A few examples of appraisal values for
TRINITY CHURCH

• An Ecclesiastical Cope the
  An Ecclesiastical Cope the reverse depicting the Holy Trinity beneath lancet arches on a gold ground the front with four saints holding various attributes the stole with winged putto masks before quatrefoil tracery having a gilt foliate morse and bullion fringe throughout. Length overall 65 inches.
• Yuri Kuchinov painting, "Trinity
  Yuri Kuchinov painting, "Trinity Church, Serpukov.", signed, titled and dated verso canvas in Cyrillic, oil on canvas, Russian, late 20th/early 21st century, 19-3/4 x 23-3/8 in.; modern gilt wood and composition French style frame. Good condition, original stretcher and tacking edge. Private Collection, Florida
• JOHN BORNET, TRINITY CHURCH NY,
  JOHN BORNET, TRINITY CHURCH NY, EX DONALD HEALD 1850, lithograph in colors mounted on sheet with gold border design, from the "Views of New York" series, , published by Henry Hoff, framed under glass, 9"h x 11.5"w (sight), 19.25" x 21.25"w (frame)
• A SPANISH COLONIAL TIN RETABLO OF
  A SPANISH COLONIAL TIN RETABLO OF THE HOLY TRINITY 19th century, oil on tin, round composition depicting Jesus and Heavenly Father holding the sacred heart on clouds, on either side of the Madonna wearing red robes and Holy Spirit dove to chest, all having with Trinitarian halo, unsigned.
• Early Continental pierced metal
  Early Continental pierced metal religious plaque used as a relic for private devotion. It depicts the Holy Trinity (God the Father, God the Son, and God the Holy Spirit) at the center. 9" x 9".
• 19th century Greek icon, The Holy
  19th century Greek icon, The Holy Trinity represented in the heavenlies with Greek inscriptions, oil and gilding on wood panel, unframed, 6-3/4 x 4-3/4 in. Craquelure, flaking of paint at edges and verso, split lower right.
• GREEK ICON "HOLY TRINITY &
  GREEK ICON "HOLY TRINITY & SAINTS" 18TH C. Antique Greek icon in three registers, the top showing the Deisis, or Jesus flanked by Mary and Joseph, the latter two showing various saints, polychrome and gilt on wood panel, probably 18th century. 12" H x 10" W.
• SPANISH COLONIAL PAINTED WOOD
  SPANISH COLONIAL PAINTED WOOD HOLY TRINITY GROUP the wood carving covered in a light gesso and with remaining polychrome traces with a bearded man standing and dressed in flowing robes and one hand raised in blessing with Mary at his side and a small child dressed with a European hat all atop a rectangular plinth h:16 w:12.25 d:5 in.
• OIL ON TIN RETABLO, LA SANTA
  OIL ON TIN RETABLO, LA SANTA TRINIDAD THE TRINITYUnframed oil on tin retablo, La Santa Trinidad (The Trinity), late 19th/ early 20th c., depicting the three persons of the Holy Trinity, God the Father holding a scepter, God the Son displaying the stigmata, The Holy Spirit with the symbol of a dove, approx 14"h, 10"w, <1lbs **Provenance: a private Alabama collection**
• Carl Julien (South Carolina
  Carl Julien (South Carolina 1897-1977) TRINITY CATHEDRAL COLUMBIA photograph framed signed: lower right sight size: H13 1/2'' W10 1/4'' Provenance: Estate of Margaret Belser Hollis Columbia South Carolina.
• GOLDEN JUBILEE CHURCH MOST HOLY
  GOLDEN JUBILEE CHURCH MOST HOLY REDEEMER- BRONZE White metal version sold last month, this is the bronze medal listed in Smedley. 50th Anniversary of the Church of the Most Holy Redeemer in New York City (173 East 3rd Street). Medal is oval shaped with a top are designed for a suspension hole. Obverse has Christ carrying a cross with the wording in German "O Holy Redeemer, have mercy on us" Reverse has the Church dates 1844-1894 and location
• NICHO FRAMED OIL ON TIN RETABLO,
  NICHO FRAMED OIL ON TIN RETABLO, THE TRINITYFramed oil on tin retablo, La Santa Trinidad (The Trinity), late 19th/ early 20th c., depicting the three persons of the Holy Trinity, God the Father holding a scepter, God the Son displaying the stigmata, The Holy Spirit with the symbol of a dove, framed in metal nicho, sight: approx 14"h, 10"w, overall: approx 25"h, 15.75"w, 1.5lbs **Provenance: a private Alabama collection**
• GERMAN SCHOOL: "RELIGIOUS
  GERMAN SCHOOL: "RELIGIOUS TRIPTYCH"the two doors having saints on exterior and interior flanking a central portrait of the Virgin and infant Christ, with inscription in German below "This board was commissioned to be made in honor of the Holy Virgin, the Mother of God, Maria, and the Saints by Joseph, Aloysius, Johanes, and Leonhara who are held in high esteem Johannes Leonart Schaller in the year 1817" Condition:
• Attributed to Marten de Vos
  Attributed to Marten de Vos (Antwerp, 1532-1603) The Trinity with the Virgin and Two Donors oil on panel 26 x 34 1/2 inches.
