A few examples of appraisal values for
UNDER OLD APPLE TREES

• Early apple ladder. 95 1/2'' Ht.
  Early apple ladder. 95 1/2'' Ht.
• HANGING APPLE DRIERA primitive
  HANGING APPLE DRIERA primitive hanging apple drier with eighteen wire arms fixed into a wooden shaft lightly incised with a diamond pattern at both ends and also decorated with faint black spots under a dry lightly varnished surface. The wire arms have a carved decorative ball at mid-point. Originally sold at the estate auction of Leslie Rennie, Brooklet, Québec. Circa 1830. H: 15"; D: 15“. Field Collection.
• Harry Orlyk (American b. 1947)
  Harry Orlyk (American b. 1947) "Seth Pruning Apple Trees". Oil on canvas signed at the lower right apprx. 9" x 12" framed in a wide gilt frame overall apprx. 16-1/4" x 19-1/4". Prov: from the collection of Frederick Hale McDuff.
• JOHN JOSEPH ENNEKING, (AMERICAN,
  JOHN JOSEPH ENNEKING, (AMERICAN, 1841-1916), UNDER THE APPLE TREE, 1882, OIL ON CANVAS, 12 1/4 X 18 1/2 IN., FRAME: 20 1/2 X 25 1/2 IN.JOHN JOSEPH ENNEKING, (American, 1841-1916) Under the Apple Tree, 1882, oil on canvas signed and dated Enneking 82 l.l. 12 1/4 x 18 1/2 in., frame: 20 1/2 x 25 1/2 in. Provenance: A Private Massachusetts Collection. Condition: Condition: A few spots of inpaining along left edge, tiny pinpoint areas in sky; canvas lined; minor craquelure; could do with a cleaning - should brighten up nicely.
• VINTAGE HARDSTONE AND BRONZE
  VINTAGE HARDSTONE AND BRONZE “FORBIDDEN FRUIT” APPLE SCULPTURE 3 ?" x 3" Carved hardstone, naturalistically depicting a vivid red apple with patinated bronze stem and leaf. Provenance: old prominent private collections, The Glass and The West Families (both since second half of 18th c.), Pittsburgh, PA, by descent in the families to the current owner.
• J. Carelton Wiggins (1848-1932,
  J. Carelton Wiggins (1848-1932, NY/CT/FR) oil on canvas titled "Under the Apple Trees at Barbizon" signed lower left and dated 1883 verso. Provenance: Chapellier Galleries, Inc. NY, NY to Thomas A. Campbell, Jr. & Mildred M. Campbell to their son Timothy John Campbell to the consignor. 11.5" x 15.5" ss / 17" x 21" oa Condition: See black light photo, not examined out of frame.
• 2 - A. M. McLean still life of
  2 - A. M. McLean still life of apples & still life of peaches Both Sgn. lower right A. M. McLean 1873. O/c laid on tin.No inpaint or restoration. Original giltwood frame.11'' x 14''E
• Lot (2) early New England apple
  Lot (2) early New England apple picking ladders. 9' Ht.
• APPLE CONTAINERA wooden container
  APPLE CONTAINERA wooden container shaped as an apple. Untouched original paint. Early 20th century. Allio Collection. FRANCAIS: Récipient en bois en forme de pomme. Peinture d'origine intacte. Début 20e siècle. Collection Allio. 3.5" x 3.5".
• Lot six misc. cotton fruit
  Lot six misc. cotton fruit ornaments including lemon pear apples.
• Split Oak Basket 13'' good apple
  Split Oak Basket 13'' good apple size.
• Old Catskill Apple Brandy
  Old Catskill Apple Brandy Advertising Figure. 1930s. Plaster. Condition (Excellent). Size 31" T.
• STILL LIFE WITH APPLES (AMERICAN
  STILL LIFE WITH APPLES (AMERICAN SCHOOL 2ND HALF-19TH CENTURY). Oil on canvas unsigned. Red apples tumbling out of a straw lined basket. 10''h. 18''w. in a 19th-century frame 15 1/2''h. 23''w. Older patched repairs
• EARLY APPLE PEELERAn early handmade
  EARLY APPLE PEELERAn early handmade wooden apple peeler with finely turned components and in original red-brown surface. The original leather drive belt is intact. From the Asselstine Estate, Napanee, 1870. H: 9.5". L: 29"; D: 5". Field Collection.
