A few examples of appraisal values for
VAUGHN

• ROBERT VAUGHN (1955-2011) OIL ON
  ROBERT VAUGHN (1955-2011) OIL ON BOARD (TWO WORKS)Robert Neil Vaughn Jr (1955-2011) (1981)Two works by the artist offered in one lot to finalize an estate:1. Large oil on 40 x 30 inch artist's board signed lower left.2. Small oil on Masonite 10 x 12 signed lower right and dated 1981.Kansas City artist and art instructor Robert Vaughn studied Robert attended Wichita State and the School of Design in Pasadena, CA. His painterly works are beginning to find a strong following on the auction market after decades of representation in galleries around the mid-west.Board size 40 x 30, frame measures 37 x 47 inches. Small panel measures 5 x 7, frame size 10 x 12 inches.Very good condition throughout.
• ANNA VAUGHN HYAT HUNTINGTON (USA,
  ANNA VAUGHN HYAT HUNTINGTON (USA, 1876-1973) "Mountain Lion". 1962. MODERN ART/FDRY. /N.Y. Signed on base. From an Irvington, NY estate. Dimensions: 10" h Condition: Good.
• ROBERT VAUGHN "DRAFT HORSE" (1995
  ROBERT VAUGHN "DRAFT HORSE" (1995 CHARCOAL & CHALK)Condition Very good condition.
• SCULPTURE, ANNA VAUGHN HYATT
  SCULPTURE, ANNA VAUGHN HYATT HUNTINGTON Anna Vaughn Hyatt Huntington (American, 1876-1973), "Yawning Tiger," bronze sculpture, signed verso, edition #87, Gorham Co. Founders stamped, overall: 8.5"h x 28"w x 5.5"d
• Vaughn Richmond. Collection of five
  Vaughn Richmond. Collection of five vessels. lacewood, yew, mahogany, huon pine. 4½ h × 11 dia in. result: $2,268. estimate: $1,500–2,000. Incised artist's cipher to underside of each example.
• JACOB EICHHOLTZ OIL PORTRAIT OF
  JACOB EICHHOLTZ OIL PORTRAIT OF GEORGE WASHINGTON.Rare and Important Jacob Eichholtz Oil on Canvas Portrait Painting of George Washington. Original and untouched. Unsigned. (Lancaster and Philadelphia, Pennsylvania, 1776-1842). So called Stuart's Vaugn-type portrait. We know that Eichholtz traveled to Boston to meet Stuart sometime in 1809-1810, sponsored by William Barton of Lancaster, who sought to advance Eichholtz's career. While in Boston Eichholtz observed the work of Stuart, sat at Stuart's easel, and learned all that could be gathered in the space a few short weeks. Shortly after returning to Lancaster, Eichholtz presented William Barton, Esq. with a small copy of a Stuart portrait of George Washington, a portrait which I believe Eichholtz would have painted in Stuart's studio. Barton had served under Washington, and even been offered a territorial governorship by Washington. Thus, it is easy to imagine that Barton would cherish a portrait of his commander-in-chief as a token of Eichholtz's appreciation for sponsoring his Boston sojourn. It is also quite likely that while in Boston Stuart confided in Eichholtz that one of his major portraits of Washington hung in the home of Lancastrian, Alexander Scott. As you know-though the work of Ellen Miles, scholar of the work of America's premier portrait painter of the Early Republic, Gilbert Stuart,--Stuart's Vaughn-type portrait of Washington is one of his most famous. Stuart made many copies of the Vaughn portrait, one of which was for Lancastrian Alexander Scott, who resided on the second block of North Duke Street, Lancaster, one block from the Eichholtz residence. At some point after returning to Lancaster from Boston, Eichholtz no doubt visited the home of Scott and made his copy of Stuart's painting. I believe it is likely that he painted it as early as 1810, but certainly with a few years of that date. I base my conviction on several observations. The canvas is of the type frequently cited as having been used by Eichholtz. It is a rough, rather coarse weave and consists of a sewn-together piece of fabric. The