A few examples of appraisal values for
TOM MOORE

• TI-ROCK MOORE (AMERICAN/NEW
  TI-ROCK MOORE (AMERICAN/NEW ORLEANS, B. 1959)Ti-Rock Moore (American/New Orleans, b. 1959), "I May Not Get There With You", 2015, neon tubing with transformer, unsigned, 3 1/2 in. x 59 in., fastened with chord and two-prong plug . Provenance: Acquired from the artist; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
• SCULPTURE, JAMES MOORE James
  SCULPTURE, JAMES MOORE James Moore (American, b. 1959), Abstract Figure, 2002, welded metal sculpture, signed and dated to base, overall: 58"h x 24"w x 18"d. Provenance: Property of a prominent Hillsborough, CA estate
• JAY MOORE (1964- ), BOULDER CREEK
  JAY MOORE (1964- ), BOULDER CREEK Fine Art
• Timothy Moore (American, 20th
  Timothy Moore (American, 20th Century) Stoneware Vessel signed Timothy Moore on underside height 11, width 10 1/2 inches Property from the Estate of Edgar Foster Daniels, Santa Fe, New Mexico
• GORDON MOORE, AMERICAN (20TH/21ST
  GORDON MOORE, AMERICAN (20TH/21ST CENTURY), UNTITLED, 2011, INK AND GOUACHE ON PHOTO EMULSION PAPER, 20"H X 16"W (SIGHT), 28 1/2"H X 24 1/2"W (FRAME)Gordon Moore, American, (20th/21st Century) Untitled, 2011, ink and gouache on photo emulsion paper Provenance: Betty Cuningham Gallery, New York. ink and gouache on photo emulsion paper Dimensions: 20"H x 16"W (sight), 28 1/2"H x 24 1/2"W (frame)
• HENRY MOORE, HEADS FIGURES AND
  HENRY MOORE, HEADS FIGURES AND IDEAS, 1958 Henry Moore. Heads Figures and Ideas. George Rainbird / New York Graphic Society, 1958, hardcover in jacket, with auto-lithograph on hand-made paper from a drawing by Moore, 19"h x 13.25"w
• HENRY MOORE(British, 1898-1986)
  HENRY MOORE(British, 1898-1986) Figures Sculptures, 1931, edition 29/50, circa 1966 impression, Fequet and Baudier, Paris, printer, G‚rald Cramer, Geneva, publisher, woodcut on Japon nacre paper, image 5 x 7-3/4 in., sheet 10 x 13-3/4 in.; black painted frame, 15 x 11 in. . Provenance: Barbara Lilinfeld, former CFO for Holly Solomon Gallery, New York Condition: loose, full margins, some very light toning; frame with abrasions
• Henry Moore (British, 1898-1986)
  Henry Moore (British, 1898-1986) collotype "Shelter Sketch Book", "Man and Woman Talking in Dark Corner", collotype on paper, RM copyright mark lower left corner, 7-1/4" x 6-3/8" sheet, framed 19-3/4" x 15-3/4", very good condition
• HENRY S. MOORE (1898-1996)
  HENRY S. MOORE (1898-1996) BRITISHHenry Spencer Moore, reclining figure, lithograph in colours on rag paper, numbered 51 / 65, signed & dated 67 in graphite lower left, mirrored lithographic signature lower right, 11.75" h x 12" w.
• JAY MOORE (1964- ), EARLY SNOW,
  JAY MOORE (1964- ), EARLY SNOW, MAROON BELLS Fine Art
• (4) HENRY MOORE (BRITISH,
  (4) HENRY MOORE (BRITISH, 1898-1986) All signed 'Moore' (lower right) and edition '3/75'.
• AFTER HENRY MOORE (BRITISH,
  AFTER HENRY MOORE (BRITISH, 1898-1986), RECLINING FIGURE Composition figure with applied metallic finish, incised copyright date of 1971 with "AMR" signature to sculpture verso, mounted to a green marble base, felt underside with authentic copyright reproduction label from the "Detroit Institute for the Arts / Detroit, Michigan / by Alva Museum Replicas Inc., New York."