• "STILL LIFE WITH APPLES", 1881, OIL
  "STILL LIFE WITH APPLES", 1881, OIL ON BOARD, INDISTINCTLY SIGNED LOWER LEFT, DEPICTS A CLUSTER OF APPLES SITTING ON THEIR LEAVES AT..."Still Life with Apples", 1881, oil on board, indistinctly signed lower left, depicts a cluster of apples sitting on their leaves at center, with one more to the right, toned background, in simple wooden frame, wear consistent with age and use including scratches, toning, scattered loss especially to edges, etc., sold as found, 7 3/4" h. x 17 1/2" w.
• STILL LIFE WITH APPLES (AMERICAN
  STILL LIFE WITH APPLES (AMERICAN SCHOOL 2ND HALF-19TH CENTURY). Oil on canvas unsigned. Red apples tumbling out of a straw lined basket. 10''h. 18''w. in a 19th-century frame 15 1/2''h. 23''w. Older patched repairs.
• APPLE BUTTER BUCKET. Cincinnati
  APPLE BUTTER BUCKET. Cincinnati Ohio late 19th-early 20th century pine. Stave construction with bentwood bands and swing handle. Old paper labels for the Lippincott Co. Cincinnati. Refinished with some damage to labels. 12''h.
• 1946 Watercolor, titled Apple
  1946 Watercolor, titled Apple Trees, Bedford NH, and signed Doyon 1946. Image 11” x 17” Overall 20” x 25” Condition: small tear lower right corner, staining to matting CT Transfer Fee $10
• Apple picking ladder. 12' Length.
  Apple picking ladder. 12' Length.
• CANVASWORK EMBROIDERY OF AN APPLE
  CANVASWORK EMBROIDERY OF AN APPLE TREE, MID 18TH CBoston canvaswork embroidery of an apple tree, mid 18th c.], retaining its original white pine frame, 13" x 7 3/4". Provenance: The Estate of Patricia Timyan, Grand Blanc, Michigan. Competitive in-house shipping is available for this lot. Condition: A few small losses. Appears to be the original frame.
• VINTAGE TREENWARE APPLE COVERED
  VINTAGE TREENWARE APPLE COVERED CANISTER.Vintage Treenware Apple Form Covered Canister. Turned maple with stem finial. 3"h. x 2-3/4"diam. Condition: : Good with small age cracks. Condition: Condition: : Good with small age cracks.
• APPLE PEELERSoil on canvas, relined
  APPLE PEELERSoil on canvas, relined signed 'J.F. Wilbert' lower left Condition: the frame having loss throughout image: 43 x 33 inches; 51 x 40 1/2 inches framed Condition:
• APPLE CIDER VINEGAR SIGN Copr. 1907
  APPLE CIDER VINEGAR SIGN Copr. 1907 heavy cardboard embossed sign depicts apples on fence reads ''Twitchell Champlin & Co. Sole Agents.'' 12'' x 24''. (Exc. Cond.)
• FOUR WOODEN AND POTTERY BANKS. Late
  FOUR WOODEN AND POTTERY BANKS. Late 19th-early 20th century. Yellow clay apple with old paint with standing figure of a girl, 2.25"h. and a jug with original red/brown paint. 4.75"h. And two folksy wooden banks. One made from scraps of boxes with drawer and original green and gold paint, 3"h. and one with applied half beading and original brown paint, 4"h. Varying edge flakes.
• LARGE STONE APPLE. American or
  LARGE STONE APPLE. American or European 20th century. Original yellow and red paint 4''h.
• Ron Dembosky, American, 20th c,o/c,
  Ron Dembosky, American, 20th c,o/c, The Apple Pickers, 24" x 21" Estimate $400-600
• LATE 19T/EARLY 20TH CENTURY APPLE
  LATE 19T/EARLY 20TH CENTURY APPLE BASKET.Late 19t/Early 20th Century Apple Basket. Over-lapping oak vertical staves secured with tacked bentwood rims, bentwood swing handle. 10"h. (not including handle) x 14"diam. Condition: : Very good with minor wear.
• FOUR WOODEN APPLE PEELERS.
  FOUR WOODEN APPLE PEELERS. Including one paring quartering and coring machine in red stain. With traces of original label. 25 1/2'' l. One wood and iron tabletop apple peeler. 16 1/2'' l. Two apple peelers with leather iron and turned wood. 25 1/2'' l. and 26'' l. All apple peelers with expected signs of use and wear some repairs and replacement parts. Red stain peeler: with some condition issues incluing cracks and separation to core box scatches wear. Label loss.
