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VINTAGE POTTERY VANITY MIRROR
VINTAGE POTTERY VANITY MIRROR WITH HAND MOTIFS Vintage art pottery vanity mirror, with relief molded hands to function as toothbrush holders, soap dish, etc., impressed date mark: "1973." 10.25" H x 12" W x 3.5" D. Hairlines on proper left pinky.
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STERLING. RAYMOND C YARD PERSONAL
STERLING. RAYMOND C YARD PERSONAL VANITY ITEMS. Including a monogrammed Tiffany & Co. sterling oblong petite dish - stamped, "Tiffany & Co. Makers17999 8476 Sterling Silver 925/1000 M"; a monogrammed Tiffany & Co. sterling hinged stamp case with a gold wash to interior - stamped, "Tiffany & Co. Makers17220 654 Sterling Silver 925/1000 M"; a monogrammed Tiffany & Co. sterling hinged box with a gold wash to interior - stamped, "Tiffany & Co. Makers7969 8439 Sterling Silver 925/1000 M"; a monogrammed Tiffany & Co. sterling bottle - stamped, "Tiffany & Co. Makers17689 1469 Sterling Silver 925/1000 M 89"; a Rand & Crane petite sterling articulated oblong footed bowl- stamped, "Rand & Crane 1138X Sterling"; a monogrammed Meriden Brittania Co. Sterling mounted articulated basket with glass inserts - stamped, "Sterling 71"; a monogrammed The McChesney Co. sterling soap holder with gold wash to interior - stamped, "Sterling B32 MC"; and a monogrammed The McChesney Co. sterling toothbrush holder - stamped, "Sterling B92 MC". Total approx. weight is 28.1 troy (gross) excluding glass inserts. From a Hollis, NY estate. Dimensions toothbrush holder measures approx. 6.75" in length. Condition: Good, with light surface scratches and minor dings/dents. Glass inserts exhibit chips.
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NINE VAR. WHITE IRONSTONE
NINE VAR. WHITE IRONSTONE TOOTHBRUSH HOLDERS.Lot of Nine Various White Ironstone China Toothbrush Holders. 4-1/2" to 6-1/2"h. Condition: : Very good with a few hairlines.
Condition:
Condition: : Very good with a few hairlines.
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PORCELAIN FLOW BLUE FLORAL LIDDED
PORCELAIN FLOW BLUE FLORAL LIDDED TOOTHBRUSH HOLDERAccented in gold gilt. Includes tray drainer. Factory reproduction mark to base.
Issued: 20th century
Dimensions: 2.5"L x 3"W x 3"H
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2PC ROSEVILLE POTTERY VANITY SET,
2PC ROSEVILLE POTTERY VANITY SET, COLONIALSet includes wash basin and toothbrush holder. Stoneware is sponge painted with blue and tan with light glaze and gilding on handles. Largest piece: 16"L x 16"W x 5"H.
Issued: 20th century
Country of Origin: United States
Condition:
Age related wear.
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STEUBEN ROUGE FLAMBE
STEUBEN ROUGE FLAMBE TUMBLERDESCRIPTION: Steuben rouge flambe tumbler with tomato red towards orange coloring. Finished with random reeding at the bottom, and pontil.
Soda- Lime Glass
Reference:
Shape 6359, See advertising brochure where this piece is identified in the brochure as to shape #, not shown in Gardner. Fig. 6.15 p. 140 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff.
Likely, a set with Toothbrush Holder #6767, Piece # 245.
Attribution to original owner, an employee of Steuben.
Pictured at p. 99 of Objects of Desire, The Art of Frederick Carder by Alan Shovers
Opaque and lined with flint white per Beth Shaut of Rockwell=s. Beth Shout originally opined that this wasn't an authentic piece of Rouge Flambe because she never saw rouge flambe with reeding. She also opined that Frederick Carder never signed pieces with that form of signature on the side of a piece, except for Intarsia pieces. Subsequently, on around Feb. 26, 2002 she reported talking to Bobby Rockwell who Said it was Steuben and that the color and translucency on the edge was from being over cooked. She then goes on to apologize because she was wrong. In Glass Art Reflect the Future: Art and technical glass from the collection of The Paul Vickers Gardner Glass Center, Published at Alfred University 2002 p.3 it states: Carder never produced this fragile glass commercially; 25 large pieces known to exist may be viewed in the Frederick Carder Collection of the Corning Museum of Glass. The experimental pieces in the exhibit demonstrate the variance between translucency and opacity, depending on the degree of crystallization that occurred.
