A few examples of appraisal values for
W B SON

• W/C - Brother and Sister ca
  W/C - Brother and Sister ca Summer 1910 initialed lower left 'SP' in a circle both children are depicted in white wreathed in golden light she in a sailor outfit with large hair bow he in a Russian tunic with knickers in vintage frame with gilt mat
• W
  W
• AFTER WACLAW B. SZCZEBLEWSKI
  AFTER WACLAW B. SZCZEBLEWSKI (POLISH, 1888 - 1956) 16 ¾"H "Le Siffleur". Patinated metal sculpture of a whistling boy, on round socle with title plate, bronze colored face.
• Sonntag Sr. William Louis [American
  Sonntag Sr. William Louis [American Ohio/New York 1822-1900] oil on canvas summer landscape painting with tree lined stream signed l.r. "W.L. Sonntag". 11.5"x19.25"
• Manner of Theodore Wor
  Manner of Theodore Wor
• William Whit
  William Whit
• ''A Boy's Will'' N.Y. 1915
  ''A Boy's Will'' N.Y. 1915 First American Edition Presentation copy signed ''......From Lesley and Robert Frost'' in R. Frost's hand. Provenance: Aunt (Caroline Gay Wilgus) of current owner became a friend of Frost's daughter during the Frost family's stays in Ann Arbor Michigan c. 1910 and received this book from Frost.
• William Zorach (American 1887-1966)
  William Zorach (American 1887-1966) "Father and Son". Linoleum cut print on paper signed in pencil in the lower right margin ca. 1918 apprx. 7-1/2" x 10-1/2" paper size matted and framed under glass overall apprx. 11" x 14-1/2". Acquired from the artist; new to the market.
• A patinated spelter figure of a
  A patinated spelter figure of a boy, "The Whistler"; Vaclaw Bernard Szczevlewski (Polish, 1888). 17"H.
• Hans Sebald Beham (German
  Hans Sebald Beham (German 1500-1550) The Prodigal Son Tending the Swine engraving 3 x 4 1/2 inches.
• W. G. - Watercolour - View of a
  W. G. - Watercolour - View of a corn field with a mother and child 9.5ins x 18.25ins in modern gilt frame and glazed
• Philip Wofford b.1935. Sonar. 1964,
  Philip Wofford b.1935. Sonar. 1964, oil on canvas. 26¾ h × 27¾ w in. result: $1,625. estimate: $600–800. Signed and dated to lower center ‘Wofford 64’. Signed, titled and dated to verso ‘Sonar 1964 Phillip Wofford’. Provenance: Allan Stone Gallery, New York | Collection of Albert Fried, Jr. | Greenville County Museum of Art, South Carolina | Private Collection
• TWO OILS ON CANVAS, PORTRAITS OF
  TWO OILS ON CANVAS, PORTRAITS OF BOYS: A. WERNERTWO OILS ON CANVAS, PORTRAITS OF BOYS: A. Werner (Austria, 19th century) standing young man with bag, signed lower right, image measures 20" x 12"; illegibly signed "L. Stefa..." (Italy, 19th century) a boy with steaming food, sticking out his tongue and pointing, signed lower right, image measures 14" x 11". In wood and gesso frames.
• JOHN SONSINI, (B. 1950,
  JOHN SONSINI, (B. 1950, AMERICAN), "JOSE," 2012, GRAPHITE AND INK ON WOVE PAPER UNDER GLASS, 14" H X 11" WJohn Sonsini, (b. 1950, American) "Jose," 2012 Graphite and ink on wove paper under glass Signed lower sheet edge, at right: J Sonsini; titled and dated near the lower corner of the left sheet edge 14" H x 11" W Provenance: The Blake Bryne Collection Graphite and ink on wove paper under glass Dimensions: 14" H x 11" W Provenance: The Blake Bryne Collection
• SHINE AND WILLIAM "LEROY'S BOYS"
  SHINE AND WILLIAM "LEROY'S BOYS" SONNIERShine and William "Leroy's Boys" Sonnier (American/Louisiana, 20th c.), "Bayou Girl, Bayou Boy", 2006, mixed media, signed, titled, dated and inscribed en verso, 14 1/4 in. x 24 1/8 in., artist-enhanced frame. Condition: Overall good condition. Ext. Frame: 16 in. x 24 5/8 in. x 1 in.
