A few examples of appraisal values for
TREE FARM

• ELMER O. STENNES CANADA GOOSE DECOY
  ELMER O. STENNES CANADA GOOSE DECOY EAST WEYMOUTH, MASSACHUSETTS, 1911-1975 LENGTH 24”.ELMER O. STENNES CANADA GOOSE DECOY, East Weymouth, Massachusetts, 1911-1975, Marked in black ink on bottom "Wood from my tree farm Weymouth Mass. Decorated by Paul Renee E.O. Stennes M.C.I.P. 1971". Dimensions: Length 24".
• CHRISTOPHER DRESSER (1834-1904) FOR
  CHRISTOPHER DRESSER (1834-1904) FOR WILLIAM AULT & CO. PAIR OF EWERS, CIRCA 1890 glazed earthenware, applied maker's mark to base/ no.125(2)23cm highLiterature:Christopher Dresser: Ceramics, Glass and Metalware Crab Tree Farm 2015, p.21, no.5, where a signed example by Linthorpe Pottery of circa 1880 is illustrated
• MARY ANN VESSEY (GA/VA), GUS' TREE FARM
  MARY ANN VESSEY (GA/VA), GUS' TREE FARM Oil on panel, signed at lower left, also signed, titled, and dated to verso, in painted wooden frame.
• CHRISTOPHER DRESSER (1834-1904) (ATTRIBUTED
  CHRISTOPHER DRESSER (1834-1904) (ATTRIBUTED DESIGNER) FOR BENHAM & FROUD, LONDON EWER, CIRCA 1885 copper, brass, ebonised wood, maker's stamp to base27.3cm highLiterature: Christopher Dresser: Ceramics, Glass and Metalware Crab Tree Farm Collection, 2015, p.63, no. 37 illus.
• Richard Clague (French/New Orleans 1821-1873)
  Richard Clague (French/New Orleans 1821-1873) "Cow Grazing on the North Shore St. Tammany Parish Louisiana" oil on canvas signed "R. CLAGUE" lower right 16 in. x 20 in. in an antique frame. Provenance: Vero Beach Florida estate. Note: Richard Clague was the father of the great tradition of Louisiana landscape. His highly detailed depictions of the bayous cabins and farms of the region inspired a whole generation of artists. A review of Clague's work suggests that the Louisiana farm is among his favorite subjects. Numerous paintings including an oak tree farm buildings grazing cattle and a large sky feature prominently in his best works. The painting offered here "Cow Grazing on the North Shore St. Tammany" depicts a grazing cow at the end of a fence line intimating the edge of the farm with thick woods depicted in the background. In this work Clague employs a slightly different perspective than is commonly seen in his paintings with a curving stream and bank ending in the middle of the composition and into the dense tree line. The light and bright sky brought close to the tree line reinforces the intimacy of Clague's distinctive view. Reference: Toledano Roulhac Richard Clague 1821-1873 exhibition catalogue New Orleans Museum of Art 1974.