Jim Barlow reports on 5/30/02 following a research trip to the Rakow that he found a reference to a rouge flambe with reeded know shape #6158(puff box/candy jar). Retail $6.00; in Cerise Ruby the most common color, $7.50.
This is the least likely glass to be encountered among any of the Carder opaques or semi opaques, or for that matter, among almost any type of his glass. A vivid dense warm red leaning toward the yellow or orange direction, it is made of a combination of chemicals, one of which was selenium that required careful proportioning and manipulation to produce the rich tomato-like color. Mr. Carder state that this was very difficult to make and that very few pieces were made. Ill. No. H-23, see p. 112 Carder=steuben Glass Handbook and Price Guide by John F. Hotchkiss.
Provenance:
Estate of Mr. and Ms. Alan Shovers
Acquired 4/12/01 from dealer Neil Kohut of Los Vegas, NV
CIRCA: 1900s
DIMENSIONS: H: 4.5" x D: 2.75"
CONDITION: Small chip in base. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
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STEUBEN ROUGE FLAMBE
STEUBEN ROUGE FLAMBE TUMBLERDESCRIPTION: Rouge flambe toothbrush holder with tomato red towards orange coloring and random reeding at the bottom.
Soda-lime glass.
Signed Fredk Carder at the side, above the reeding.
Reference:
Shape 6767, p. 245 Gardner.
Pictured at p. 99-100 of Objects of Desire, The Art of Frederick Carder by Alan Shovers
Eric E. Ericson in the first volume to his treatise, A Guide to Colored Steuben Glass 1903 - 1933 p. 9 says, Frederick Carders favorite and most difficult glass to make was the only production to carry his personal AFREDK CARDER in bold Spencerian script. Other special presentation pieces were often signed in the same manner, but these were not production Steuben in the sense we shall consider in this treatise.
See Advertising brochure where this piece is identified in the brochure as to shape Fig. 6.15 p. 140 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. At p. 239 Fig. 10.92, a paperweight cologne is shown with the Intarsia style signature on the base on the side.
Shape shown on the cover of Frederick Carder steuben Glass by Marshall Ketchum.
See shape p. 55 of A Guide to Colored Steuben Glass 1903 - 1933 by Eric E. Ericson.
Jim Barlow reports on 5/30/02 following a research trip to the Rakow that he found a reference to a rouge flambe with reeded know shape #6158(puff box/candy jar). Retail $6.00; in Cerise Ruby the most common color, $7.50.
Toothbrush holders were commonly sold in sets with a tumbler and a soap dish. There is a matching Rouge Flambe tumbler, shape 1185, with reeding. In Alan Shovers collection, piece.
This is the least likely glass to be encountered among any of the Carder opaques or semi opaques, or for that matter, among almost any type of his glass. A vivid dense warm red leaning toward the yellow or orange direction, it is made of a combination of chemicals, one of which was selenium that required careful proportioning and manipulation to produce the rich tomato-like color. Mr. Carder states that this was very difficult to make and that very few pieces were made. lll. No. H-23, see p. 112 Carder steuben Glass Handbook and Price Guide by John F. Hotchkiss.
Like Mandarin Yellow, Rouge Flambe was also inspired by Chinese porcelains; both these glasses were made in shapes suggestive of oriental ceramics, and both were difficult to produce and particularly vulnerable to breakage caused by strains within the glass.
Rouge Flambe pieces range in color from a rich red, as in Color Plate XXIII A, which was the color Carder was seeking, to an orange or coral tone. The color was produced by the addition of selenium and cadmium sulfide to the glass batch. As a result of the production difficulties, Rouge Flambe was made for only about two years, probably in 1916 and 1919. (See also Color Plate XXIV A.) The Glass of Frederick Carder by Paul V. Gardner, p. 81
Viewing Plate XXIII of Gardner the tallest piece is 6 2 A. Also, the decorated piece shown at plate XXIV is 4 1/4" H.