stretchers are almost precisely as described by Theodor Siegl in his essay on Eichholtz's techniques in Rebecca Beal's 1969 work "Jacob Eichholtz, 1776-1842, Portrait Painter of Pennsylvania". They are not mitered, about 2-5/8" wide, and deeply planed on the inner edge. The underpainting seems to be of a vermillion hue, known on several of his works. The flesh tones and the figure itself are handled in a manner consistent with his early work and pre-dates his more accomplished and sophisticated work from the 1820s-1830s. Finally, the frame is right out of his common choice of frames. Although we do not know the frame's maker, the frame bares evidence of former comer decorations consistent with the frames found today on many of his works. LancasterHistory.org is pleased to be the caretakers of almost 100 of Eichholtz's works, the largest collection in any museum. Based on my knowledge of each of those works, my extensive study of his work as part of my doctoral dissertation on the artist, and based on my exposure to countless other paintings by Eichholtz as curator of a major retrospective of his work in 2003, I am as certain as I have ever been, that this is the work of Jacob Eichholtz, portrait painter of Pennsylvania. Thomas R. Ryan, Ph.D., President & CEO Lancaster County Historical Society & President James Buchanan's Wheatland. This painting is listed in Rebecca Beal's 1969 work "Jacob Eichholtz, 1776-1842, Portrait Painter of Pennsylvania" page 245, # 855. Never before offered at auction, from a prominent Lancaster County Family. Canvas measures 29-1/2" x 24", in a gilt molded frame 35-1/2" x 31-3/4" overall. Condition: : Original and untouched, minor wear, in need of professional cleaning. Condition: Condition: : Good with minor wear, in need of professional cleaning.
• GEORGE VAUGHN CURTIS (ENGLISH.
  GEORGE VAUGHN CURTIS (ENGLISH. 1859-1943) OIL PAINTINGÂ...DESCRIPTION: An oil on canvas painting by English-American artist George Vaughn Curtis titled "Birches On Road Near Fontainebleau, France" in a impressionist style depicting a French countryside in fall hues. Signed on the bottom left. CIRCA: Late 19th- Early 20th Ct. ORIGIN: USA DIMENSIONS: Approx. H: 33" : L: 47" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• ANNA HYATT HUNTINGTON BRONZE
  ANNA HYATT HUNTINGTON BRONZE TIGER OR PANTHERAnna Vaughn Hyatt Huntington (American, 1876 - 1973) bronze of a stetching and yawning tiger or panther (also known as Tiger Yawning). Patinated surface marked on lower edge #278 Gorham Co. Founders O or Q 492. Mounted on a rectangular black marble base. Length of sculpture 13", length of base 15 1/2". Circa 1920s. Biography (courtesy of the National Park Service) - Anna Hyatt Huntington, a premier American sculptress, was born Anna Vaughn Hyatt in 1876, and studied with Mount Rushmore sculptor Gutzon Borglum. Her first one-person show was held when she was 24 years old. A prolific artist, she was especially noted for her powerfully classic animal and equestrian sculpture. Approximately 200 American museums contain her work, including the Metropolitan Museum in New York. Condition: Sculpture patinated surface in excellent condition, marble base has minor nicks to corners.
• VAUGHN: PERSONAL RECORD OF 13TH
  VAUGHN: PERSONAL RECORD OF 13TH REGT.[A. J. Vaughn]. PERSONAL RECORD OF THE THIRTEENTH REGIMENT, TENNESSEE INFANTRY. By Its Old Commander. Memphis: Press of S. C. Toof & Co. (1907). 95pp. 8 1/4" H x 5 1/2" W x 1/2" D. (Higher-resolution photos are available at www.caseantiques.com) Condition: Publisher's decorated cloth. Wear and some fraying to top of spine. Thin book, missing free endpapers. Textblock glued to spine. Hinge of frontispiece fragile. Text in good condition.
