A few examples of appraisal values for
TO LOVE MUCH MORE

• PETER TUNNEY (B. 1961): LOVE
  PETER TUNNEY (B. 1961): LOVE MOREPeter Tunney, B. 1961 Love More, acrylic paint and mixed media collage on canvas 2017; signed, dated and inscribed verso acrylic paint and mixed media collage on canvas Dimensions: 36 x 48 in. (91.4 x 121.9 cm.), Frame: 38 x 50 in. (96.5 x 127 cm.) Condition:
• PATINATED BRONZE FIGUREsigned
  PATINATED BRONZE FIGUREsigned illegibly and inscribed "To love is to admire with the heart, to admire is to love with the mind"; mounted to stone plinth; Provenance: The Estate of David Karpeles, the Karpeles Manuscript Museum, Montecito, CA; 19 1/4 inches high; 21 inches high overall Condition:
• SPANISH COLONIAL SCHOOL
  SPANISH COLONIAL SCHOOL DEVOTIONAL PAINTING(late 17th/early 18th century) The Loving, Suffering Christ, with text contrasting the love of God with the work of hatred, unsigned, oil on canvas with wood panel, 18-1/2 x 11-3/4 in.; 19th century gilt wood and composition diaper pattern frame, 23 x 16-1/4 in. Provenance: Estate of Ronald M. Lambe, Asheville, North Carolina Note: Inscription: A Jesus el amor y odio lo arrojan en el Cedron el odio pudo acabarse mas nunca pudo el amor/El odio fue obra del hombre el amor fue obra de Dios....diera aconocer su autor/No los Rios de Yngratitudes ni los mares sel Dolor Sutocaran [?] el y ncendio de ese amante Corazon/que ymporia, que Caudaloso sea el y mpetu del Cedron sus Aguas no son' Capaces de apagar aquel Ardor/Portanto Alma Religiosa llega alivia a tu senor que es mui justa ...pagues amor, con amor. Rough translation: To Jesus, love and hatred are thrown into the Cedron, hatred could end but love never could/Hatred was the work of man, love was the work of God ... let the author know/Not the rivers of ingratitude nor the seas of pain will Succeed the and fire of that loving heart./that and why, that mighty be the and impetus of the Cedron its waters are not capable of quenching that Burning/Therefore, Religious Soul comes, relieves your Lord who is very fair ... pay love, with love Condition: original strainer with some pest damage and lacking central horizontal support, wood panel with pest damage recto, craquelure, crackle, flaking, surface dirt; frame with losses to composition
• ALLEGORY OF LOVE, BRONZE SIGNED
  ALLEGORY OF LOVE, BRONZE SIGNED BY JOSEPH DASTE 20th century; Cupid armed with bow, 30 in. H.
• After Auguste Moreau French,
  After Auguste Moreau French, 1861-1906 "Allegory of Love" bronze figural group of Venus with putti, signed in cast "A. Moreau" 28 1/2 in. H.