Rouge Flambe is among the rarest of Carder glasses. Fig. 8.58, p. 198 of Frederick Carder and Steuben Glass by Thomas P. Dimitroff. Technical production difficulties, such as glass formulas that yielded unstable glass, also could result in very few items be made. This was the case with Mandarin Yellow, Rouge Flambe, and Moresque. As a result, all of these types are rare and extremely valuable. p. 239
In Color, this ware resembles a delicate tomato-red. It was made of the metallic substance selenium and a precise amount of cadmium sulfide. The manufacture of this glass was quite precarious due to the delicacy involved in both the melting process and heat treatment. The finished product has a soft, warm appearance.
The marketing of this product was quite late in the 1920's and perhaps a year into the 1930's. It is an exceedingly scarce item, little being made or sold due to the tumultuous period of introduction. P. 67 of a Guide to Colored Steuben Glass 1903 -1933 (Book I), by Eric E. Ericson.
Another of the little-seen type of Steuben Glass but remembered once seen for its striking rich red tomato color in a dense opaque body which Mr. Carder reported as extremely difficult to make and likely to be unstable structurally. The few pieces that are seen are almost without exception in important collections and therefore, like similar rarities, values can be an approximation of what a seller and buyer might agree upon. The scale of value would place it above Intarsia and below Diatreta. As a more specific valuation, it may be placed somewhere between the low and mid five figure prices. Art Glass Prices #3 by John F. Hotchkis 1967).
Rouge Flambe glass is one of the most strikingly explosive shades achieved in glass. In view of the exact control needed for the mix, as well as the proper heat of the fire, very little variation may occur before a piece falls short of its natural brilliance. These pieces must be recognized, as they were rarely signed, but using Steuben shapes as reference along with the outstanding red color, it is highly unlikely that one will overlook such a piece. Art Glass Nouveau by Ray and Lee Grove, p. 156.
This rare art glass type, consisting of fewer than one hundred examples, was produced by Frederick Carder about 1916-1917. Its color, ranging from tomato red to orange, and even coral pink, has a bright surface texture and was not acidized or iridized. Proved to be fragile, causing straining and cracking of the glass the addition of minute, metallic flecks of chrome oxide gave the ware a pearly finish. P. 40 of The Collector's Encyclopedia on American Art Glass by John A. Shuman III.
See, similar wise, also at p. 146 of American Art Nouveau Glass by Albert Christian Revi.
Color shown in a plate in a 1926 AD in House and Garden labeled {Steuben Glass hand wrought in the old tradition and bearing the label Steuben Glass Blown and modeled (id) at Steuben Furnaces, Corning, N.Y. The inscription reads Rouge flamme (id), the color of the small plate, is one of the rarest and most striking colors ever developed in glass.
On the record interview between Carder and Philpot. The Fieldstone Porch Presents Conversations with Carder on Steuben his American Art Glass Carder says, contrary to several books that say the Intarsia signature is engraved, that he signed the Intarsia pieces, estimated at 35 in number. In the book, For Real bob Rockwell The an and His Collection by Mary Elizabeth Wahlig at p. 119 the author says: As far as Bob can recall, Aurene is the only type he would sign with its name with one exception; Bob recalls, Carder did sign just one piece Rouge flambe, fred Carder.
Opaque and lined with flint white per Beth Shaut of Rockwells. Beth Shaut originally opined that this wasn't an authentic piece of Rouge Flambe because she never saw rouge flambe with reeding. She also opined that Frederick Carder never signed pieces with that form of signature on the side of a piece, except for Intarsia pieces. Subsequently, on around Feb. 26, 2002 she reported talking to Bobby Rockwell who Said it was Steuben and that the color and translucency on the edge was from being over cooked. She then goes on to apologize because she was wrong. In Glass Art Reflect the Future: Art and technical glass from the collection of The Paul Vickers Gardner Glass Center, Published at Alfred University 2002 p.3 it states: Carder never produced this fragile glass commercially; 25 large pieces known to exist may be viewed in the Frederick Carder Collection of the Corning Museum of Glass. The experimental pieces in the exhibit demonstrate the variance between translucency and opacity, depending on the degree of crystallization that occurred.