• William Ward, Jr.
  William Ward, Jr. (American/Canadian, late 19th/early 20th century) Brittany Fisherman, signed lower left "William Ward Jr." and signed, titled and inscribed "6084" verso, oil on canvas board, 11-7/8 x 15-7/8 in.; 20th-century painted wood frame,
• W.W.I. Poster ''Colored
  W.W.I. Poster ''Colored Men...True Sons ofFreedom'' along with photo of soldier and insignia scarce poster.
• AFTER ANDREW WYETH (PA, 1917-2009),
  AFTER ANDREW WYETH (PA, 1917-2009), ALBERT'S SON Offset print in colors, with ink signature lower margin, accompanied by certificate by outside gallery regarding signature, matted and framed.
• TERESA WELCH BAKSA
  TERESA WELCH BAKSA (MASSACHUSETTS, CONTEMPORARY), “MOTHER & SON”., OIL ON LINEN, 8” X 10”. FRAMED 12” X 14”.TERESA WELCH BAKSA, Massachusetts, Contemporary, "Mother & Son". Signed lower left "Baksa". Titled on gallery label verso. Dimensions: Oil on linen, 8" x 10". Framed 12" x 14".
• William Louis Sonntag, Jr. (New
  William Louis Sonntag, Jr. (New York, 1869-1898), \"The Night Scavenger\", signed lower left \"W. Louis Sonntag, Jr.\", watercolor and gouache on artist board, 21-1/4 x 14-1/4 in., carved and gilt silver frame,
• Paul Wiesenfeld (American,
  Paul Wiesenfeld (American, 1942-1990) Self Portrait with Daughter, 1980 oil on linen signed Wiesenfeld (lower right) 48 x 65 inches.
• SY WENGROVITZ (AMERICAN 1929-2021),
  SY WENGROVITZ (AMERICAN 1929-2021), LONDON BOY JACKET, CARVED BASSWOOD SCULPTURE, STAMPED ON VERSO, 31 X 26 X 4 IN. (78.7 X 66 X 10.2 CM.)Sy Wengrovitz (American 1929-2021), London Boy Jacket, Carved Basswood Sculpture, Stamped on Verso,, Dimensions: 31 x 26 x 4 in. (78.7 x 66 x 10.2 cm.)
• SZCZEBLEWSKI V. Bronze Sculpture
  SZCZEBLEWSKI V. Bronze Sculpture ''MousseSiffleur'' or Whistling Boy. Signed V. Szczeblewski. From an East 63rd Street NYC home. Dimensions: 17'' high. Condition: Good original brown patina.
• William Glackens
  William Glackens (Pennsylvania/New York, 1870-1938) Boy Leaning Against a Wall, signed lower left "W. Glackens", charcoal, ink and ink wash on paper, 14-3/8 x 11-1/8 in.; gilt wood frame,
• Eduard Weber (B. 1865) Bronze
  Eduard Weber (B. 1865) Bronze Sculpture Sgn. Weber. Boy holding ball on marble base.Condition: Original patina. Base repaired.Dimensions: Ht. 11''E
• WITKIEWICZ Stanislaw Ignacy (Polish
  WITKIEWICZ Stanislaw Ignacy (Polish 1885-1939): Abstract Portrait Pastel Sight size 23 3/4'' x 17 3/4'' signed lower left dated 1936 painted frame 28'' x 22 1/4''.
• WILLIAM WEGMAN (b. 1943): CUB
  WILLIAM WEGMAN (b. 1943): CUB SCOUTS Lithograph in color 15 x 22 3/4 in. signed in pencil titled numbered 23/30 and dated '86.