• SPANISH COLONIAL SCHOOL
  SPANISH COLONIAL SCHOOL DEVOTIONAL PAINTING(late 17th/early 18th century) The Loving, Suffering Christ, with text contrasting the love of God with the work of hatred, unsigned, oil on canvas with wood panel, 18-1/2 x 11-3/4 in.; 19th century gilt wood and composition diaper pattern frame, 23 x 16-1/4 in. Provenance: Estate of Ronald M. Lambe, Asheville, North Carolina Note: Inscription: A Jesus el amor y odio lo arrojan en el Cedron el odio pudo acabarse mas nunca pudo el amor/El odio fue obra del hombre el amor fue obra de Dios....diera aconocer su autor/No los Rios de Yngratitudes ni los mares sel Dolor Sutocaran [?] el y ncendio de ese amante Corazon/que ymporia, que Caudaloso sea el y mpetu del Cedron sus Aguas no son' Capaces de apagar aquel Ardor/Portanto Alma Religiosa llega alivia a tu senor que es mui justa ...pagues amor, con amor.Rough translation: To Jesus, love and hatred are thrown into the Cedron, hatred could end but love never could/Hatred was the work of man, love was the work of God ... let the author know/Not the rivers of ingratitude nor the seas of pain will Succeed the and fire of that loving heart./that and why, that mighty be the and impetus of the Cedron its waters are not capable of quenching that Burning/Therefore, Religious Soul comes, relieves your Lord who is very fair ... pay love, with love Condition: original strainer with some pest damage and lacking central horizontal support, wood panel with pest damage recto, craquelure, crackle, flaking, surface dirt; frame with losses to composition
• GUSTAV KLIMT STONE LITHOGRAPHGUSTAV
  GUSTAV KLIMT STONE LITHOGRAPHGUSTAV KLIMT (Austria/Germany, 1862-1918) stone lithograph, "Love" (Liebe), two figures in embrace with roses and figures looking on, from Klimt's second portfolio of works for Gerlach's Allegories and Emblems, circa 1895. Signed on the stone. Image measures 12" x 8-7/8", the paper measures 17-1/8" x 13-1/2". In a gilt wood frame; 20.25" x 16.25" overall.
• CORITA KENT (1918-1986), "I LOVE
  CORITA KENT (1918-1986), "I LOVE YOU VERY," 1971, SCREENPRINT IN COLORS ON PAPER, IMAGE/SHEET: 22.875" H X 22.625" WCorita Kent, (1918-1986) "I love you very," 1971, Screenprint in colors on paper Signed in pencil near the lower edge, at center: Corita Screenprint in colors on paper Dimensions: Image/Sheet: 22.875" H x 22.625" W Provenance: Estate of Dr. Sanford Kaufman and Dr. P. Waverly Davidson
• MAR BETH. JE T'AIME, COLOR
  MAR BETH. JE T'AIME, COLOR LITHOGRAPH (20th century). Lithograph in colors, ed. 5/250, signed lr, sight size: 13 1/2 x 10 1/2 in., framed.
• TO SIR, WITH LOVE MOVIE POSTER
  TO SIR, WITH LOVE MOVIE POSTER Staring Sydney Poitier, 42 x 28 in., framed.
• Alphonse Maria Mucha (Czech
  Alphonse Maria Mucha (Czech Republic 1860-1939) "Flirt". Lithographic poster in colors ca. 1900 signed in the stone at the lower right F. Champenois Paris matted in hand covered pongee silk and framed in an ornamental gilt frame under plexiglass overall apprx. 31" x 18-1/8". Prov: Chirstie's East March 1992. (stickers verso)
• More (Thomas) Utopia, Kelmscott
  More (Thomas) Utopia, Kelmscott Press, 1893. 8vo., orig. vellum gilt with ties. One of 300 copies
• Maurice Millière (French 1871-1946)
  Maurice Millière (French 1871-1946) "Come Live with Me and Be My Love" 1903 oil on canvas signed and dated lower left 28 1/4 in. x 35 1/2 in. in a giltwood frame. Note: "estate" condition.
• Greek lovers oil on canvas laid
  Greek lovers oil on canvas laid down on board monogram signed approx. 45 x 35 cm.
• AFTER AUGUSTE MOREAU (FRENCH,
  AFTER AUGUSTE MOREAU (FRENCH, 1834 - 1917) 31 ? Fully sculptured figure of god of Love, Amor, running with one foot on a rock, while holding a single-light lamp torch with pull chain and ball finial, fashioned as blossoming flower with moulded slag glass lobed petals, with gilt brass and white metal fitting adorned with foliate motif. White metal with applied antiqued patination, raised on round stepped base with laurel wreath accent; no marks found.
• Follower of Francois Boucher
  Follower of Francois Boucher (French, 1703-1770) "Love's Darts", an ultramarine blue and gray oil on panel supra-porta painting of an infant Eros shooting his arrow at a sleeping infant girl, unsigned, 18-5/8" x 31-1/4". Presented in a narrow antiqued giltwood frame in the neoclassical taste.