• 5 ITEMS PERTAINING TO CSA PRIVATE
  5 ITEMS PERTAINING TO CSA PRIVATE J.M. WILSON, INCL. 2 ...Five (5) items pertaining to Confederate soldier James Madison Wilson, Private, 1st Regiment Tennessee Cavalry (Carter's), Company K, of Giles County, TN. 1st-2nd items: Two (2) United Daughters of the Confederacy (UDC) Southern Crosses of Honor. Two-piece copper construction, comprised of a blank rectangular bar hanger with a pin back or screw back and a maltese cross shaped drop, having a Confederate battle flag surrounded by a laurel wreath and the inscription "UNITED DAUGHTERS CONFEDERACY" and "TO THE U.C.V.", obverse, the motto of the Confederate States, "Deo Vindice" (God our Vindicator) and "1861-1865" surrounded by a laurel wreath, with the inscription "SOUTHERN CROSS OF HONOR", reverse. Maker's marks for Charles W. Crankshaw, Atlanta, GA, stamped to reverse of rectangular bar. 3rd item: Certificate of Eligibility for Cross of Honor Application to United Daughters of Confederacy, submitted by Fulton M. Wilson, on behalf of his father James Madison Wilson, n.d. The application, endorsed by members of the UDC, includes details of Wilson's service and parol at Charlotte, North Carolina on May 3, 1865. 4th item: Carte-de-visite (CDV) depicting a bust portrait of James Madison Wilson, wearing a late 19th century suit and bowtie and seated in a studio setting. Studio marks for C.S. Judd (American, active 1890s) across lower edge of card. Ink inscription identifying the sitter, en verso. 5th item: One (1) grouping of three (3) small silver items, presumably Wilson's "good luck" charms, including one (1) Maltese cross with initials "HIN" and dated "1886", tests sterling silver; one (1) 1889 United Kingdom 1 1/2 Pence silver coin; and one (1) silver metal cross. Combined sterling weight: approximately .060 total troy ounces. Note: "1st (Carter's) Cavalry Regiment was organized in November, 1862, using the 3rd Tennessee Cavalry Battalion as its nucleus. The men were from the counties of Rhea, Bradley, McMinn, Roane, Bledsoe, Union, Knox, Jefferson, and Claiborne. Also some of its members were raised behind enemy lines, and a few had served in Thomas' North Carolina Legion. Company C was detached and assigned to A.W. Reynold's Brigade in the Department of Mississippi and East Louisiana. This company was active in the Vicksburg Campaign and was captured in July, 1863. Exchanged, it was attached to Waul's Texas Legion, then returned to the regiment. Company K took part in the Atlanta Campaign, the defense of Savannah, and the campaign of the Carolinas. It surrendered with the Army of Tennessee. The regiment was attached to Wheeler's, Pegram's, J.S. Williams', Giltner's, and Vaughn's Brigades. It participated in Wheeler's raid in Tennessee, fought at Murfreesboro, skirmished in Kentucky and Tennessee, and was active at Cumberland Gap. For a time it served with the Army of Tennessee, then in April, 1864, moved to Virginia with 248 effectives. After fighting at Piedmont, it saw action in various conflicts in the Shenandoah Valley with General Early. During the spring of 1865 the unit disbanded. The field officers were Colonels William Brazelton, Jr., and James E. Carter; Lieutenant Colonel Onslow Bean; and Majors Alexander M. Goforth, John B. King, and Richard S. Van Dyke." (source: https://www.nps.gov/civilwar/search-battle-units-detail.htm?battleUnitCode=CTN0001RC01). Property of the Lincoln County Museum, Fayetteville, TN; Bequest of Mary Bright Wilson (1909-2004), formerly of Fayetteville, and descended in her family. Condition: All items in overall good condition. 3rd item: Creases, tears, areas of loss, largest 1" x 1", to edges of sheet. 4th item: Scattered minute foxing spots. 5th item: Tarnish to silver items.
