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20TH C. PAINTING OF TOLEDO, SPAIN
20TH C. PAINTING OF TOLEDO, SPAIN Tourist Grade View of an Old Town Center with figures in 19th c. ethnic costume, signed lower left "E. Alvarez, Toledo", inscribed verso as having been purchased in Madrid in 1948, housed in a black lacquered ripple frame, OS: 17 1/2" x 13 3/4", SS: 11" x 7 1/4. Good condition.
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PAINTING, MIGUEL BARBERO Miguel
PAINTING, MIGUEL BARBERO Miguel Barbero (Spanish, b. 1953), "Toledo," 1987, oil on canvas, signed lower right, signed, titled, and dated verso, canvas: 20"h x 24"w, overall (with frame): 23.75"h x 28"w
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Francisco Toledo (b. 1940
Francisco Toledo (b. 1940 Mexican) A group of five drawings depicting figures and animals each signed with conjoined initials and dated in pencil lower margins: FToledo 59 three graphite on paper one graphite and red pencil on paper and one red pen on brown paper three framed together under glass two individually framed under glass
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Jos Beulas Recasens (Spanish b.
Jos Beulas Recasens (Spanish b. 1921) ''Vista de Toledo'' [trans: View of Toledo] oil on canvas depicting ruddy sky grey and white medieval battlements and yellow trees framed oil on canvas signed ''Beulas'' LR painted gilt and speckled frame surface loss at frame corners fragment of sales slip reading in part ''Original de Jos Beulas...'' also label from ''The Frame Shop 804 3rd Avenue New York'' on frame not examined out of frame 17 1/2'' h. x 25 1/2'' w.
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FRANCISCO TOLEDO, COLOR
FRANCISCO TOLEDO, COLOR LITHOGRAPH Francisco Toledo (Mexican, b. 1940), "Caballero Nocturno", pencil signed "Toledo" lower right, blindstamped lower left, numbered XLV/LXXV lower left, loose and unframed, 19"h x 25.5"w
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Francisco Toledo (Mexican,
Francisco Toledo
(Mexican, 1940-2019)
Murcielagos y Mujeres (Bats and Women)
watercolor and ink on paper
signed Toldeo (lower right); titled (verso)
12 3/4 x 9 1/4 inches.
Property from a Private Collection, Chicago, Illinois
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FRANCISCO TOLEDO (MEXICAN, B. 1940)
FRANCISCO TOLEDO (MEXICAN, B. 1940) OIL ON CANVAS PAINT...DESCRIPTION: Francisco Toledo (Mexican, B. 1940) Oil on canvas painting featuring a portrait image in multiple colors. Signed lower right: "Toledo" mounted in a gilt wood frame. Certificate of authenticity from: "INBA, Salon de Plastica Mexicana" CIRCA: 20th Century. ORIGIN: Mexico DIMENSIONS: (Image) H: 13.75" x L: 10.5" (Frame) H: 15" x L: 12" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Damage to frame. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
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CARVED COAT OF ARMS FOR THE CITY OF
CARVED COAT OF ARMS FOR THE CITY OF TOLEDO, SPAINCarved Wood Coat of Arms for the City of Toledo, Spain, h. 19 in., w. 14 1/2 in., d. 2 in.
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Francisco Toledo (Mexican,
Francisco Toledo
(Mexican, 1940-2019)
Untitled
watercolor and ink on paper
signed Toledo (center right)
6 3/4 x 8 1/4 inches.