• Large French Bronze-Patinated
  Large French Bronze-Patinated Plaster Figure of Eros, the love-god depicted exhausted and resting from his labors while seated on a lion skin, with a deceased dove at his feet, fourth quarter 19th century, h. 30".
• HENRY MILLER,UNTITLED (ALL THE
  HENRY MILLER,UNTITLED (ALL THE WORLD LOVES A LOVER)Henry Valentine Miller (American, 1891-1980) Untitled (All the world loves a lover) ink and watercolor on paper signed Henry Miller lower center, dedicated For Carol upper center sight 20 x 14in (50.8 x 35.6cm)Provenance: A gift from the artist to the present owner. Property from a Private Collection. Condition: Not examined out of frame. There is some time staining to the paper throughout. There is fading to the ink. There are a few scattered very light handling dents and creases throughout.
• 1 vol. [Alcoforado, Marianna
  1 vol. [Alcoforado, Marianna d'.] Seven Portuguese Letters; being A Second Part to The Five Love Letters, from a Nun to a Cavalier, One of The Most Passionate [P]ieces, that possibly ever has been extant. London: for H. Brome, 1681. 12mo, early 19th-Century calf, gilt-lettered spine; slightly scuffed & a little bowed. Some darkening & minor dust soiling to title page, darkening to edges of endpapers, minor internal wear. Wing A-
• THOMAS ROWLANDSON (BRITISH,
  THOMAS ROWLANDSON (BRITISH, 1756-1827) 9¼" x 6¾" sheet True Love, Older Man with a Younger Lady. Watercolor and ink on paper, signed lower right, laid down to support sheet, mounted in gold frame, 17" x 14½" overall.
• THOMAS ROWLANDSON (BRITISH,
  THOMAS ROWLANDSON (BRITISH, 1756-1827) 9¼" x 6¾" sheet True Love, Older Man with a Younger Lady. Watercolor and ink on paper, signed lower right, laid down to support sheet, mounted in gold frame, 17" x 14½" overall.
• Leo Meiersdorff (American,
  Leo Meiersdorff (American, 1934-1994) "I love you once, I love you twice, I love you like beans and rice", india ink and watercolor on paper, sight 24" x 34", titled, signed and dated lower right "Leo Meiersdorff". Glazed, matted and presented in a black lacquered frame.
• MIKULAS KRAVJANSKY (B. 1928):
  MIKULAS KRAVJANSKY (B. 1928): MILUJEM T'A (I LOVE YOU")1969; oil on board; signed and dated lower right Dimensions: 20 x 35 in. (50.8 x 88.9 cm.), Frame: 25 x 40 in. (63.5 x 101.6 cm.) Condition:
• English School 20th Century The
  English School 20th Century The Allure of Love Estimate:$400-$600
• After Louis-Charles Ruotte (French,
  After Louis-Charles Ruotte (French, 1754-1806) "Love's Messenger", a printed oval silk panel, first quarter 19th century, signed at the basal edge, center, "L.C. Ruotte", presented in an attractive Restauration carved giltwood and plaster frame with a glazed oval aperture, h. 10", w. 11".
• ALPHONSE MARIA MUCHA (FRENCH,
  ALPHONSE MARIA MUCHA (FRENCH, 1860-1939)Alphonse Maria Mucha French, 1860-1939 Lefevre Utile (Sarah Bernhardt) , 1903 Color lithograph The portrait of French actress Sarah Bernhardt as La Princesse Lointaine, hands held to her chin and lilies in her hair, as an endorsing advertisement for LU biscuits, inscribed in the subjects handwriting below "I haven't found anything better than a little LU – oh, yes, two little LU". The arched frame of the image gilded, with images of chickens, the date 1904, and "Lefevre Utile" below. Matted behind glass, gilt and burlwood framed, and mounted with an overhead light. Accompanied by Certificate of Authenticity. Impression: 27 3/4 x 20 1/2 in. (70.49 x 52.07 cm.); frame: 43 x 44 1/2 in. (109.2 x 113 cm.) The Leonard & Audrey Adreon Collection, St. Louis, Missouri; acquired in August 1987 from Pasquale Iannetti Art Galleries, Inc.
