A few examples of appraisal values for
TRENTHAM

• BRITISH SCHOOL: TRANMERE BRANCH
  BRITISH SCHOOL: TRANMERE BRANCH OF MIDLAND BANK Watercolor and ink on paper 12 x 15 3/4 in. (sight) design by A. Neville Hold FRIBA and drawn by N. Hampson. Note: Tranmere is near Birkenhead UK.
• § BEN NICHOLSON O.M. (BRITISH
  § BEN NICHOLSON O.M. (BRITISH 1894-1982) TRENDRINE, 1948 1/6, numbered in pencil in the margin (lower right), etching on paper17.5cm x 25cm (6.9in x 9.8in)Literature: Alan Cristea Gallery, Ben Nicholson: Prints 1928-1968, Alan Cristea Gallery London, 2007, cat. no. 17. (another example from the edition).Barns-Graham bought this etching in a series of instalments stating in a letter to Nicholson: 'Dear Ben, I have chosen the Drypoint titled "Terendine" - from those we took away on Sunday. I enclose £2 & will send another £2 next month if that really is alright with you. How grateful I am."
• Moorcroft Pottery, a Trentham Prize
  Moorcroft Pottery, a Trentham Prize vase, design by Emma Bossons 2013, limited edition 34/100, 25.5cm high/Provenance: Spetchley Park
• Harsh, Williams, Tenn
  Harsh, Williams, Tenn
• Leigh (Samuel) The Panorama of
  Leigh (Samuel) The Panorama of the Thames from London to Richmond, [1828-29], hand coloured aquatint, (approx. 200 x 18600mm when unfolded), original cloth boards, printed label on upper cover, modern morocco-backed cloth slipcase (without volume of text), 21.5cm by 1,890cm (when extended)/see illustration
• Two towel rails/Provenance:
  Two towel rails/Provenance: Spetchley Park, Worcestershire
• A Staffordshire transfer printed
  A Staffordshire transfer printed jug in puce Entrance to the Liverpool and Manchester Railway and three other jugs
• Hornby Triane Train Set
  Hornby Triane Train Set
• GROUP OF RAILWAY STAFFORDSHIRE,
  GROUP OF RAILWAY STAFFORDSHIRE, 19TH C.Group of Railway Staffordshire, 19th c. Condition: Some with staining.
• Ferguson (S) The Cromlech on
  Ferguson (S) The Cromlech on Howth Day & Son London 1861
• Leonard Richmond (1889-1965) oil on
  Leonard Richmond (1889-1965) oil on canvas 'Trencom near St Ives Cornwall' signed and inscribed verso 20 x 24in. Estimate ?200-300 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?550
• Staffordshire Toby Jugs Manor of
  Staffordshire Toby Jugs Manor of a referree
• A watercolour river scene with
  A watercolour river scene with sailing barges titled and signed in pencil on the mount '' The Thames at Twickenham''. ''S.T. Sulivan 1840''. Measurements: 36 x 25 cm.
• a Triang model railway 00 gauge
  a Triang model railway 00 gauge with meccano bridges hornby dunster railway station etc
• Near Caversham on Thames 16''x24''
  Near Caversham on Thames 16''x24''
• A ''Panorama of the Thames from
  A ''Panorama of the Thames from London to Richmond'' comprising ninety strips each 16ins x 4ins depicting views from each side of the River Thames thought to have been published by Samuel Leigh 18 Strand circa 1820 now bound in one volume with cloth covered boards and leather spine (spine damaged)
• STAFFORDSHIRE TRANSFERWARE SOUP
  STAFFORDSHIRE TRANSFERWARE SOUP TUREEN. England, 2nd quarter 19th century. Tureen and underplate marked "Brameld + S". Blue and white floral design. Chips, stains and professional repair. 13"w. Pewter ladle. Wear and rust. 12.5"l.
• Treen. An oak mortar and cover,
  Treen. An oak mortar and cover, 17th c, turned with reeds, the stepped cover with low pointed knop, 17cm h More Information Rims and edge chipped, knop chipped, pleasing old colour and patina
• JULIAN TREVELYAN (british
  JULIAN TREVELYAN (british 1910-1988) "THAMES DITTON" from the "thames suite" 1969, pencil signed, titled and numbered 15/75. Color etching and aquatint. 13 3/4 x 18 1/2 in. (image) [Turner 227]. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• Staffordshire blue transfer-printed
  Staffordshire blue transfer-printed tea wares circa 1830 A teapot, covered sugar, creamer and teabowl decorated with "Trewan House Cornwall" pattern, together with a two oblong strainers decorated with a couple on horseback reviewing ruins and fisherman with net with bridge and buildings beyond. restoration to sugar bowl lid, creamer spout, handle of teapot, chips to lid and spout, strainers fine.