Property from a Private Collection, Chicago, Illinois
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Francisco Toledo (b. 1940
Francisco Toledo (b. 1940 Mexican) A group of five lithographs: ''Tigre con sarampion'' ''Epreuve d'artiste'' two standing figures figure catching butterflies figure and car each signed with conjoined initials and dated in pencil lower margins: FToledo 59 two titled in pencil lower left each: lithographs on paper four unframed loose paper ''Tigre'' framed under glass
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FRANCISCO TOLEDO, (1940-2019),
FRANCISCO TOLEDO, (1940-2019), FLEA, MIXED MEDIA ON HANDMADE PAPER, IMAGE/SHEET: 28" H X 22" WFrancisco Toledo, (1940-2019) Flea, Mixed media on handmade paper Signed in pencil right of center: Toledo; with the butterfly ink stamp, verso Mixed media on handmade paper Dimensions: Image/Sheet: 28" H x 22" W Provenance: Arte Papel Vista Hermosa, San Augustin Etla, Oaxaca
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ROMERO, STREETS OF TOLEDO, TWO
ROMERO, STREETS OF TOLEDO, TWO MIXED MEDIAS, FRAMED, 31 X 20 INRomero, Streets of Toledo, Two Mixed Medias, Framed, 31 x 20 in
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FRANCISCO TOLEDO, (1940-2019),
FRANCISCO TOLEDO, (1940-2019), PRAWNS, MIXED MEDIA ON HANDMADE PAPER, IMAGE/SHEET: 28" H X 22" WFrancisco Toledo, (1940-2019) Prawns, Mixed media on handmade paper Signed in pencil lower right: Toledo; with the butterfly ink stamp, verso Mixed media on handmade paper Dimensions: Image/Sheet: 28.5" H x 22.5" W Provenance: Arte Papel Vista Hermosa, San Augustin Etla, Oaxaca, Mexico
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FRANCISCO TOLEDO, (1940-2019,
FRANCISCO TOLEDO, (1940-2019, MEXICAN), "DEMETRIO VALLEJO, NINO," 1984, WOODCUT IN COLORS WITH GOLD LEAF ON PAPER UNDER GLASS, IMAGE: 1Francisco Toledo, (1940-2019, Mexican) "Demetrio Vallejo, Nino," 1984 Woodcut in colors with gold leaf on paper under glass Edition: 49/50 Signed and numbered in pencil in the lower margin: Toledo Image: 10.5" H x 14.5" W; Sheet: 15.25" H x 22.5" W Provenance: Museum of Latin American Art (MOLAA), Contemporary Latin American Art Auction, October 2007, Lot 292 The Carolyn J. Adrian Collection, South Pasadena, CA Notes: Born in Juchitán, Oaxaca in 1940, Francisco Toledo spent his childhood between Juchitán and Minatitlán, Veracruz. As a young man, Francisco Toledo followed his father into the jungles of Oaxaca on wild animal hunts. Later, he moved to Mexico where he took up the trade of lithography from the engraving workshops at the local School of Arts and Crafts. In 1959, after developing his craft, Toledo exhibited his works at Antonio Souza's gallery in Mexico and at the Forth Worth Art Center in Texas. These early years informed the artist he would become. "Toledo's is the art of shamanism," Christopher Goodwin ofThe Guardianwrote in 2000, "in which people are transformed into beasts and animals and may take on human characteristics." President Andrés Manuel López Obrador of Mexico announced the death on Twitter, calling Mr. Toledo "a true defender of nature, customs, and traditions of our people." While he preferred anonymity, his service to cultural preservation and celebration of traditional imagery gained him national acclaim. His first one-man show at 19 years set the stage for his travels to Paris where he was supported by poet Octavio Paz and the painter Rufino Tamayo. Toledo's fascination with the metaphors of indigenous animals as symbols of Mexican history and mythology abound in his art. He settled definitively in Mexico in 1967. This work is accompanied by a certificate of authenticity from the Latin American Masters Gallery, as well as a Sales Receipt from the Museum of Latin American Art Auction, 2007. Woodcut in colors with gold leaf on paper under glass Dimensions: Image: 10.5" H x 14.5" W; Sheet: 15.25" H x 22.5" W Provenance: Museum of Latin American Art (MOLAA), Contemporary Latin American Art Auction, October 2007, Lot 292 The Carolyn J. Adrian Collection, South Pasadena, CA
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Francisco Toledo (Mexican, b. 1940)
Francisco Toledo (Mexican, b. 1940) Toro. Watercolor on paper, signed at the lower right corner, approx. 9-3/4" x 14-7/8", not framed.