• SIGNED DONNA SUMMER CONCERT
  SIGNED DONNA SUMMER CONCERT POSTERTin Pan South April 2-7, 2001 concert poster, with signatures of Donna Summer, Gordon Lightfoot, Ray Parker Jr., Sharon Vaughn, Andrew Gold, and Merle Kilgore in permanent marker, 18 x 24 in.; unframed Provenance: Estate of Donna Summer, Brentwood, Tennessee Condition: slight wear to edges and bumped corner, some peeling to bottom right corner, slight surface dirt/accretion
• ONE PAGE AUTOGRAPH LETTER SIGNED
  ONE PAGE AUTOGRAPH LETTER SIGNED JOHN J[AMES] AUDUBON, ON WOVE PAPER, TO COLONEL JOHN JAMES ABERT, FROM NEW YORK, JULY 17, 1837One page autograph letter signed John J[ames] Audubon, on wove paper, to Colonel John James Abert, from New York, dated July 17, 1837 New York, July 16, 1837 My Dear Friend. - Passing through Philadelphia, I discovered that there is deposited in the library of the American Philosophical Society of that City, the manuscript of General William Clark, written while travelling from the Atlantic to the shores of the Pacific Ocean; and found that a vast deal of the Ornithological matter was embodied in that said M/S. - Now in applying to my worthy friend, John Vaughn Esq., he told me that these papers had been deposited at the Library of which he has the care, by our Government, and that he could not lend them out. I have thought that by writing to you on this subject, you perhaps would assist me by speaking of my wishes to the President, and Secretaries of the different Departments, and that for the sake of my work on Ornithology, you could obtain leave to have the M/S of Wm. Clark placed in my hands for a few months in London, where I would copy all such parts, as an intimately accounting with Zoology; (not a word of which has been published) and that these papers might with safety be received by me through the medium of our Minister at London to whom I vouch safe to return the whole as I receive them. - Try and if this is possible, manage this [indistinct] for me. -remember me kindly to your family - to Mr. Woodbury who is also an excellent friend of mine, to Mr. Butler and Mr. Poinsett and believe me even your most truly obliging friend and servant to Col. J. J. Abert, Washington City. John J. Audubon P.J. O. Verso: P. S. Please to write to me at London 4 Wingate Street, Cavendish Square Or Care of Robt. Havell, Engraver 77 Oxford Street, London We sail this morning for Liverpool in the Packet Ship the England Provenance: Provenance: By descent within a New England Family. This remarkable letter highlights John James Audubon's foucused desire to gather ornithological information from all manner of sources as he compiled The Birds of America. Audubon composed this letter the same day he left to travel to London to join his wife and to meet with Robert Havell, Jr., the engraver primarily responsible for the elephant folio edition of The Birds of America. Condition:
• ANNA VAUGHN HYATT HUNTINGTON,
  ANNA VAUGHN HYATT HUNTINGTON, (AMERICAN, 1876-1974), DESCENDING JAGUAR, BRONZE, HEIGHT: 6 1/2 IN.ANNA VAUGHN HYATT HUNTINGTON (American, 1876-1974) Descending Jaguar bronze inscribed Anna V. Hyatt, on base; Gorham Co. Founders 60 038 stamped on base height: 6 1/2 in. bronze Dimensions: height: 6 1/2 in. Condition: Uneven patina, otherwise in fine condition. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• VAUGHN, FLORIDA SWAMP LANDSCAPE,
  VAUGHN, FLORIDA SWAMP LANDSCAPE, O/B, 1936Oil on board painting of a Florida wetland scene with cypress and water birds. Signed "VAUGHN" at lower right corner and dated to 1936. Overall framed size is 16" x 12". Good condition with minor wear. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• AL HIRSCHFELD, SIGNED LITHOGRAPH Al
  AL HIRSCHFELD, SIGNED LITHOGRAPH Al Hirschfeld (American, 1903-2003), "Rhapsody in Blue", with George Gershwin, Thomas Michalak, and Sarah Vaughn, c. 1980, pencil signed lower right and numbered (22/300), 16"h x 12"w (sight), 21.5"h x 17.5"w (frame)