• WIMBUSH, Henry Bowser, (American,
  WIMBUSH, Henry Bowser, (American, 1858-1943): 1) Menton Vue Generale Les Roches Rouges, Coastal Scene with Town in Distance and Boy in Foreground Playing in Water, Watercolor, sight size 6.75'' x 10.75'', titled on mat, signed lower right, framed, 12.5'' x 16.25''; 2) Cannes Le Casino Municipal, Watercolor, sight size 6.75'' x 11'', signed lower left, titled on mat, framed, 12.5'' x 16.25''.
• WILLIAM LOUIS SONNTAG JR. (1869 -
  WILLIAM LOUIS SONNTAG JR. (1869 - 1898 AMERICAN)William Louis Sonntag Jr. (1869 - 1898 American) "Landscape with Wrecked Boat" watercolor on paper signed lower left "Sonntag Jr" 14" x 20" Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale.
• Charles Kenyon (American,
  Charles Kenyon (American, 1853-1965) "My Son, the Suitor Arrives", first quarter 20th century, depicting a galants scene in a park in the Louis XV style, signed lower left, 24" x 36". Presented in a good, period, carved giltwood and plaster frame in the Louis XV style.
• John Woodrow Wilson (1922-2015
  John Woodrow Wilson (1922-2015 American) ''Child with Father'' 1968 Lithograph 10''x13.75'' Image. A scarce image of an African American child. Pencil signed, titled and numbered 38 of 54 edition lower margin. Sheet size 16''x20''. Full margins with publisher's blind stamp lower left corner. Slight mat line around image. Strong colors. Loose, unframed. There is an example of this print in the Smithsonian American Art Museum.
• WORK ON PAPER, ROBERT WYLAND Robert
  WORK ON PAPER, ROBERT WYLAND Robert Wyland (American, b. 1956), Breaching Humpback, 2004, ink on Arches paper, signed lower right, sheet: 30.5"h x 23"w, overall (with frame): 44.75"h x 37"w
• EXHIBITED 1962 W. DRAPER PORTRAIT
  EXHIBITED 1962 W. DRAPER PORTRAIT OF SON "WILLY"William Franklin Draper American, 1912-2003), "Willy" oil on canvas, 1962. Signed "Wm. F. Draper '62" on lower left. A large-scale portrait by American award-winning portraitist William Draper, depicting his son and namesake William "Willy" Jr. who was a star tennis player in his teens and went on to teach at the Georgia Tennis Club in East Hampton, Long Island. William Jr. is presented as a handsome nineteen year old, sitting with his arms on the rails of a chair, and gazing toward his left. He wears a patterned blue and beige sweater over a sky blue polo shirt with khaki shorts. The blue hues of his garments beautifully match his twinkling bright blue eyes, a trait he shared with his father. A wonderful portrait of the artist's son, set in an attractive custom frame. Size of painting: 41.5" L x 27.5" W (105.4 cm x 69.8 cm) Size of frame: 49.875" L x 35.875" W (126.7 cm x 91.1 cm) Though a respected as "an artistic descendant of John Singer Sargent" - noted for his expressive style and freely brushed and textured paintings, Draper once said, "Portraits are always a challenge. It's like a puzzle." According to Edgar J. Driscoll, Jr's memorial statement, "Paul E. Curran, a friend of 20 years, said a Draper portrait was a 'five day affair,' begun on Monday and wrapped up Friday afternoon. Before he finished, he always got an objective opinion of the piece from someone who knew his subject. 'He'd get an opinion of how well he portrayed the individual,' Curran said." Peter Rathbone, Director Emeritus of the Boston Museum of Fine Arts, whose portrait Draper also painted stated, "Nature endowed William F. Draper with enough talents to require him to choose among them before embarking on a professional career. Yet to those who know him, it is hard to imagine that any natural bent could rival his personal endowment as a painter of portraits . . . Draper's painting belongs to the tradition of Sargent. Like Sargent's, his style is fluid with virtuoso brushwork as the identifying characteristic. Like Sargent, the preparation of the painting by Draper is all in the artist's eye. Unlike Sargent's detachment, Draper's understanding and love of people and his appreciations of physical subtleties are happily projected into his work. These traits are the source of the warmth and vitality of his portraiture. They are also the reasons why his portraits are fine