A few examples of appraisal values for
TRAVIS COURT

• TRAVIS CROWTHER (UTAH, 20/21ST
  TRAVIS CROWTHER (UTAH, 20/21ST CENTURY) OIL ON CANTRAVIS CROWTHER (Utah, 20/21st century) oil on canvas, "Spring Day on the Orv Farm," landscape with a farmhouse and hills beyond. Signed lower left, signed again and titled verso. Image measures 24" x 30". In a gilt wood frame; 34.5" x 40.5" overall.
• JUGTOWN POTTERY, TRAVIS OWENS
  JUGTOWN POTTERY, TRAVIS OWENS (SEAGROVE, NC, B. 1985), TEAPOT Stoneware with two color glossy glaze, an ovoid form with flat cover, thumb grip handle, short footed base, signed on the underside and dated 2006.
• JUGTOWN POTTERY, TRAVIS OWEN
  JUGTOWN POTTERY, TRAVIS OWEN (SEAGROVE, NC, B. 1985), HAN VASE Salt glazed with blue crystalline rim treatment, ovoid form with vertically applied strap handles, signed on the underside and date 2005.
• TRAVIS CROWTHER OIL ON CANVASTRAVIS
  TRAVIS CROWTHER OIL ON CANVASTRAVIS CROWTHER (Utah, 20/21st century) oil on canvas, "Spring Day on the Orv Farm," landscape with a farmhouse and hills beyond. Signed lower left, signed again and titled verso. Image measures 24" x 30". In a gilt wood frame; 34.5" x 40.5" overall.
• Travis Humphreys (American, b.
  Travis Humphreys (American, b. 1965) The Old School Watercolor signed Travis R. Humphries and titled lower left 9 x 16 inches
• PAINTING, MARK TRAVIS Mark Travis
  PAINTING, MARK TRAVIS Mark Travis (American, 20th century), "Conjour Shift No. 1," 1995, oil on canvas, signed, titled, and dated verso, canvas (unframed): 60"h x 48"w
• TRAVIS Stuart (American 1868-1942):
  TRAVIS Stuart (American 1868-1942): Young Victorian Woman Holding Umbrella Wearing Daisy Hat Standing in Front of a House Mixed Media Gouache and Pastel reportedly a cover for Forbes sight size 27 1/2'' x 20'' signed lower right framed 30 1/2'' x 23''.
• Paul Bough Travis (American
  Paul Bough Travis (American 1891-1975) Hands. Ink and gouache on paper inscribed "Paul B. Travis 1949 Hon. Men. Canton O" at the lower left corner mounted onto matboard and framed in a silver metal frame under glass overall 30-1/4" x 33".
• (LOT OF 4) ARTHUR COURT SQUARE
  (LOT OF 4) ARTHUR COURT SQUARE TRAYS (lot of 4) Arthur Court square trays: two pairs, one featuring birds 16"sq, the other featuring rabbits 12.5"sq
• TRAVIS WHITFIELD (AMERICAN B. 1945)
  TRAVIS WHITFIELD (AMERICAN B. 1945) A PRINT, "TEXAS PRI...TRAVIS WHITFIELD (American b. 1945) A PRINT, "Texas Pride," lithograph in colors on paper, signed indistinctly L/L, "David...," with a blind stamp, and special edition number 53/75, 15 1/2" x 29 3/4". Condition: Paper has slipped in frame, minor surface wear, overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• Travis Millard (21st century,
  Travis Millard (21st century, California) 'Fence Jump (Banana)' Drawing, 2019. Ink and graphite on paper. Measures 9x7.5'' sight, in vintage ornate gilt frame with measurements of 12.5x10.5''
• TRACY LEAGJELD (PORTLAND, OR,
  TRACY LEAGJELD (PORTLAND, OR, XX/XXI C.) COLOR PRITRACY LEAGJELD (PORTLAND, OR, XX/XXI C.) COLOR PRINT, "Napa Valley Patchwork," edition #2/3, 11.5" x 11.25" image, artist pencil signed lower right margin, in a 22.75" x 22" green wood frame.