• NORTH TO THE ORIENT SIGNED CHARLES,
  NORTH TO THE ORIENT SIGNED CHARLES, ANNE LINDBERGH Anne Morrow Lindbergh. North to the Orient. Harcourt Brace, 1935, 7th printing, inscribed to Guy & Helen Vaughn (Guy helped develop the engine used by Lindbergh for the 1927 transatlantic flight), and signed by both Anne and Charles, hardcover in jacket, 8.25"h x 5.5"w
• 16) BOOKS: NATIVE AMERICAN, TEXAS
  16) BOOKS: NATIVE AMERICAN, TEXAS HISTORY, HUNTING(lot of 16) Hunting, Texas and Native American historical books, comprising: (1) "Louisiana Duck Decoys," Charles W. Frank, Jr., Pelican Publishing Company, Gretna, 1979, color illustrations, tears to dust jacket, 125 pages; (1) "Navajo Pictorial Weaving 1880-1950: Folk Art Images of Native Americans," Tyrone Campbell and Joel and Kate Kopp, Dutton Studio Books, New York, 1991, color illustrations, retaining dust jacket, 128 pages; (1) "Duck Decoys: How to Make Them, How to Paint Them, How to Rig Them" Eugene V. Connett, III, Durrell Publications, illustrated by Dr. Edgar Burke, 1953, color illustrations, tears to dust jacket, 116 pages; (1) "National Geographic on Indians of the Americas: A Color-illustrated Record," Matthew W. Stirling, National Geographic Society, Washington, D.C., illustrations by W. Langdon Kihn and H.M. Herget, 1955, color illustrations, tears to dust jacket, 432 pages; (1) "The Story of Texas Under Six Flags," Mrs. M.E.M. Davis, Cokesbury Book Store, Dallas, Texas, 1897, tears to dust jacket, 187 pages; (1) "Southwest Writers Anthology," Martin Shockley, Steck-Vaughn Company, Austin, Texas, 1967, pen signed to interior title page, 328 pages, break to spine, (1) "Tall Talk from Texas," Boyce House, The Naylor Company, San Antonio, Texas, illustrated by William Kresse and Vic Lemay, 1944, 104 pages; (1) "The Jalapeno Empire," Joe B. Vogel, Eakin Press, Austin, Texas, 1985, wear to dust jacket, 186 pages; (1) "Horse Tradin'," Ben K. Green, Alfred A. Knopf, New York, 1971, illustrated by Lorence Bjorklund, 1971, signed to interior cover, wear to dust jacket, 304 pages; (1) "Some More Horse Tradin'," Ben K. Green, Alfred A. Knopf, New York, illustrated by Joe Beeler, 1972, signed to interior cover, tears to dust jacket, 255 pages; (1) "Wild Cow Tales," Ben K. Green, Alfred A. Knopf, New York, illustrated by Lorence Bjorklund, 1969, wear to dust jacket, 306 pages; (1) "The Texas Wild Game Cookbook," Judith and Richard Morehead, The Encino Press, Austin, Texas, illustrated by Barbara Mathews Whitehead, 1972, tears to dust jacket, 71 pages; (1) "Decoy Collecting Primer," Paul W. Casson, Paul S. Eriksson, Middlebury, Vermont, 1978, illustrated, 83 pages; (1) "Navajo Rugs: Past, Present & Future," Gilbert S. Maxwell, Best-West Publications, California, 1963, color illustrations, 72 pages; (1) "Austin and Travis County: A Pictorial History, 1839-1939," text by Katherine Hart, The Encino Press, Austin, Texas, 1975, illustrated, tears to dust jacket, 159 pages; (1) "Collecting the West: The C.R. Smith Collection of Western American Art," Richard H. Saunders, University of Texas Press, Austin, Texas, 1988, color illustrations, wear to dust jacket, 212 pages; largest: approx 12.25"h, 10.5"w, 1"d, 22.75lbs total
• AMERICAN PRINTMAKERS ALFRED RUDOLPH
  AMERICAN PRINTMAKERS ALFRED RUDOLPH AND REGINALD VAUGHN1. Alfred Rudolph (1881-1942), lithograph signed by the artist lower right and titled Desert Springtime lower left, .2. Reginald Vaughn (1869-1958,)Desert Landscape - Arizona, drypoint etching signed by the artist in pencil lower right, circa 1930.Image measures 7.75 x 10.75, sheet is 10.25 x 13.5 inches. Image measures 6 x 9.75, sheet is 8.75 x 12 inches.Very good condition, each the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair, unframed.