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 8'' x 10'', signed, titled and numbered 790 verso, fine contemporary gilt frame, 13.5'' x 15.5''.
• HENRY MOORE, SIGNED LITHOGRAPH
  HENRY MOORE, SIGNED LITHOGRAPH Henry Moore (English, 1898-1986), "Friday Night Camden Town", 1975, lithograph on paper, by Curwen Prints, Ltd, London, 1978, signed "Moore" lower right, numbered (38/50) lower left, information sheet verso, 13.75"squ (sight), 25.5"squ (frame)
• MOORE OIL ON BOARD, WINTER SCENE,
  MOORE OIL ON BOARD, WINTER SCENE, SIGNED 'MOORE 92' PRO...Moore oil on board, winter scene, signed 'Moore 92' probably N.A. Moore, 7 1/4" x 5 1/2". Provenance: Estate of Dr. Thomas & Alice Kugelman, Bloomfield, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• HENRY MOORE (BRITISH, 1898-1986)
  HENRY MOORE (BRITISH, 1898-1986) TWO RECLINING FIGURES, 1972 ETCHING: 11 1/2 X 7 1/2 IN. (SIGHT)Framed; lower right signed: Moore; lower left numbered: VII/X Etching: 11 1/2 x 7 1/2 in. (sight)
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 7'' x 9'', signed, titled and numbered 892 verso, fine contemporary gilt frame, 12.25'' x 13.25''.
• PAINTING, ROBERT C MOORE Robert
  PAINTING, ROBERT C MOORE Robert C. Moore (American, b. 1957), Fallen Tree along the Lake, oil on masonite, signed lower right, overall (with frame): 11"h x 13"w
• Claude T. Stanfield Moore
  Claude T. Stanfield Moore (British 1853-1901) Off Whitby Harbor. Oil on canvas signed and dated 76 at the lower left corner apprx. 20" x 30" framed in a wide gilt frame overall apprx. 26-1/2" x 36". Depicting a shipwreck and rescue just off the coast in roiling waters. The boat to the right has "W.H." on its bow indicating the home port of Whitby Yorkshire UK. Great attention to the details of the buildings on the coast; Whitby Abbey at the upper left to the port with two lighthouses at the right.
• HENRY MOORE (british 1898-1986)
  HENRY MOORE (british 1898-1986) RECLINING FIGURE 1951-1956, pencil signed and numbered 35/50 in the margin. Aquatint and etching. 3 x 6 in. provenance: Private Collection, New Jersey.
• PRINT, RON MOORE Ron Moore
  PRINT, RON MOORE Ron Moore (American, 20th century), "Primitive Rhythm," screenprint, pencil signed lower right, titled lower left, edition #6, sheet (unframed): 16"h x 20.5"w
• SCOTT MOORE. "SURF AT TWO
  SCOTT MOORE. "SURF AT TWO LIGHTS," OIL ON CANVAS (American, 20th century). Signed "Moore" ll, signed on verso, 16 x 24 in., framed.
• Moore's Tally Ho! To The Sports,
  Moore's Tally Ho! To The Sports, The Noble Tips, 2 colored engravings after FC Turner, engraved by Hunt & Mackrel, Tipperary Boys, Tipperary Melodies, 17" x 24" image, nice birdseye maple frames Estimate $200-300
• FRANK M. MOORE (1877-1967): MOONLIT
  FRANK M. MOORE (1877-1967): MOONLIT MONTEREY PINES Oil on masonite 30 x 36 in. signed.
• Terry Moore (American 20th century)
  Terry Moore (American 20th century) The Coast of Maine 1994 chromolithograph signed Terry Moore and dated (lower right) 13 1/4 x 18 1/2 inches.
• HENRY MOORE, HEADS FIGURES AND
  HENRY MOORE, HEADS FIGURES AND IDEAS, 1958 George Rainbird / New York Graphic Society, hardcover in jacket, laid in is an auto-lithograph on hand-made paper from a drawing by Moore, 19"h x 13.25"w
• Thomas Moran (American, 1837-1926)
  Thomas Moran (American, 1837-1926) "Figure Working Near a Country Cottage", graphite on paper, sheet size 10-3/4" x 7-1/2", monogrammed lower left, dated below monogram "Nov. 1868". Unframed.