Jim Barlow examined additional pictures of the signature and concluded it was engraved. He states the signature is one of two things. The work of a Master engraver who isn't bothered by forging something or it is by the person who put on all the signatures on the pieces of Intarsia at Steuben. He concludes the signature looks awfully authenticate. See signature at p. 234 of Dimitroff, Fig. 10.83, Frederick Carder and Steuben Glass and also p. 135 of The Glass of Frederick Carder by Paul V. Gardner. Also p. 200 of Thomas P. Dimitroff's book in fig. 8.65 a Rouge Flambe piece is signed with the AFredk Carder on the bottom post-production. Perfect match on an Intarsia piece shown at
http://www.glassclub.org/8_22x.htm
Provenance:
Estate of Mr. and Ms. Alan Shovers
Acquired 3/8/02 from Troy Jenkins of Sarasota, FL.
CIRCA: 1900s
DIMENSIONS: H: 4.5" x D: 3"
CONDITION: Great condition. Normal signs of age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
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TIFFANY TRAVEL SET AND HEART
TIFFANY TRAVEL SET AND HEART DISH, 5 ITEMSGroup of five (5) marked Tiffany sterling silver items including a partial sterling silver travel set consisting of a toothbrush holder and 2 canisters (3 1/2" H - 6 5/8" H), miniature "Bamboo" pill or pin box (1" x 1 7/8"), and a pierced heart shaped footed tray (7" x 6"). 14.720 total troy ounces. Estate of Jane McKinnon, Lenoir City, TN. (Higher-resolution photos are available at www.caseantiques.com)
Condition:
Denting to side of toothbrush holder and tallest canister. Overall general wear to all items. Pill box engraved.
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SHERLE WAGNER CHINOISERIE PORCELAIN
SHERLE WAGNER CHINOISERIE PORCELAIN SINK: Comprising; Sink, Handles, Two Sink Faucets, Bamboo motif Toothbrush holder, Handles, Toilet paper holder, and some extra parts. Sing Approx. 8.5'' h x 19.25'' w x 15.25'' w.
CONDITION: Chip at outer edge of sink (concealable with caulking), Toilet paper holder backings cracked. Possible missing a part.
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SHREVE & CO GENT'S CASED DRESSER
SHREVE & CO GENT'S CASED DRESSER SETcomprising a toothbrush holder, three bottles, a glass jar with sterling cover, a comb, and two brushes, each marked "Shreve and Co / Sterling"; together with a leather-covered mirror, an associated stainless steel pair of tweezers, and an associated stainless steel nail file; all in a fitted leather case stamped "Shreve and Co / San Francisco"; approximately 9.7 troy ounces weighable sterling; Condition: wear to leather; one element appears to be missing; weight does not include glass jar, brushes, tweezers, file, comb or mirror; Provenance: The Estate of Barry Tarlow; the case: 13 inches wide; 9 1/2 inches deep; 3 inches high Condition:
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TIFFANY & CO. MAKERS TOILETRY
TIFFANY & CO. MAKERS TOILETRY SETTiffany & Co. Makers Hammered Sterling Silver Gentleman's Travel Toiletry Set, 1st half 20th c., incl. toothbrush holder, soap box, talcum canister, 2 bottles and a jar, total wt. 22.75 troy ozs
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Faux antler home decor to include
Faux antler home decor to include (4) toothbrush holders with cup, a tissue box cover, a light switch plate and (2) bottle openers.
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GERMAN GEBRUDER HEUBACH BISQUE
GERMAN GEBRUDER HEUBACH BISQUE BASEBALL PLAYERGerman Gebruder Heubach bisque baseball player, 12 1/2" h., together with two large German piano babies, a bisque figure of Little Red Riding Hood, and a Three Little Pigs bisque toothbrush holder.
Condition:
Baseball - Lacking bat, head reattached. Riding Hood - lines in wolfs legs. Pigs - small base rim chips. Piano baby - loss to wing of butterfly, repair to tip of bow. Other baby - good condition.
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TWO JAPANESE MICKEY MOUSE BISQUE
TWO JAPANESE MICKEY MOUSE BISQUE FIGURES, ETC.Two Japanese Mickey Mouse bisque figures, to include a toothbrush holder, 5 1/4" h., and a band figure, 3 1/4" h.; together with a contemporary box for The Two Pals.