• FIVE EARLY GLASS BOTTLES 19TH
  FIVE EARLY GLASS BOTTLES 19TH CENTURYFIVE EARLY GLASS BOTTLES, 19th Century, 1) Washington/Taylor in medium brown. Height 5.25". 2) Double-sided eagle with banner in medium brown. Height 6". 3) Vaughn's "Vegetable Lithontripic Mixture" in aquamarine. Height 7.75". 4) Keene food storage jar in brown. Height 4.25". 5) Unmarked quart-size in greenish brown. Height 8.75".
• WWII COMMEMORATIVE LAUNCHING PLAQUE
  WWII COMMEMORATIVE LAUNCHING PLAQUE FOR (U.)S.S. STOKES Consisting of a wooden oval with decorated with gold paint against a velvet ground as follows: "S. S. Stokes Launched August 31st. 1944 Wilmington, N. C. / Mrs W. D. Woodall Sponsor / Maids of Honor Mrs M. M. Armory, Mrs S. L. Vaughn>; the champagne bottle neck from the launching is present with a length of silk ribbon.
• A CONTEMPORARY DECORATIVE ITALIAN
  A CONTEMPORARY DECORATIVE ITALIAN LANDSCAPE WITH SUNFLOWERS Oil on canvas, signed at lower right "Edgar Vaughn," presented in an attractive gilt frame.
• 5 BOOKS ON ART HISTORYA Guide to
  5 BOOKS ON ART HISTORYA Guide to the Collection of the Museum of Fine Arts, Boston, 1999. British Painting: The Golden Age by William Vaughn. The Great Centuries of Painting: The Sixteenth Century, From Leonardo to El Greco. Text by Lionello Venturi, 1956. Binding detached. World History of Art, 1997. Printed in German. 100 Years of Art on the Move, Catalogue by Berlinische Galerie, 1998-1999. Printed in German. From the estate of artist Stanley Lindwasser.
• ANTIQUE GAS OR KEROSENE POWERED
  ANTIQUE GAS OR KEROSENE POWERED DRAG SAWANTIQUE GAS OR KEROSENE POWERED DRAG SAW, Vaughn Motor Works, Portland, Oregon, Type D, s/n 13334, c. 1915.
• ANTIQUE GAS OR KEROSENE POWERED
  ANTIQUE GAS OR KEROSENE POWERED DRAG SAWANTIQUE GAS OR KEROSENE POWERED DRAG SAW, Vaughn Motor Works, Portland, Oregon, engine no. 11715, c. 1915, 85" overall length.