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FRANCISCO TOLEDO, (1940-2019,
FRANCISCO TOLEDO, (1940-2019, MEXICAN), "LAGUNA VERDE," 1985, AQUATINT IN COLORS ON PAPER UNDER GLASS, PLATE: 5.75" H X 7" W; SIGHT: 21Francisco Toledo, (1940-2019, Mexican) "Laguna Verde," 1985 Aquatint in colors on paper under glass An artist's proof aside from the edition of unknown size Signed and inscribed "P. A." in pencil in the lower margin: Toledo Plate: 5.75" H x 7" W; Sight: 21.75" H x 14.5" W Provenance: Galeria Arvil, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA Notes: Born in Juchitán, Oaxaca in 1940, Francisco Toledo spent his childhood between Juchitán and Minatitlán, Veracruz. As a young man, Francisco Toledo followed his father into the jungles of Oaxaca on wild animal hunts. Later, he moved to Mexico where he took up the trade of lithography from the engraving workshops at the local School of Arts and Crafts. In 1959, after developing his craft, Toledo exhibited his works at Antonio Souza's gallery in Mexico and at the Forth Worth Art Center in Texas. These early years informed the artist he would become. "Toledo's is the art of shamanism," Christopher Goodwin ofThe Guardianwrote in 2000, "in which people are transformed into beasts and animals and may take on human characteristics." President Andrés Manuel López Obrador of Mexico announced the death on Twitter, calling Mr. Toledo "a true defender of nature, customs, and traditions of our people." While he preferred anonymity, his service to cultural preservation and celebration of traditional imagery gained him national acclaim. His first one-man show at 19 years set the stage for his travels to Paris where he was supported by poet Octavio Paz and the painter Rufino Tamayo. Toledo's fascination with the metaphors of indigenous animals as symbols of Mexican history and mythology abound in his art. He settled definitively in Mexico in 1967. This work is accompanied by a Certificate of Authenticity and sales receipt from the Galeria Arvil. Aquatint in colors on paper under glass Dimensions: Plate: 5.75" H x 7" W; Sight: 21.75" H x 14.5" W Provenance: Galeria Arvil, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA
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(2) SPANISH CARVED WALNUT TOLEDO
(2) SPANISH CARVED WALNUT TOLEDO COATS OF ARMS(lot of 2) Spanish carved walnut wall-mounted plaques, coat of arms of the city of Toledo, early 20th c., crowned double-headed eagle, shield with divided field, lions rampant and castle turret, approx 18.25"h, 15.5"w; 6lbs total
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FRANCISCO TOLEDO, (1940-2019),
FRANCISCO TOLEDO, (1940-2019), ELEPHANT AND MAN, MIXED MEDIA ON HANDMADE PAPER, IMAGE/SHEET: 28" H X 22.5" WFrancisco Toledo, (1940-2019) Elephant and man, Mixed media on handmade paper Signed in pencil right of center: Toledo; with the butterfly ink stamp, verso Mixed media on handmade paper Dimensions: Image/Sheet: 28" H x 22.5" W Provenance: Arte Papel Vista Hermosa, San Augustin Etla, Oaxaca
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TOLEDO, Francisco, (Mexican,
TOLEDO, Francisco, (Mexican, 1941- ): Surreal Composition with Werewolf, Watercolor, 16 1/2'' x 12'', signed in the lower margin, encased in wood frame with ebonized accents showing signs of wear 25 3/4'' x 22'', From the Collection of Anna Howard Gallery.
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FRANCISCO TOLEDO, (1940-2019,
FRANCISCO TOLEDO, (1940-2019, MEXICAN), "CONEJO," 1974, ETCHING AND AQUATINT IN COLORS ON PAPER UNDER GLASS, PLATE: 3.25" H X 5.75" WFrancisco Toledo, (1940-2019, Mexican) "Conejo," 1974 Etching and aquatint in colors on paper under glass Edition A/P (aside from the edition of unknown size) Signed and inscribed in pencil in the lower margin: Toledo; titled and dated on the gallery label affixed to the frame's backboard Plate: 3.25" H x 5.75" W Provenance: Casa de la Cultura de Sonora, Hermosillo, Mexico Galeria Avril, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA, acquired from the above, 1981 Notes: Born in Juchitán, Oaxaca in 1940, Francisco Toledo spent his childhood between Juchitán and Minatitlán, Veracruz. As a young man, Francisco Toledo followed his father into the jungles of Oaxaca on wild animal hunts. Later, he moved to Mexico where he took up the trade of lithography from the engraving workshops at the local School of Arts and Crafts. In 1959, after developing his craft, Toledo exhibited his works at Antonio Souza's gallery in Mexico and at the Forth Worth Art Center in Texas. These early years informed the artist he would become. "Toledo's is the art of shamanism," Christopher Goodwin ofThe Guardianwrote in 2000, "in which people are transformed into beasts and animals and may take on human characteristics." President Andrés Manuel López Obrador of