Competitive in-house shipping is available for this lot.
Condition:
Toothbrush - movable right arm is loose.
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(6) ENGLISH KEA IMARI PALETTE
(6) ENGLISH KEA IMARI PALETTE IRONSTONE WASH SET(lot of 6) English ironstone wash set, marked KEA underfoot, in an Imari palette with gilt accents, including: (1) lidded toothbrush holder, approx 3.25"h, 8.75"w, 3"d; (1) handled slop jar, approx 11.75"h, 11.5"w, 10.5"diam; (1) handled pitcher, with scalloped rim, approx 12.5"h, 11"w, 9"d; (1) small wash bowl, approx 3.5"h, 9.5"diam; (1) large handled basin, approx 5.25"h, 14.5"diam; (1) ribbed chamber pot, approx 5.25"h, 11"w, 9.25"d; 30lbs total
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(6) ENGLISH KEA IMARI PALETTE
(6) ENGLISH KEA IMARI PALETTE IRONSTONE WASH SET(lot of 6) English ironstone wash set, marked KEA underfoot, in an Imari palette with gilt accents, including: (1) lidded toothbrush holder, approx 3.25"h, 8.75"w, 3"d; (1) handled slop jar, approx 11.75"h, 11.5"w, 10.5"diam; (1) handled pitcher, with scalloped rim, approx 12.5"h, 11"w, 9"d; (1) small wash bowl, approx 3.5"h, 9.5"diam; (1) large handled basin, approx 5.25"h, 14.5"diam; (1) ribbed chamber pot, approx 5.25"h, 11"w, 9.25"d; 30lbs total
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(10) Pcs porcelain, c/o Porsgrund
(10) Pcs porcelain, c/o Porsgrund Norge Norway tumbler with motto translates to "Ale in the bowl makes marrow in the bone gives a buzz in the skull and cleanses the stomach (4" h), Petrus Regout Maastricht Sana iridescent bowl (7-3/4" dia x 4" h), iridescent bowl (5-1/4" dia x 2-3/4" h, chip to foot), Asian style saucer (4-7/8" dia), iridescent inkwell marked indistinctly (3" dia x 2-3/4" h), J Ridgway & Co Baronial Castle hexagonal vegetable bowl (missing lid, chips to rim), Stoke Upon Trent diamond shaped relish dish (9-3/8" x 5-7/8"), toothbrush holder depicting "The Lion Hunter" (4-1/2" h), Arcadian China Maidstone miniature jug (2-3/4" h), Jones McDuffee & Stratton Pottery & Merchants Boston 1891 calendar (4-7/8" x 3-3/8")
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METAL WASHSTAND AND PITCHER AND
METAL WASHSTAND AND PITCHER AND BOWL SET. Late 19th and early 20th centuries. American sheet metal and tubular stand with back splash and lower shelf. Yellowed white paint. 37.75"h. 27.5"w. 19.75"d. together with and English Lynton flow blue pitcher and bowl, toothbrush holder, mug and sponge jar. Wear, crazing and bowl has hairline.
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8-PIECE BLUE SPONGEWARE CHAMBER
8-PIECE BLUE SPONGEWARE CHAMBER SET, LATE 19THcentury. To include: handled slop jar (13" high, 10" diameter), pitcher (11 1/2" high), bowl (5" high, 14" diameter), chamber pot (8" high, 9" diameter), water pitcher (7" high, 5 1/2" diameter), toothbrush holder (5" high, 3 1/2" diameter), handled mug (3 1/2" high, 3 1/4" diameter), covered soap dish with insert (3" high, 6" diameter). No visible damage.
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(7 PCS) BLUE & WHITE SPONGEWARE
(7 PCS) BLUE & WHITE SPONGEWARE Including: Butter crock, 2 3/4" high, 4 1/2" diam.; (3) Custard bowls, blue painted rims, 1 7/8" high, 4 1/4" diam.; Small bowl, faceted sides, 2" high, 3 3/4" diam., hairline cracks, crazing; Small mixing bowl, 3 1/2" high, 7" diam., hairline cracks; and Toothbrush holder or vase, 5" high.