• GEORGE H.W. BUSH, THE AMERICAN
  GEORGE H.W. BUSH, THE AMERICAN PRESIDENTS: THE AMERICAN BICENTENNIAL PRESIDENTIAL INAUGURAL EDITION, SIGNED AND INSCRIBED TO GENERAL POWELL, 1989 10 X 6 3/4 IN. (25.40 X 17.15 CM.)GEORGE H.W. BUSH, THE AMERICAN PRESIDENTS: THE AMERICAN BICENTENNIAL PRESIDENTIAL INAUGURAL EDITION, SIGNED AND INSCRIBED TO GENERAL POWELL, 1989, blue leather bound with gilt spine and cover, with gilt Bush/Quayle inauguration emblem, in blue cloth slipcase, bookplate attached to front free endpaper and inscribed "To: Gen. Colin Powell with great pride in your service to country. Merry Christmas 1989/ George Bush", opposite is color portrait of President Bush and limitation page noting 'This is a specially bound and cased edition of The American Presidents by David C. Whitney revised and updated by Robin Vaughn Whitney published by Doubleday Book & Music Clubs, Inc. for The American Bicentennial Presidential Inaugural January 20, 1989/ This edition is limited to 1000 numbered copies, bearing the signature of President Bush', this copy is unnumbered Catalogue note: This copy was a Christmas gift from President Bush and comes with a notecard with red script 'The President and Mrs. Bush/ Christmas 1989.' Dimensions: 10 x 6 3/4 in. (25.40 x 17.15 cm.) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
• ANNA VAUGHN HYATT HUNTINGTON,
  ANNA VAUGHN HYATT HUNTINGTON, (AMERICAN, 1876-1973), BRONZE"YAWNING TIGER"ANNA VAUGHN HYATT HUNTINGTON, (AMERICAN, 1876-1973), BRONZE"YAWNING TIGER", marked Gorham Co. Founders Q492 #294; According to M. Forrest, Art Bronzes, 1988, (illustrated p. 318) the Gorham & Co. 1928 publication lists Yawning Tiger in two sizes. (This is the smaller size) - h:3.88w:13.25d:3in.
• VAUGHN. COTTAGE IN A LANDSCAPE, OIL
  VAUGHN. COTTAGE IN A LANDSCAPE, OIL ON BOARD Signed ll, 8 x 10 in., framed.
• BLAIR VAUGHN-GRULER (20TH C.):
  BLAIR VAUGHN-GRULER (20TH C.): SHINGLE PAINTING #252012; painted mixed media on board; signed, titled and dated verso; 8 x 6 inches Condition:
• AFTER ANNA VAUGHN HYATT
  AFTER ANNA VAUGHN HYATT HUNTINGTON (AMERICAN, 1876 - 1973) "HORSE" PATINATED BRONZE SCULPTURE OF HORSE HEAD, MOUTH OPEN, EARS BACK,...After Anna Vaughn Hyatt Huntington (American, 1876 - 1973) "Horse" patinated bronze sculpture of horse head, mouth open, ears back, enscribed "AHH, 1937, 3/12" on base, wear consistent with age, 13" h. x 15" w. x 5 1/2" d.
• WILLIE BIRCH (AMERICAN/NEW ORLEANS,
  WILLIE BIRCH (AMERICAN/NEW ORLEANS, B. 1942)Willie Birch (American/New Orleans, b. 1942), "For Sassy (Sarah Vaughn)", 1992, papier-mâché, mixed media and plexiglass, signed, titled and dated on right side, h. 25 5/8 in., w. 21 in., d. 12 5/8 in Provenance: Arthur Roger Gallery, New Orleans, LA; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
• PLAIN WORDS ON CHRISTIAN LIVING
  PLAIN WORDS ON CHRISTIAN LIVING BY CHARLES VAUGHNPlain Words on Christian Living. Author: Charles John Vaughan. Publisher: London: Alexander Strahan, Publisher. Date: 1865
• (17) BOOKS: TEXANA HISTORY