• HENRY MOORE, SEATED FIGURES,
  HENRY MOORE, SEATED FIGURES, ABSTRACT LITHO Henry Moore (British 1898-1986), "Seated Figures, " 20th century, color lithograph depicting three registers of abstracted seated figures against a green background, pencil signed "Moore" to lower right margin and numbered 153/200 to lower left margin, unframed. Approximate dimensions: overall h. 22", w. 15. 5".
• TOM PALMORE, MR. ADORABLE,
  TOM PALMORE, MR. ADORABLE, 1990Tom Palmore, (b. 1945) Mr. Adorable, 1990, lithograph on buff Arches, edition 35 of 100 editioned in graphite lower left: 35/100 titled in graphite lower center: Mr. Adorable signed in graphite lower right: Palmore affixed verso: print documentation lithograph on buff Arches, edition 35 of 100 Dimensions: 15 x 13 in. (38.1 x 33 cm.), Sheet: 18 x 16 in. (45.7 x 40.6 cm.) Provenance: Private Collection, New Mexico
• HENRY S. MOORE, OM, CH, FBA
  HENRY S. MOORE, OM, CH, FBA (1898-1986) BRITISHHenry Spencer Moore, O.M., C.H., F.B.A., "Reclining Woman with Yellow Background", colour lithograph on paper, 14 ½ x 18 ½ inches. Signed lower right in pencil, editioned 28 / 50 lower left in pencil. Titled "Reclining Figure with Yellow Background" on the Dominion Gallery Montreal label verso. Moore was one of the most important British artists of the 20th century, and arguably the most internationally celebrated sculptor of the period. He is renowned for his semi-abstract monumental bronzes, which can be seen all over the world [Source: Henry-Moore.org].
• F G Moore, a pottery model of
  F G Moore, a pottery model of four Vikings in a horse drawn cart, 14cm wide
• CHRISPHER MOORE (BRITISH, 19TH
  CHRISPHER MOORE (BRITISH, 19TH CENTURY) 3 ½" x 2 ½" 19th Century miniature wax portrait bust of a distinguished gentleman, marked "Moore sculp" and dated 1827 on the underside, pink on flesh colored wax portrait mounted on red painted wax ground, in a painted metal round frame with gilt liner, overall 7 ½" diameter.
• THOMAS MANNING MOORE (AMERICAN LATE
  THOMAS MANNING MOORE (AMERICAN LATE 19TH - EARLY 20TH CENTURY), COUNTRYSIDE WINTER, OIL ON CANVAS, FRAME: 24 3/4 X 30 3/4 IN. (62.87 X 78.11 CM.)Thomas Manning Moore (American Late 19th - Early 20th Century), Countryside Winter, Oil on Canvas,, Dimensions: Frame: 24 3/4 x 30 3/4 in. (62.87 x 78.11 cm.)
• SEAN MOORE (AMERICAN, 20TH
  SEAN MOORE (AMERICAN, 20TH C.)Sean Moore (American, 20th c.), "Hollow Grind Blue", welded reclaimed steel and machine parts, unsigned, h. 88 in., w. 32 in., d. 26 in. Provenance: A Night in the Garden Sculpture Auction, LSU School of Art, 2001, lot 24; Estate of Nadine Carter Russell (1943-2022), Baton Rouge, LA.
• HENRY MOORE SIGNED EXHIBITION
  HENRY MOORE SIGNED EXHIBITION POSTER Art Gallery of Ontario, Toronto.
• HENRY MOORE ETCHING ARCHITECTURE
  HENRY MOORE ETCHING ARCHITECTURE DOORWAYHenry Moore (British, 1898-1986). Etching with aquatint, drypoint and soft ground etching, Architecture Doorway. Pencil signed lower right and numbered 18/50. With Leslie Sacks Fine Art, Los Angeles, CA label with info on verso. Sheet 14 3/4" x 17 5/8" (with frame 27" x 29"). Waviness to paper, discoloration in left margin; chips and losses to frame.