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A Pigskin Leather Traveling
A Pigskin Leather Traveling Vanity Case The satchel clad in a ruddy brown pigskin with top stitching and the interior in a brown moiree fabric, approx. 12" x 16" x 6", with two brass latches stamped "Made in England...Lever Action", and with the handle laced in a black material. Inside contains a stand back mirror with pigskin edging and a ring at the top for hanging, and sterling silver monogrammed implements marked by William G. Kerr & Co. with the containers in panel cut glass with silver lids of like decoration. The implements include a button hook, nail file, brush, shoe horn, clothing brush, toothbrush holder, three bottles and three jars.
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Assortment of bar accessories and
Assortment of bar accessories and curios 1) Maryland armorial medallion, Medallic Art Co.,1976, 5 ozt. .999 fine silver; 2) R. Williams reticulated silver toothbrush holder with a Victorian bone toothbrush; 3) Ivory figural bottle spout carved as a squatting boy; 4) Silver bottle stopper modeled as a standing knight, London import hallmarks for 1902-03; 5) American repousse silver and ivory stopper, early 20th Century; 6) Silver-plated signet, late 19th Century, modeled as an amorous faun and maiden; 7) Silver cocktail spoon with ivory tip carved as a skull; and 8) Ice Pick with painted resin tip modeled as a skull.
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Porcelain including: two 20th C.
Porcelain including: two 20th C. Rose Medallion plates; three Canton plates; Wedgwood Boston Tea Party plate; transfer toothbrush holder; brown transfer platter ''Tyrol'' 11'' x 8''; transfer plate Old Stone Mill Newport RI; Wedgwood transfer ''California'' plate; brown transfer tureen with ladle and underplate; Flow Blue syrup pitcher; along with two Famille Rose footed dishes 4 1/2'' diam. wear and chips.
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Six pieces of Roseville Holland
Six pieces of Roseville Holland utility ware including a tankard three mugs shaving mug and toothbrush holder. All unmarked. Few small chips tight hairlines to some. Tankard is 9 1/2'' tall.
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4 pc. Royal Albert ''Old Country
4 pc. Royal Albert ''Old Country Roses'' wash set includes pitcher soap dish soap dispenser & toothbrush holder all excellent.
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ART NOUVEAU STERLING SILVER
ART NOUVEAU STERLING SILVER DENTAL ITEMS: To include; 1) 3 sterling handled toothbrushes full bodied woman marked sterling floral by Unger Bros and woman's head by Foster & Bailey; 2) Two different designed floral toothbrush covers by Unger Bros. 3) Sterling capped toothbrush holder woman's head to the left marked sterling; 4) Sterling capped toothbrush holder woman's profile to the left reaching for flowers Simons Bros. 5) Two sterling caped toothbrush glass canisters (one by Gorham-the one with the air vent in the cap and the other marked sterling); 6) Sterling capped tooth powder holder? mechanical top with woman Foster & Bailey.CONDITION: 6) Top sticks. Expected dings dents & scratches.
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Tin Skeezix Listerine Toothbrush
Tin Skeezix Listerine Toothbrush Holder.
No wear with just a small amount of minor surface rust to left leg. Complete with most of the tattered original box.
Condition Holder (Excellent) Box (Fair - Good). Size 6" T.
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UNCLE WILLIE AND EMMY BISQUE
UNCLE WILLIE AND EMMY BISQUE TOOTHBRUSH HOLDER Japan copy. F.A.S. hand painted depicts couple standing in front of large holder. 5'' h. (Pristine Cond.)
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6 pc. Japanese Kutani or ''Red
6 pc. Japanese Kutani or ''Red Imari'' PorcelainWash Set includes 11'' wash pitcher with 14 1/2'' diameter wash bowl soap box powder jar toothbrush holder & water pitcher signed fine handpainted details excellent.
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(13) STERLING TOP OR SOLID STERLING
(13) STERLING TOP OR SOLID STERLING VANITY JARS- Including (5) Powder Jars (one in solid sterling); (2) Tall Crystal Perfume Bottles w/ sterling fittings; (4) Smaller Bottles Toothbrush Holder 2'' to 7 1/2'' good condition.