likenesses. And it is not too much to say that something of his own vibrant personality is reflected in everything he paints." ("Portraits Period" by Portrait Brokers of America, 1990, p. 46) William Draper's career spanned seven decades and his subjects included a portrait of John F. Kennedy that hangs in the National Portrait Gallery in Washington D.C. based upon an oil sketch for which the president sat in 1962. Draper was actually the only artist who painted JFK from life. Draper showed at Knoedler, the Graham Gallery, Portraits, Inc., the Far Gallery, The Findlay Galleries (New York, NY) and the Robert C. Vose Galleries (Boston, MA). His work has been included in shows at the National Portrait Gallery and the Corcoran Gallery of Art (Washington, D.C.), The National Academy of Design (New York, NY), The Boston Museum of Fine Arts, (Boston, MA) the Fogg Art Museum, (one of the Harvard Art Museums, Cambridge, MA), the National Gallery, (London), Salon de la Marine (Paris) and in museums in Australia. He also taught at the Art Students League of New York, and received a lifetime achievement award from the Portrait Society of America in 1999. More on the artist's background: William Franklin Draper was born in Hopedale, Massachusetts on December 24, 1912. A child prodigy, he studied classical piano at Harvard University. He later changed his focus to fine art and studied with Charles Webster Hawthorne and Henry Hensche in Provincetown, Rhode Island. Draper also attended the National Academy of Design in New York and the Cape Cod School of Art in Massachusetts. Then he traveled to Spain and studied with Harry Zimmerman, moved on to France and attended the Academie de la Grande Chaumiere. In 1937, he moved to Boston to study sculpture with George Demetrius and also studied with Jon Corbino in beautiful Rockport, Massachusetts. In 1942, Draper joined the Navy and served as a combat artist when stationed on the Aleutian Islands and in the South Pacific. He observed and painted battle scenes on Bougainville, Guam, Saipan, and other locations, as well as genre scenes of soldiers who were not engaged in combat but rather at work and at play. National Geographic magazine reproduced 25 of his war images in four issues in 1944. In 1945, the Corcoran Gallery of Art in Washington D.C. organized a group exhibition of works by five official war artists, including Draper. That same year the Metropolitan Museum of Art included Draper in an exhibition entitled, ''The War Against Japan.'' Draper was also featured in a PBS television show about combat artists entitled, "They Drew Fire" in May of 2000. After the war, Draper opened a studio on Park Avenue in New York City and continued to not only paint, but also play classical and jazz piano. On the verso are two exhibition labels, one from Portraits, Inc. in New York City and another from FAR Gallery in New York City. This piece has been searched against the Art Loss Register database and has been cleared. The Art Loss Register maintains the world’s largest database of stolen art, collectibles, and antiques. Provenance: The William F. Draper Collection, New York City, USA, acquired via descent from the late William Franklin Draper (1912-2003) All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #152319 Condition: Portrait is in excellent condition. Signed "Wm. F. Draper '62" on lower left. On the verso are two exhibition labels, one from Portraits, Inc. in New York City and another from FAR Gallery in New York City. Draper Estate stamp on verso as well. Frame has some inactive insect holes and age wear with scuffs, abrasions, and nicks/chips as shown. Minor stains on verso of framing that do not interfere with the painted portrait. Perforations on verso of frame, likely from previous display.
• Large colored tintype of a young
  Large colored tintype of a young boy standing next to a chair and mounted in a daguerreotype type oval frame. 13"x19.5"
• WITOLD LESZEK KACZANOWSKI
  WITOLD LESZEK KACZANOWSKI (POLISH/AMERICAN, B. 1932) #2131 oil and c-print on canvas board.
• WITOLD LESZEK KACZANOWSKI
  WITOLD LESZEK KACZANOWSKI (POLISH/AMERICAN, B. 1932) #2165 oil and c-print on canvas.