• Paul Bough Travis (American
  Paul Bough Travis (American 1891-1975) Man at Rapids. Watercolor on board signed in pencil in the lower right not framed board size 15-1/4" x 18-1/2".
• PAUL B. TRAVIS WATERCOLORPaul B.
  PAUL B. TRAVIS WATERCOLORPaul B. Travis (American 1891-1975)- African Landscape with Palm Trees- watercolor on paper, 1928, signed and dated 'Paul B. Travis 1928' lower right in pencil. 15 x 20''
• Mark Travis (American, 1952-2007)
  Mark Travis (American, 1952-2007) (Untitled) Mixed Media on Canvas with Metal,1988 Mixed Media signed, dated and titled on verso 64 x 80 inches
• TURQUOISE CARVED COURT LADY -
  TURQUOISE CARVED COURT LADY - Carved in the full round from a single block of Persian turquoise presenting the figure of a seated court lady in a finely draped robe with voluminous sleeves and a floating scarf. She holds a tray in both hands which holds
• TURQUOISE CARVED COURT LADY -
  TURQUOISE CARVED COURT LADY - Carved in the full round from a single block of Persian turquoise presenting the figure of a seated court lady in a finely draped robe with voluminous sleeves and a floating scarf. She holds a tray in both hands which holds
• PAUL BOUGH TRAVIS (AMERICAN,
  PAUL BOUGH TRAVIS (AMERICAN, 1891-1975) AFRICAN WATERHO...Paul Bough Travis (American, 1891-1975) African Waterhole, 1956 Watercolor on paper Signed and dated lower edge 19 in. h. x 25 in. w., paper 22 in. h. x 28 in. w., as matted Paul Travis, among the most predictive, sensitive and talented artists of the Cleveland School was born in Wellsville, Ohio near the border of Pennsylvania. Paul Travis became a painter, lithographer, etcher, and teacher, living in Cleveland Heights, Ohio. His name is closely associated with the watercolor tradition of Northeast Ohio. He graduated from the Cleveland School of Art where he was a student of Henry Keller, the renowned tonalist painter. Travis studied there for five years where he became a protégé of Keller’s, and also encountered Charles Burchfield and Frank Wilcox, all of whom later became acknowledged members of the Cleveland School. Travis remained friends with Burchfield and Wilcox for the rest of his life. Travis served in the Army in World War I, and while serving, he completed a prolific body of war related paintings and drawings. He spent most of the remainder of the war in Le Mans, but also traveled widely throughout France, painting and sketching. After the war he was appointed as an art teacher at the American Forces University of Beaune. In 1920, he returned to Ohio to teach at the Cleveland School, renamed the Cleveland Institute of Art in 1940. In addition he also taught at Western Reserve University beginning in 1956. In 1928, at the age of 36, Travis used a sabbatical from teaching to take a much celebrated eight-month trip to Africa. Travis’s trip was sponsored by a number of Cleveland-area organizations, including The Gilpin Players of Karamu House, the African Art Sponsors, the Cleveland Museum of Natural History, and the Cleveland Museum of Art. Travis traveled roughly the same path as famed British explorer Henry Morton Stanley, from Cape Town, South Africa, to Cairo, Egypt. This trip motivated Travis to prolific production. Along the way, Travis sketched, took video and photographs, and collected artifacts. The artwork and artifacts Travis amassed during his 1928 trip through Africa went into the collections of the Cleveland Museum of Art, the Cleveland Museum of Natural History, and Karamu House. The Cleveland Museum of Art received works Travis collected from the Mangbetu people while in the northeastern