Mexico announced the death on Twitter, calling Mr. Toledo "a true defender of nature, customs, and traditions of our people." While he preferred anonymity, his service to cultural preservation and celebration of traditional imagery gained him national acclaim. His first one-man show at 19 years set the stage for his travels to Paris where he was supported by poet Octavio Paz and the painter Rufino Tamayo. Toledo's fascination with the metaphors of indigenous animals as symbols of Mexican history and mythology abound in his art. He settled definitively in Mexico in 1967. Etching and aquatint in colors on paper under glass Dimensions: Plate: 3.25" H x 5.75" W Provenance: Casa de la Cultura de Sonora, Hermosillo, Mexico Galeria Avril, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA, acquired from the above, 1981
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FRANCISCO TOLEDO, (1940-2019),
FRANCISCO TOLEDO, (1940-2019), "LA CUADRADA," 1976, ETCHING AND SOFT-GROUND IN COLORS ON PAPER UNDER GLASS, PLATE: 6" H X 7" W; SIGHT:Francisco Toledo, (1940-2019) "La Cuadrada," 1976 Etching and soft-ground in colors on paper under glass Edition: 10/15 Signed and numbered in pencil in the lower margin; titled and dated on a gallery label affixed to the frame's backboard Plate: 6" H x 7" W; Sight: 12.5" H x 9.25" W Provenance: Galeria Arvil, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA Notes: Born in Juchitan, Oaxaca in 1940, Francisco Toledo spent his childhood between Juchitan and Minatitlan, Veracruz. As a young man, Francisco Toledo followed his father into the jungles of Oaxaca on wild animal hunts. Later, he moved to Mexico where he took up the trade of lithography from the engraving workshops at the local School of Arts and Crafts. In 1959, after developing his craft, Toledo exhibited his works at Antonio Souza's gallery in Mexico and at the Fort Worth Art Center in Texas. These early years informed the artist he would become. "Toledo's is the art of shamanism," Christopher Goodwin ofThe Guardianwrote in 2000, "in which people are transformed into beasts and animals and may take on human characteristics." President Andres Manuel Lopez Obrador of Mexico announced the death on Twitter, calling Mr. Toledo "a true defender of nature, customs, and traditions of our people." While he preferred anonymity, his service to cultural preservation and celebration of traditional imagery gained him national acclaim. His first one-man show at 19 years set the stage for his travels to Paris where he was supported by poet Octavio Paz and the painter Rufino Tamayo. Toledo's fascination with the metaphors of indigenous animals as symbols of Mexican history and mythology abound in his art. He settled definitively in Mexico in 1967. Etching and soft-ground in colors on paper under glass Dimensions: Plate: 6" H x 7" W; Sight: 12.5" H x 9.25" W Provenance: Galeria Arvil, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA
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FRANCISCO TOLEDO, (1940-2019,
FRANCISCO TOLEDO, (1940-2019, MEXICAN), "SAPOS Y CHAPULINES," 1977, ETCHING, ROULETTE AND SOFT-GROUND IN COLORS ON PAPER UNDER GLASS, PFrancisco Toledo, (1940-2019, Mexican) "Sapos y Chapulines," 1977 Etching, roulette and soft-ground in colors on paper under glass Edition: 12/30 Signed and numbered in pencil in the lower margin: Toledo; titled and dated on a gallery label affixed to the frame's backing paper Plate: 8" H x 11.5" W; Sheet: 13.75" H x 22.25" W Provenance: Galeria Arvil, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA, acquired from the above, 1978 Notes: Born in Juchitán, Oaxaca in 1940, Francisco Toledo spent his childhood between Juchitán and Minatitlán, Veracruz. As a young man, Francisco Toledo followed his father into the jungles of Oaxaca on wild animal hunts. Later, he moved to Mexico where he took up the trade of lithography from the engraving workshops at the local School of Arts and Crafts. In 1959, after developing his craft, Toledo exhibited his works at Antonio Souza's gallery in Mexico and at the Forth Worth Art Center in Texas. These early years informed the artist he would become. "Toledo's is the art of shamanism," Christopher Goodwin ofThe Guardianwrote in 2000, "in which people are transformed into beasts and animals and may take on human characteristics." President Andrés Manuel López Obrador of Mexico announced the death on Twitter, calling Mr. Toledo "a true defender of nature, customs, and traditions of our people." While he preferred anonymity, his service to cultural preservation and celebration of traditional imagery gained him national acclaim. His first one-man show at 19 years set the stage for his travels to Paris where he was supported by poet Octavio Paz and the painter Rufino Tamayo. Toledo's fascination with the metaphors of indigenous animals as symbols of Mexican history and mythology abound in his art. He settled definitively in Mexico in 1967. Etching, roulette and soft-ground in colors on paper under glass Dimensions: Plate: 8" H x 11.5" W; Sheet: 13.75" H x 22.25" W Provenance: Galeria Arvil, Mexico City, Mexico The Carolyn J. Adrian Collection, South Pasadena, CA, acquired from the above, 1978
