A few examples of appraisal values for
TURN TEPLITZ PAUL DACHSEL

• PAUL DACHSEL KUNSTKERAMIK ART
  PAUL DACHSEL KUNSTKERAMIK ART POTTERY RETICULATED PITCHERPAUL DACHSEL KUNSTKERAMIK ART POTTERY RETICULATED PITCHER, Turn-Teplitz, circa 1907, puce printed PD monogram mark, of elongated tall tapering cylindrical form, the multi-loop handle pierced at the lower terminal, splashed and overlaid in rustic green and brown textured glazes - h:17.75w:7.50in. Provenance: Estate of Ronald Sperling Literature: Reference, Richard L. Scott, Ceramics from the House of Amphora 1890 - 1915, 2004, p. 260. For a related ivory-ground example, see Rago Arts, Lambertville, New Jersey, January 19, 2019, lot 203, and for a strikingly similar example with Jason Jacques Gallery, New York, ref. DAP059. In 1905, Dachsel, the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, founded his own pottery studio. Kunstkeramik Paul Dachsel designs favored simple forms with applied handles and ornamentation in the organic Art Nouveau style. The ceramic studio remained in business until 1911.
• PAUL DACHSEL VASE W/ ALPINE
  PAUL DACHSEL VASE W/ ALPINE FLOWER MOTIFVase with Alpine flower motif By Paul Dachsel Turn /Teplitz Austria, ca.1903 7"H With raised decoration and polychrome glazes In mint condition Provenance: A private collection, Longboat Key FL; estate of JP Prindle, MA - Be aware that this item is being remotely consigned and we will assist with arranging shipping directly from the client, will be shipped from zip code (43950) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• Paul D
  Paul D
• PAUL MADELINE, (FRENCH
  PAUL MADELINE, (FRENCH 1863-1920), LE PONT TOURNANT à DIEPPE, OIL ON CANVAS, 17-1/2 X 21 IN (44.5 X 53.3 CM)Paul Madeline, (French, 1863-1920) Le Pont Tournant à Dieppe, Oil on canvas Signed and dated P Madeline/ 06 l.l. Oil on canvas Dimensions: 17-1/2 x 21 in (44.5 x 53.3 cm) Provenance: Wally Findlay Galleries, New York, inventory no. H29943
• Paul Dahlen (German 1881-1954)
  Paul Dahlen (German 1881-1954) Landscapes (two works) oil on canvas and oil on panel each signed First 14 x 16 1/4 inches.
• German trophy with removable top.
  German trophy with removable top. ''1 Preis Paul Pfeil Hauptfahr''.
• TURN TEPLITZ WIEN AUSTRIA AFTER
  TURN TEPLITZ WIEN AUSTRIA AFTER ERNST WAHLISS GLAZED CERAMIC BUST OF A YOUNG WOMAN, H: 15 INTurn Teplitz Wien Austria after Ernst Wahliss Glazed Ceramic Bust of a Young Woman, H: 15 in
• PRINT, PAUL WUNDERLICH Paul
  PRINT, PAUL WUNDERLICH Paul Wunderlich (German, 1927-2010), "Skizzenblatt mit Rotem Kopf," 1979, lithograph in colors, pencil signed lower right, epreuve d'artiste edition, sheet: 33"h x 25"w, overall (with frame): 43"h x 34"w. Provenance: Purchased from RO Gallery.
• AFTER FRIEDRICH PAUL THUMANN
  AFTER FRIEDRICH PAUL THUMANN (GERMAN, 1834 - 1908) 5 ¼" x 3 ¼" opening Dresden hand painted porcelain plaque signed by Spitz, in carved wood gated frame. Rectangular porcelain plaque, hand painted in polychrome depicting a Gypsy woman holding a tambourine in her right hand, signed Spitz on the back; framed in carved wood gated frame with fine design and lion masks.
• PAUL RITTER: "DIE SCHONE BRUNNEN IN
  PAUL RITTER: "DIE SCHONE BRUNNEN IN NURNBERG"engraving signed and dated "Paul Ritter Nurnberg 1879" in plate Condition: framed under Plexiglas image: 22 x 17 inches; frame: 32 1/2 x 26 1/4 inches Condition:
• PAUL JENKINS (American b. 1923).
  PAUL JENKINS (American b. 1923). KOMPOSITION MIT DOMINANTEM ROT signed and dated 1967 in pencil lower margin. Color lithograph - Framed 20 in. x 28 in.