part of Congo, and as of June 2010, the museum owns 71 pieces of art created by Travis himself. Some of Travis’s diary entries, letters, and film footage have been stored in the Smithsonian‘s Archives of American Art. By the time the Cleveland Museum of Art held its 52nd May Show in 1971, Travis had exhibited and won regularly in all 52 shows. Dan Tranberg of the Cleveland Plain Dealer called Travis’ work “ some of the most historically significant art this city has ever produced.” In 2001 the Cleveland Artist’s Foundation published a retrospective of Travis’ work. Travis’ work is unique and important. Unlike many American artists of the period who painted their regional rolling hills and local city scenes Travis’ art often expressed the most important emotions and concerns of the 20th century; global colonization and exploitation, racism and inhumanity, the bomb and global apocalypse. Travis’ sensitivity in much of his subject matter underscores the predictive nature of some artists. In many compositions Travis clearly raised flags about these issues that would later consume the entire world. Memberships included the American Society for Aesthetics; Cleveland Society for Aesthetics, which in 1946 he served as President; Cleveland Museum of Modern Art; and the Archaeological Institute of America. Some early exhibition venues included The Cleveland Museum of Art, 1920-1958; The Pennsylvania Academy of the Fine Arts; The Brooklyn Museum; The Museum of Modern Art; The Art Institute of Chicago; Golden Gate Exposition, 1939; Carnegie Institute; Corcoran Gallery Biennials; Pasadena Art Institute, 1946; Butler Art Institute, 1936-1958; Ohio Watercolor Society, and Cleveland Art Association.
• PAUL B. TRAVIS WATERCOLORPaul B.
  PAUL B. TRAVIS WATERCOLORPaul B. Travis (American 1891-1975)- African Landscape with Mountain- watercolor on paper, 1928, signed and dated 'Paul B. Travis 1928' lower left in pencil. 15 x 20''
• TRACY BARON (b. 1975): UNTITLED
  TRACY BARON (b. 1975): UNTITLED C-print numbered 19/25 dated 1998 and signed on verso unframed. Provenance: Property from the collection of Jan Cowles. 11 x 14 in.
• TRACY GRAYSON (b. 1960): ACROSS THE
  TRACY GRAYSON (b. 1960): ACROSS THE STREET 1987 Oil on wood signed on reverse on frame. Provenance: Property from the collection of Jan Cowles. 21 1/2 x 28 7/8 in. (frame).
• PAUL BOUGH TRAVIS (AMERICAN,
  PAUL BOUGH TRAVIS (AMERICAN, 1891-1975) 10" x 15" sight size African landscape, 1952. Watercolor on paper, signed and dated with illegible title along bottom edge, under conservation glass with double mat and gilt wood frame, overall 18" x 23".
• (LOT OF APPROXIMATELY 150) MOVIE
  (LOT OF APPROXIMATELY 150) MOVIE FLYERS FOR THE COURT (lot of approximately 150) Movie flyers for the Court and McKenzie Theaters, Tennessee, mainly 1930's examples
• PAUL TRAVIS WATERCOLORPaul Travis
  PAUL TRAVIS WATERCOLORPaul Travis (American 1891-1975)- African Landscape Sketch- watercolor on paper, 1928, dated and signed Paul B. Travis lower left in pencil. 15 x 20''
• Paul Bough Travis (American
  Paul Bough Travis (American 1891-1975) "Waves Crashing Against Shore". Watercolor on paper signed "Paul Travis" on the lower left corner dated 1962 matted and framed in a black wood frame overall apprx. 16-3/4" x 24-3/4".
• PAUL TRAVIS WATERCOLORPaul Travis
  PAUL TRAVIS WATERCOLORPaul Travis (American 1891-1975)- ''Landscape''- watercolor on paper, 1957, signed and dated Paul Travis 1957 lower left in pencil, titled in pencil on verso, creasing, minor loss in lower right corner. 19 1/2 x 25 3/4''
• PAUL B. TRAVIS WATERCOLORPaul B.