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TOLEDO SCALE AND COFFEE MILL Arcade
TOLEDO SCALE AND COFFEE MILL Arcade Toledo scale done in red engine decal on metal weight table together with blue coffee with actual turning wheels and pull out drawer both done in cast iron. 4'' to 5'' h. Old paint drips on Toledo overall (Pristine Cond.) INV # #0260
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FRANCISCO TOLEDO, MIXED MEDIA ON
FRANCISCO TOLEDO, MIXED MEDIA ON SANDSTONE, 1985 Francisco Toledo (Mexican,1940-2019), "Juarez Melancolico", signed on verso of stone, gallery label and Christie's inventory labels verso, framed under glass with cut-out on verso to show signature, 8.75"h x 11.75"w (stone), 21.5"h x 24.5"w x 3.25"d (frame)
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TOLEDO REPUBLIC 5 TON PEDAL TRUCK
TOLEDO REPUBLIC 5 TON PEDAL TRUCK All original one of the finest Republic pedals known includes all accessories painted in red and green colors metal wheels with rubber tires litho tin dashboard nickel grille strap red grille bar front. 51'' l. Inv# 259-22
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FRANCISCO TOLEDO (MEXICAN
FRANCISCO TOLEDO (MEXICAN 1940-2019) A HAND-COLORED PRI...FRANCISCO TOLEDO (Mexican 1940-2019) A HAND-COLORED PRINT, "Self Portrait," 1970, watercolor over etching on paper, signed in pencil L/L, "Toledo," verso old gallery labels; 8 3/4'' x 10 3/4'', framed 16'' x 18''. Provenance: Art collection of the late Charles and Geri L. Hooks, owners of Houston’s oldest and most prestigious art gallery, Hooks-Epstein Galleries.
Condition:
There is light and mat stain. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
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Francisco Toledo Mexican, b. 1940
Francisco Toledo Mexican, b. 1940 Untitled (Portrait), 1965
Estimate:$5,000-$7,000
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Francisco Toledo
Francisco Toledo (Mexico/Texas/New York b. 1940) "El Que Sube". Lithograph on paper in colors 1964 signed in pencil and numbered 10/60 at the lower left not framed.
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FRANCISCO TOLEDO, (1940-2019,
FRANCISCO TOLEDO, (1940-2019, MEXICAN), "ANIMALES", LITHOGRAPH IN COLORS ON PAPER UNDER GLASS, IMAGE: 23" H X 17" W; SIGHT: 24.5" H X 1Francisco Toledo, (1940-2019, Mexican) "Animales" Lithograph in colors on paper under glass Appears to be an artist's proof aside from the edition of unknown size Signed and indistinctly inscribed, possibly "prueba de artista," in pencil in the lower margin: Toledo; titled on a label affixed to the backboard of the frame Image: 23" H x 17" W; Sight: 24.5" H x 17.875" W Provenance: Jack Misrachi Gallery, NY, NY Acquired from the above in the 1970s Thence by descent through the family to the present owner Notes: Born in Juchitán, Oaxaca in 1940, Francisco Toledo spent his childhood between Juchitán and Minatitlán, Veracruz. As a young man, Francisco Toledo followed his father into the jungles of Oaxaca on wild animal hunts. Later, he moved to Mexico where he took up the trade of lithography from the engraving workshops at the local School of Arts and Crafts. In 1959, after developing his craft, Toledo exhibited his works at Antonio Souza's gallery in Mexico and at the Forth Worth Art Center in Texas. These early years informed the artist he would become. "Toledo's is the art of shamanism," Christopher Goodwin ofThe Guardianwrote in 2000, "in which people are transformed into beasts and animals and may take on human characteristics." President Andrés Manuel López Obrador of Mexico announced the death on Twitter, calling Mr. Toledo "a true defender of nature, customs, and traditions of our people." While he preferred anonymity, his service to cultural preservation and celebration of traditional imagery gained him national acclaim. His first one-man show at 19 years set the stage for his travels to Paris where he was supported by poet Octavio Paz and the painter Rufino Tamayo. Toledo's fascination with the metaphors of indigenous animals as symbols of Mexican history and mythology abound in his art. He settled definitively in Mexico in 1967. Lithograph in colors on paper under glass Dimensions: Image: 23" H x 17" W; Sight: 24.5" H x 17.875" W Provenance: Jack Misrachi Gallery, NY, NY Acquired from the above in the 1970s Thence by descent through the family to the present owner
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Francisco Toledo 1940–2019.