• PAUL KLEINSCHMIDT, (2) ETCHINGS
  PAUL KLEINSCHMIDT, (2) ETCHINGS Paul Kleinschmidt (German, 1883-1949), incl. "Daniel", 1920, and "Tunnel", 1922, each pencil signed, gallery label verso, larger: 10.5"h x 13.5"w (sight), 17"h x 20.75"w (frame), smaller: 9.5"h x 7.5"w (sight), 21"h x 17"w (frame)
• PAUL GEISSLER (GERMAN,
  PAUL GEISSLER (GERMAN, 1881–1965), CATHEDRAL FAçADE Etching, pencil signed and with inscription lower margin, matted and framed.
• Paul Wunderlich (1927-2010)
  Paul Wunderlich (1927-2010) Germany, coloured lithograph, signed lower right in pencil, Paper size approx 65cm x 50cm
• Paul Rotterdam Austrian, b. 1939
  Paul Rotterdam Austrian, b. 1939 Untitled, 1979 Estimate:$700-$900
• PAUL PLETKA, UNTITLED (MATACHINES
  PAUL PLETKA, UNTITLED (MATACHINES DANCER)Paul Pletka, (b. 1946) Untitled (Matachines Dancer), pastel on paper signed lower right: Pletka pastel on paper Dimensions: 10 1/2 x 8 1/2 in. (26.7 x 21.6 cm.), Frame: 17 x 14 3/4 x 1 in. (43.2 x 37.5 x 2.5 cm.) Provenance: Private Collection, New Mexico
• PAUL WUNDERLICH(German, 1927 -2010)
  PAUL WUNDERLICH(German, 1927 -2010) Divan Divan, 1969, edition 36/75 in, signed lower right "P Wunderlich", inscribed with title verso, lithograph on B.F.K. Rives paper, sheet 25-3/4 x 19-3/4 in.; metal frame, 32-1/4 x 26-1/4 in. Provenance: Private Collection Condition: floated, light fading; frame with abrasions
• PAUL KLEINSCHMIDT, (3) ETCHINGS
  PAUL KLEINSCHMIDT, (3) ETCHINGS Paul Kleinschimdt (German, 1883-1949), "Bathers", 1918 artist's proof, "Beast", 1918 artist's proof, and Berlin Scene", 1919 artist's proof, each pencil signed and dated, various sheet sizes, smaller: 11"h x 14"w, larger: 16"h x 20"w (mats)
• AFTER PAUL KLEE POCHOIR
  AFTER PAUL KLEE POCHOIR PERSPECTIV SPUKAfter Paul Klee (Swiss / German, 1879-1940). Pochoir, Perspectiv Spuk (Phantom Perspective). Signed in the plate lower left, titled and dated 1920 on the mount and numbered 247/500 in pencil on the mount below the image, and titled in pencil Fantasmagori Perspective on the mount lower right. Image 9 1/2" x 12 1/4" (with frame 21" x 16"). Waviness to image and mount. With a copy of Paul Klee The Berggruen Klee Collection in The Metropolitan Museum of Art catalog, 1988.
• Paul Tereszcuk (Austrian 1895-1925)
  Paul Tereszcuk (Austrian 1895-1925) Combing her hair. Cast bronze with brown patina on a circular base carved ivory face and chest the artist's cypher and signature cast into the back of the base.
• PAUL KLEINSCHMIDT, (4) ETCHINGS
  PAUL KLEINSCHMIDT, (4) ETCHINGS Paul Kleinschimdt (German, 1883-1949), "Daniel & the Lion", 1913 artist's second proof, "Eve", 1916 artist's third proof, "Daniel & the Lion", 1918 artist's proof, "Man & Beast", 1920, artist's proof, each pencil signed and dated, various sheet sizes, 16"h x 20"w and reverse (mats)
• PAUL KLEINSCHMIDT, (4) ETCHINGS
  PAUL KLEINSCHMIDT, (4) ETCHINGS Paul Kleinschmidt (German, 1883-1949), "Daniel & the Lion", "Untitled", "Adam", and "Bathers", etchings on paper, pencil signed and dated, 1915-1920, gallery labels on verso of mats, 9.5"h x 7.5"w (sight), 20"h x 16"w (mat)
• PAUL WELSCH (FRENCH, 1889-1954),
  PAUL WELSCH (FRENCH, 1889-1954), THREE LANDSCAPE PAINTINGS Oil on Masonite, each signed, each presented in the original gilt composition frames.
• Paul Hausser ANS Note dated 14 Aug.
  Paul Hausser ANS Note dated 14 Aug. 1970 in German. Paul "Papa" Hausser (October 7 1880 - December 21 1972) was an officer in the German Army achieving the high rank of lieutenant-general in the inter-war Reichswehr. After retirement from the regular Army he became the "father" (thus the nickname "Papa") of the Waffen-SS and one of its most eminent leaders. Battling in both the Eastern and Western fronts of World War II he was seriously wounded twice losing an eye in the first incident. After the war he became a member of the HIAG which sought to rehabilitate the reputation and legal status of the Waffen-SS. Condition: Very good.