• Charles Leaver Shaw (1853-1903) -
  Charles Leaver Shaw (1853-1903) - On the River Trent near Stoke,  signed, inscribed on the stretcher, oil on canvas, 43 x 73.5cm More Information Lined in perhaps the 1870s or 1980s and in good restored ready to hang gallery condition. Would possibly benefit from a light clean; in 18th c style gilt frame
• A collection of Various Pottery
  A collection of Various Pottery to include Liverpool Road Pottery Tea Set Wedgwood Millennium Mantle Clock Wedgwood Wild Strawberry Mantle Clock Capo di Monte figure of a Tramp etc
• Joseph Farington
  Joseph Farington (1747-1821)/Views of Cirencester and of Cricklade/from John & Josiah Boydell's A History of the River Thames/late 18th Century hand coloured aquatints, 23cm x 33.5cm
• Coplestone Warre Bampfylde
  Coplestone Warre Bampfylde (1720-1791)/Three Extensive Thames Valley Landscapes including Views of Fawley Court and Temple Island, from Temple Island Meadows, Henley/pen, ink and watercolour drawings, 44.5cm x 25cm/Note: Fawley Court, designed originally by Sir Christopher Wren in 1684, was remodelled for Sambrooke Freeman (1721-1782) by James Wyatt in the 1770s in the Neoclassical style. Extensive landscaping and garden re-design was executed by Capability Brown in the 1760s. Freeman also commi
• Tenn
  Tenn
• Stoke on Trent Education Medals One
  Stoke on Trent Education Medals One Silver one Brass cased (2)
• Staffordshire tureen and under
  Staffordshire tureen and under tray, marked Enoch Wood and Sons Burslem, the under tray with a rare scene of the African plain and a hyena, the small tureen with llamas, unmarked, tureen is heavily crazed consistent with age, and multiple chips to under base, together with a broken lid in 5 pieces Estimate $300-500
• Tenn
  Tenn
• Thomas Hearne
  Thomas Hearne (1744-1817)/Gloucester Cathedral from the North West/with Dulverton House amongst trees in the foreground/signed and dated 1784 lower left/watercolour, 17.75cm x 22.75cm
• H H Martyn (Cheltenham) Two
  H H Martyn (Cheltenham) Two circular flower heads in an entwined border on an ochre relief plaster panel, 23cm x 38cm, another of six Tudor roses on similar borders, 15cm x 53cm and two other plaster relief panels
• HARDY, THOMAS. NOTES ON STINSFORD
  HARDY, THOMAS. NOTES ON STINSFORD CHURCH. Original 4pp. original typescript in the form of a letter to the Restoration Committee of the Church, dated April 1909 from the Athenaeum in London, signed in Hardy’s hand in ink, ‘Yours very truly, Thomas Hardy’, with annotations and a small architectural drawing by Hardy. He gives his professional architect’s view on how best to preserve the church
• WILLIAM HENRY HAMILTON TROOD
  WILLIAM HENRY HAMILTON TROOD (BRITISH 1848-1899)WILLIAM HENRY HAMILTON TROOD (BRITISH 1848-1899) Dandy Dinmont , 1883 oil on panel 18.5 x 14 cm (7 1/4 x 5 1/2 in.) signed and dated lower right PROVENANCE Colin Stodgell Fine Art, Torquay, no. 3975 (label on verso) Kahn - Dumousset SVV, Paris, 23 October, 2013, lot 34 CONDITION Observed in frame. The painting appears very good original condition. No apparent issues to the naked eye. Inspection under UV shows a heavy even layer of varnish but no apparent restoration or repairs. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• TREVOR CHAMBERLAIN (BRITISH, B.
  TREVOR CHAMBERLAIN (BRITISH, B. 1933) A snow lined village street signed and dated 'T Chamberlain 91' (lower right) and indistinctly inscribed (verso) oil on canvas-board 17.5 x 25.5cm ARR Provenance The Marsh Gallery, Midhurst; Private collection, UK
• THOMAS COOPER MOORE (1827-1901)
  THOMAS COOPER MOORE (1827-1901) THREE RAILWAYS' ENTRANCE TO COLWICK ESTATE NOTTINGHAM signed, signed again, dated 1893 and inscribed verso, Academy board, 28.5 x 47cm At this period Nottingham was served by the three railway companies whose trains form the subject of the present picture: the Midland Railway, the Manchester Sheffield & Lincolnshire Railway (subsequently the Great Central Railway) and the Great Northern Railway (jointly with the LNWR)
• George Daniel Stevenson (British
  George Daniel Stevenson (British 1845-1931) "View of Jermyn Street Turkish Bath London Showing the Brick Domed Steam Room with a View Beyond the Tile Pool" ink and watercolor on paper unsigned sheet 23 3/8 in. x 19 1/4 in. unframed. Provenance: James R. Lamantia Jr. New Orleans and New York. Note: The Jermyn Street Turkish Baths built in 1862 and destroyed by a Nazi bomb in World War II are indicative of the 19th-century fascination with the Orient particularly the Arab world with its mosques sheiks and souks. The architect for the baths George Somers Clarke (1825-1882) trained with Sir Charles Barry and later became an important exponent of Ruskinian Gothic. Stevenson a draftsman detailed much of the Tower Bridge in London for Sir Horace Jones. After Jones' death Stevenson took over work on the bridge. These two drawings elaborately detailed and handsomely executed were probably prepared for presentation purposes. Exhibited: William R. Cullison and James Lamantia An Eye for Architecture: Architectural and Decorative Drawings from the Collection of James Lamantia Southeastern Architectural Archive Tulane University New Orleans 16 September to 31 October 1984 no. 26 A & B. Also illustrated in catalogue.
• R. THORNTON. "ON THE RIVER WYE,"
  R. THORNTON. "ON THE RIVER WYE," WATERCOLOR R. Thornton (English, early 20th century) "On the River Wye, Near Hereford (Devonshire)," signed ll, Bendann's Gallery labels on back; wash on paper, 21 3/4 x 35 3/4 in., matted and framed.