed lower right "A Volpi", & verso lower right "A.Volpi '70", unframed, & measuring 21-1/2" in height with width of 17-1/2". Comes complete with certificate of authenticity (see photographs). In overall good condition with toning to back of paper due probably to previous acidic backing & pinholes to corners from previous mount. Provenance: from a prominent Texas collector. Alfredo Volpi was born in Lucca, Italy on April 14, 1896 but less than two years later migrated to Brazil where he became a Brazilian citizen & lived for the majority of his life. He was one of the most important artists of the so-called Grupo Santa Helena, formed in the 1930s with Francisco Rebolo, Clovis Graciano, Mario Zanini, Rossir Osir e Bonadei, Fulvio Pennachi, & others. He was a prominent painter of the artistic & cultural Brazilian Modernist Movement, even though he was self-taught. Volpi started painting façades of houses in a highly stylized and colorful manner (these paintings were later named the "historical façades" by art critics) and this recurrent theme became pervasive all through the 1950s, after a brief "concretist" period (even though the artist himself never acknowledged being part of the concretist movement as such). The 1960s witnessed the development of his trademark "bandeirinhas" (small flags) for which Volpi became famous and which originated from Brazilian folklore (small flags are a regular fixture of the popular festa junina, held every year during the month of June): the artist would use the small-flag pattern to show an increasing sense of color combination and balanced composition which would eventually place him among the major Brazilian artists of his time. The painter gained national renown with his participation at the second São Paulo Art Biennial, winning the Grand Prix for Brazilian painting, an award he shared with Di Cavalcanti. Di Cavalcanti publicly dismissed Volpi's art as being that of a "flag painter". Soon he became known as one of the most important 20th century painters in Brazil. More recent exhibitions (MAM São Paulo 2006, Curitiba 2007) have shown how Volpi, far from being the isolated self-made artist he was once thought to be, actually absorbed various influences during his career, especially that of Josef Albers. His use of the ancient tempera technique also shows a knowledge of the Italian Renaissance painters. He died April 28, 1988 at age 92 in Brazil.
• TARMO PASTO, (1906-1986), "SEVEN
  TARMO PASTO, (1906-1986), "SEVEN SUNFLOWERS," 1973, OIL ON CANVAS, 36" H X 30" WTarmo Pasto, (1906-1986) "Seven Sunflowers," 1973, Oil on canvas Signed and dated lower right: Tarmo Pasto; titled on a piece of brown paper affixed to the frame, verso Oil on canvas Dimensions: 36" H x 30" W
• DIMINUTIVE GRANDFATHER'S CLOCK.
  DIMINUTIVE GRANDFATHER'S CLOCK. European 20th century. Brass works and dial with the inscription ''Tempus Fugit'' in a mahogany case. Includes pendulum and key. 64.75''h.
• TYME, THOMAS, TRANSLATOR THE
  TYME, THOMAS, TRANSLATOR THE THREE PARTS OF COMMENTARIES Containing the Whole and Perfect Discourse of the Civill Warres of Fraunce. London: Frances Coldocke, 1574. Small 4to, three volumes bound together, lacking b4 and Al-4 (supplied as blank leaves, using early 18th century Dutch paper), late 16th century calf
• SERIMACEN, WOMAN COOKING. TEMPERA
  SERIMACEN, WOMAN COOKING. TEMPERA (20th century). Tempera, signed ll, sight size 23 1/4 x 15 3/4 in., framed.
• Torcuato Tasso y Nadal (Spanish,
  Torcuato Tasso y Nadal (Spanish, act. early 20th century) Orange brown patina, modeled as a boy crying and holding a birdcage, a dead bird at his feet, raised on a circular base signed 'T Tasso'. H: 23 1/2 in.
• Tim Trapolin (American/New
  Tim Trapolin (American/New Orleans 20th c.) "Portrait of a Woman" 1964 oil on canvas signed and dated upper left 40 in. x 20 in. unframed.
• FRANCISCO GOYA ETCHINGFrancisco
  FRANCISCO GOYA ETCHINGFrancisco Goya (Spanish 1746-1828) , etching, titled Temeridad De Martincho en la Plaza de Zaragosa , on fortune figure paper, plate - 9 5/8" x 14". Condition: Good condition. Not laid down.
• A SOUTH AMERICAN MODERNIST-STYLE
  A SOUTH AMERICAN MODERNIST-STYLE TAPESTRYA South American modernist-style tapestry, 20th Century Marked to label on verso: Capdevila / "Ritmo Solar" Tapestry The woven wool wall tapestry centering a polychrome roundel of an abstract sun and landscape 77" H x 73.5" W Provenance: Property from an important La Cañada Flintridge estate Dimensions: 77" H x 73.5" W Provenance: Property from an important La Cañada Flintridge estate
• KARMEL TIMMONS (1966- ),
  KARMEL TIMMONS (1966- ), COMPADRES Title: Karmel Timmons (1966- ), Compadres Medium: pencil on paper Dimensions: 8 7/8 x 11 5/8 Framed dimensions: 19 1/8 x 21 7/8 x 1 3/8
• Tito Salomoni (Italian 1928) Hour
  Tito Salomoni (Italian 1928) Hour Glass oil on canvas signed Tito Salomoni (lower right) 40 x 29 1/2 inches.