• Pair of Trinity College, Oxford,
  Pair of Trinity College, Oxford, Oak Hall Chairs, third quarter 19th century, the crest rail of each with the polychrome arms of Trinity College, with dragon supporters, above a spindled back, the wooden seat raised on a curule-form base joined by stretchers, h. 37".
• PRINT OF THE HOLY FAMILY AND
  PRINT OF THE HOLY FAMILY AND TRINITYPrint of The Holy Family and Trinity , offset lithograph, sheet 20 in. x 16 in., framed within shadowbox frame, overall 27 7/8 in. x 24 in. x 3 1/2 in. Condition: Overall fair condition.
• A Russian Silver and Carved Wood
  A Russian Silver and Carved Wood Triptych of temple form the scrolling wirework case opening to three wood inset panels carved with Biblical scenes. Height 3 3/4 inches.
• Ecclesiastical Mosaic set in Marble
  Ecclesiastical Mosaic set in Marble American early 20th century a stone and glass mosaic of the Christ Child against a cross surrounded by amber marble on a solid slate backing; 44.5 x 28.25 in. Founded in 1827 St. Paul's Episcopal Church was originally located in downtown Albany New York on Lancaster Street. ''Old St. Paul's'' and the ninety surrounding blocks were slated for demolition in the 1950s to make way for a new government project Albany's Empire State Plaza. This piece was removed from the building prior to demolition in the mid-1960s.
• RUSSIAN ICON, OLD TESTAMENT TRINITY
  RUSSIAN ICON, OLD TESTAMENT TRINITY A silvered riza icon, heavily chased, depiciting three angels representing the Father, Son, and Holy Spirit, seated at a table; 11"H 8.75"W
• Spanish Colonial School, 19th
  Spanish Colonial School, 19th Century Madonna & Child and The Trinity oil on copper together with a 19th Century Central European St. Joseph and Child, oil on copper Madonna 13 1/2 x 9 3/8 inches. Trinity 14 1/4 x 11 1/2 inches. St. Joseph 10 3/4 x 7 1/2 inches. Property from the Collection of the Sisters of Charity, Mount Saint Joseph, Ohio
• A Group of Three Religious Works
  A Group of Three Religious Works early 17th century comprising a gilt silver cruciform pendant an enameled pendant and a silver cased miniature manuscript. Height of tallest 3 1/4 inches.
• CUZCO SCHOOL (20TH CENTURY)
  CUZCO SCHOOL (20TH CENTURY) PAINTINGThe Trinity. Oil on Canvas. Attributed to Antonio Olave. 23 1/2 x 15 1/2 in. In a gilt wood carved frame. Overall measures 31 x 23 in.
• VINTAGE ARCHITECTURAL WOOD
  VINTAGE ARCHITECTURAL WOOD CATHEDRAL CHURCH MODEL United States,20th CenturyArchitectural model of a Christian church in the shape of a cross with red and blue colored rose window over a set of three wooden doors, features a spire and simulated glass windows, finished in gray paint.
• TANNA KASIMIR-HOERNES COLOR
  TANNA KASIMIR-HOERNES COLOR ETCHING, NEW YORK CITY Tanna Kasimir-Hoernes (Austrian, 1887-1972), color etching of the view from Trinity Church of the One Wall Street skyscraper in New York City, signed in pencil lower right. Image: 18.5" H x 12.5" W; frame: 27.25" H x 20.75" W x 0.75" D.
• John Taylor Arms (American,
  John Taylor Arms (American, 1887-1953), French Lace, 1949; Apse of the Cathedral of St. Peter and St. Paul, Trayco, 1929; ?Aspiration, 1939; Sunlight on Stone, Candebec-en-Caux, 1931; Cathedral of St. Cyr and St. Julitta, Nevers, 1929; Medieval Pageantry, 1933 (six etchings), etchings on paper, 7-7/8 x 4-9/16 in. to 15-1/2 x 10 in., all with black-painted and gilt wood fram
• Detailed tin model of a church with
  Detailed tin model of a church with stained glass windows and louvered shutters. Provenance: The Collection of Margaret Schiffer. ?
• JAMES E. (JIM) HUGHES (ME/NJ/UK,
  JAMES E. (JIM) HUGHES (ME/NJ/UK, 1929 - ) Cathedral of the Holy and Undivided Trinity, Bristol, England, water color on paper, signed lower right, in black stick frame, matted and glazed, OS: 21" x 27", SS: 14" x 20 1/2", good condition.