• FOLK ART O/C STILL LIFE OF APPLES
  FOLK ART O/C STILL LIFE OF APPLES IN BASKETsigned indistinctly, dated lower right "AE Gras? 1891". Crazing, alligatoring, a few small losses above basket, in lower left corner. Frame size: 23 1/2" high, 31 1/2" wide. Condition: Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition
• AN ANTIQUE STILL LIFE PAINTING WITH
  AN ANTIQUE STILL LIFE PAINTING WITH APPLES Oil on canvas, unsigned, second half of the 19th century, presented in a gilt composition frame.
• FOUR 19TH C. REDWARE FRUIT BANKS. A
  FOUR 19TH C. REDWARE FRUIT BANKS. A red apple 3.25” diameter, a green apple 3.25” diameter, an orange 3.25” diameter, and a yellow fruit 3.25” diameter. Sussman Collection.
• Vintage glass jugs once used for
  Vintage glass jugs once used for Allen Farm apple cider, including 4 large glass jugs with metal handles 21”H, 10 one gallon growlers 11”H, 15 glass pipettes. Condition: some contain liquid, all very dirty CT Transfer Fee $50
• PAINTED APPLE BASKET, LATE 19TH
  PAINTED APPLE BASKET, LATE 19TH C.Painted apple basket, late 19th c. , retaining an old green surface, 11" h., 18" w. Provenance: Hayes Antiques, 1994; The Collection of Jeffrey Gorrin & Susan Fetterolf. Condition: A couple small losses.
• TOLE APPLE BASKET. American 2nd
  TOLE APPLE BASKET. American 2nd quarter-19th century. Yellow flourish border and good red floral center decoration on original japanned ground. Some wear. 2 1/2''h. 11''d.
• Vintage Christmas tree stand in old
  Vintage Christmas tree stand in old green paint.
• GEORGE INNESS OIL ON PANEL
  GEORGE INNESS OIL ON PANEL (American 1825-1894) Titled ''The Orchard '' an olive-green meadow with apple trees and russet spots of weeds. In the middle ground is a small pond and in the far distance on the left stands a roof top among trees. The sky is a mixture of clouds with just a touch of highlights from the sun and pale blue sky with tall trees on the right. Image measures 20'' x 30''. Signed ''G. Inness'' lower right and dated 1885. Paper label from the William MacBeth Gallery 237 Fifth Avenue New York attached verso with title inscribed on label. The William MacBeth Gallery was located at this address from 1892-1906. Also a label from the Garfield Safe Deposit Co. New York is attached verso. The mahogany panel has a manufacturer's label attached verso that states ''French's Artist Board Patented June 29th 1880. This Board is `built-up' of three layers of Venners...'' and ''Manufactured only by E. F. French New York.'' George Inness was known to paint on these boards such as his painting titled ''Albano Italy'' located at Princeton University. Set in a gilt wood frame. ''The Orchard'' exhibits a Tonalist style with a Barbizon influence. Inness's signature style is emphasized in his deformation of space where the foreground sinks to the middle ground and the middle ground sinks to the background by varying and sometimes confusing uses of crisp delineation contrasted with mist enshrouded features. For example the objects in the foreground are just hints of grass and rocks while the center apple tree trunk is sharp and the wild flowers are sometimes sharp and sometimes just suggestions. And again in the background the roof line of the building in the distance is sharply delineated while the trees and fields around it are mass of tones and hazy shapes. The mission of his art was to see reality in a new light an attempt to attain the vision and insight of God. Inness believed that his paintings should speak of the harmony and unity between nature man and God. This was a constant struggle for him he felt that he was never able to finish a painting because the medium of oil never fully satisfied his quest for the unity of spiritual and physical sight. Inness claims to have destroyed more paintings than he sold because of this struggle. Provenance: passed down within the family. The painting is believed to have been purchased by the consignor's great grandfather John Henry Burgard. Burgard was a shipping magnate and insurance man who started his career in 1880 in Buffalo NY and moved to Portland Oregon in 1888 where he was an influential business man. Burgard was a member of the Portland City Council an organizer of the Metropolitan Street Railway Company an organizer of the Columbia Pacific Shipping Company Director of the Alaska Pacific Fisheries and on the directorate of various lumber and railway companies. The painting is in good condition.? There is some light inpainting mostly to the lower left and some frame wear as circled in red.? There is some?craquelure?where the paint has been heavily built-up and some inpainting to the craquelure.? The wood panel is in very good condition and shows no cracks or repairs.? The frame is in very good condition and is of recent make.