Francisco Toledo 1940–2019. Untitled (Oaxaca). etching. 3¼ h × 5 w in. estimate: $800–1,000. Signed and numbered to lower edge ‘P/A Toledo’. This work is an artist's proof.
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FRANCISCO TOLEDO, (1940-2019,
FRANCISCO TOLEDO, (1940-2019, MEXICAN), "UNTITLED", ETCHING ON PAPER UNDER GLASS, PLATE: 7.625" H X 9.75" W; SIGHT: 8.25" H X 10.25" WFrancisco Toledo, (1940-2019, Mexican) "Untitled" Etching on paper under glass An artist's proof aside from the edition of unknown size Signed and inscribed in pencil in the lower margin: Toledo; titled from a gallery label affixed to the frame's backboard Plate: 7.625" H x 9.75" W; Sight: 8.25" H x 10.25" W Provenance: Jack Misrachi Gallery, New York, NY Notes: Born in Juchitán, Oaxaca in 1940, Francisco Toledo spent his childhood between Juchitán and Minatitlán, Veracruz. As a young man, Francisco Toledo followed his father into the jungles of Oaxaca on wild animal hunts. Later, he moved to Mexico where he took up the trade of lithography from the engraving workshops at the local School of Arts and Crafts. In 1959, after developing his craft, Toledo exhibited his works at Antonio Souza's gallery in Mexico and at the Forth Worth Art Center in Texas. These early years informed the artist he would become. "Toledo's is the art of shamanism," Christopher Goodwin ofThe Guardianwrote in 2000, "in which people are transformed into beasts and animals and may take on human characteristics." President Andrés Manuel López Obrador of Mexico announced the death on Twitter, calling Mr. Toledo "a true defender of nature, customs, and traditions of our people." While he preferred anonymity, his service to cultural preservation and celebration of traditional imagery gained him national acclaim. His first one-man show at 19 years set the stage for his travels to Paris where he was supported by poet Octavio Paz and the painter Rufino Tamayo. Toledo's fascination with the metaphors of indigenous animals as symbols of Mexican history and mythology abound in his art. He settled definitively in Mexico in 1967. Etching on paper under glass Dimensions: Plate: 7.625" H x 9.75" W; Sight: 8.25" H x 10.25" W Provenance: Jack Misrachi Gallery, New York, NY
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FRANCISCO TOLEDO (b. 1940):
FRANCISCO TOLEDO (b. 1940): IGUANA SUBIENDO ESCALERA Etching in color 21 x 17 in. (sheet) signed and numbered 43/50.
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DAN TOLEDO, MOSAIC, WOMAN WITH AN
DAN TOLEDO, MOSAIC, WOMAN WITH AN URNDan Toledo (mid-20th century) Mosaic tile depicting a woman with an urn 60 3/4 x 28 3/4in (152.5 x 73cm)Provenance: Property from a Private Collection, Altadena, California.
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Francisco Toledo (Mexican,
Francisco Toledo
(Mexican, 1940-2019)
La Iguana, 1978
etching and aquatint
signed and numbered XLII/L in pencil
21 1/2 x 15 3/8 inches.
Property from the Estate of Alexander Brody, Honolulu, Hawaii
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Renaissance Style Suit of Armour,
Renaissance Style Suit of Armour, Toledo, Spain, early 20th century with acid etched decoration overall, mounted on wooden armature on an ebonized block plinth height 74 in — 188 cm
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FRANCISCO TOLEDO "THE SHINGELS FLY"
FRANCISCO TOLEDO "THE SHINGELS FLY" LITHOGRAPH Francisco Toledo (Mexican, 1940-2019) "The Shingels Fly" signed lithograph in colors depicting a Surrealist composition, signed in pencil lower right and numbered lower left, Ferdinand Roten Galleries label to verso, housed under glass in a painted wood frame. Image: 14" H x 20" W; frame: 22.25" H x 26.5" W.