• Paul Geissler [CHURCH VIEWS] Five
  Paul Geissler [CHURCH VIEWS] Five hand-colored etchings Estimate:$100-$200
• By and after Matthias Diesel
  By and after Matthias Diesel (German c.1706-1752)/Verschiedene Facconen von Pyramides, so von Taxis Cypressen, und Seven Tonnen gesiegelt werden, plate 50/Published by Jeremias Wolff Aug.V./etching, 23.5cm x 32.5cm
• * (ORNAMENT) SPELTZ ALEXANDER Das
  * (ORNAMENT) SPELTZ ALEXANDER Das Farbige ornament aller historischen stile. Leipzig: K.F. Koehlers Antiquarium n.d. 2 vols. comprising Die Neuzeit and Das Mittel Portfolios publisher's printed boards cloth spine contents loose as issued. With numerous tipped in color plates. Wear to boards with loss at edges and folds.
• TAVEL FRANTICEK SIMON
  TAVEL FRANTICEK SIMON (CZECHOSLOVAKIA/FRANCE) 1877-1942 QUAI DE LA TURNELLE, AUTUMN, PARIS. COLOR SOFT-GROUND AND AQUATINT, 1925. NO...Tavel Franticek Simon (Czechoslovakia/France) 1877-1942 Quai de la Turnelle, Autumn, Paris. Color soft-ground and aquatint, 1925. Novak 430. Ref: Baker, 223, with illust.. Ed: 250, as published by L'Estampe moderne, Paris (Lugt 818). Signed with pencil, l.r. Artist's stamp in green ink (Lugt 1050), l.l. Inscribed with pencil, "68" , l.l. Printed in colors on soft, cream laid paper with complete margins. Slightly light-struck. 315 x 395 mm. 12 3/8 x 15 1/2 in.) Framed. Morning at Notre-Dame, Paris. Soft-ground and aquatint, 1928. Novak 483. Ref: Baker 266, with illust. Ed: This impression an apparent artist's proof before the edition of 350 (?). (Novak indicates an edition of 300), as published by Les Graveurs modernes. (Not in Lugt ?) Signed with pencil, l.r. The artist's stamp in red ink (Lugt 1050), l.l. Inscribed with pencil, "Ep artiste", l.l. Printed in colors on cream laid paper with complete margins. 320 x 380 mm. (12 9/16 x 14 7/8 in.) Framed. (2)
• Paul Desire Trouillebert, French,
  Paul Desire Trouillebert, French, 1829-1900, watercolor, lake landscape, 9 1/2" x 7" sight size Estimate $300-500
• Paul Eschenbach (American
  Paul Eschenbach (American 1867-1949) Cityscape Etching with artist's name printed l.l. and signed l.r.; Plate 14 x 8 in.
• PAUL CESAR HELLEU (FRENCH,
  PAUL CESAR HELLEU (FRENCH, 1859-1927)Paul Cesar Helleu (French, 1859-1927) , "Jeune Femme au Col de Fourrure et Chapeau de Plumes", drypoint etching, pencil-signed lower margin, inscribed en verso, 16 3/4 in. x 9 in., matted Condition: Overall fair condition
• PAUL JACOULET (1902 - 1960):
  PAUL JACOULET (1902 - 1960): AFTER THE DANCETokyo, 1940; watercolor and pencil on paper, matted and framed under acrylic; pencil-signed and dated and with artist's stamp center right; Provenance: San Antonio Museum of Art; The Kelton Collection, The Estate of Richard Kelton, Los Angeles, CA; 21 x 16 1/4 inches; 28 1/2 x 24 inches frame Condition:
• ERICH BOGDANFFY PAULY (GERMAN,
  ERICH BOGDANFFY PAULY (GERMAN, 1869-1918), ALPINE LANDSCAPE WITH FIGURE Oil on canvas, signed at lower right, presented in an antique period gilt frame retaining Joseph Sawyers of Paisley, Scotland label.
• Paul Wood Etching German
  Paul Wood Etching German Shepherds 7'' x 9'' pencil signed
• GEISSLER Professor Paul (German
  GEISSLER Professor Paul (German 1881-1965): 2 Colored Etchings to include 1) ''The Onion Seller' sight size 13 1/2'' x 9 1/2'' pencil signed lower right titled in German lower left fine contemporary framing 12 1/2'' x 17 1/4''; 2) ''The Vegetable Seller'' sight size 13 1/2'' x 9 1/2'' pencil signed lower right titled in German lower left fine contemporary framing 12 1/2'' x 17 1/4''.
• HELLEU, Paul, (American/French,
  HELLEU, Paul, (American/French, 1859-1927): Redheaded Beauty in a Hat, Etching, sight size 21.5'' x 13.5'', pencil signed lower right, framed, 31.5'' x 23.5''.