  (17) BOOKS: TEXANA HISTORY SUBJECTS, 7 SIGNED(lot of 17) Books: Texana and Texas history subjects, including: (1) "Inside Texas," by Cactus Pryor, foreword by Walter Cronkite, Shoal Creek Publishers, 1982, author signed with sentiment at title page, 194 pages; (1) "Will's War: A Novel," by Janice Woods Windle, Longstreet Press, 2001, author signed with sentiment at front end paper, 361 pages; (1) "Texas: Armadillos, Lawmakers, Wild Turkeys, Writers, and Other Texas Miscellanea," by Richard Morehead, Eakin Press, 1982, author signed with sentiment at title page, 189 pages; (1) "Caddo Texas: The Biography of a Community," by Rupert Norval Richardson, Abilene Printing and Stationary Company, 1966, author signed with sentiment at title page, 166 pages; (1) "My Dobie Collection," by Jeff Dykes, Texas A&M University press, 1971, author signed at front end paper, numbered 32/300; (1) "New Homes and New Land: German Immigration to Texas 1847-1861," by Ethel Hander Geue, Texian Press, 1970, author signed with sentiment at front end paper, 165 pages; (1) "Spindletop: The Untold Story," by Christine Moor Sanders, 2000, author signed front end paper, 332 pages; (1) "Sam Houston's Texas," by Sue Flanagan, University of Texas Press, 1964, author signed with sentiment at title page, 213 pages; (1) "The Murchisons: The Rise and Fall of a Texas Dynasty," by Jane Wolfe, Saint Martin's Press, 1989, 505 pages; (1) "The Making of a Liberated Mind: John Henry Faulk, A Biography," by Michael C. Burton, Eakin Press, 1993, 220 pages; (1) "The Indians of Texas: From Prehistoric to Modern Times," by W. W. Newcomb Jr., University of Texas Press, 1978, 404 pages; (1) "Texans, Guns, and History," by Col. Charles Askins, Winchester Press, 1970, 246 pages; (1) "Vinegarroon: The Saga of Judge Roy Bean," by Ruel McDaniel, Southern Publishers, 1936, 143 pages; (1) "I'll Die Before I Run: The Story of The Great Feuds of Texas," by C. L. Sonnichsen, Devin-Adair Company, 1962, 371 pages; (1) "J. Frank Dobie: A Portrait of Pancho," by Winston Bode, Steck-Vaughn Company, 1968, 156 pages; (1) "Sam Chance," by Benjamin Capps, Southern Methodist University Press, 1987, 269 pages; (1) "Tom Lea: An Oral History," edited by Rebecca Craver and Adair Margo, Texas Western Press, 1995, 185 pages; largest: 11.25"h, 9"w, 23.7lbs total
• SIGNED VAUGHN OIL PASTEL DRAWING,
  SIGNED VAUGHN OIL PASTEL DRAWING, ABSTRACT FIGUREFramed oil pastel drawing on paper, Abstract Figure, signed lower right Vaughn, sight: approx 24"h, 17.5"w, overall: approx 30"h, 24"w, 8.1lbs
• SIGNED VAUGHN OIL PASTEL ABSTRACT
  SIGNED VAUGHN OIL PASTEL ABSTRACT DRAWING, 1984Framed oil pastel drawing on paper, Abstract Composition, signed upper right Vaughn, dated [19]84, sight: approx 31"h, 23"w, overall: approx 38"h, 30.5"w, 12.2lbs
• SIGNED VAUGHN OIL PAINTING,
  SIGNED VAUGHN OIL PAINTING, ABSTRACT FIGURESFramed oil on canvas painting, Abstract Figures, signed upper left Vaughn, dated 1985, sight approx 26"h, 24"w, overall approx 27"h, 25"w, 5.4lbs
• LOUIS J. FEUCHTER. THREE UNFRAMED
  LOUIS J. FEUCHTER. THREE UNFRAMED GRAPHITE DRAWINGS (American, 1885-1957). 1.) "Schooner Purnell and White Bugeye Vaughn," graphite on paper, initialed and dated "L.F. '32" lr, titled ur, 5 1/2 x 8 1/2 in. 2.) "In Wall Cove-Rock Creek '36," initialed and dated "L.F. '54" lr, titled lc, 8 1/2 x 11 in. 3.) "Montford Yard, '35," initialed and dated "L.F. '54" lr, 8 1/2 x 11 in., unframed.