  PAUL B. TRAVIS WATERCOLORPaul B. Travis (American 1891-1975)- ''Stumps and Legs, Lake Erie''- watercolor on paper, 1949, signed and dated 'Paul B. Travis 1949' lower right in pencil, titled on verso. 19 x 27 3/4''
• PAUL BOUGH TRAVIS (AMERICAN,
  PAUL BOUGH TRAVIS (AMERICAN, 1891-1975) 19 ¾" x 28 ¾" African landscape, 1951. Watercolor on paper, signed and dated lower left, matted under glass in wood frame, overall 32" x 39".
• PAUL BOUGH TRAVIS (AMERICAN,
  PAUL BOUGH TRAVIS (AMERICAN, 1891-1975) 21 ½" x 28" "Ancient Fish", 1953. Mixed media on Whatman drawing board, signed and dated lower right with second signature in image, Butler Institute of American Art tag verso for the mid-year show dated 1959, unframed. From the estate of Mr. Travis by descent.
• PAUL TRAVIS FROM A STUDENT'S SKETCH
  PAUL TRAVIS FROM A STUDENT'S SKETCH BOOK (6 WORKS)4 works purported to be Paul B. Travis in the style of William Sommer attributed to Paul B. Travis Watercolor, pastel and crayon 24 x 18 inches, largest 3 works by Paul B. Travis, figures/life drawing class India ink and charcoal 23 x 14.5 inches, largest
• TRAVIS LOUIS LITHOGRAPHIC
  TRAVIS LOUIS LITHOGRAPHIC POSTERTravis Louis (American 20th/21st c.)- ''Cirque du Soleil''- lithographic poster, 2011, numbered 53/300 in pencil, very good condition. 28 1/4 x 18 3/8''
• NC POTTERY, THREE POTTERY VASES
  NC POTTERY, THREE POTTERY VASES FROM JUGTOWN The first is in the manner of an ancient oil jar, extreme ovoid form with wide mouth, matte green glaze, signed on the underside "Travis Owens 2011" (12 x 10.25 in.); the second is of salt-glaze and of a similar form with flat rim, applied strap handles, concentric inscribed lines in three bands, signed on the underside "Pamela Owens 2016"; the third, a baluster vase with half cobalt, signed on the bottom "Vernon Owens 2001 " (8 in.).
• PAUL BOUGH TRAVIS (AMERICAN,
  PAUL BOUGH TRAVIS (AMERICAN, 1891-1975) 23 ½" x 17 ¾" sheet size "Seated Nude". Pastel and wash on sketch book paper, pencil signed lower right, titled verso, matted, unframed, overall with mat 31" x 24". From the estate of Mr. Travis by descent.
• PAUL BOUGH TRAVIS (AMERICAN, 1891 -
  PAUL BOUGH TRAVIS (AMERICAN, 1891 - 1975) 20" x 29" image size Bull and Picador, 1953. Watercolor on paper, signed and dated lower right corner, matted under conservation glass in black and gold tone frame, overall 31 ½" x 39 ½".
• PAUL BOUGH TRAVIS (AMERICAN,
  PAUL BOUGH TRAVIS (AMERICAN, 1891-1975) 19" x 25" sheet size "African Waterhole", 1956. Watercolor on paper, signed and dated 1956 lower center., titled on verso, hinged to mat, unframed, overall with mat 22" x 28". From the estate of Mr. Travis by descent.
• PAUL BOUGH TRAVIS (AMERICAN, 1891 -
  PAUL BOUGH TRAVIS (AMERICAN, 1891 - 1975) 19 ?" x 231/16" image size "Black Bass and Minnows", 1925. Lithograph printed on green paper, edition 155/250, signed, dated, and numbered in pencil lower left, matted and framed, overall 28 ¼" x 34 ¼". Published by The Print Club of Cleveland Publication No. 2 for 1925. Plain Dealer 1970 news article verso of frame with image of the print in article "Print Club's Golden Tally".