• SAM FRANCIS (AMERICAN, 1923-1994)
  SAM FRANCIS (AMERICAN, 1923-1994) "LOVER, LOVED LOVED, LOVER" 1960.color lithograph on BFK paper. pencil signed 'Sam Francis' (lower middle). printed by Emil Matthieu Atelier, Zurich, published by Kornfeld and Klipstein, Bern
• Imre Gergely (Hungarian, 1868-1914)
  Imre Gergely (Hungarian, 1868-1914) "Puppy Love", oil on canvas, 20-3/4" x 31-1/2", signed lower right. Presented in a handsome period carved giltwood and plaster exhibition frame in the Louis XIV style. Reference: Benezit.
• AUGUSTE MOREAU, (FRENCH,
  AUGUSTE MOREAU, (FRENCH, 1834-1917), A WHITE MARBLE SCU...AUGUSTE MOREAU, (FRENCH, 1834-1917), A WHITE MARBLE SCULPTURE OF CUPID AND COMPANION, "Love Blowing Kisses," CIRCA 1900, signed in the marble, " Auguste Moreau." Height: 24"
• 17C. GREGORIO LETI LOVES OF DUKE
  17C. GREGORIO LETI LOVES OF DUKE CHARLES England, Italy,1630-1701, Circa 1669Antiquarian leather bound book, "The Loves of Charles Duke of Mantua: And of Margaret Countess of Rovera", translated from Italian, printed for Henry Herringman at the Sign of the Anchor in the Lower-Walk of the New-Exchange, 1669. Book with inscription on verso of frontispiece.
• Charles Segier (French, fl. ca.
  Charles Segier (French, fl. ca. 1835-1901) "Love Armed", an oval pastel portrait of the youthful winged figure of Love, one breast bared, bearing a quiver and an arrow, executed in the 18th-century style, fourth quarter 19th century, signed in script lower right "Segier". Presented in a fine oval carved giltwood and plaster frame with a cresting of a scallop shell mantled by rose blossom sprays, h. 36", w. 28".
• Maurice Millière (French 1871-1946)
  Maurice Millière (French 1871-1946) "The Passionate Shepherd" 1903 oil on canvas signed and dated lower right 28 1/4 in. x 35 1/2 in. in a giltwood frame. Note: This and the following painting depict scenes from the popular 16th c. lyric poem "The Passionate Shepherd to His Love" by Christopher Marlowe (English 1564-1593). The posthumously published work is a pastoral idyll extolling the delights to be found in the natural world.
• MOREAU, Mathurin, (French,
  MOREAU, Mathurin, (French, 1822-1912): ''Baiser Du Soir'' ''The Evening Kiss'', Grouping with Peasant Mother and Child, Marble, 29'' h., 8'' d., 9'' w., signed, affixed brass exhibition tag.CONDITION: Older Repair to childs neck, small piece missing from mid dress.
• PRINT, MARY CORITA KENT Mary Corita
  PRINT, MARY CORITA KENT Mary Corita Kent (American, 1918-1986), "I Love You Very," screenprint, signed in pen lower right, sight: 22.5"h x 22.5"w, overall (with frame): 30.5"h x 30.5"w
• EARLY 20TH CENTURY: TRUE
  EARLY 20TH CENTURY: TRUE LOVEEarly 20th Century: True Love, color engraving; published by W. M. Power Victoria Gallery, London, 1911; inscribed in pencil illegibly in margin lower right Dimensions: Sight: 14 3/8 x 12 in. (36.5 x 30.5 cm.), Frame: 20 7/8 x 18 1/4 in. (53 x 46.4 cm.) Provenance: Property from the Estate of Harvey and Sugar Byron, Sherman Oaks, California Condition:
• LAMOUR Fritzner (Haitian 20th
  LAMOUR Fritzner (Haitian 20th C.): Dog and Cat Lovers OIL/Canvas 16'' x 12'' signed lower left dated '96 gilded frame 20'' x 16''.