• RUSSIAN SAINT TRINITY ICON, 19TH
  RUSSIAN SAINT TRINITY ICON, 19TH CENTURY 9 ¼" x 6 ?" Ovoid gilt icon with tempera and gilt on panel, metal vine border; depicting Jesus Christ and God father and Holy Spirit atop surrounded by cherubims, seraphims and powers, inscribed in Cyrillic "Fatherland" on the top border.
• WATERCOLOR- View of a church by
  WATERCOLOR- View of a church by Anthony Thieme (MA 1888-1954). Frame: gold and grey matted and glazed. SS: 13'' x 9 1/2'' OS: 20'' x 16''.
• San Jose Mission tile with church
  San Jose Mission tile with church tower in an oak frame. Marked San Jose Mission. Excellent condition. Tile is 3" square in a 7 3/4" frame.
• SET THREE STAINED GLASS CHURCH
  SET THREE STAINED GLASS CHURCH WINDOWS 20th century. Comprising two vertical arched panels surmounted by roundel flanked by two smaller shaped windows. Within arched painted wood frame - 87 in. x 60 in.
• HOWARD COOK(California/New
  HOWARD COOK(California/New Mexico, 1901-1980) Trinity Church, signed in pencil lower center "Howard Cook", inscribed in ink lower left "Trinity Church", pastel on paper, sheet 19-1/4 x 11 in.; carved gilt and burl wood frame, 24-1/2 x 16-1/2 in. Exhibited: New York: Empire City in the Age of Urbanism, 1875-1945 , Grand Central Art Galleries, New York, NY, December 1988 (label verso) Condition: attached to backing board with archival corners, vibrant color, surface in good condition; frame with minimal wear, scattered wormholes as made
• 19TH C. MEXICAN RETABLO - HOLY
  19TH C. MEXICAN RETABLO - HOLY TRINITYLatin America, Mexico, ca. 19th century. A beautifully painted Mexican retablo depicting the Holy Trinity, the Father, the Son, and the Holy Ghost dressed in flowing white robes with two angelic seraphim at the upper corners of the composition and several others floating below the feet of the Trinity, all enveloped in holy light. Interestingly, the Father, Son, and Holy Ghost are depicted as three identical personages in accordance with Byzantine tradition, distinguished only by the symbols on their breasts. The Father with a sun and holding a scepter at the center; the Son at his right with a lamb; the Holy Ghost at his left with a dove. Size: 10" L x 7" W (25.4 cm x 17.8 cm) Notice that the Father, Son, and Holy Ghost figures all have brilliant golden triangular halos, a form that first appeared in the Renaissance, behind their heads, adding an unusual touch. Their feet rest upon a blue terrestrial orb symbolizing a globe with human figures, perhaps signifying their dominion over the universe. Provenance: ex House of Ancestors collection; ex private Galisteo New Mexico collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #148921 Condition: Expected age wear with some scuffs/scratches, minor pigment losses, areas of oxidation, and bending to peripheries/corners, however, the imagery is still quite vivid.
• Three Victorian card cases
  Three Victorian card cases 19th century The first example inset with an eglomise panel depicting St. Paul's Cathedral in a gilt and paint decorated papier mache case; a shaped rectangular example painted with a scene of Trinity College Chapel, Oxford, signed indistinctly, the reverse with a painted and gilt medallion; and a Mauchlinware case depicting St. Mary's Church, Eastbourne. (3). Largest L: 4 1/2 in. Case with St. Paul''s having repair to hinge. Case with St. Mary''s Church missing piece to inner liner Case with Trinity College Chapel having crackling to finish
• NORTHERN EUROPEAN GOTHIC
  NORTHERN EUROPEAN GOTHIC RELIGIOUS ARCHITECTURAL MODEL OF A CHURCH TOWER TITLED "SANCTA MARIA ORA PRO NOBIS"NORTHERN EUROPEAN GOTHIC RELIGIOUS ARCHITECTURAL MODEL OF A CHURCH TOWER TITLED "SANCTA MARIA ORA PRO NOBIS", 19th Century, detailed model of a church tower with Gothic arches, pierced tracery framework for stained glass, the tower surmounted by a cross, with molded kneeling angel in the archway above two floors with steps and vestibule, flanked by similar lower towers, the name translates approximately to "Pray for us sinners" and it is the penultimate phrase in the Catholic "Ave Maria" or "Hail Mary": ora pro nobis pecacatoribus nunc et in hora mortis nostrae - h:32w:11.50d:7.75in.
• (American, 20th century) stained
  (American, 20th century) stained glass window design of the Evangelists and The Lamb of God architectural watercolor study installation in The First Presbyterian Church in Franklin, Indiana 7 3/4" x 2 3/4"